Hrithik Roshan and Tiger Shroff will be seen together on the big screen in YRF’s War. The trailer of the film has impressed one and all, and Hrithik and Tiger’s fans are eagerly waiting for the film. While in the trailer we can see Hrithik and Tiger doing a lot of action, soon we will get to see them shaking a leg together.
Yes, after Ghungroo, now the makers of War are all set to release the second song of the film titled Jai Jai Shivshankar. Hrithik and Tiger, both the actors are fantastic dancers and we are sure it will be a treat to watch them dancing together.
YRF took to Twitter to announce that the song will be out tomorrow. They tweeted, “.@iHrithik & @iTIGERSHROFF are coming together to set the dance floor on fire! #TeamHrithik & #TeamTiger gear up to celebrate with #JaiJaiShivshankar SONG TOMORROW ??? @Vaaniofficial @VishalDadlani @ShekharRavjiani @Benny_Dayal #Kumaar @BoscoMartis @csgonsalves #SiddharthAnand.”
— (@)
Well, we wonder if the song is the recreated version of the track Jai Jai Shiv Shankar from the film Aap Ki Kasam. The track featured Rajesh Khanna and Mumtaz, and it is still a popular song.
The first song Ghungroo was also said to be a recreated number. However, recently while interacting with the media, War director, Siddharth Anand denied that the song is recreated version. He stated that the whole track is new and they have just taken the hook phrase from a song that was composed many years ago.
Produced by Aditya Chopra, War also stars Vaani Kapoor and it will be hitting the screens on 2nd Oct 2019. War is undoubtedly one of the most awaited films of the year and it is expected to take a bumper opening at the box office.
NAGA MUNCHETTY is reportedly preparing to leave BBC Breakfast, with her representatives in talks with LBC for potential new opportunities, according to reports.
The development comes a day after Munchetty was named the fourth highest-paid woman at the BBC. The broadcaster’s annual pay disclosure showed her salary in the £355,000 to £359,000 range, which includes her work on Radio 5, reported Express Online.
Reports suggest Munchetty is considering leaving following a bullying probe involving BBC Breakfast. While show director Richard Frediani was investigated for his “draconian” management style and alleged misconduct, the fallout also brought attention to Munchetty’s conduct.
A source told The Sun: “The fallout of Frediani’s investigation created a stark ‘him or her’ narrative on Breakfast with Naga flung to the front line. The fact is she loves the BBC and her job but there’s only so much external noise anyone is prepared to take.”
The source added that Munchetty’s team recently resumed discussions with LBC: “LBC would suit her well as the focus remains on news-led broadcasting... Her team last week renewed historic talks with the Global radio station.”
Frediani has returned to work following a period of leave. The BBC told Express.co.uk: “While we do not comment on individual cases, we take all complaints about conduct at work extremely seriously.”
Munchetty currently co-hosts three days a week with Charlie, who is reportedly on £190,000, while Sally Nugent earns £200,000 and Jon Kay £240,000.
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She is wearing a turquoise dress with a rainforest-themed print featuring monkeys, toucans, and lemurs
Queen Camilla turns 78 and is expected to celebrate privately at home
Official birthday portrait taken at Raymill House, Wiltshire
Outfit features rainforest-themed print; jewellery includes iconic diamond ring
Recent royal duties include state visits, Trooping the Colour, and military engagements
Appointed Vice Admiral of the UK on the same day
Queen Camilla marks birthday with relaxed countryside portrait
A new photograph of Queen Camilla has been released by Buckingham Palace to mark her 78th birthday. The image, captured by royal photographer Chris Jackson, shows the Queen leaning on a metal gate in a field at her private home, Raymill House, in Wiltshire.
She is wearing a turquoise dress with a rainforest-themed print featuring monkeys, toucans, and lemurs. Her accessories include gold drop earrings, her wedding band, a five-carat emerald-cut diamond engagement ring, and a distinctive gold ring composed of circular plaques.
Private birthday after a year of public engagements
Unlike last year, when Queen Camilla carried out official duties on her birthday during the State Opening of Parliament, this year’s occasion is expected to be celebrated in private.
The photo, taken earlier this month, provides a personal glimpse of the Queen in a more relaxed setting, offering contrast to a busy few months of public service.
A year of significant royal activity
Earlier this year, Queen Camilla and King Charles III celebrated their 20th wedding anniversary. Despite the King’s ongoing cancer treatment, the couple have maintained a strong presence in national and international events.
Recent engagements have included:
Hosting French President Emmanuel Macron during a UK state visit
Attending Trooping the Colour in June
Visiting Canada in May for the opening of the country’s parliament
This week, the Queen also visited a children’s hospice in Devon and HMS Astute, a nuclear-powered Royal Navy submarine, docked in Plymouth.
