Actress Katrina Kaif, who on Tuesday announced that she had tested positive for novel coronavirus, is currently in self-isolation at her residence. Her sudden diagnosis led her and Salman Khan’s fans to wonder if her health would impact the shoot of their much-awaited film Tiger 3, which is currently being shot in Mumbai.
From what we hear, the shoot of the film is going on as planned with Salman Khan at Yash Raj Studios in Mumbai. Tiger 3, which is the third installment of Yash Raj Films’ Tiger franchise, is being directed by Maneesh Sharma.
A trade source in the know informs a publication, “Katrina shot for Tiger 3 a week back and is scheduled to join again from the end of April for a few days. This was always a part of the original shooting plan of the film, so there is no delay in the shoot of Tiger 3. Right now, Salman is finishing his solo portions with Maneesh and the shoot is going on in full swing.”
The source goes on to add that the entire unit of the film is following all coronavirus-related protocols strictly. “From constant sanitisation to compulsory mask and Covid test at regular interval for the cast and crew, Aditya Chopra is following strict measures on the set to be safe and avoid any sort of lapse. All the sets and equipment are also sanitised multiple times to curb the possibility of virus spread. All the government prescribed guidelines are being strictly adhered to on the sets,” the source adds.
Apart from Tiger 3, Katrina Kaif also has Excel Entertainment’s horror-comedy Phone Bhoot in her pocket. She has also signed on to topline filmmaker Ali Abbas Zafar’s superwoman film franchise for Netflix. She is also awaiting the release of Rohit Shetty’s Sooryavanshi, co-starring Akshay Kumar.
Trailer is geo-blocked in India; film to release overseas on 27 June.
Netizens accuse Diljit Dosanjh of being “anti-national”.
Diljit Dosanjh’s much-anticipated horror-comedy Sardaar Ji 3 will not be screened in Indian cinemas. Instead, the film will only be released in international markets on 27 June, after calls for a boycott intensified online due to the inclusion of Pakistani actors, particularly Hania Aamir. The move follows the tragic Pahalgam terror attack and renewed enforcement of the entertainment industry’s ban on cross-border collaborations.
The Federation of Western India Cine Employees (FWICE) wrote to the Central Board of Film Certification (CBFC), requesting that Sardaar Ji 3 be denied clearance. Their objection stems from the casting of Pakistani actors, including Hania Aamir, Nasir Chinyoti, Daniel Khawar, and Saleem Albela, at a time when India-Pakistan relations are strained following the April attack that left 26 people dead.
In line with government directives discouraging any partnerships with Pakistani artists, the makers dropped plans for a domestic release. Director Amar Hundal’s film now gears up solely for an international audience.
Hania Aamir’s Instagram account was also blocked in India after she allegedly made anti-India comments post-Operation Sindoor. The incident added fuel to the controversy already surrounding the film.
Trailer blocked in India, Diljit faces social media heat
On 22 June, Diljit Dosanjh shared the trailer on Instagram, writing: “Sardaar Ji 3 releasing 27 June OVERSEAS only. FADH LAO BHOOND DIAN LATTAN.” The YouTube trailer, however, is not accessible in India due to geo-blocking. While teasers and songs remain available, the trailer featuring Hania prominently has been restricted.
Sardaar Ji 3 features Diljit as a ghostbuster exorcising spirits from a haunted UK mansion. Hania Aamir plays a fellow ghost hunter, while Neeru Bajwa adds a romantic twist. But the film’s quirky humour has been overshadowed by the strong online backlash.
Many netizens called Diljit “shameless,” accusing him of prioritising career over country. Some even demanded his removal from upcoming films like Border 2. For now, Sardaar Ji 3 heads to a global audience, leaving behind a fierce debate in its wake.
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We’re also both very physical with our humour and play off each other well
After a smash-hit UK debut, India’s most-watched crowd-work comedy duo is back – and this time, they’re armed with an even wilder new show. Abishek and Nirmal: The Great Indian Positivity House invites audiences into a bizarre world where you can anonymously confess your darkest deeds and most questionable opinions.
Staged at Soho Theatre in London from July 21–25, the show will then head to the Edinburgh Fringe in August. It promises their signature fast-paced crowd work and razor-sharp improvisation. With no two shows ever the same, they aim to make every night unrepeatable and unforgettable. Eastern Eye caught up with the dynamic duo to talk about comedy chemistry, on-stage secrets and their biggest influences.
What made you two want to team up?
Abishek: We come from similar backgrounds, consume similar content, and laugh at each other’s jokes. A middle-class upbringing, a love for theatre, and a shared passion for the same kind of humour brought us together.
Did you both expect to become such a successful double act?
Nirmal: It struck me early on during touring. Initially, we’d do 20 minutes each and then come together for the final 20, which audiences really enjoyed. We soon realised our on-stage chemistry worked. We’re also both very physical with our humour and play off each other well. (No innuendo intended.)
What’s been your most memorable moment as a duo?
