SINGER SAL BASHIR ON HIS LIFELONG TRIBUTE TO THE ROCK N ROLL KING
by ASJAD NAZIR
On August 16, fans around the world will mark the death anniversary of Elvis Presley, who passed away on this date in 1977 aged just 42.
The late great singer’s impact can be seen through an impressive musical legacy and fans who keep his memory alive.
One of the most dedicated of these fans is talented singer Sal Bashir, who regularly recreates the magic of Elvis through his popular tribute act that has been delighting audiences for 21 years.
Eastern Eye caught up with the popular tribute act known as Sal Like Elvis to talk about his amazing journey and legacy of the late kind of rock n roll.
Tell us about your first performance as Elvis?
Railway Tavern, Forest Gate, East London in 1998. I was scared to death as it was a pub and not frequented by people of my culture back then. I sang non-stop for hours just to get through the time as speaking was not an option due to my nerves. (Laughs) I learned much later how to articulate and be understood. These days I feel much more at ease. The landlady asked if I’d done this before, I lied and said I had been performing venues for over five years.
How do you look back on your Elvis journey?
I grew up listening to Elvis as a child. I can recall, at around three years old, a record of his being played on an old radiogram my dad had. I was born in Canning Town East London and there was a pub opposite our home, which had live bands and a jukebox that blared music from Elvis and rock n roll. It has been in my blood ever since. I love it, breath it and never tire of it.
What has been the most memorable moment of your musical journey?
Oh, wow! Now that’s a tough question. Too many moments, but winning an Edinburgh Fringe Award on my first attempt in 2008 and performing for the British Forces overseas. I was the only Elvis tribute to have performed at both The London 2012 Olympics and Rugby World Cup 2015. I appeared in British feature film Punkstrut - The Movie and sang to millions on Test The Nation on BBC TV.
Tell us, how much does performing live mean to you?
Performing is in my blood and releases a feel good factor within me. It provides an escape from the reality and in many ways, solutions to most of the stresses in life. It makes me smile, feel emotional and continues to do so with each performance. The most memorable performance was singing to over six million on BBC’s Test The Nation. The thrill of singing live on TV was nerve-wracking, but gave this East End boy a chance to shine.
Which Elvis Presley song is your favourite to perform?
I can’t say a particular one, but my favourite rock n roll tune of all time is A Big Hunk Of Love, which has it all; a piano break, guitar solo by the awesome Hank Garland, and biting vocals from king Elvis. Lightening captured in a bottle for sure. I love Its Now Or Never, proving Elvis had indeed a unique ballad voice and showed his beautiful vibrato.
Which Elvis song do you think doesn’t get the credit it deserves?
Tomorrow Is A Long Time written by Bob Dylan. Elvis’ take on it is sublime. Also a song called Suppose, which I’m sure was an inspiration to John Lennon’s huge hit Imagine. The Beatles (as great as they were) did ‘steal’ little ideas-riffs and tweaked and copied stuff to make it their own. But hey, rock n roll is full of that anyway. It’s like the Olympic torch, it gets handed down.
Which of Elvis’ songs are the most timeless?
Suspicious Minds, which was an enormous hit for Elvis in 1969. In many ways life, like fashion, repeats itself. So the lyrics are relevant in many of Elvis’ songs like In The Ghetto, The Wonder Of You, Burning Love and Always On My Mind. In one form or another, they still reach out to the listener and relate to a situation they may be experiencing. Songs like Viva Las Vegas, Return To Sender and Hound Dog are timeless because they too resonate a ‘feel-good’ factor to this day. Once these songs strike up, watch that dance floor fill up.
If you could meet Elvis and ask him any question, what would it be?
Why didn’t he come to England to do a tour? Everyone else had, so the venues were there and if he knew The Colonel’s (his manager) secret that he (The Colonel) was an illegal immigrant in the USA, why didn’t he use Jerry Weintraub who organised Elvis’ Madison Square Garden shows? Jerry was well known and a very good manager, so his credentials were every bit as good as The Colonel’s.
What do you think was his greatest achievement?
I guess the 1968 TV Special, (for me). His looks, voice, suits, and sheer brilliance of coming back to show the new bands such as the Beatles, Stones, Kinks, Dave Clark Five and so on who was the real king. How he took to the stage and sang his heart out. Pure class and talent.
Tell us a fun fact about Elvis Presley not many people know?
