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Taapsee Pannu: If I had to play safe, I wouldn’t be in this career

Taapsee Pannu has always managed to grab the eye balls with her scintillating performances in Bollywood. The actress, who is currently gearing up for Manmarziyan and Soorma, spoke about how Bollywood became her career without planning for it. In an interview with a leading Indian daily, "I didn’t even plan Bollywood! I did my first film just to experience something new, and not start a career. I was filming Jhummandi Naadam (2010, Telugu), my debut film, and Aadukalam (2011, Tamil) at the same time. After both released, and when I saw the audience reaction to the first one, which I felt I was really bad in, I thought that if it can turn out like this even without really aiming or planning for it, what if I work on it like a proper career? That’s where it started."

Talking about her commercial hits like Judwaa 2, she said, "Working in a hugely, commercially successful film benefits everyone. I got a 10-minute role in Baby, but it landed me a title role [in Naam Shabana, 2017], which a lot of actresses don’t get even after working for decades. What matters is how good you are in the screen space you get."


Adding further, she said, "Agar humein safe play karna hota, toh yahaan pe nahi aate (If I had to play safe, I wouldn’t be in this career. We have to jump into the competition, and prove ourselves every moment."

Talking about her film journey, she had said to a leading Indian entertainment portal, "I don't have any complaints. My audiences have been kind to me. I always say that jiska koi nai hota uski janta hoti hai. I have no godfather in the industry. They have been considerate towards me knowing the fact I don't belong to the film background. They know me for my work and not something else and that's what I am happy about. Nothing to regret right now and I have been slow and steady."

She added, "To break the initial glass was difficult. You constantly go out and tell your worth, which is difficult and awkward. The struggle hasn't ended yet and I still have to face that. It's difficult and it's like every Friday is an examination for me. There is a risk of failure that I will have to start from scratch. It's not a pretty stable sort of a surface for people like me, considering the background I come from."

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The Mummy

Relies on body horror, sound design and shock value over spectacle

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How Lee Cronin’s 'The Mummy' turns a classic adventure into a domestic horror

Highlights

  • Moves away from the adventure tone of The Mummy (1999) into possession-led horror
  • Shifts the setting from desert tombs to a family home in Albuquerque
  • Focuses on parental fear and a “returned” child rather than treasure hunting
  • Relies on body horror, sound design and shock value over spectacle
  • Critics call it bold and unsettling, but uneven in storytelling

From desert spectacle to domestic dread

For decades, The Mummy has been tied to adventure, romance and spectacle, most famously in The Mummy (1999). That version thrived on sweeping desert landscapes, archaeological intrigue and a sense of escapism.

Lee Cronin takes a sharply different route. His reworking strips away the sense of adventure and relocates the horror into the home. The story still begins in Egypt, anchored by an ancient sarcophagus, but quickly shifts to the United States, where the real tension unfolds inside a family house.

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