Rachel Reeves rules out austerity despite tough budget choices
“There will be no return to austerity. Conservative austerity was a destructive choice for our public services – and for investment and growth too,” Reeves said.
By EasternEyeSep 23, 2024
CHANCELLOR Rachel Reeves stated on Monday that there would be no return to austerity or widespread cuts, and committed to long-term growth despite earlier warnings of a challenging budget aimed at addressing the country’s economic foundation.
In a shift from weeks of cautioning that conditions would worsen before improving, Reeves told the media before a keynote speech that she had never been more hopeful about Britain’s future, but acknowledged the need for significant efforts.
After Labour's landslide victory in July, Reeves indicated that taxes would likely increase in her first budget on 30 October due to a reported £22 billion shortfall in public finances.
She confirmed that millions of pensioners would no longer receive winter fuel payments, a decision the government described as necessary but regrettable, drawing criticism from trade unions and other Labour supporters.
Speaking at the Labour Party conference in Liverpool, Reeves was set to prioritise stability for businesses and families in her address.
“There will be no return to austerity. Conservative austerity was a destructive choice for our public services – and for investment and growth too,” Reeves said, according to excerpts from her speech.
“We must deal with the Tory legacy, and that means tough decisions. But we won’t let that dim our ambition for Britain.”
Reeves stated that the absence of austerity would mean growth in public spending under Labour.
“The commitment that I will make for this budget is that it will be about protecting living standards, fixing the National Health Service, and then crucially about rebuilding Britain, because we can’t keep cutting investment spending,” she told Times Radio.
Labour will put money back in the pockets of working people and deliver a decade of national renewal. pic.twitter.com/iXHbLxNXai
— The Labour Party (@UKLabour) September 23, 2024
Difficult Choices
Reeves and Keir Starmer have faced criticism for presenting a bleak outlook, which, along with controversy over donations, has overshadowed what could have been a celebration of Labour’s first election win in 14 years.
A recent survey indicated a drop in consumer confidence, which was attributed to this pessimistic economic perspective.
Reeves stated the government would attempt to recover funds by appointing a Covid corruption commissioner to investigate over £650 million worth of contracts awarded by the previous government during the pandemic.
Critics have accused the previous administration of awarding contracts to individuals with personal or business connections to those in power, including deals for unusable personal protective equipment.
“I have never been so optimistic about our country’s future. If we can get this right then there is no end to what we can achieve as a country,” Reeves told Sky News.
Reeves also reiterated Labour’s commitment not to increase income tax, National Insurance, VAT, and corporation tax as outlined in their manifesto.
She defended the decision to cut winter fuel payments for some pensioners, a move criticised following reports that Starmer, Reeves, and other senior ministers had received donations for campaign expenses.
Reeves explained that she had used donations for campaign preparation, such as clothing and research, but assured that in government, these costs would not be covered by donors.
The Cannes Film Festival 2025 has already delivered one of its most talked-about moments: a nine-minute standing ovation for Die My Love, a dark and intimate drama led by Jennifer Lawrence and Robert Pattinson.
Directed by Scotland’s Lynne Ramsay, the film is in the running for the Palme d'Or and has made a powerful impression on critics and festivalgoers alike. Based on Ariana Harwicz’s novel of the same name, the story delves into the emotional turmoil of a new mother battling postpartum depression and creeping psychosis.
Jennifer Lawrence and Robert Pattinson reunite on the red carpet for their Cannes premiere Getty Images
Jennifer Lawrence plays Grace, a woman unravelling at the seams, while Pattinson stars opposite her as Jackson, her husband caught in the emotional crossfire. LaKeith Stanfield also delivers a strong performance in a key supporting role.
The film premiered on 17 May to an overwhelming reception. Ramsay, visibly emotional, thanked her cast on stage, saying, “I’m so overwhelmed. Thanks to these amazing actors. I’ve got to get it together, I’ll see you in a minute.” Even Stanfield was seen wiping away tears, moved by the reaction from the crowd.
Die My Love cast received extended applause from the Cannes audienceGetty Images
Produced by Lawrence under her banner Excellent Cadaver, alongside Justine Ciarrocchi, Martin Scorsese, and others, the film marks her return to serious drama after her 2023 comedy No Hard Feelings. This is also her first appearance at Cannes since becoming a mother for the second time earlier this year.