A one-of-a-kind birthday gift from the Royal Navy
While aboard HMS Astute, Queen Camilla received a unique birthday present from Commander Christopher Bate: a roll of clingfilm mounted in a commemorative holder. The material had previously been used to fix a defect in the submarine’s main engines. A plaque on the holder read: “Clingfilm keeping nuclear submarines at sea.”
Camilla appeared amused and appreciative, remarking: “There's nothing more useful, brilliant, how wonderful.”
Royal Navy honour on birthday
On the same day as her visit to HMS Astute, it was announced that Queen Camilla had been appointed Vice Admiral of the United Kingdom. The honorary military title recognises her continuing support of the Royal Navy and its service personnel.
The new portrait and the appointment reflect both the personal and public aspects of Queen Camilla’s evolving royal role as she enters her 79th year.
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A view of a flooded water after the heavy monsoon rain in Hyderabad city, 50 millimeter rain recorded here in Pakistan's Hyderabad on 14 July 2025 (Photo: Getty Images)
AT LEAST 54 people have died in the last 24 hours due to heavy monsoon rain in Pakistan, the country’s disaster management agency said on Thursday. The latest fatalities have pushed the overall death toll since the start of the monsoon season in late June to around 180.
Heavy rain has continued almost non-stop across parts of Punjab province since Wednesday morning, leading to urban flooding and house collapses.
Authorities have ordered residents living in low-lying areas near the Nullah Lai river in Rawalpindi, adjacent to Islamabad, to evacuate due to a sudden rise in water levels.
Some evacuations have already been carried out in areas close to the river, while rescue teams are on standby for further evacuations, a spokesperson for the disaster agency said.
“Residents of vulnerable areas should prepare emergency kits with food, water, and essential medicines for three to five days in case of an emergency,” the National Disaster Management Authority (NDMA) said in an alert.
The Rawalpindi administration announced a public holiday on Thursday to keep people indoors. The national meteorological department has forecast heavy rainfall to continue until Friday.
“In the last 24 hours, 54 people were killed and 227 injured across Pakistan, with the majority of fatalities reported from Punjab,” the NDMA spokeswoman told AFP, adding that the numbers were compiled at 8:00 am (0300 GMT) on Thursday.
According to NDMA, nearly 180 people have been killed and around 500 injured since the monsoon began on 26 June. Among the dead are 70 children.
Most of the deaths have resulted from house collapses and sudden flash floods. Several people were also electrocuted.
The monsoon brings 70 to 80 per cent of South Asia’s annual rainfall and typically runs from June to September across India and Pakistan.
The rains are crucial for farming and food security and support the livelihoods of millions of farmers, but they also cause widespread damage every year.
South Asia is witnessing rising temperatures and changing weather patterns, though scientists remain uncertain about how exactly climate change is affecting the region’s complex monsoon system.
Pakistan, with a population of 255 million, is considered one of the most climate-vulnerable countries in the world and is facing extreme weather events more frequently.
In 2022, floods caused by monsoon rains submerged one-third of the country and killed 1,700 people.
Singer-actor behind viral hit Sadqay reflects on his breakout year
New track Dheema Dheema hits 170K views in just two weeks
Opens up about juggling acting and songwriting, and his 2025 plans
Stresses importance of enjoying the process and learning from early mistakes
Draws inspiration from iconic Pakistani music and Punjabi roots
From viral sensation to balancing dual careers
The young artist behind the runaway hit Sadqay, which has now clocked over 44 million views, says the song’s success took him completely by surprise. “We had no idea it would go global,” he shared in a candid conversation, adding that while he always believed in the track, the scale of its reception was “overwhelming”.
What followed was a year of fast-moving highs, with growing recognition both within his home country and internationally. “You work towards something, and when it happens, you almost don’t know how to react.”
- YouTube YouTube/ EasternEye
A lighter, dance-driven follow-up: 'Dheema Dheema'
His latest release, Dheema Dheema, has already picked up over 170,000 views within two weeks. In contrast to his more emotionally resonant previous work, the artist describes this new song as “pure vibe” — a carefree, dancey track born out of an in-studio jam session with friends.
“After doing a string of love songs post-Sadqay, I felt like going back to that Afrobeat-inspired, danceable sound,” he said. “This track gave me the chance to actually dance in a music video, which I really wanted to do.”
Writing music vs. acting: which feels more fulfilling?
Having grown up in front of the camera, transitioning into music might seem like a leap, but he sees both worlds as creatively rewarding. However, he admits that songwriting offers a different kind of fulfilment.
“With acting, you’re relying on the director, the edit, the audience’s perception. Music is more personal. When you write a song and get it right, you already feel like you’ve won,” he said.
Navigating fame, pressure, and shared responsibility
When asked whether he feels the weight of representing young South Asian creatives, he responded humbly: “If I were the only one, maybe I would. But the burden is shared. Artists like Hassan Rahim and Young Stunners are doing amazing work. That makes it lighter.”