Elvis pulling up at a gas station in June 1977 and seeing a fight break out. He jumped out of his car and flashed his police badge, much to the amazement of the two fellas fighting. That must have been a surreal situation.
Do you get to meet the other Elvis tribute acts?
I have a few close Elvis tribute artist friends in the business and we have a lot of fun, and enjoy just being ourselves offstage.
What is your greatest unfulfilled ambition?
I’d love to score a hit in the charts and maybe appear on a documentary about my life so far and how I got into the business. But the real ambition is to have a feature film on my life story based upon my own experiences as a rock n roll tribute. Coming from a Pakistani Muslim family it’s highly unusual for someone of my background to have done what I have achieved so far and things I’ve seen and done. The barriers, fights, racism, highs and lows. Also, the support and acceptance from my culture in doing so. Follow that dream as Elvis once said, so who knows.
Which other music legends do you admire apart from Elvis?
Gene Vincent, Buddy Holly, Ricky Nelson, The Beatles and Dean Martin. So many to name, but I really am into my 1950s and 1960s music.
Nancy Tyagi is back at Cannes. But this time, the 24 year old influencer and designer from Uttar Pradesh is not just a surprise guest, she is a name many were waiting to see again.
Last year, she made her debut at the prestigious festival in a self stitched 44 lb (20 kg) ruffled pink gown, crafted from scratch in her Delhi home. It was not just the weight of the dress that turned heads but the story behind it. A year later, Nancy returned with another outfit of her own making.
This time, she wore a silver aqua gown with a plunging neckline, a shimmering corset, and layers of tulle. It had roses stitched into the skirt and headpiece, and bold shoulders that looked like unfolding petals. Her makeup was clean and glam with silver smoky eyes, a neatly tied bun, and just the right sparkle.
What is special is not just the gown, but the fabric. She sourced it from Seelampur, a market in northeast Delhi better known for its chaos than couture. But that is what makes Nancy different. She turns everyday materials into red carpet magic. She does not come from fashion schools or big labels. She learnt it all by herself.
The self-taught designer walks the red carpet in a look stitched from Seelampur fabricInstagram/nancytyagi
Nancy said she felt emotional returning to Cannes, where everything changed for her. “Last year, I was overwhelmed. This year, I feel proud,” she said. “This is my outfit. I made it. It is all mine.”
Her Instagram post summed it up in Hindi: “Phir se Cannes… phir se red carpet. Kabhi socha nahi tha yeh safar itna khoobsurat hoga” (Back to Cannes, back to the red carpet. I never imagined this journey would be so beautiful).
Nancy Tyagi brings local craftsmanship to the global stage in her second Cannes appearanceInstagram/nancytyagi
And the internet agreed. From fashion fans to fellow creators, the applause was loud. Comments flooded in praising her evolution, confidence, and creativity. One user wrote, “You have inspired millions. This is real talent: self made, rooted, and unstoppable.”
Nancy’s journey from a small town girl stitching clothes in her room to walking the world’s most watched red carpet continues to be proof that success does not need privilege. Just skill, grit, and imagination.
Lauren Sánchez didn’t need a red carpet to mark her pre-wedding celebration, just a close circle of friends and the charm of Paris. Days before tying the knot with Jeff Bezos, the former TV anchor turned aviation entrepreneur spent a laid-back but lavish weekend in the French capital with a dozen women she calls her pillars of strength.
The guest list was anything but ordinary. Kim Kardashian, Kris Jenner, Katy Perry, Eva Longoria, and a few other familiar faces from business, entertainment, and media joined Sánchez for what looked like a celebration of sisterhood rather than a spectacle. Over the course of two days, the group dined at chic spots like Lafayette’s and cruised through the city on a private boat, all while keeping things relatively low-key by celebrity standards.
From clinking espresso martinis to dancing to Earth, Wind & Fire, the vibe was expensive, chill, and relaxed. The celebration wrapped with a surprise vanilla meringue cake and laughter under the Paris sky.
Sánchez shared heartfelt moments on Instagram, calling her friends “the women who’ve lifted me up and shaped my heart.” The photos, mostly in black and white, showed candid rooftop laughs and cosy robe moments, far from the polished party shots one might expect.
Inside Lauren Sánchez’s Paris bachelorette Instagram/laurenwsanchez
Her outfit choices, too, while expensive, leaned into romantic minimalism. A short white Oscar de la Renta dress with 3D florals and a vintage pink Chanel bag added soft glamour to the weekend.
