The wait is finally over. Shooting for superstars Shah Rukh Khan and Salman Khan's special sequence in Tiger 3 will commence soon.
As per a source, the duo will be on the same set to shoot for Tiger 3 on May 8.
"The two Goliaths in the history of Indian cinema - Salman Khan and Shah Rukh Khan - are coming together again for Aditya Chopra's Spy Universe and the shoot date to witness them together again is set for May 8th! The energy on the sets of Tiger 3 will be palpable when these two iconic megastars set foot on the shooting floor. They will be doing some insane action sequences in Tiger 3 and this SRK and Salman set-piece was planned for over six months to make it a massive talking point. This is Pathaan's entry in Tiger's timeline so this sequence will be something to watch out for," the source added.
Earlier, the source revealed that the Khans will be shooting together for a week at least.
"The fact that 7 days have been earmarked to shoot this sequence means that extensive plans have been made to make this a visual delight for audiences! The expectations are sky-high after what people have seen in Pathaan and the makers are very aware of this. So, one should take it for granted that YRF and Maneesh Sharma are not going to leave any stone unturned to make this scene between Pathaan and Tiger a sequence to remember in Indian cinema!" the source added.
Tiger 3, the third part of the Tiger franchise, is being directed by Maneesh Sharma. The film will release in Hindi, Tamil, and Telugu this Diwali. The upcoming actioner stars Emraan Hashmi as the antagonist. Katrina is also a part of the film.
Salman and SRK recently shared screen space in Pathaan, which broke several box office records.
Holly-Anne Hull, Lauren Byrne and Charlotte Steele of Remember Monday representing United Kingdom perform during the Semi Final Round 2 of the 69th Eurovision Song Contest
The stage is set in Basel, Switzerland, as the 2025 Eurovision Song Contest gears up for its grand finale on Saturday, 17 May. The show will be broadcast live from the St. Jakobshalle arena at 8 p.m. UK time on BBC One and iPlayer, with radio coverage on BBC Radio 2 and BBC Sounds. Hosting duties in the arena will be split among Swiss presenters Hazel Brugger, Sandra Studer, and Michelle Hunziker, while Sophie Ellis-Bextor will reveal the UK jury vote.
The UK is represented this year by Remember Monday, a country-pop trio from Hampshire. Their entry, What The Hell Just Happened, mixes rich harmonies and storytelling. The band: Lauren Byrne, Holly-Anne Hull, and Charlotte Steele rose to attention on The Voice UK and have roots in musical theatre.
This year’s theme, Welcome Home, nods to Switzerland’s role in Eurovision’s origin story. The first contest took place there in 1956. Switzerland earned hosting rights again after Nemo won the 2024 edition with The Code. Now, Zoë Më will represent the host nation with her song Voyage.
In total, 37 countries are competing. Moldova is sitting this one out due to logistical and financial difficulties, while Montenegro returns after a two-year break. Among the automatic finalists are the “Big Five” (UK, France, Germany, Italy, and Spain), who secure their spots thanks to their funding contributions.
The final running order includes strong contenders like KAJ from Sweden with the quirky and nostalgic Bara Bada Bastu, currently leading the odds. Austria’s JJ, with his emotive track Wasted Love, and France’s Louane with Maman also feature in the top five favourites, according to bookmakers.
Israel's presence continues to be polarising. Their 2025 entrant, Yuval Raphael, is bracing for public backlash amidst ongoing global criticism of Israel’s actions in Gaza. Eurovision has faced increasing pressure to reconsider its stance on political neutrality, with many calling for Israel’s exclusion.
The final result will be determined by a combination of jury scores and public votes across participating countries. Non-participating nations also get a say through the "rest of the world" vote.
Whether you’re cheering from London or tuning in from Melbourne at 5 a.m., Eurovision will continue to remain a global celebration of music, politics, and pop spectacle, but messy, loud, and impossible to ignore.
With Kingdom set to release on 4 July, anticipation is soaring as fans gear up to witness Vijay Deverakonda in a never-seen-before action avatar. Gone are the days of brooding romance, this time the young heartthrob steps into the shoes of a fierce warrior navigating a war-torn world, blending raw emotion with brute strength. The audience is bracing for high-intensity combat, epic battle sequences, and a performance that redefines Vijay as a full-blown action star. Kingdom isn’t just a film, it’s a bold new chapter in his cinematic journey. Ahead of the release of the much-anticipated film, here are five reasons why Vijay Deverakonda is the ultimate action hero we’ve been waiting for.
