On the surface, Anurag Kashyap and Shah Rukh Khan may belong to different cinematic universes but the filmmaker vows not to leave Bollywood until he works with the superstar.
In his career of more than two decades, Kashyap several times came close to working with Shah Rukh, who also happens to be his Delhi University senior.
In a group interview, Kashyap said the 52-year-old actor was keen to work with him in No Smoking, a film which eventually went to John Abraham.
"He wanted to do No Smoking and he was very upset when I went away from him. I also went to him with Allwyn Kalicharan. I wanted to do that with him and a big superstar from Hollywood. Everything was almost done but then again (it didn't happen).
"But we will work together. I won't go anywhere without making a film with Shah Rukh Khan... I will write a film that will lure him. He should be attracted to it, he should be dying do the film," he said.
Calling his relationship with SRK "strange", the director said he is in awe of the actor.
"He is my senior from university, he has been there like a big brother helping me. He is super successful. When he loves you, he approaches things like, in my struggling years, (he used to tell me), 'if you do what I tell you to do, your problems will disappear'. But I didn't want him to make my life," he said.
Kashyap, who over the years has earned the image of a rebel in Bollywood, said he can fight with anyone but Shah Rukh.
"He is the only guy I can never speak upto. I can fight with the world but not him. If he scolds me, I'll sit in a corner and cry. He is someone I have this love for. I love him to death," he said.
The director revealed SRK often pokes fun at him, bullies him but he is charming as well.
The 45-year-old filmmaker was speaking on the sidelines of 'India and the world - The Changing Narrative' film festival conceptualised by writer Anuraadha Tewari, held at Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, here.
Kashyap, who is a regular at various Indian and international film festivals, said movie fests "saved" him.
"Film festivals showed me a way how to make low budget films. In the sense, while I'm making a film which doesn't have a lot of pedigreed star cast, the interest in the project is created by film festivals. If my films works there, it'll help me create awareness here.
R Madhavan shares his experience portraying a father’s role for the first time alongside Ajay Devgn.
Actor addresses rumours about de-ageing technology, confirming he relied on diet and fitness instead.
Madhavan reflects on sequels and preparation for previous physically demanding roles like Saala Khadoos.
Nervous about a father’s role
At the trailer launch of De De Pyaar De 2, R Madhavan admitted he was initially nervous about playing Ajay Devgn’s on-screen father-in-law.
“I have never done a father’s role before, and competing with Ajay, I was very nervous,” Madhavan said. “I have seen other actors who are so busy when they come to the set, but Ajay sir is always present and dedicated. We have always felt connected.”
The actor also commented on the appeal of sequels. Devgn, who stars alongside Madhavan, stated, “I don’t mind sequels as long as there is a good script. I hope the film is liked by audiences. We all believe we have made a good film.”
Madhavan addressed recent rumours about de-ageing technology in his films, stating, “They’ve all been accusing me of de-ageing, but I don’t think I have the budget for that. It hasn’t happened.”
Instead, the actor relies on traditional methods of preparation, including fitness and diet adjustments, to meet the physical demands of roles.
Reflections on past roles
Madhavan reflected on the preparation for his earlier role in Saala Khadoos, a physically demanding sports drama. “When I went to train for Saala Khadoos, I consulted numerous dieticians and several people who advised me on how to lose weight and get fit, what diet to follow, what time to eat, and so on, but I couldn’t find anyone I truly resonated with,” he said.
The actor’s candid reflections reveal a focus on dedication and personal preparation rather than technological shortcuts, highlighting his commitment to authentic performances.
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