Gayathri Kallukaran is a Junior Journalist with Eastern Eye. She has a Master’s degree in Journalism and Mass Communication from St. Paul’s College, Bengaluru, and brings over five years of experience in content creation, including two years in digital journalism. She covers stories across culture, lifestyle, travel, health, and technology, with a creative yet fact-driven approach to reporting. Known for her sensitivity towards human interest narratives, Gayathri’s storytelling often aims to inform, inspire, and empower. Her journey began as a layout designer and reporter for her college’s daily newsletter, where she also contributed short films and editorial features. Since then, she has worked with platforms like FWD Media, Pepper Content, and Petrons.com, where several of her interviews and features have gained spotlight recognition. Fluent in English, Malayalam, Tamil, and Hindi, she writes in English and Malayalam, continuing to explore inclusive, people-focused storytelling in the digital space.
Meghan Markle has opened up about the early days of her relationship with Prince Harry, describing the period as being “in the trenches” — a remark many interpret as a subtle reference to the challenges they faced within the royal family and the intense media scrutiny.
Speaking on the debut episode of Jamie Kern Lima’s podcast, the Duchess of Sussex gave a rare insight into her personal life and the evolution of her relationship with the Duke of Sussex. The conversation comes shortly after the launch of her new lifestyle and wellness brand, American Riviera Orchard, and her Netflix show With Love, Meghan.
Markle, 43, began dating Prince Harry, 40, in 2016. The couple announced their engagement in 2017 and married in 2018. They are now parents to two children — Archie, aged 5, and Lilibet, aged 3.
Discussing the early stages of their relationship, Markle told Lima: “You have to imagine, at the beginning it's all butterflies – but then we immediately went into the trenches together. Right out of the gate, like six months into dating.”
Her reference to “the trenches” is widely believed to allude to the pressures the couple faced from the British press and tensions within the royal household. Their relationship was made public in late 2016, and shortly after, Kensington Palace released a rare statement criticising the “wave of abuse and harassment” Markle experienced, particularly from tabloids and online commentators.
The couple have since spoken openly about their struggles with media attention and their relationship with the royal family. In previous interviews, they have said that they were not sufficiently supported by the institution. Markle has also spoken publicly about her mental health challenges during her first pregnancy, claiming she was discouraged by royal officials from seeking professional help due to concerns about how it would be perceived.
Despite these past challenges, Markle described her relationship with Harry as stronger than ever. “So now, seven years later, when you have a little bit of breathing space, you can just enjoy each other in a new way. And that’s why I feel like it’s more of a honeymoon period for us now,” she said.
She went on to describe her husband in affectionate terms, calling him “a fox” and praising both his appearance and his character. “If you haven’t noticed, my husband is very, very handsome. But his heart is even more beautiful,” she said. Markle also expressed her belief that their marriage would last, saying, “We’re going to be together forever.”
Her remarks on the podcast follow another moment that was interpreted as a veiled reference to the royal family. In the final episode of her Netflix series With Love, Meghan, the duchess gave a toast during a gathering with friends and family, including Prince Harry and her mother, Doria Ragland.
“I just want to raise a glass to you guys,” she said. “This feels like a new chapter that I’m so excited that I’m able to share and I’ve been able to learn from all of you. So I just thank you for all the love and support.” She added: “All of that is part of that creativity that I’ve missed so much, so thank you for loving me so much and celebrating with me.”
Since stepping back from royal duties in 2020, the Sussexes have relocated to California and focused on building a new life away from the monarchy. Their projects, including the Netflix series and Markle’s new brand, are being seen as markers of this “new chapter”.
While the duchess did not explicitly name the royal family in her comments, her remarks continue to generate speculation about her ongoing relationship with the institution she left behind.
August is dubbed 'the silly season’ as the media must fill the airwaves with little going on. But there was a more sinister undertone to how that vacation news vacuum got filled this year. The recurring story of the political summer was the populist right’s confidence in setting the agenda and the anxiety of opponents about how to respond.
Tensions were simmering over asylum. Yet frequent predictions of mass unrest failed to materialise. The patchwork of local protests and counter-protests had a strikingly different geography to last summer. The sporadic efforts of disorder came in the affluent southern suburbs of Epping and Hillingdon, Canary Wharf and Cheshunt with no disorder and few large protests in the thirty towns that saw riots last August. Prosecutions, removing local ringleaders, deter. Local cohesion has been a higher priority where violence broke out than everywhere else. Hotel use for asylum has halved - and is more common in the south. The Home Office went to court to keep asylum seekers in Epping’s Bell Hotel, for now, yet stresses its goal to stop using hotels by 2029. The Refugee Council’s pragmatic suggestion of giving time-limited leave to remain to asylum seekers from the five most dangerous countries could halve the need for hotels within months.
