In a court session on Friday (09), witness testimonies shed light on a nurse who is presently undergoing trial for the alleged murder of seven babies at a UK hospital. The testimonies depicted her as a "very calculating woman" who was deemed responsible for the tragic deaths of "many children".
Lucy Letby, aged 33, faces additional charges of allegedly attempting to cause harm to 10 other babies in the neo-natal unit of the Countess of Chester Hospital located in northwest England where she was employed.
However, Letby firmly refuted the accusations of harming any children.
"You are a murderer... You have murdered many children," prosecutor Nick Johnson said in an exchange with Letby on the final day of her cross-examination at the Manchester Crown Court.
"I have never murdered a child or harmed any of them," she replied.
Letby stands accused of deliberately harming newborns through various methods between June 2015 and June 2016, which allegedly included administering injections of insulin, air, or milk.
After being removed from the neo-natal unit in July 2016, she continued her employment at the hospital, albeit in clerical roles, until her arrest two years later.
During the court proceedings, Letby expressed a sense of "isolation" following her transfer from the unit and claimed that she was only permitted to communicate with a limited number of colleagues.
Prosecutor Johnson said Friday that Letby's social diary at the time was "peppered with you out socialising with lots of different people on that unit".
Letby agreed with his assertion that she had a "very active social life".
"You are a calculating woman aren't you Miss Letby? You tell lies deliberately, don't you?" Johnson continued.
He said Letby lied "to get sympathy from people" and "to get attention from people".
Letby replied to his questions with a simple "no".
During her testimony in the witness box last month, Letby revealed her longstanding desire to work with children and expressed deep distress upon learning that she was being accused of causing the deaths of the babies.
The charges against Letby include seven counts of murder and 15 counts of attempted murder, as she is alleged to have made multiple attempts to harm certain children.
The trial, which has been ongoing since October, will continue next week.
Mohanlal kept it timeless in a crisp mundu and shirt
Prithviraj & Supriya Menon looked like the perfect festive album shot
Malavika Mohanan brought in a twist with her kasavu saree with traditional jewellery
Malaika Arora embraced Kerala’s spirit with a kasavu saree, temple jewellery, and a warm Sadhya
R. Madhavan & Sarita Birje showed coordinated elegance in mundu and saree
Festivals tell their own stories. Sometimes it’s not in the captions, not even in the feasts, but in the clothes, the smiles, and the way people carry tradition without trying too hard. Onam this year gave us just that: celebrities, often dripping in designer labels, strip it back to something pure, elegant, and powerfully rooted.
Here’s who absolutely nailed the Onam vibe.
Mohanlal: The godfather in white
The man does not need to try. In a simple, crisp white mundu. Simple shirt. A straight camera greeting. That is it. No frills, no staged glamour. Just the veteran looking like the festival itself: timeless.
Prithviraj in a mundu with a printed shirt. Supriya in a kasavu saree with a gold border, her jewellery adding the final shine. The picture looked less like a posed post, more like a family album moment you would want to keep.
While others went classic, Malavika played. She wore a cream-white kasavu saree with a golden border, the drape beautifully, turning the attire into almost a contemporary painted canvas. Paired with ethnic gold jewellery, parted loose hair, her styling was classy, traditional and on point.
Bollywood meets Kerala elegance. Malaika in a kasavu saree, gold border flowing, finished with temple jewellery. Add to that a banana leaf sadhya moment with her mother Joyce also in kasavu. Warm, rooted, real. She got the spirit, not just the outfit.
R. Madhavan & Sarita Birje: The coordinated class act
The couple matched steps in traditional wear, smiling in sync. Madhavan in mundu, Sarita in saree, it felt celebratory without being curated. Just a family, a festival, and a frame that spoke togetherness.
Onam does not need long stories. A mundu tucked neatly, a kasavu saree draped with care, a smile that feels familiar, that is enough. That simple, handwoven kasavu cloth does something interesting. It momentarily strips away the movie star, the influencer, the Bollywood diva. For a second, they all just look… Malayali. Connected. Because no matter how famous you get, some looks just feel like coming home.
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Armani began as a window dresser in Milan before sketching suits for Nino Cerruti.
In 1975, he launched his own label by selling his car, sparking a quiet fashion revolution.
His unstructured suits redefined power dressing for men and women in the 1980s.
From American Gigolo to the Oscars, Armani became Hollywood’s style signature.
He built a global empire yet stayed hands-on, shaping fashion until his final days at 91.
It’s strange to think Armani once stood behind a shop window, fixing mannequins instead of red carpets. He wasn’t born into Milan’s glittering salons or stitched into privilege. His journey started with burns from a war shell, with a mother who made scraps look elegant, with a young man who quit medical school because he couldn’t quite see his future in blood and bandages.