Vijay Deverakonda steps away from romance and into full throttle action
1. From romantic rebel to battle-hardened hero
Fan-favourite performances in Arjun Reddy (2017) and Dear Comrade (2019) showcased Vijay’s raw vulnerability and brooding intensity. However, over the past few years, he’s been quietly honing stunt skills and fight choreography, preparing for a seismic shift into high-octane storytelling.
2. Sculpted physique & rigorous training
Under the guidance of top trainers, Vijay has added lean muscle and explosive agility, perfect for hand-to-hand combat sequences. Reports confirm he’s performed many of his own stunts, training in mixed martial arts, parkour, and weapon handling to bring authenticity to every punch and leap.
The actor showcases raw intensity in a war torn cinematic world
3. Kingdom: the 4 July game-changer
Set in a fictional kingdom besieged by rival factions, the film follows Vijay’s character, a battle-scarred warrior fighting for survival and justice. Directed by acclaimed filmmaker Gowtam Tinnanuri, Kingdom promises jaw-dropping set pieces, large-scale warscapes, and a hero who bleeds for his cause. This isn’t just another star vehicle, it’s Vijay’s statement that he’s ready to headline blockbuster action franchises.
4. A line-up of high-voltage projects
Deverakonda’s tentatively titled SVC59 is rumoured to blend espionage thrills with high-speed chases, with Vijay playing an undercover agent tasked with stopping a global cyber-threat. On the other hand, his VD14 is tipped as a gritty, street-level thriller; this film explores the underbelly of organised crime in South India, Vijay as a lone wolf vigilante.
Fans await Vijay Deverakonda’s next chapter as an action hero
Industry insiders say Vijay is mapping out a five-film arc that transitions him fully into action-hero territory, complete with recurring characters and interconnected storylines.
5. Beyond the screen: the man behind the muscles
Born 9 May 1989, in Hyderabad, Vijay made his feature debut in the rom-com Nuvvila (2011) before rising to pan-Indian fame. Apart from being a successful actor, he is also a philanthropist who launched The Deverakonda Foundation, a non-profit organisation, in April 2019.
Vijay Deverakonda is ready to take 2025 by storm with bold new roles
He has multiple Filmfare South Awards, including Best Actor for Arjun Reddy, plus Forbes India’s Celebrity 100 list inclusion in 2023, where he was estimated to have earned around £740,000 (₹7.75 crore).
Whether you first fell for him as the tortured lover or admired his off-screen generosity, 2025 is the year Vijay Deverakonda cements himself as the action superstar we’ve all been waiting for. Buckle up because the ride’s about to get explosive!
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Karan Johar says talent matters more than background while defending Alia Bhatt
Karan Johar has never shied away from speaking up for people he cares about. And when it comes to Alia Bhatt, his response to the constant “nepo kid” jibes is simple: enough already!
In a recent interview, the filmmaker did not mince words when addressing the criticism Alia continues to face because of her family background. "Watch Highway, Udta Punjab, Raazi, Gangubai,” he said. “If you still think she hasn’t earned her place, then that’s just ignorant."
Karan Johar says he is proud of Alia Bhatt and questions nepotism double standardsGetty Images
Alia made her debut in Johar’s Student of the Year back in 2012. Since then, she’s starred in a wide range of roles, often earning praise from critics and audiences alike. But for some, the tag of ‘nepotism’ has stuck, and that is something Karan finds deeply frustrating.
He’s aware of the reputation his production house, Dharma, has when it comes to launching star kids. His latest project Nadaaniyan, which featured Saif Ali Khan’s son Ibrahim and Sridevi’s daughter Khushi Kapoor, was met with harsh reviews. Karan thinks the backlash was less about the film and more about who was in it. “It’s become trendy to hate films that have star kids in them. People know they’ll get attention for it,” he said.
Karan Johar breaks silence on Alia Bhatt nepotism debate and calls out criticsGetty Images
Karan also pointed out that his company has backed several projects with newcomers and talent from outside the industry, like filmmaker Neeraj Ghaywan. But these efforts are often ignored. “People don’t see the full picture,” he said. “They just want to pile on.”
The criticism stings even more when it involves Alia. Karan has openly called her the first person he’s ever felt protective of, like a daughter. He’s not interested in pretending otherwise. “Why should I tone it down for the sake of appearances?” he asked. “I love her, and I’m proud of her work.”
Karan Johar calls Alia Bhatt the first person he’s ever felt protective ofGetty Images
He’s aware that his name often comes up in debates about nepotism, sometimes even on podcasts by people he’s never met. “It’s bizarre,” he said. “Random people talking about me like they know me. I’m fine being the villain if that’s what it takes, but let’s at least talk with some honesty.”