The drumbeat from hyping up the asylum protests helped those trying to shift the political argument to the right. Reform leader Nigel Farage set out his plans on asylum: to abolish it entirely. Any asylum seekers who did arrive would be sent somewhere, anywhere else - perhaps to a faraway island, or back to the regimes they had fled. Farage’s opponents offered the most muted criticism. Opposition leader Kemi Badenoch declared he had copied the Conservatives’ homework. The government’s main point was that Farage had not shown how it would all work in practice. The Taliban said they would be delighted for Farage to deliver those who had fled their persecution back into their clutches - and would hardly need a cash bribe, too. Opinion polls showing broad public revulsion at this idea might yet encourage opponents to challenge the principles, not just the practicalities, of Reform’s plans.
A year ago, Farage said he would not pitch ‘mass deportation’ plans that were impossible to deliver. Doing exactly that, his former MP Rupert Lowe declared this a victory for the online right - but said he would keep pushing for a ‘proper deportations’ plan to remove many millions of legal migrants too. An increasingly radicalised Elon Musk critiqued Farage’s plans as “weak sauce”, promoting Tommy Robinson’s far right street protests and even the furthest right factions who decry Robinson for not advocating the forced deportation of British-born minorities too. Even as Musk shows no limits to which racists he will personally promote, the government stays mute on an epidemic of online racism. It is a strange world where the expectations we place on every primary and secondary school on British values, tolerance, respect and the rule of law go out of the window when the world’s richest man promotes neo-Nazis. If the government cannot find a voice to challenge racism, it can expect no credibility when it talks about community cohesion from ethnic minority Britons - nor, I would hope, from many of our fellow citizens too.
It was a summer when flags could be symbols of both pride and prejudice. We wore red and white face-paint in the Katwala household to cheer England’s Lionesses to winning the women’s Euros. The St George’s bunting in our High Street in Dartford has a welcoming intent, but the red paint crosses daubed messily on our street sign send a more intimidating message. An important British ethnic minority response - from the Windrush onwards - to those questioning our status as British has been that the racists should try to learn a little bit more of the history of our country. We should be loath to let our national flags be claimed as symbols of exclusion, by those of all ethnicities and faiths doing more to say and show what they can mean when we fly them together.
That depends on preventing the populist right setting the agenda by default. The irony of Farage being dubbed a populist is that he is often on the unpopular side of most major issues - slashing public spending, scrapping human rights, ditching closer UK-EU post-Brexit links, or not bothering about climate change. Yet Farage often speaks much more confidently for what a quarter of the public think than those who could try to mobilise the anti-populist majority. So the stakes are high for prime minister Sir Keir Starmer this autumn. If Starmer does not find a stronger response, populism may turn out to be more than a passing storm, exposing a lack of strategy, leadership, and ethics that could prove fatal for this government.
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Geeta Basra returns with Meher after a decade away from films
British-born actress Geeta Basra makes a powerful return to the screen with the Punjabi film Meher after a decade away.
She reveals the industry once dropped her for getting married but now celebrates women balancing career and family.
Basra plays a relatable matriarch and describes the project as a “dream role” that mirrors her own life.
Meher is a large-scale cinematic experience shot in unique locations like Manikaran, designed for the big screen.
After a decade away building a family and a life outside cinema, British-born actress Geeta Basra is back with the Punjabi drama Meher, and this time, she’s rewriting the rules for married women on screen. For the mother-of-two, this isn’t just about returning to acting, it’s about challenging how the industry views married women and mothers while spotlighting the women who have inspired her own journey.
In an exclusive interview with Eastern Eye, Geeta opens up about her comeback, her inspirations, the shift in opportunities for women, and why this family drama feels so personal.
Geeta Basra returns with Meher after a decade away from films Instagram/geetabasra
A dream role that feels personal
Basra chose Meher with care, calling it her “dream role.” The film is a richly woven family drama rooted in rural Punjab. She plays Simmi, the "epicentre" of her family, a relatable figure who binds everyone together through love, betrayal, and emotional upheaval. The film explores hardships not only between husband and wife but also through multiple family dynamics, including a surprising “bromance” between male characters.
“As mothers, our instincts are so similar,” Basra explains. Just as important, it was a film she could proudly share with her children. “I picked this role very carefully, for something my family can watch,” she admits. For her, stepping into Meher feels like one of the defining moments of her career.