From there, he picked up fabrics, cuts, and the quiet dream of building something lasting. And against all odds, he did. You know his clothes. You’ve seen that look, the effortless drape of a jacket, the quiet confidence of a suit that doesn’t scream but whispers luxury. Giorgio Armani, who left us last year at 91, wasn’t just a designer, he rewrote how the world dresses. These ten chapters show how he carved that throne.
Giorgio Armani’s journey from window dresser to fashion emperor Getty Images
1. Milan shop windows to Nino Cerruti
After leaving the army, Armani took a sales job at La Rinascente, Milan’s posh department store. He was a clerk, then a window dresser, learning which fabrics customers touched twice and which ones they ignored. By the mid-60s, he was sketching suits for Nino Cerruti. Those years taught him discipline, proportion, and that style was more about how clothes moved than how much they glittered.
How Giorgio Armani redefined elegance in ten chaptersGetty Images
2. Founding Giorgio Armani
In 1975, with his partner Sergio Galeotti urging him forward, Armani sold his car to raise money and launched his own label. It was a risk. He wasn’t a household name yet. But those first collections, sharp but fluid, men and women both, hit Milan like a quiet revolution. Armani had arrived, and he carried his own name on the masthead.
The life and legacy of Giorgio Armani in ten actsGetty Images
3. The unstructured suit
He ripped the stuffing out of the traditional jacket, peeled off the padding, and let fabric drape. Men’s shoulders softened. Women walked into boardrooms in suits that carried authority without pretending to be men’s uniforms. It was tailoring that breathed. Armani gave the world a whole new vocabulary: power without stiffness, elegance without excess.
Giorgio Armani’s quiet revolution that changed fashion foreverGetty Images
4. American Gigolo and Hollywood
Richard Gere opening that closet full of Armani shirts was pure cinema, a cultural turning point. Overnight, Armani became shorthand for sleek modernity. From American Gigolo to Julia Roberts in a men’s suit at the Golden Globes, it’s safe to say Armani rewired Hollywood’s image of glamour. That’s why critics joked the Oscars red carpet could have been renamed the “Armani Awards.”
Ten defining moments in the life of Giorgio ArmaniGetty Images
5. The empire expands
Perfumes, jeans, children’s clothes, Armani Exchange. He turned his minimalist philosophy into a whole lifestyle. While rivals chased conglomerates, Armani kept control and built his own ladder, one rung for luxury, one for youth, one for home, even one for hotels. By the late ’90s, his eagle logo was everywhere from sunglasses to sofas.
The timeless legacy of Giorgio Armani in ten chaptersGetty Images
6. Sports and spectacle
He dressed Chelsea footballers and Olympic athletes. He opened a hotel in Dubai, restaurants in Milan, Armani Casa for homes. Armani understood something crucial: his vision wasn’t just clothes. It was a way of living. Walking into an Armani space felt the same as wearing his jacket: quiet, precise, disciplined and elegant.
How Giorgio Armani built a global style empireGetty Images
7. Ethics before trend
Long before wellness talk filled magazines, Armani banned dangerously underweight models from his shows. The same year, he livestreamed a couture collection, back when fashion still thought the internet was beneath it. Armani was old-school in silhouette but sharp-eyed about culture.
Remembering Giorgio Armani through his most iconic momentsGetty Images
8. Grief and resilience
The loss of Sergio Galeotti to AIDS could have shattered him. Instead, Armani carried their dream forward, with family by his side. His empire became not just a company but a shield, one he built in memory of the man who first believed in him.
Armani’s empire: fashion, lifestyle, and legacy in ten stepsGetty Images
9. Awards, honours, billions
Armani wasn’t just respected; he was decorated. From the Legion of Honour to Italy’s highest civilian award, the world recognised his contribution. Forbes estimated his net worth at £9.2 billion (₹978 billion). Yet ask anyone in Milan: he still turned up at the office daily, fussing over lapels and fabrics like an apprentice.
He died on 4 September 2025, in Milan, aged 91, still at work, still in control. Italy’s prime minister called him “the best of Italy.” Critics called him a giant. The truth is simpler: Armani changed how people move through the world. His clothes taught us that confidence whispers, it doesn’t shout.
Giorgio Armani’s timeless influence on global styleGetty Images
Not an ending, but a silhouette
We often say legends “fade away.” Armani doesn’t get that cliché. He didn’t fade. The light just changed, and what’s left is his silhouette. You can’t talk about modern style without tripping over his influence. He’s in the DNA of every brand that prizes minimalist elegance. He’s in the posture of a woman walking into a meeting, feeling powerful in a soft-shouldered blazer. He’s in the ease of a man in a suit that finally feels like his own skin.
When we say “there will be an Armani after Armani,” it’s not just in the company he built, but in everyone who has ever worn his clothes and discovered the quiet power of looking like their truest, most confident self.