There was a lighter moment on the red carpet too when Pattinson accidentally stepped on Lawrence’s trailing gown, leading to shared laughter and a quick apology from the actor.
A red carpet moment as Robert Pattinson shares a laugh with Jennifer LawrenceGetty Images
However, the night wasn’t without mishaps. A palm tree fell on a producer during the festivities, causing injury and leading to a temporary shutdown of part of the Croisette.
Despite the chaos, Die My Love has emerged as a standout at Cannes this year, both for its raw subject matter and strong performances. With such a response, the film is now being seen as a serious contender not only for the Palme d’Or but also for the upcoming awards season. A theatrical or streaming release date is yet to be announced.
The buzz around Spider-Man: Brand New Day, Marvel’s next big web-slinging adventure, is growing louder, and it’s bringing some fresh faces and familiar names into the spotlight. Slated for release on 31 July 2026, the film might see new villains step into the fray and introduce a potential future hero from an alternate timeline.
At a recent Disney consumer products event, fans got more than they bargained for. An Instagram post from someone who reportedly attended the presentation briefly revealed potential details about Brand New Day before being deleted. Still, it didn’t go unnoticed. Several outlets quickly shared what they found: a possible villain trio consisting of Scorpion, Boomerang, and Tombstone. While these characters have shown up before mainly in animated versions like Into the Spider-Verse, this would be their first appearance in the current live-action storyline.
Sadie Sink’s role may link to Tobey Maguire’s Spider-Man timelineGetty Images
But it’s not just the bad guys who are stirring excitement.
A major shift in fan theories came after entertainment insider John Rocha spoke on The Hot Mic podcast. According to him, Sadie Sink, best known for her breakout role in Stranger Things, is being considered for the role of Mayday Parker, better known in the comics as Spider-Girl. She’s the daughter of Peter Parker and Mary Jane Watson, and depending on the timeline, that might link her not to Tom Holland’s Peter, but to Tobey Maguire’s version of the character.
This theory aligns with Tobey’s lines in No Way Home, where he hints at his ongoing relationship with MJ, suggesting a longer-term future together. Mayday, as a character, first appeared in Marvel’s What If...? comics and later developed her own identity as a web-slinging hero. While she had a baby cameo in Across the Spider-Verse, this would be her first live-action appearance, if confirmed.
Director Destin Daniel Cretton is leading the project, which is expected to begin filming once Tom Holland wraps up his current commitments. Until Marvel officially opens up about the plot or cast, fans are holding on to every leak and insider hint, piecing together what could be the next evolution in the Spider-Man legacy with new enemies, a grown-up Peter, and maybe even the rise of his daughter.
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Anti-government protesters display Bangladesh’s national flag at Sheikh Hasina’s palace in Dhaka. (Photo: Getty Images)
TWO documentaries on the July 2024 pro-democracy protests in Bangladesh were screened at the House of Commons on 20 May. The event was hosted by Apsana Begum MP, Chair of the All-Party Parliamentary Group for Bangladesh, at Portcullis House.
The screening featured the international premiere of Deepak Kumar Goswami Speaking, a 21-minute film narrated by a member of Bangladesh’s Hindu minority. It covers the student-led protests and subsequent state crackdown, also examining global financial systems linked to authoritarian regimes.
“This story is not just about one country. It’s about the global systems that allow authoritarian regimes to suppress dissent, launder wealth, and manipulate international opinion — and what happens when those systems begin to unravel,” said director Deepak Kumar Goswami.
An excerpt from July Women was also shown, presenting first-hand testimonies from two women involved in the protests.
The panel discussion, chaired by Apsana Begum MP, included photographer Shahidul Alam, writer Farrukh Dhondy, protest participant Nowshin Noor, and anthropologist Professor Nayanika Mookherjee.
The event follows a UN OHCHR report that found credible evidence of extrajudicial killings, arbitrary arrests, and torture during the 2024 protests under the former Awami League government.
