Pooja Pillai is an entertainment journalist with Asian Media Group, where she covers cinema, pop culture, internet trends, and the politics of representation. Her work spans interviews, cultural features, and social commentary across digital platforms.
She began her reporting career as a news anchor, scripting and presenting stories for a regional newsroom. With a background in journalism and media studies, she has since built a body of work exploring how entertainment intersects with social and cultural shifts, particularly through a South Indian lens.
She brings both newsroom rigour and narrative curiosity to her work, and believes the best stories don’t just inform — they reveal what we didn’t know we needed to hear.
Producer Namit Malhotra is betting big on Ramayana, not just as a film for Indian audiences, but as a story that can speak to viewers across the world. At the WAVES Summit in Mumbai, Malhotra shared how the upcoming mythological drama, directed by Nitesh Tiwari and starring Ranbir Kapoor and Sai Pallavi, is being developed with a global ambition, bringing together high-end tech with cultural roots.
He explained that the team isn’t just dubbing the film into other languages. Instead, they’re using real-time AI to match lip movements to multiple languages, so when audiences watch it in English, Spanish, or Japanese, it looks like the actors are actually speaking those tongues. The idea is to avoid the usual detachment of subtitles or awkward dubbing, and instead make the film feel native to each region.
Namit Malhotra’s tech-driven vision to take Ramayana beyond borders with seamless language adaptationIMDB
This ambition reflects a larger shift discussed at the summit. Actor Aamir Khan and producers like Dinesh Vijan and Ritesh Sidhwani emphasised the need for Indian filmmakers to build proper international distribution channels. “We’ve not done the groundwork to reach a global audience,” said Aamir. “We focus on what works here and rarely think about how our stories could travel.”
Charles Roven, the American producer behind The Dark Knight and Wonder Woman, pointed out that Hollywood makes global plans from day one, while Indian cinema often decides the release format much later. Aamir admitted this was true, and said Indian filmmakers often start with the story and figure out the rest later.
Ranbir Kapoor’s Ramayana aims to bridge Indian mythology and worldwide audiences using cutting-edge AIIMDB
Malhotra agreed but argued that India’s strength lies in telling deeply rooted stories in a way that connects universally. “The more local the story, the more global it becomes,” he said, echoing a sentiment that’s gaining ground, especially in a streaming-first world.
The scale of Ramayana in fact reflects this vision. Featuring Ranbir as Ram, Sai Pallavi as Sita, and Yash as Ravana, the film will release in two parts, first in 2026, then in 2027. Malhotra has spent over a decade preparing for this adaptation and says it’s a personal mission to present Indian mythology in a way that feels sacred yet spectacular.
Though the teaser launch was delayed due to recent events in Pahalgam, Ramayana is more than just a film for Namit and he hopes to create a cinematic bridge between Indian heritage and a global audience.
Critics praise Gulzar’s opening narration as the series’ emotional anchor.
Several reviewers find the animation ambitious but uneven.
Many reviews note secondary voice performances lack range compared with the narration.
Reviewers differ on pacing and storytelling focus: some call it tight, others say it feels stitched.
Viewers and critics recommend watching for the scale and music, not for flawless character work.
This Kurukshetra review is a round-up of what critics and early viewers are saying about Netflix’s new animated retelling, and one name keeps coming up: Gulzar. Across reviews, the opening narration is almost universally singled out as the strongest element, while opinions split sharply on animation quality, voice casting and whether the series’ narrow battlefield focus pays off.
Netflix’s animated Kurukshetra draws praise for its ambition but criticism for uneven voice performances Instagram/netflix_in
What do reviewers say about Kurukshetra and Gulzar’s role?
Multiple reviews call Gulzar’s baritone the series’ single greatest asset. Critics write that his lines give scenes emotional gravity. They said the narration "grounds" the show and often rescues moments that might otherwise feel flat. A few outlets even suggested his voice elevates sequences beyond the animation’s limits.
Do critics think Kurukshetra gets the animation right?
The answer is mixed. Several reviewers applaud the scale, chariot set pieces, wide battle frames and the sheer ambition. Others point out inconsistencies, like faces that do not always register emotion and occasional stiffness in character movement. Many reviews used the same phrasing: “impressive in scope, uneven in detail.”
How do reviewers view the voice cast beyond Gulzar?
This is where opinions cluster on the negative side. A number of critics say secondary voiceovers feel one-note and do not match the gravitas Gulzar brings. A handful of reviews praised specific performances, but the dominant note was: solid, not stellar.
Pacing and focus. Some reviewers appreciated the choice to limit the story to battlefield days and called it focused and brisk. Others felt certain backstories were teased, leaving them wanting more, and described the structure as stitched together. So, pick your critic: some loved the discipline, others wanted a fuller sweep.
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