He credits the current wave of South Asian talent for building a sense of community, rather than competition.
Looking ahead: acting projects, music collaborations, and live shows
With a busy 2025 already underway, the artist shared that he’s learning to balance both acting and music. A television drama featuring him is set to release next month, alongside plans for new music collaborations.
He also teased a full live show season later this year, with performances lined up for November and December, marking what could be his first proper tour in his home country.
Offstage, grounded and reflective
When asked what fans might not know about him, he pointed to a key lesson he’s learned the hard way: “Don’t take too much stress too early. It affects your decisions and journey. You need to enjoy what you’re doing — that joy is what others feel too.”
He also shared his deep connection with old Pakistani music, citing classics like Adat by Atif Aslam and Aitebar by Vital Signs as favourites. “Those songs shaped my sound,” he said, adding that he draws heavily from Punjabi influences as well.
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The Sage iPhone blocks internet searches and prevents downloads of popular platforms
New iPhone for children removes access to web browsers, games and social media apps
Sage Mobile device costs £99/month, significantly higher than standard contracts
Designed to support "real life" connection and reduce smartphone addiction
Launch coincides with new UK age-verification laws for online pornography
Critics question pricing and accessibility for low-income families
Techless launches Sage iPhone with strict content controls
A new iPhone designed specifically for children has launched in the UK, promising to offer a safer digital experience by stripping out web browsing, gaming, and social media access. Priced at £99 a month, the Sage Mobile device aims to give parents more control over their child’s phone usage, but the high cost is already raising concerns.
The device, marketed by US company Techless, is a modified iPhone 16 that runs custom software designed to severely limit access to distracting or harmful content. Unlike typical handsets, the Sage iPhone blocks internet searches and prevents downloads of popular platforms like Instagram, TikTok, and Snapchat. The launch reflects growing parental concern around managing children’s digital habits and online safety.
Designed to reduce screen time and promote real-world connection
According to Techless founder Chris Kaspar, the default digital environment on most smartphones is inherently unsafe for children. “Right now they are selling cars without seatbelts,” he said. “We want the defaults to be safe and healthy.”
Kaspar says Sage Mobile is designed to help children "reconnect with real life," rather than simply reduce screen time. The curated app store available on the device only permits access to tools considered essential and educational, such as calendars, banking apps, weather, public transport, and school-related functions. There is no access to a general web browser or app marketplace.
In the US, where a similar model has already been released, average usage among children was reportedly limited to between 15 minutes and an hour per day. This contrasts sharply with UK data, which shows children aged eight to 14 typically spend nearly three hours a day on smartphones.
Coincides with stricter age-verification laws
The launch of the Sage Mobile iPhone comes as the UK prepares to enforce stricter online age verification requirements for accessing pornography. The timing, Techless suggests, is a deliberate response to mounting legislative and public pressure to protect children online.
The high cost of the Sage device — over double that of a standard iPhone on a two-year contract — is explained by the company as a result of the features it removes. Typical handsets rely on data tracking and app downloads for ongoing revenue, which are not present in this model. The £99 monthly price covers a flexible contract that can be cancelled at any time, along with the cost of maintaining the restricted platform.
Limited demand expected due to pricing
Despite the safety features, industry analysts believe demand will remain niche. Thomas Husson, principal analyst at Forrester, said: “Until now, this is still a niche market and people, especially parents, are not ready to pay a significant premium for a dumb phone.”
Sage Mobile joins a small group of similar offerings, such as Pinwheel and Balance, that aim to provide stripped-back smartphone alternatives for children and teenagers. These devices often appeal to parents who are concerned not only with screen addiction, but with exposure to inappropriate content, online predators, and mental health risks.
Research has shown that problematic smartphone use among children doubles the risk of anxiety and nearly triples the likelihood of depression compared to children who use phones in a more moderate manner.
Parental demand vs affordability
Advocates of phone-free or reduced-tech childhoods say the demand for safer devices is real. Daisy Greenwell, co-founder of the Smartphone Free Childhood campaign, acknowledged the product’s appeal but questioned its accessibility.
“There is real demand for something like this from parents, especially of teens who don’t want to be lumbered with a phone that sticks out like a Nokia,” she said. “But the price will be prohibitive for most people. It’s children from low-income families who are most at risk from harm online and £99 a month is out of their range.”
Greenwell added that while the intentions behind Sage Mobile are commendable, wider systemic change is needed. "The government must make stronger policies to protect all children and not just those whose parents have enough money to do it themselves."
With smartphone addiction and online harm increasingly in the spotlight, the Sage Mobile iPhone represents a high-end attempt at rethinking how children engage with technology. Whether that vision can be democratised remains an open question.