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Salman Khan to shoot Dabangg 3 and Bharat simultaneously?

Salman Khan's fans are happy that the actor is returning as Tiger in Yash Raj Films' Tiger Zinda Hai but, believe it or not, his diehard fans are waiting to see their favourite superstar in the role of quirky Chulbul Pandey in the next instalment of Dabangg.

There have been many speculations around Dabangg 3 in the market. The film was supposed to mount floors months ago, but due to Salman Khan's packed date diary, producer Arbaaz Khan had to wait way too long.


But now it seems that Bhaijaan has finally allotted some dates to his brother for Dabangg 3. Salman recently revealed that he will be simultaneously shooting for Dabangg 3 and his brother-in-law Atul Agnihotri’s period drama Bharat. Both films are expected to start rolling from early next year.

While Arbaaz Khan directed the second part, Dabangg 2, after his fall out with Dabangg's director Abhinav Kashyap, the third instalment of the franchise will be directed by Prabhu Deva.

In a statement, Arbaaz said, "We had already announced some months ago that Prabhu Deva is directing the film and we met to discuss work."

Meanwhile, Salman Khan begins shoot for his next Race 3 on 9th November.

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Anurag Kashyap Blasts Netflix CEO Over Sacred Games Comment

Anurag Kashyap reacts sharply to Ted Sarandos’ remarks on Sacred Games

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Anurag Kashyap calls Netflix CEO Ted Sarandos "the definition of dumb" over 'Sacred Games' remark

Anurag Kashyap is known for being outspoken, and this weekend he made headlines again, this time taking aim at Netflix’s top boss Ted Sarandos. The filmmaker lashed out after Sarandos questioned the streaming platform’s early approach in India, particularly their decision to kick things off with Kashyap’s gritty crime drama Sacred Games in 2018.

During an interview on Nikhil Kamath’s podcast People by WTF, Sarandos said he may have chosen a more “populist” route if he could go back, admitting the series was perhaps too novel for the Indian market at the time. The comments didn’t sit well with Kashyap, who fired back on social media, calling Sarandos “the definition of dumb” and sarcastically suggesting the platform should’ve launched with traditional “saas-bahu” content instead.

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Jared Leto Accused by Nine Women of Sexual Misconduct, Including Minors

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Maybe Happy Ending Creates Broadway Milestone with Six Tony Wins

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South Korea just scored a historic milestone at the Tony Awards, with the musical Maybe Happy Ending bagging six trophies, including Best Musical and Best Lead Actor. The show, centred on two ageing helper robots living on the edge of Seoul, left the awards night buzzing. Korean entertainment, long a force in film, television, and music, is now making serious inroads into Western theatre too.


From Seoul to Broadway: A story born in two languages

Maybe Happy Ending wasn’t always destined for the bright lights of Broadway. It first opened in a small Seoul theatre in 2016, a result of a local arts foundation’s programme. Co-created by South Korean lyricist Hue Park and American composer Will Aronson, the story explores loneliness, connection, and memory through the eyes of obsolete robots. Written in both Korean and English, the piece has been reimagined several times since its debut.

Darren Criss, known to many as a Glee star, played Oliver and took home his first Tony for the role. His co-star Helen J Shen portrayed Claire, the other robot. Together, they brought the emotional weight to a futuristic love story that’s more human than it sounds.


While the robots explore feelings in a near-future Seoul, the show managed to preserve distinct Korean elements like Jeju Island and the traditional plant pot hwabun on the Broadway stage, something fans celebrated online.


A cultural shift, decades in the making

With this win, South Korea joins the rare club of nations with major victories across all four major American entertainment awards, including the Oscars, Emmys, Grammys, and now Tonys. From Parasite to Squid Game, and now Maybe Happy Ending, Korean creators are no longer breaking into the global scene, they’re leading it.

The success also validates years of quiet work in South Korea’s theatre scene. Original musicals like Marie Curie and The Great Gatsby have made appearances in the West End and on Broadway, but Maybe Happy Ending marks the first time a Korean musical has truly swept the Tonys.


As one critic noted, more than awards, it’s about shifting global perspectives. Korean musicals are no longer export hopefuls. They’re now centre stage.

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