After years of speculation and growing excitement, former One Direction star Zayn Malik finally performed his first concert, marking a significant milestone in his journey as an independent artist.
The sold-out concert was held on Friday, May 17, at London’s Shepherd's Bush Empire.
It was not only the singer’s first-ever headlining solo gig but also his first concert since he left One Direction in 2015.
Malik took the stage to perform songs from his latest album, Room Under the Stairs.
In fan-captured footage, Malik told the electric crowd, “I missed this.”
Malik himself took to Instagram to share videos from his performance. He spoke to his fans in a voiceover.
“I don’t even know where to start. Thank you would be the first. For all of your love and support over the years. None of this would have been possible,” he said. “Thank you for waiting. I know it took a while, but we’re here now. So this is an exciting night. I’m very grateful for you all, and I hope you have a great night tonight.”
Since his departure from One Direction, Malik has been on a transformative journey, both personally and professionally.
After he first went solo in 2015, the musician scheduled several live performances (including a charity concert appearance in Dubai and, memorably, a set at Summertime Ball 2016) but pulled out of the events, citing social anxiety.
In an official statement announcing his withdrawal from Summertime Ball, Malik said, “Unfortunately, anxiety, which has haunted me throughout the last few months around live performances has got the better of me,” adding that “with the magnitude of the event, I have suffered the worst anxiety of my career.”
“I cannot apologize enough, but I want to be honest with everyone who has patiently waited to see me. I promise I will do my best to make this up to everybody I’ve let down today. I know those who suffer from anxiety will understand, and I hope those who don’t can empathize with my situation.”
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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