“These films are more than documentation. By giving these voices a platform, we reaffirm the need for a worldwide commitment to human rights, democracy, and justice globally. The world must stand with the people of Bangladesh as they navigate the path to accountability and true democratic reform,” said Apsana Begum MP.
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Simi Garewal and Sharmila Tagore return to the Cannes stage 55 years after the film’s release
At the 2025 Cannes Film Festival, a quiet but powerful celebration of Indian cinema took place. A newly restored 4K version of Aranyer Din Ratri, Satyajit Ray’s 1970 Bengali film was screened under the Cannes Classics section and received a full standing ovation. Among those present were the film’s lead actors, Sharmila Tagore and Simi Garewal, both of whom played key roles in the original.
Sharmila Tagore, dressed in a green saree, stepped onto the stage after the screening, met with thunderous applause and an emotional crowd. Her daughter, Saba Ali Khan, who attended the event alongside her, captured the moment on video and shared it online with simple pride. Soha Ali Khan, too, posted a heartfelt “That’s my Amma,” sharing the personal joy of seeing her mother honoured on an international platform.
Originally based on Sunil Gangopadhyay’s novel, Aranyer Din Ratri follows four middle-class men from Kolkata who head to the forests of Palamau seeking escape from city life. What begins as a carefree getaway slowly turns into a subtle exploration of class, loneliness, and self-awareness. Sharmila plays Aparna, a composed and observant city woman, while Simi portrays Duli, a tribal girl with a strong presence.
The film was presented by Wes Anderson, a long-time admirer of Satyajit Ray. He introduced the screening and stood alongside the cast and the restoration team. The project was spearheaded by Martin Scorsese’s The Film Foundation through the World Cinema Project, in collaboration with Shivendra Singh Dungarpur’s Film Heritage Foundation, Janus Films, and Criterion Collection, with support from the Golden Globe Foundation.
This return to Cannes marked a full-circle moment for Sharmila Tagore, who had previously walked the red carpet in 2009 as part of the festival jury. Her earlier collaboration with Ray, Devi, had once been in the running for the Palme d’Or.
Fifty-five years since its release, Aranyer Din Ratri has aged like a quiet classic with its themes still relevant. The Cannes tribute was like celebrating Ray’s lasting impact in world cinema, and of the enduring grace of actors like Sharmila Tagore and Simi Garewal who helped bring it to life.
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Ram Gopal Varma under fire for now deleted tweet on Kiara Advani
Ram Gopal Varma has once again found himself in hot water, this time for a tweet that many felt crossed the line. Shortly after the War 2 teaser dropped online, the filmmaker shared a still of Kiara Advani in a bikini, pairing it with a suggestive caption that sparked outrage across social media. The tweet did not last long since it was quietly taken down after users slammed him for being disrespectful and objectifying the actress.
The teaser, released on Jr NTR’s birthday, introduced fans to a high-stakes face-off between Hrithik Roshan and Jr NTR, with Kiara Advani stepping in as the leading lady. While the internet had plenty to say about the slick action sequences and overuse of CGI, Kiara’s bikini scene grabbed its own share of attention, some celebratory, some critical.
But Varma’s take was not just a fan reaction. His remark, which implied the female character was a prize to be won by the male leads, was seen as distasteful and reductive. Screenshots of the post began circulating even after the tweet was deleted, sparking intense discussions online. On Reddit and X, users called him out, some even pointing to his past behaviour. Comments ranged from “OG tharki” to “Can you imagine what he says in private if this is what he’s tweeting publicly?”
This is not the first time Varma has drawn criticism for his online conduct. But many now feel he has veered from being provocative to being downright inappropriate.
Meanwhile, Kiara took a far more upbeat approach to the teaser. On Instagram, she listed the many “firsts” that War 2 represents for her: first YRF project, first action film, first time working with Ayan Mukerji, and her first bikini shot. Her excitement, in fact, stood in stark contrast to the backlash around Varma’s post.
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War 2, set for release on 14 August 2025, is the latest in YRF’s spy universe. Directed by Ayan Mukerji, it stars Hrithik Roshan reprising his role as Kabir, with Jr NTR making his Bollywood debut. Kiara’s presence has already made waves, but not in the way Varma chose to highlight.