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Works are painted on bark cloth from Lake Victoria
Artist Shafina Jaffer presents a new chapter of her Global Conference of the Birds series.
The exhibition runs from 7–12 October 2025 at Mall Galleries, London.
Works are painted on bark cloth from Lake Victoria, combining spiritual themes with ecological concerns.
Exhibition details
Artist Shafina Jaffer will open her latest exhibition, Whispers Under Wings (Global Conference of the Birds), at the Mall Galleries in London on 7 October 2025. The show will run until 12 October 2025.
This practice-led series reinterprets Farid ud-Din Attar’s 12th-century Sufi allegory, Conference of the Birds, reflecting on themes of unity, self-realisation and the idea that the Divine resides within.
Material and meaning
Each work is painted on sustainably sourced bark cloth from the Lake Victoria region, using natural pigments, minerals and dyes. Large panels are formed from the bark of single trees, aligning material ecology with the spiritual narrative.
The series weaves together sacred geometry, Qur’anic verses and depictions of endangered bird species, underscoring the connection between ecological fragility and spiritual awakening.
Previous recognition
Whispers Under Wings follows earlier presentations in London and Dubai, extending the project’s message of peace, unity and environmental care.
A central work from the series — the Simurgh, conceived as a symbol of light (Noor) — was recently acquired by Prince Amyn Aga Khan for the new Ismaili Centre in Houston. A feature on the exhibition also appears in the September edition of Twiga, Air Tanzania’s inflight magazine.
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John Malkovich admits Michelle Pfeiffer affair destroyed his marriage and cost him a colleague he could never replace
John Malkovich has spoken about his affair with Michelle Pfeiffer during Dangerous Liaisons.
The 71-year-old said the relationship cost him both his marriage and a valued colleague.
His marriage to Glenne Headly ended in 1988 after the affair.
Pfeiffer divorced Peter Horton two years later and later married David E. Kelley.
Hollywood actor John Malkovich has reflected on his past and admitted regret over his affair with Michelle Pfeiffer. The 71-year-old star, known for films such as Burn After Reading and Con Air, revealed on the Fashion Neurosis podcast that the romance not only ended his marriage but also damaged a professional friendship with his Dangerous Liaisons co-star. Speaking candidly, he explained that what began as a close bond on set became a turning point that changed both his personal and professional life.
John Malkovich admits Michelle Pfeiffer affair destroyed his marriage and cost him a colleague he could never replace Getty Images
What did John Malkovich say about his affair with Michelle Pfeiffer?
Malkovich explained that actors often develop intense emotional connections during filming, but in this case, the relationship extended beyond work. He admitted that while Pfeiffer was “fun, moving, and incredibly fair” with him, he was not, and that imbalance left lasting consequences.
He said: “I think I’ve learned over the course of my life that a great colleague is rarer than anything. When that relationship becomes more than collegial or more than a friendship, even a profound friendship, you lose a great colleague.”
John Malkovich and Michelle Pfeiffer in Dangerous Liaisons where their on-screen chemistry mirrored real lifeGetty Images
How did the Michelle Pfeiffer affair affect John Malkovich’s marriage?
At the time, Malkovich was married to actress Glenne Headly. Their six-year marriage ended in 1988, the same year Dangerous Liaisons was released. Pfeiffer was married to actor Peter Horton, and their relationship also unravelled soon after.
Headly went on to marry musician Byron McCulloch, with whom she remained until her death in 2017 from complications of a pulmonary embolism. Pfeiffer divorced Horton in 1990 and later married TV producer David E. Kelley in 1993, with whom she has two children.
Michelle Pfeiffer and David E. Kelley attends The 33rd Annual Environmental Media Association Awards Gala Getty Images
Has John Malkovich spoken about the affair before?
Until now, Malkovich has rarely addressed the subject. In the past, he deflected questions with remarks such as, “It’s hard to believe Michelle Pfeiffer ever said hello to me.” His latest comments mark the first time he has spoken openly about the personal and professional toll of the affair.
He contrasted the situation with his decades-long working relationship with Lithuanian actress Ingeborga Dapkunaite. Malkovich noted they had been friends and collaborators for more than 30 years because they maintained professional boundaries.
After the breakdown of his first marriage, Malkovich went on to build a long-term partnership with Italian production designer Nicoletta Peyran, with whom he shares two children. He continues to work actively in film and theatre, while Pfeiffer remains a leading actress in Hollywood.
John Malkovich attends the 'John Malkovich: The Infernal Comedy' press conference Getty Images
The affair, however, remains a defining episode from the late 1980s, one that Malkovich now describes with regret, emphasising that the price of crossing professional lines was losing a trusted colleague as well as a marriage.