Heartfelt moments and low-key glam defined Sánchez’s pre-wedding celebration in Paris Instagram/laurenwsanchez
Sánchez and Bezos, who went public in 2019, got engaged in 2023 on board his yacht Koru, where he proposed with a rare 20-carat pink diamond worth approximately £15 million (₹160 crore). Their wedding is expected in June on the coast of Venice, Italy, although they’ve been tight-lipped about the specifics. Italian officials have already reassured locals that the ceremony will not disrupt the city.
A candid moment with Sánchez and her closest friendsInstagram/laurenwsanchez
Beyond the headlines and designer outfits, Sánchez’s celebration in Paris was about a woman pausing to honour the relationships that helped her grow, before stepping into a new chapter as Mrs. Bezos.
Ever walked into a cinema, popcorn in hand, all hyped for a big new Hindi release – only to realise, halfway through, that you have seen the exact same story before, just in another language? That weird sense of déjà vu has become all too familiar for Bollywood audiences in recent years, with one remake after another. Many are based on South Indian hits.
From Vikram Vedha to Shehzada, Bholaa to Selfiee, Bollywood seems to be treating South Indian blockbusters like a catalogue to borrow from. But here is the problem – most of them did not work. Not just with critics, but at the box office too. Which raises the obvious question: if the originals were such big hits, why can’t the Hindi versions strike gold?
The numbers do not lie Let us look at the figures.
The Tamil film Vikram Vedha (2017) was made on a budget of £103,695 (₹11 million) and earned £5.66 million (₹600 million). It had strong writing, originality, and standout performances. The 2022 Hindi remake starring Hrithik Roshan and Saif Ali Khan, despite slick production, was a costly misfire.
Bholaa, a remake of Kaithi, leaned too heavily on visual effects and forgot the raw, gritty storytelling that made the original shine. Made for £8.8 million (₹1 billion), it only grossed £9.7 million (₹1.1 billion) worldwide. Compare that with Kaithi, made for £2.2 million (₹250 million), which earned over £9.3 million (₹1.05 billion) – without big stars or CGI. This pattern keeps repeating itself.
Selfiee, based on Malayalam hit Driving Licence, flopped. Shehzada tried to replicate the success of Ala Vaikunthapurramuloo and failed miserably. Sarfira, based on Soorarai Pottru, came and went without impact. Even Baby John (a version of Theri) and Deva (inspired by Mumbai Police) could not turn strong originals into Hindi box office hits.
Ajay Devgn in Bholaa
Star power is not enough These numbers paint a clear picture: the remakes are not connecting. But what about star power? Salman Khan, Akshay Kumar, Shahid Kapoor, Hrithik Roshan, Kartik Aaryan – surely such big names should guarantee success? Unfortunately, it is not that simple anymore.
Audiences are smarter now. Thanks to streaming platforms, dubbed versions and social media buzz, many have already seen the originals – or at least know the storyline. So when the Hindi version arrives, it often feels stale.
Hrithik Roshan in Vikram Vedha
What is missing from the remakes? Successful films rely on many elements – chemistry between the leads, emotional tone, pacing – things you cannot script or transplant.
Take Vinnaithaandi Varuvaayaa. The chemistry between Silambarasan TR and Trisha felt electric, rooted in the film’s deeply emotional story of unrequited love. The Hindi remake Ekk Deewana Tha, with Prateik Babbar and Amy Jackson, lacked that connection.
Okkadu had raw energy, with Mahesh Babu anchoring the emotional weight. Ghilli, its Tamil counterpart, had similar intensity with Vijay’s charismatic presence and high-octane action. But the Hindi version Tevar lacked the same punch and raw emotion.
Similarly, Theri worked because of Vijay’s stardom, Atlee’s direction, and its emotionally driven story. Baby John has not captured that same feeling.
Mahesh Babu in Okkadu
Audiences want originality Here is the real kicker – audiences are not rejecting South Indian cinema. In fact, they are embracing it. Baahubali 2, the Pushpa and KGF franchises, RRR, Kantara – all became massive pan-India hits. The appetite for regional content is real.
What people are rejecting is lazy filmmaking – the idea that simply changing the language, inflating the budget, and casting a big Bollywood name is enough.
What works today is originality. