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Shah Rukh's ‘Dunki’ emerges as his lowest opener this year

Billed as a saga of friendships, borders, nostalgia for home, and love, Dunki is directed by Hirani.

Shah Rukh's ‘Dunki’ emerges as his lowest opener this year

Shah Rukh Khan's Dunki raked in £3 million nett at the domestic box office in India on its opening day, according to industry tracker Sacnilk.

Dunki, a comedy-drama based on an illegal immigration technique 'donkey flight', released in theatres worldwide on Thursday.


It also features Taapsee Pannu, Vicky Kaushal, Boman Irani, Vikram Kochhar and Anil Grover.

The Rajkumar Hirani-directorial film marks Shah Rukh's third and last release of 2023 following back-to-back action blockbusters in Pathaan and Jawan.

The day one earnings of Dunki are significantly lower than both Pathaan and Jawan, which had amassed £5.5 million and £6.5 million nett on their opening days in India respectively.

The two movies went on to earn over £100 million at the worldwide box office.

Billed as a saga of friendships, borders, nostalgia for home, and love, Dunki is directed by Hirani from a script he co-wrote with Abhijaat Joshi and Kanika Dhillon.

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The Bluff

The visuals show her mid-attack against co-star Karl Urban

Instagram/ priyankachopra

Priyanka Chopra goes blood-soaked and brutal in Prime Video’s ‘The Bluff’ first look

Highlights

  • First look reveals Priyanka Chopra as feared pirate Bloody Mary
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  • Nick Jonas praises her performance after reveal
  • Film marks Chopra’s reunion with the Russo Brothers

First look sets a brutal tone

Priyanka Chopra has revealed the first glimpse of her upcoming Prime Video film The Bluff, introducing audiences to her most ferocious screen persona yet. Shared on Instagram on Wednesday, the images present Chopra as Bloody Mary, charging headlong into battle in a grim, violence-heavy pirate world.

The visuals show her mid-attack against co-star Karl Urban, weapon raised, framed by a harsh coastal setting. In another still, her character appears smeared with blood and grime, gripping a conch shell like a knuckle weapon, reinforcing the film’s raw, no-holds-barred approach.

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