Nirmal: After every show, we’d go out with some audience members and ask them to show us around their city. I think our last day at Edinburgh Fringe was epic – we were up till 4 am dancing, drinking pints, with a flight back to India at 8 am. Total chaos. Abishek: Touring internationally will always be a core memory. I’ll never forget our first show in Dubai – it felt so surreal. We genuinely felt taller than the Burj Khalifa that day!
How would you describe your brand of comedy?
Abishek: We do a lot of crowd work and improv. Our biggest strength is our physical comedy, combined with (self-proclaimed) impeccable chemistry on stage.
What drew you to interactive comedy?
Nirmal: I love stand-up, but it takes a year or two to build a solid hour. Audience-interactive shows let us flex our improv muscles and keep it fresh every night. We never ran out of shows this way. And repeat audience could enjoy our shows too. It’s liberating – we get to respond to the exact moment we’re in. And we love being surprised by the crowd.
What’s the biggest challenge of interactive comedy?
Abishek: You never know how a joke will land. You have to read the room well and only prolong an interaction if the person is clearly enjoying it.
With no two shows ever the sameInstagram/ theabishekkumar
How much of your routine is planned in advance?
Nirmal: The beginning, middle, end, and format are always set. But that’s it. We’ve built our shows on the road, so we keep adding and experimenting with new bits.
What’s the secret to great improvisation?
Abishek: Ride the scene’s energy – no matter how dumb the premise sounds. Go with the flow. BS with full conviction!
How do you stay in sync on stage?
Nirmal: It’s muscle memory at this point. I know when he’ll take a punchline or jump in, and he knows when I’ll interrupt. It’s built over time by doing this again and again.
What has performing in the UK been like?
Abishek: Amazing. We’ve toured the UK multiple times now, and every visit feels like coming home, thanks to the huge Indian diaspora.
How do UK audiences compare to those in India?
Nirmal: I love our international audiences – they come for a sense of familiarity. They’re away from home, and our references, language, and vibe create that comfort. For at least an hour and a half, it feels like home.
The beginning, middle, end, and format are always setInstagram/ theabishekkumar
Do you have creative differences – and how do you manage them?
Abishek: We do, but we don’t shy away from tough conversations. We’re brutally honest with our feedback and open to change. That’s the healthy part of this duo.
Tell us an embarrassing secret about each other.
Nirmal: When Abishek is sleep-deprived, he goes full chaos mode – like an elephant about to mate. He starts doing sixth-grade-level pranks on everyone around. This is a 30-year-old man. Abishek: Nirmal has to poop before every show. The moment the announcement plays, he’s off to the loo.
Who are your comedy heroes?
Abishek: Robin Williams, Russell Peters, Jim Carrey, Adam Sandler, Ricky Gervais... and Indian legends like Nagesh and Crazy Mohan, who’ve had a huge influence on me. Nirmal: Kanan Gill, Rahul Subramanian, Kenny Sebastian, Hasan Minhaj, Aziz Ansari and Dave Chappelle.
Why should people come to your London shows?
Nirmal: To feel like you’re in South India for a whole hour. It’s better than the North. (I say this in jest.) I could have said I’m joking, but I had to say jest, didn’t I? It is a nice word though.
Abishek & Nirmal: The Great Indian Positivity House at Soho Theatre in central London from July 21-25. www.sohotheatre.com
Grenfell Uncovered, Netflix’s new feature-length documentary about the 2017 Grenfell Tower disaster, has been widely praised by reviewers and early viewers for its serious and emotionally resonant portrayal of one of the UK’s worst modern tragedies.
Directed by Olaide Sadiq, the film retraces the events leading up to the fire that claimed 72 lives and sparked a national reckoning over building safety, housing policy, and corporate responsibility.
Reviewers highlight structured storytelling and emotional impact
Critics have noted that while the film does not introduce new findings beyond what was already published in the 2024 final report of the Grenfell Inquiry, it succeeds in conveying the scale and depth of the disaster to a global audience. Several reviewers praised the documentary’s editing, with The Guardian calling the timeline “agonisingly well-paced” and noting its ability to balance personal accounts with broader systemic failings.
The film weaves together the first 999 call, testimony from bereaved families, and a detailed exploration of decisions made by companies and public authorities. Reviewers have drawn attention to how the documentary contrasts human loss with what the inquiry called a “merry-go-round of buck-passing” by corporations and officials.
Personal stories placed at the centre
The emotional core of Grenfell Uncovered, according to several reviews, lies in the personal testimony from those who lost loved ones. These are presented alongside findings about companies such as Arconic and Celotex, which the public inquiry found engaged in “systematic dishonesty” in relation to the cladding materials used on the tower.
Critics have said the film powerfully illustrates how profit motives, weak regulation, and political decisions intersect with devastating human consequences.
Praise for Netflix’s decision to commission the documentary
Media observers have commended Netflix for producing a one-off film on such a politically sensitive topic at a time when many streaming platforms are opting for safer, more commercial programming. Some called it a “rare act of public-interest filmmaking” and noted that, despite global trends favouring true crime and celebrity-driven content, Grenfell Uncovered focuses on accountability and justice.
