Harri, whose real name is Harikrishnan Keezhathil Surendran Pillai, is the designer whose striking oufit Sam Smith wore to the 2023 Brit Awards. The renowned British singer donned a bespoke, all-black latex ensemble featuring billowing shoulders and trousers, along with a pair of matching high-heeled boots.
Taking to his Instagram account Harri posted, "What would you call this look? #michelinman."
This isn't the first time Harri or his work has caught the media's attention. He went viral in 2020, just before the pandemic, with his London College of Fashion graduate collection that included inflatable latex trousers that were nicknamed "balloon pants" by the media.
His collection's success led to his nomination for the British Fashion Council's Newgen programme, which has previously supported designers like Priya Ahluwalia who is a London-born designer of Indian and Nigerian heritage.
Following his graduation with a master's degree in menswear in June of the same year, Harri launched his namesake brand and started working from London and New Delhi.
In September 2022, he made his debut at London Fashion Week, showcasing his Spring/Summer 2023 collection on the opening day of the event.
Currently, he experiments with exaggerated proportions and alternates between various materials and sculptural forms.
According to the London Fashion Week website, "Building on personal yet universal themes taken from classical and surrealistic contexts, he focuses on the duality between the notion of clothing as an art and a mimetic practice."
Despite being raised in a small village in southern Kerala with no exposure to fashion, Harri told Vogue India before his London Fashion Week show, “My dad used to do artwork for local commercials, which inspired me to sketch and visualise things from a very young age."
In 2012, he enrolled at the National Institute of Fashion Technology (NIFT) in Bangalore, India, before assisting Indian designer Suket Dhir in New Delhi and eventually pursued further studies at the London College of Fashion.
It was apparently humour that sparked the idea for the "balloon" trousers, although the response to his work has been serious.
The designer told Vogue that the initial idea for the trousers came from a humourous thought of "visualising myself from my dog's perspective and considering how he sees me". 'Am I like a giant figure with big legs and a small head?'
Harri's consideration of his dog's perspective sparked a range of ideas for shapes that were anatomically impossible. He was then motivated to search for a material that could fulfill those proportions.
Harri opted to work with latex due to several reasons. First, it is plant-based and a less-polluting alternative to leather. It also provides greater flexibility and stretch in comparison to cow's hide or PVC.
Harri's design was a one-of-a-kind look that caught the attention of MC Hammer, who reached out to him.
Harri reflected that his collection was launched at the start of the pandemic. However, the collection was able to bring a smile to people's faces. For Harri, this was the essence of his work. He added that people were not focused on the material or technicalities of the design. Rather, they saw an image, which is the core of his style - an approach to fashion that emphasises the creation of powerful visual images.








Curator Emma Slocombe with ikat robes and arabachi coats in the Peter the Great Room in Blickling Hall Amit Roy
View of the entrance to Blickling Hall on a rainy autumn dayAmit Roy
Kente cloth from Ghana in the Long Gallery in Blickling Hall
Decoration in the Great Hall at Blickling Hall Amit Roy
Palampore fragment made in coastal south-east India in the Brown Room in Blickling Hall Amit Roy
Bed valance dating from early 1700s in the Italian Print Room at Blickling Hall Amit Roy
Indian inspired fabric draped on sofas in the South Drawing Room in Blickling Hall Amit Roy
Indian inspired fabric draped on sofas in the South Drawing Room with Indian carpet in Blickling Hall Amit Roy
Karun Thakar has picked out the geometric patterns in the bookcase and the Kente cloth in the Long Gallery in Blickling Hall Amit Roy
Large tapestry depicting Peter the Great defeating the Swedish army at the Battle of Poltava in 1709 Amit Roy
ikat robes and arabachi coats in the Peter the Great Room in Blickling Hall Amit Roy
Baghs and kanthas made by women provide contrast to the men only portraits in the Great Hall at Blickling Hall Amit Roy
Baghs and kanthas in the entrance Great Hall at Blickling Hall Amit Roy
Baghs and Kanthas in the Great Hall in harmony with stained glass window at Blickling Hall Amit Roy
Kimonos reflect Japanese influence in Upper Ante Room in Blickling Hall Amit Roy
Kimono in Upper Ante Room in Blickling Hall
A view of the Palace and fort at Agra shows romantic side of India Amit Roy
Blickling Hall Amit Roy
Table carpet, European 1670-1680 Amit Roy
Unfinished 17th century Italian embroidery in the Print Room at Blickling Hall Amit Roy
Picture of Kashmir shows a romantic view of India Amit Roy
A panel of Ashburnham bed hangings made in Gujarat for sale in Europe in the Brown Room in Blickling Hall Amit Roy
Colcha made in the 1600s by women in Bengal for the Portuguese market in the Long Gallery at Blickling Hall Amit Roy



