IPL 2023: Rajasthan Royals top in point table again
Yashasvi Jaiswal scored 77 off 43 balls to give the men in pink an impressive total of 202-5 and Chennai Super Kings fell 32 runs short while chasing the score
Yashasvi Jaiswal blasted Rajasthan Royals back to winning ways over Chennai Super Kings on Thursday (27) to leapfrog MS Dhoni's men at the top of the table in the Indian Premier League.
Jaiswal blasted 77 off 43 balls to give the men in pink an impressive total of 202-5 and Chennai fell 32 runs short in Jaipur thanks to five wickets between spinners Adam Zampa and Ravichandran Ashwin.
Jaiswal got Rajasthan off to a flier, hitting three fours in the first over and then another 18 runs in the third as he and Jos Buttler racked up 64 in the powerplay.
"I am enjoying playing with Jos Buttler. There is no secret really. I love playing proper cricket shots and keeping the tempo high," Jaiswal said afterwards.
Buttler fell to Ravindra Jadeja for an uncharacteristically sedate, by the England captain's standards, 27 off 21 balls before Royals skipper Sanju Samson departed for 17.
But Jaiswal powered on, reaching his 50 off 26 balls and hitting four sixes and eight fours before falling finally for 77 to give Tushar Deshpande his second wicket of the night.
Shimron Hetmyer fell cheaply for eight but Dhruv Jurel (34) and Devdutt Padikkal (27) rode their luck to bring Rajasthan over the 200-run mark for the first time at their home ground.
Ruturaj Gaikwad provided a quick start for Chennai despite losing his partner Devon Conway early, hitting 47 off 29 balls as Chennai scored 42 runs in the powerplay.
But Rajasthan's spinners kept things in check with Zampa taking 3-22 including the wickets of Conway and Gaikwad who top-edged the Australian to long-on for 47.
Ashwin then struck twice in three deliveries with both the in-form Ajinkya Rahane (15) and impact player Ambati Rayudu, out for a two-ball duck, holing out on the boundary.
Shivam Dube kept Chennai in the hunt with 52 off 33 balls, hitting four sixes in his third half-century in four matches but wickets tumbled at the other end including Moeen Ali who fell to Zampa for 23.
"I think it was the first six overs that took the game away from us," Chennai skipper Dhoni said.
Janhvi Kapoor’s first walk down the Cannes red carpet wasn’t just about fashion. It was a quiet, graceful nod to her late mother, Sridevi. Dressed in a soft rose outfit designed by Tarun Tahiliani, Janhvi chose not to speak about the tribute, but the resemblance in mood, elegance, and styling made the message loud enough for those who knew her mother’s legacy.
On 20 May, Janhvi stepped onto the red carpet for the premiere of Homebound, accompanied by her co-stars Ishaan Khatter and Vishal Jethwa, director Neeraj Ghaywan, and producers including Karan Johar. The outfit, made from real tissue fabric woven in Benaras, had a delicate sheen and came with a veil that covered her low bun in a look that immediately reminded many of Sridevi’s timeless appearances in traditional wear.
Janhvi Kapoor stuns in a rose-hued Tarun Tahiliani outfitInstagram/janhvikapoor
Online conversations quickly picked up, with fans pointing out the subtle similarity. Some even dug out old photos of Sridevi wearing a similar dupatta-draped look, sparking comparisons. Though neither Tahiliani nor stylist Rhea Kapoor confirmed the outfit as a tribute, many felt the influence was unmistakable.
Sridevi was known for bringing together traditional aesthetics with a modern style. Whether on-screen or at global events, she never shied away from Indian fabrics and silhouettes. Janhvi’s Cannes outfit seemed to carry that same energy, classic in structure but styled for an international stage, with pearl jewellery completing the look.
Janhvi Kapoor honours Sridevi’s legacy at Cannes 2025 in Tarun Tahiliani coutureGetty Images
While Janhvi turned heads on the red carpet, her co-star Vishal Jethwa had his own emotional moment. He shared that attending Cannes with his mother was a dream come true. In an Instagram post, he wrote about his childhood wish to fly abroad with her. “More than attending Cannes, the real joy is that I’m here with my mum,” he said. His gratitude extended to everyone who supported him, from family to spot boys on set, ending his message with “Jai Hind.”
Homebound, selected for the Un Certain Regard category, explores the journey of two friends from a North Indian village who become police officers. Backed by a powerhouse team including Karan Johar and executive producer Martin Scorsese, the film has already sparked interest.
