One of the leading Bollywood filmmakers, Karan Johar celebrated his 50th birthday on Wednesday. Since KJo and parties are synonymous with each other, how can one not expect a lavish bash on the occasion of the fashionista’s birthday?
The Dharma Productions’ head honcho threw an extravagant party for his friends from the industry, which saw the attendance of a host of celebrities, including veteran actress Neetu Kapoor. A number of pictures and videos from the birthday bash have gone viral since yesterday, and in one of the viral videos, we can see KJo and Neetu Kapoor burning the dance floor on Rishi Kapoor’s iconic song ‘Dafliwale Dafli Baja’ from the film Sargam (1979).
Neetu Kapoor shared the video on her Instagram Stories, writing in the caption, “‘Dafliwale’ with my favourite Karan Johar.”
What makes the song ‘Dafliwale’ even more special is the fact that it featured Neetu Kapoor’s late husband and iconic Bollywood star Rishi Kapoor. Interestingly, KJo recreated the song in his 2012 directorial Student of the Year with Rishi Kapoor himself. The film launched the careers of Alia Bhatt, Varun Dhawan, and Sidharth Malhotra, who have now graduated to become leading stars in Bollywood.
Apart from Neetu Kapoor, KJo’s birthday bash was also attended by a galaxy of stars, including Shah Rukh Khan, Aamir Khan, Kareena Kapoor Khan, Katrina Kaif, Aishwarya Rai, Abhishek Bachchan, Ranveer Singh, and many more.
On the work front, Neetu Kapoor is gearing up to make her acting comeback with Karan Johar’s next production venture, Jug Jugg Jeeyo. The film, directed by Raj Mehta, also features Varun Dhawan, Kiara Advani, and Anil Kapoor in lead roles. Jug Jugg Jeeyo is scheduled to hit cinemas on June 24, 2022.
Karan Johar, on the other hand, is busy wrapping up his next directorial venture Rocky Aur Rani Ki Prem Kahani, starring Ranveer Singh, Alia Bhatt, Dharmendra, Shabana Azmi, and Jaya Bachchan. The film is due on February 10, 2023.
Keep visiting this space over and again for more updates and reveals from the world of entertainment.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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