For Karan, the problem isn’t people raising questions. It’s the refusal to accept talent when it’s clearly visible.
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Nitanshi Goel makes confident Cannes 2025 debut in black and gold gown combining classic style with today’s fashion
Seventeen-year-old Nitanshi Goel, best known as Phool Kumari from Laapataa Ladies, made a powerful first impression on the global stage at the Cannes Film Festival 2025. On Day 3 of the event, she confidently walked the red carpet wearing a striking black-and-gold gown, custom-designed by Jade by Monica and Karishma.
The gown, built on sheer black tulle, was detailed with Kasab embroidery and fine macramé, reflecting traditional Indian techniques. The silhouette was daring, with a sculpted hip design that echoed 18th-century European art but was reimagined with a modern edge. The structured bodice and long train gave the look both drama and grace. Nitanshi kept her styling simple with her hair pulled into a sleek ponytail, subtle makeup, and minimalist jewellery from CaratLane, letting the outfit speak for itself.
Nitanshi Goel stuns on Cannes 2025 red carpet in black and gold gown blending classic and modern style Instagram/nitanshigoelofficial
What stood out beyond the glamour was her intention. Her stylist duo, Shrey Vaishnav and Urja Amin, helped create a look that represented strength without overpowering her youth. Designer Monica Shah described the concept as "spring florals under moonlight," capturing both softness and sparkle. The result was a mix of tradition, youth, and quiet power.
Nitanshi Goel makes a stylish Cannes 2025 debut wearing a black and gold gown with modern flairInstagram/nitanshigoelofficial
Nitanshi’s presence at Cannes wasn’t limited to the red carpet. For the India Pavilion inauguration, she paid tribute to legendary Bollywood actresses with a thoughtful nod to history. Wearing a pre-draped ivory sari, she styled her hair with pearl strands featuring miniature portraits of icons like Madhubala, Rekha, and Sridevi as a touching homage to the women who paved the way.
Speaking about her Cannes debut, Nitanshi said, “I came into this industry with dreams. From Laapataa Ladies to Cannes, this is my way of showing that young Indian girls with big dreams can make it. I hope to be the voice for every girl who wants to take charge of her life and career.”
Nitanshi Goel makes confident Cannes 2025 debut in black and gold gown that blends old and new stylesInstagram/nitanshigoelofficial
While veterans like Anupam Kher and honourees such as Jacqueline Fernandez also made headlines on Day 3, Nitanshi stood out by being fresh, fearless, and focused. Her appearance wasn’t just about a gown or a photoshoot, but about showing the world a new face of Indian cinema: young, ambitious, and ready for the world!
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Tarantino reveals the Kubrick classic that inspired his first film
Before Quentin Tarantino became a household name with Reservoir Dogs, he was just another movie buff absorbing everything he could from his favourite directors. One name that stood out to him early on was Stanley Kubrick, especially for his lesser-known 1956 film The Killing, a movie that left a deeper mark on Tarantino’s debut than most fans realise.
Kubrick’s The Killing wasn’t a major blockbuster in its time, but it marked a shift in how crime stories were told. Adapted from Lionel White’s novel Clean Break, the film follows a racetrack heist through a fractured timeline, showing the same event from multiple angles. It wasn’t just about what happened, but how it was told. That structure, jumping back and forth in time, switching viewpoints, was rare in Hollywood then and made the story feel more intense and unpredictable.
When Reservoir Dogs came out in 1992, it felt like something fresh: strong dialogue, tension-filled scenes, and a plot that never actually shows the heist it’s centred around. But behind the style was a familiar structure. Like The Killing, Reservoir Dogs plays with time, shows events from different perspectives, and leans on the characters' personal motives to drive tension.
Tarantino has openly admitted the influence. “I didn’t try to copy The Killing, but I saw Reservoir Dogs as my version of that kind of film,” he told The Seattle Times. At the Cannes premiere of Reservoir Dogs, he even called The Killing his favourite heist film.
Both films avoid slick action in favour of character-driven suspense. Kubrick’s crew in The Killing are flawed and desperate, and their downfall feels inevitable. Tarantino’s gang is no different; paranoia, betrayal, and ego tear them apart.
Kubrick’s use of non-linear storytelling didn’t just shape one movie; it laid a foundation. Tarantino used that structure not only in Reservoir Dogs but continued it in Pulp Fiction and beyond. And in doing so, he helped bring that old-school Kubrick trick into modern indie cinema.
Tarantino may have built his own path, but The Killing was the map he started with. It certainly inspired him, but more than that, it helped him find his rhythm as a filmmaker.