Over 5,000 years ago, on the battlefield of Kurukshetra, two armies comprising tens of thousands of men were ready to begin a war. The Pandavs were led by Arjuna, a warrior whose archery skills were unbeatable. At the last minute, before the war was to commence, Arjuna put down his weapons and declared to Krishna his decision not to fight. He reasoned that the war would kill tens of thousands of people all for a kingdom. It took the whole of the Bhagavad Gita to convince Arjuna to fight.
Even after Krishna destroyed all his doubts, Arjuna asked to see Krishna in his form as a supreme God. In short, Arjuna wanted to avoid confrontation at any cost.
In 1191, Muhammad Ghouri from Afghanistan attacked the Hindu king Prithviraj Chouhan. He was defeated, but Prithviraj let him go free. Prithviraj was probably influenced in his decision by his Dharma of compassion, or in the hope that Ghouri would never attack again as his life was spared — a good example of avoiding confrontation.
It is believed by many that Ghouri had attacked many more times and had been defeated but was allowed to go free. Regarded as one of the costliest mistakes of history, Mohammad Ghouri returned with a stronger and much larger army in 1192 CE. Prithviraj was defeated. Ghouri had Prithviraj's eyes gouged out and killed him mercilessly. Islam got a foothold in India after the defeat of Prithviraj, and most of Punjab, parts of Bihar, Bengal and parts of Gujarat fell under the rule of Ghouri.
Going back to the Mahabharata, Asvathama, who fought for the Kauravas, killed all the children of the Pandavas. When he was caught by the Pandavas, they decided to let him go because he was a Brahmin. In fact, Asvathama was Brahmin only by birth. By Karma, he was a Kshatriya. The same Asvathama at a later stage fired a powerful nuclear arrow towards the pregnant Uttara.
Once again, Lord Krishna had to appear and protect Uttara. Had Asvathama succeeded, he would have obliterated all the future Pandava dynasty. Here we see the urge of the Pandavas to go by the rules of Dharma and follow a moral code. Lord Krishna himself insisted to Arjuna that in some cases, the moral rules would need to be ignored.
The first Prime Minister of India, Pandit Nehru, believed that India did not need an army at all. He reasoned that India was a land of Ahimsa and so would not need to fight anyone. In 1962, China invaded India and has since occupied 38,000 km² of the Aksai Chin region in Kashmir, which is an extension of the Tibetan plateau. One can see here again a tendency to avoid any confrontation and naively believe the other party will play fair.
In 1965, Pakistan launched Operation Gibraltar against India. It was designed to infiltrate soldiers into Jammu and Kashmir and cause an uprising. Under international pressure, the then PM Lal Bahadur Shastri went to Tashkent and signed a peace treaty with Pakistan. While there, he died mysteriously. The treaty called upon both sides not to interfere in each other's affairs. It was not worth the paper it was written on.
In 1971, another war broke out between India and Pakistan. India won the war, which resulted in the creation of Bangladesh. Even though India won the war, it failed to grasp any long-term gains. Indeed, Bangladesh was quick to ask the Indian army to leave once they had been liberated.
The same Bangladesh today has turned against India and is persecuting Hindus. Following the 1971 war, the then PM Indira Gandhi and Pakistan PM Bhutto signed the Shimla Agreement. Both nations committed to establish peaceful coexistence and mutual respect. Again, an agreement not worth the piece of paper it was written on. Indian forces had captured around 15,010 km² (5,795 sq mi) of land during the war but returned it after the Shimla Agreement as a gesture of goodwill.
In 1984, under Prime Minister Rajiv Gandhi, the Indian Army launched Operation Meghdoot, a military operation to seize control of the Siachen Glacier. This operation was a pre-emptive move as it was believed that Pakistan was also planning to take control of the glacier. In spite of the Pakistani attacks, India granted it MFN (Most Favoured Nation for trade purposes) status in 1996. However, Pakistan did not reciprocate. India withdrew its MFN status in February 2019 following the Pulwama attack.
On 20 February 1999, PM Vajpayee visited Pakistan and signed the Lahore Declaration. It was hailed as a turning point in relations between the two countries. However, in a classic case of treachery, just a few months later between May and July, under the leadership of Chief of Army Pervez Musharraf, the Pakistan army occupied Indian territory in Kargil. Some Indian soldiers protecting the area had their eyes gouged out.
India successfully dislodged the Pakistani occupiers. In the conflict, 527 Indian soldiers were killed and 1,363 wounded. India's Jat Regiment managed to occupy a strategically important mountain peak on the Pakistani side of the LoC near Dras, Point 5070, and subsequently renamed it Balwan.
