Suryakumar leads India to victory over Sri Lanka in T20 series opener
Suryakumar, chosen as leader over Hardik Pandya, put on a key stand of 76 with wicketkeeper-batsman Rishabh Pant, who scored 49.
By EasternEyeJul 28, 2024
New captain Suryakumar Yadav hit a half-century to se t up a 43-run victory for India in the first of three T20 internationals against Sri Lanka on Saturday.
Suryakumar, 33, scored 58 off 26 balls at Kandy's Pallekele in his first match as T20 skipper, marking the start of a new era for India in the format after their T20 World Cup win last month.
India posted 213-7 and then bowled out Sri Lanka for 170. Spinner Axar Patel struck twice in one over, taking the key wicket of Pathum Nissanka for 79.
Nissanka seemed to be setting up the chase, but Sri Lanka lost nine wickets for 30 runs and were bowled out in 19.2 overs.
"We practised here for two-three days and we knew how the wicket would play," said Suryakumar, who was named player of the match. "We never thought it would go away from us, given we won the World Cup. Fortunately, there was no dew."
India have started fresh in T20 cricket after Rohit Sharma, Virat Kohli, and Ravindra Jadeja announced their retirements from the format following their World Cup win in Barbados.
Suryakumar, chosen as leader over Hardik Pandya, put on a key stand of 76 with wicketkeeper-batsman Rishabh Pant, who scored 49.
Fast bowler Matheesha Pathirana took four wickets, including those of Suryakumar and Pant, but could not stop India from crossing 200 after a sloppy fielding effort by the home team.
Charith Asalanka, the new Sri Lanka T20 skipper, elected to field first after winning the toss.
Both teams have new coaches, with Gautam Gambhir joining India and Sanath Jayasuriya in an interim role for Sri Lanka.
Yashasvi Jaiswal, who scored 40 off 21 balls, and Shubman Gill, who made 34, gave India an explosive start with a partnership of 74 in the first six overs.
The openers departed in the space of two deliveries, with Dilshan Madushanka taking down Gill and leg-spinner Wanindu Hasaranga getting Jaiswal stumped with his first ball.
Suryakumar steadied the innings and attacked with eight fours and two sixes in partnership with Pant.
Pathirana, known as "Baby Malinga," trapped Suryakumar lbw after his 22-ball fifty. He then bowled Pandya and Pant.
In reply, Sri Lanka started strongly with an 84-run stand between Nissanka and Kusal Mendis, who made 45 off 27 deliveries.
Nissanka continued the charge, despite losing Mendis in the ninth over, and hit seven fours and four sixes in his 48-ball knock.
Patel, a left-arm spinner, bowled Nissanka and then dismissed Kusal Perera in the same over. Sri Lanka collapsed from 140-1 to 163-7.
"We could've done better (with the bat)," said Asalanka. "It (6-5 batting-bowling combination) is an experiment, but this is the way we should go in the future."
The second match of the series will take place on Sunday at the same venue.
Adrian Lester, best known for his work on television and film, returns to the stage in the eponymous role of Edmond Rostand's 1898 comedy, Cyrano de Bergerac.
Rostland’s play centres around Cyrano - a little-known romantic 17th century French libertine poet, soldier, and philosopher. The play is based partly on his letters written on behalf of love rival Christian de Neuvillette as he tries to charm Cyrano’s cousin, Roxanne with whom Cyrano is also in love.
Cyrano is cursed with an overt self-consciousness in the form of a large nose. His insecurity is such that he prohibits anyone to refer to it directly or indirectly. Together with his wit, his skills as a swordsman, and the directorial splattering of our own vernacular, they provide the play with a certain infectious - albeit teenage - humour.
Despite Cyrano unexpressed love for Roxanne, the latter has fallen for Christian who is handsome, but useless when it comes to expressing his feelings in words. But then, he is also useless as a swordsman and clearly no match for Cyrano’s mastery and maturity. Realising this and being utterly selfless, Cyrano offers his help to the youthful Christian to woo Roxanne by writing for him poetic and hyperbolic proclamations of love and longing. All he wants is Roxanne to be happy even if he himself has to do with nursing a broken heart.
Christian Patterson and Levi BrownMarc Brenner
The result is a farce of the highest order and mistaken identity, coupled with threat and violence
This RSC production is directed by Simon Evans who has provided a very lively and engaging interpretation by all accounts. Apart from a skilled, highly polished ensemble of cast, there’s interesting theatricality at work. Every now and then, for instance, one gets a sense that the stage is a reflection of our own world and vice versa. Characters mingle with the audience, they break the fourth wall, and the theatre band wander around with the characters and referred to with some bemusement and fun.
In a 17th century French world – not unlike our own, 21st century – external beauty, speech, language are prized. Expression has become almost secondary. It’s a world in which fakery, deception and lies are paced above sincerity, honesty, and truth. Looks and external beauty outweigh the inner beauty of man.
Evans removes the original piece from its French setting to England, littering it with a Brummie accent, and accentuating our preconceptions about hopeless romantics and those with meaningless verbiage. The effect is one of joyous atmosphere and true entertainment.
Adrian Lester provides a magnificent performance as the wordsmith, Cyrano. His character is verbose, comedic, and sympathetic in equal measures. Lester is enticing, hilarious and – judging by the reaction of the audience –appreciated as a versatile actor who can do comedy just as well as drama. Levi Brown’s Christian is a fiery - overtly hopeless - romantic who cannot paint his feelings into words. Brown gives a very energetic and magnetic performance. Similarly, Susannah Fielding provides a sprightly Roxanne who is heart-warming and an utter pleasure to watch.
Adrian Lester (front right) and companyMarc Brenner
It’s hard not to notice but as an audience, we are invited to consider the value of language that may sound romantic, but may – in actual fact – be little more than a shallow expression of fancy. Whereas, the seemingly absence of language – though painfully inadequate - may actually embody real sincerity and the true meaning of love.
Whatever you may think, one thing is certain: you will enjoy this production. It’s a real treat.
The play started at the Swan Theatre in Stratford-upon-Avon in early September, with its run lasting until 15th November.
Rating: ***** (5 stars)
(Cyrano de Bergerac is playing at the RSC Stratford until 15th November 2025.)
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