If Basra’s character draws from her instincts as a mother, her real-life inspiration comes from the women around her. “My mother is my first and foremost inspiration in life,” she says warmly. “Seeing how she balanced her businesses while raising three children makes me want to do better every day. Different people inspire me at different points, but my mother has always been my guiding light.”
She also points to the resilience of ordinary women as her motivation. “Seeing women multitask, balancing life, work, children, and family is incredibly motivational. Before, women were often written off after marriage and motherhood, but today, we have the opportunity to pursue our dreams. Seeing my daughter proud of me for following my passion inspires me to do even better.”
Meher marks Geeta Basra’s powerful comeback to Punjabi cinemaInstagram/geetabasra
Proudly Punjabi
For a British-born actress, questions of authenticity in playing a rural Punjabi woman were inevitable. But Basra is quick to dismiss them. “We are so rooted to our roots,” she says. “I’m now Punjab ki bahu. It’s my second home. I am Punjabi, and I’m a very proud Punjabi.” She didn’t need to study the role, she’s lived it.
Basra insists that the presence of women in production roles is just as crucial as those in front of the camera. Meher is produced by Kamal Kaur, one of the few women at the helm of large-scale Punjabi projects. “When women greenlight projects, they greenlight stories that reflect reality, stories where women aren’t sidelined after marriage but are centred,” Basra says. For her, that representation is both rare and revolutionary.
Geeta Basra says motherhood is her strength, not a setback in filmsInstagram/geetabasra
Redefining the rules for married actresses
The industry she left was far less forgiving. Basra recalls being dropped from four major films simply because she was linked to her now-husband, cricketer Harbhajan Singh. “It was either this or that. Never this and that,” she remembers. For women, the choice used to be family or fame. Today, she is headlining a major project while raising two children, something that once seemed impossible. “It’s commendable and remarkable,” she says of the change, though she emphasises much more work remains.
British-born Geeta Basra opens up on comeback film MeherInstagram/geetabasra
What’s next for Geeta Basra
With the “seal broken” on her comeback, Basra is determined to push further. She wants content-driven films that showcase her versatility, recalling how her career has already spanned everything from a bold debut to playing a villain. “I don’t want to bind myself to one kind of role,” she insists. Her only filter now is simple: would her family be proud to watch it? With several projects already lined up, she intends to make sure the answer is yes.
For Basra, Meher is also a reflection of where Punjabi cinema is heading: bigger in scale, richer in music, and designed for the cinematic experience. But she wants that ambition matched with better stories for women, especially mothers. “Women can also have a career. Women can also work after marriage,” she stresses.
Geeta Basra’s message is clear: experience is not a liability. It’s her strength. With Meher, she’s redefining what it means for women to lead on screen. And for Geeta Basra, this is only the beginning.
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Shafik served as deputy governor for markets and banking at the Bank of England between August 2014 and February 2017.
Minouche Shafik named chief economic adviser to Keir Starmer.
Darren Jones moves into Downing Street role; James Murray replaces him.
Nin Pandit to lead a reformed Downing Street Delivery Team.
Vidhya Alakeson given expanded responsibilities over policy and delivery.
PRIME MINISTER Keir Starmer has named Minouche Shafik, a former deputy governor of the Bank of England, as his chief economic adviser. The appointment comes as he looks to strengthen his team ahead of what is expected to be a difficult end to the year.
Shafik’s arrival, along with the decision to bring Darren Jones, deputy to chancellor Rachel Reeves, into his Downing Street office, signals Starmer’s focus on economic advice before a budget later this year that is likely to include further tax rises.
Jones will be succeeded by Labour lawmaker James Murray, who previously held a junior post in the finance ministry, Starmer’s office said in a statement.
Wider changes in Downing Street
Starmer has also reshuffled his Downing Street operations, replacing his principal private secretary and naming a new director of communications. Nin Pandit will remain in the No10 team, taking charge of a newly reformed Downing Street Delivery Team.
After more than a year in power, Starmer’s government has faced criticism from within Labour for struggling to explain difficult policy decisions and highlight its achievements. Labour’s poll ratings have dropped in recent months.
The changes could strengthen the economic advice available to Starmer before Reeves presents a budget with limited scope, as she remains committed to her fiscal rules aimed at balancing day-to-day spending with tax revenues by 2029.
"I think the creation of a role for Darren Jones is a good move," one Labour lawmaker said.
"He’s clearly got an eye for the details but understands the politics too."
Shafik to bring ‘additional expertise’
Shafik served as deputy governor for markets and banking at the Bank of England between August 2014 and February 2017, leaving early to become vice chancellor of the London School of Economics.