On 24 December 1999, Indian Airlines Flight 814, commonly known as IC 814, was hijacked by five members of Harkat-ul-Mujahideen. A plan to send in commandos to neutralise the terrorists did not materialise. The then PM Vajpayee agreed to release three terrorists in exchange for the release of 160 passengers.
Of the terrorists released, Omar Sheikh went on to finance one of the hijackers of the 9/11 attacks and the kidnap and murder of American journalist Daniel Pearl. Maulana Masood Azhar formed Jaish-e-Mohammed, a United Nations-designated terrorist organisation. Maulana Masood was the mastermind behind the Parliament attacks in 2001, the 2016 attacks on the Indian Air Force base in Pathankot, and the killing of CRPF jawans in 2019 in Pulwama. He is responsible for hundreds of Indian deaths.
After the attack on Parliament, the then PM Vajpayee mobilised the army to attack Pakistan. Once again, due to international pressure, PM Vajpayee stopped the army which was eager to launch an invasion. LeT, the other terrorist organisation co-founded by Hafiz Saeed, is also responsible for many attacks on India.
The blasts in Delhi in October 2005 killed four people. On 11 July 2006, seven blasts ripped through trains in the evening rush hour in Mumbai. 189 people were killed and more than 800 were injured. The 26/11 Mumbai attacks in November 2008 claimed 166 lives. The terrorists held the whole country to ransom for three days.
India had to retaliate but PM Manmohan Singh and the Congress party decided against taking any action. One of the reasons given was that India would gain world sympathy — a classic case of avoiding confrontation at any cost.
In December 2015, PM Modi made an impromptu stop in Lahore as a gesture of goodwill. He met PM Nawaz Sharif. Unfortunately, in Pakistan, it is the army which runs the show, not political parties.
LeT also masterminded the Uri army base attack, killing 19 soldiers in September 2016. For the first time under the Prime Ministership of Modi, India took offensive action. On 29 September 2016, teams of Indian Army Para (Special Forces) crossed the Line of Control into Pakistani-administered Kashmir to attack targets up to a kilometre within territory held by Pakistan. Around 35 to 40 Pakistani soldiers were killed or injured.
In 2010, a bomb blast in a crowded bakery in the city of Pune killed nine people and wounded 57. Through all this, ‘cultural’ exchanges were going on between the two countries. In December 2015, PM Modi made an impromptu visit to Lahore as a goodwill gesture and met PM Sharif. Unfortunately, in Pakistan, it is the military which calls the shots, not the governing parties.
After the Pulwama attack, PM Modi targeted the terrorists inside Pakistan with a missile attack. However, it seems to have had little impact on the terror groups. They carried out the dastardly act of killing 26 Hindus in Kashmir on 26 April 2025. PM Modi ordered attacks on nine terrorist hubs.
However, the mini conflict came to an abrupt end and both India and Pakistan declared a ceasefire. What assurances India received from Pakistan is not clear. Indeed, terrorists from Pakistan have already attempted two terror attacks but were neutralised by the Indian army. India could have demanded the release of Kulbushan Yadav, who has been incarcerated in Pakistan on spying charges for nine years.
Though India has always come out on top on the war front, on the negotiating table it seems to surrender all the gains with little in return. Pakistan-based terrorists have killed hundreds of Indian soldiers over the decades and got away with it.
India needs to revisit the great political master Chanakya and his treatise Arthashastra on war and peace.
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Banu Mushtaq (left) will share the £50,000 prize with translator Deepa Bhasthi, who also helped select the stories in the book. (Photo credit: David Parry for the Booker Prize Foundation)
INDIAN writer, lawyer and activist Banu Mushtaq has won the International Booker Prize for her short story collection Heart Lamp.
Mushtaq, 77, is the first author writing in Kannada to win the literary prize, which recognises fiction translated into English. The announcement was made on Tuesday at a ceremony at the Tate Modern gallery in London.
"This moment feels like a thousand fire flies lighting a single sky -- brief, brilliant and utterly collective," Mushtaq said at the event. "I accept this great honour not as an individual but as a voice raised in chorus with so many others."
She will share the £50,000 prize with translator Deepa Bhasthi, who also helped select the stories in the book.
Heart Lamp brings together 12 short stories originally published between 1990 and 2023. The stories are set in Muslim communities in southern India and centre around the lives of women and girls.
Mushtaq, who lives in Karnataka, is known for her legal work and advocacy for women's rights.
The jury praised the collection for its humour, conversational tone, and its focus on patriarchy, caste and religious conservatism.
Her characters were described by the jury as "astonishing portraits of survival and resilience", including grandmothers and religious clerics.
"My stories are about women – how religion, society, and politics demand unquestioning obedience from them, and in doing so, inflict inhumane cruelty upon them, turning them into mere subordinates," Mushtaq said.