- YouTubeYouTube / Netflix
Political figures featured in the film
The film includes an interview with former Prime Minister Theresa May, who addresses criticism of her response to the fire, particularly her decision not to meet survivors during her first visit to the site. Reviewers have pointed out that while May has previously expressed regret, the interview adds weight to the film’s broader themes of inaction by those in power.
Other institutions, including the Cameron government, the Royal Borough of Kensington and Chelsea, and the London Fire Brigade, are also examined in relation to their roles in the lead-up to and aftermath of the fire.
A reminder, not a revelation
While some reviewers noted that the documentary does not reveal much beyond what was already known, they argue that it is an important retelling for audiences who may not have followed the inquiry closely. In this context, critics say the film succeeds in its aim: to remind viewers of the tragedy’s preventability and the need for lasting change.
Grenfell Uncovered is currently available to stream on Netflix.
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Priyanka Chopra enjoys traditional Indian feast at Vikas Khanna’s NYC hotspot
Priyanka Chopra Jonas found a taste of home far from home this week. The global star, alongside her manager Anjula Acharia and friends, enjoyed a memorable meal at Michelin-starred chef Vikas Khanna's New York City restaurant, Bungalow.
Honouring heritage and handicrafts over dinner
Khanna shared a touching glimpse into the evening on Instagram. He focused on the restaurant's beautifully adorned glass ceiling, explaining its deeper meaning. "Everyone asks why we decorate it daily when some might not notice," Khanna wrote. His reason was personal: "It’s not just for guests below, but for loved ones watching over us from above. Today, I adorned it especially for Malti Marie Chopra Jonas."
The gathering doubled as a tribute to the upcoming Rath Yatra festival and specifically honoured the skilled artisans of Sambalpur and Western Odisha. Videos showed Khanna tying traditional Sambalpuri handkerchiefs around Priyanka and Anjula's wrists as a meaningful cultural gesture. The rainy NYC backdrop added to the intimate atmosphere.
A satisfied star and return visits
The Indian feast clearly hit the spot. Priyanka reshared a video from Anjula showing Chef Khanna expertly serving dishes, captioning it simply: “Still in a food coma. You’re the best host, Vikas.” Pictures revealed a relaxed Priyanka dressed smartly in a black dress and matching blazer, posing happily with Khanna and her group. This was her second return trip to Bungalow; she previously dined there last year with her husband Nick Jonas, thanking Khanna then for "a taste of home."
While young daughter Malti Marie was mentioned in Khanna's heartfelt caption about the ceiling dedication, she wasn't visible in the shared photos or videos. Fans can next catch Priyanka on screen in the action film Heads of State, streaming on Prime Video 2nd July, where she stars alongside John Cena and Idris Elba.
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Katy Perry and Orlando Bloom clash over space flight as breakup rumours grow
Things seem rocky between long-time couple Katy Perry and Orlando Bloom, with new reports suggesting an argument about Perry’s recent space flight may have added fuel to an already burning fire.
The pop star, who joined an all-female crew for a Blue Origin flight in April, reportedly didn’t get the reaction she hoped for from Bloom. A source claims the actor called the trip “embarrassing” and “ridiculous” during a heated exchange, leaving Perry hurt and confused by the lack of support. Despite publicly backing her before the launch and even being photographed at the site, Bloom allegedly changed his tune behind closed doors.
This tension comes as Bloom prepares to attend Jeff Bezos and Lauren Sánchez’s wedding in Italy this month, but without Perry. The irony? Bezos’ company made Perry’s space journey possible. According to insiders, Perry is upset that Bloom is “insisting” on going to the wedding, especially since she considers the couple her friends, not his. Meanwhile, she’ll be away on her Lifetimes tour and unable to attend herself.
Katy Perry and Orlando Bloom’s space row highlights deeper riftGetty Images
Career struggles and solo appearances spark breakup rumours
While Perry’s upcoming absence from the Bezos wedding has been chalked up to work obligations, sources say there’s more beneath the surface. Reports claim that the singer’s recent career disappointments, particularly the underwhelming reception of her album *143*, have added pressure on the couple’s relationship. Though Bloom was said to be supportive during the aftermath, the stress allegedly caused a noticeable strain between them.
The pair, who got engaged in 2019 and share a four-year-old daughter named Daisy, have weathered storms before, including a brief split in 2017 and a postponed wedding due to the pandemic. But insiders now suggest the relationship may be nearing its end, with one source bluntly stating, “It’s over. They’re just waiting for her tour to wrap before making it official.”
Orlando Bloom slammed Katy Perry’s space flight during argument as insiders say split is imminentGetty Images
Adding to the speculation, Perry was recently spotted without her engagement ring in Melbourne, just days after performing the breakup anthem I’m Still Breathing onstage in Sydney. Her tour ends on 7 December, and many believe the couple might make an announcement soon after.
Neither Perry nor Bloom has commented publicly on the reported fallout. But if the talks are true, a love story that began in 2016 may quietly come to a close before the year does.