In 2023, she was appointed president of Columbia University in New York but resigned after little more than a year following criticism over the university’s handling of student protests related to Israel’s war in Gaza.
Earlier in her career, Shafik was the top civil servant in Britain’s foreign aid ministry and later deputy managing director at the International Monetary Fund. At the IMF, she oversaw work in Europe and the Middle East during the euro zone debt crisis and the Arab Spring.
"This role and the additional expertise will support the government to go further and faster in driving economic growth and raising living standards for all," Starmer’s office said.
Shafik’s background
Shafik, who is also a non-partisan member of the House of Lords, was born in Egypt and grew up in the southern United States before earning a doctorate in economics at the University of Oxford.
In a 2021 book, she argued for policies that included income floors with work incentives, pensions linked to life expectancy, and early childhood interventions to equalise opportunity.
The Prime Minister’s deputy chief of staff, Vidhya Alakeson, will also take on expanded responsibilities with overall oversight of policy and delivery within Downing Street.
(With inputs from agencies)
Alternative Headlines:
Starmer strengthens Downing Street team with Shafik, Alakeson and Pandit moves
Minouche Shafik appointed chief economic adviser as Starmer reshuffles team
Nin Pandit to head delivery unit as Starmer expands Downing Street operation
Vidhya Alakeson takes wider role in No10 as Shafik joins as economic adviser
Farhan Akhtar says Jee Le Zaraa has been delayed but not shelved
Significant work including music and location scouting already completed
Director cannot confirm if Alia Bhatt, Priyanka Chopra and Katrina Kaif remain attached
Project first announced in 2021 as a female-led road trip film
Filmmaker-actor Farhan Akhtar has clarified that his highly anticipated film Jee Le Zaraa has not been shelved. Speaking about the much-discussed project, Akhtar said the film is simply “on the back burner” due to scheduling conflicts. The clarification comes after years of speculation that the all-female road trip film, originally announced with Priyanka Chopra, Katrina Kaif and Alia Bhatt, might have been abandoned.
Farhan Akhtar confirms Jee Le Zaraa is not shelved but cast uncertain Instagram/priyankachopra
Is Jee Le Zaraa cancelled?
During an interview, Akhtar addressed whether the film had been dropped altogether. He said:
“I would hate to say that it’s shelved. What I will say is that it’s put on a back burner. It is a film that will happen. I don’t know when it will be. But it’s too delicious a script.”
He added that extensive pre-production work, including location scouting and music recording, had already been completed, confirming that the creative groundwork for the film is in place.
When asked about the previously announced cast, Akhtar admitted that he could no longer comment. “I can’t comment on the cast on that anymore,” he said, hinting that the lineup featuring Chopra, Kaif and Bhatt may not be final. The uncertainty around casting has been one of the biggest reasons behind the prolonged delay.
Industry reports previously suggested that the global work commitments of Chopra and the packed schedules of Kaif and Bhatt created significant challenges in aligning dates for the shoot.
The delay has been attributed primarily to calendar clashes. In an earlier interview, Akhtar explained that conflicting schedules were the main hurdle, especially after the Hollywood actors’ strike disrupted Chopra’s availability. “We just have issues with dates,” he said, adding that the film seems to have “a destiny of its own.”
Since then, speculation has grown over whether the trio of stars originally attached will still be part of the project, but Akhtar’s recent remarks confirm that while the cast may be uncertain, the film itself remains in motion.
Fans await clarity on whether Priyanka Chopra, Alia Bhatt and Katrina Kaif will reunite on screen in Jee Le ZaraaGetty Images
What is Jee Le Zaraa about?
Jee Le Zaraa was announced in 2021 to mark the 20th anniversary of Akhtar’s debut film Dil Chahta Hai. It was promoted as a female-led road trip drama, echoing the friendship themes of Zindagi Na Milegi Dobara. The script has been co-written by Akhtar, Zoya Akhtar and Reema Kagti, with production under Excel Entertainment and Tiger Baby Films.
When it was first revealed, Chopra described the film as “a celebration of sisterhood and friendship,” sharing that the idea emerged from her desire to create a Hindi film headlined by three women. The initial announcement, featuring Chopra, Kaif and Bhatt together, created huge excitement among fans.
While Jee Le Zaraa remains on hold, Akhtar is currently focusing on Don 3, which will star Ranveer Singh. The film is expected to begin production once Singh completes his current projects.
Akhtar is also preparing for the release of 120 Bahadur, a war drama in which he plays Major Shaitan Singh Bhati, who led Indian troops at the Battle of Rezang La in 1962. The film is slated for release on 21 November.