Max Porter, chair of the judges, said Heart Lamp was "something genuinely new for English readers."
"A radical translation which ruffles language, to create new textures in a plurality of Englishes. It challenges and expands our understanding of translation," he said.
(With inputs from agencies)
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Lopez in the spotlight again as legal issues over social media posts resurface
Jennifer Lopez is facing a new legal battle, this time for sharing photos of herself online. The images in question? Paparazzi shots taken outside a glitzy pre-Golden Globes party in Los Angeles earlier this year.
Photographer Edwin Blanco and the photo agency Backgrid claim they own the rights to the pictures Lopez posted on her Instagram and Twitter. In the photos, the singer is seen in a white dress and faux fur coat, posing outside the Chateau Marmont. The caption read “GG Weekend Glamour”, a harmless update to most, but not in the eyes of copyright law.
Blanco and Backgrid argue that Lopez used the images to promote herself and boost her brand presence, without securing permission or paying for the content. They claim the photos helped her highlight the designers she wore and tie her look to ongoing brand partnerships. In their view, this isn’t just a case of a celebrity sharing a flattering photo, it’s a commercial move with financial value.
They’re now suing for up to £112,000 (₹1,17,60,000) per image.
JLo faces fresh legal trouble for reposting paparazzi images on social media Getty Images
It’s worth noting that just because someone appears in a photo doesn’t mean they own it. Under copyright law, ownership typically belongs to the photographer or their employer. This means celebrities must ask for permission or pay a fee if they want to post professional paparazzi photos, even if they’re the subject.
According to the legal documents, Lopez’s team was contacted and even agreed to a settlement after the pictures were posted. But reportedly, no paperwork was signed and no payment has been made.
Copyright clash erupts over images JLo posted to promote her red carpet styleGetty Images
This isn’t her first run-in with such issues. Lopez has been sued in the past in 2019 and 2020 for similar situations involving unlicensed photo sharing. And she’s not alone. Celebs like Dua Lipa, Gigi Hadid, and Khloé Kardashian have all been hit with similar copyright complaints.
While fans may think reposting a photo of themselves is harmless, the lawsuit is a reminder of the complex rules around image rights in the entertainment industry. Even global stars like JLo can land in hot water for hitting “post” without checking the fine print.
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“This book was born from the belief that no story is ever small,” she said
Banu Mushtaq has made literary history by becoming the first Kannada writer to win the International Booker Prize. The 2025 award was given for her short story collection Heart Lamp, a collaboration with translator Deepa Bhasthi, who rendered the work into English. The pair will share the £50,000 prize, which was presented at a ceremony at London’s Tate Modern on 20 May.
Published by Penguin Random House India, Heart Lamp is a collection of twelve short stories written between 1990 and 2023. It explores the lives of women in southern India, particularly in Karnataka, portraying their struggles and strength within patriarchal communities. The stories are grounded in regional oral storytelling traditions and have been praised for their wit, vividness and emotional depth.
Chair of the judging panel, Max Porter, called the book “a radical translation which ruffles language, to create new textures in a plurality of Englishes,” adding that the result is “genuinely new for English readers.”
Mushtaq, who is also known for her work as a lawyer and activist, reflected on the significance of the award during her acceptance speech. “This book was born from the belief that no story is ever small,” she said. “In a world that often tries to divide us, literature remains one of the lost sacred spaces where we can live inside each other's minds, if only for a few pages.”
Bhasthi’s translation has been praised for preserving the multilingual and musical essence of the original Kannada text. She chose to retain Kannada, Urdu and Arabic words in the English version, aiming to reflect the region’s everyday speech patterns. Speaking at a recent event at Champaca Bookstore in Bengaluru, she said, “None of us speaks ‘proper English’ in Karnataka… I wanted Indian readers to hear the deliberate Kannada hum behind it.”
In an earlier interview with The New Indian Express, Mushtaq addressed the personal dimensions of her writing. “I was asked to write about my contexts, and so I did. But at the same time, I didn’t want to be confined within the identity of the ‘Muslim woman’,” she said.
Heart Lamp is the first short story collection to win the International Booker Prize and only the second Indian title overall, following Geetanjali Shree’s Tomb of Sand, which won in 2022.
Fiammetta Rocco, Administrator of the prize, described the book as “a testament to the enduring fight for women's rights, translated with sympathy and ingenuity,” encouraging readers of all backgrounds to engage with its themes.
The 2025 shortlist featured works translated from Danish, French, Japanese and Italian. Each shortlisted book received £5,000, divided between the author and translator.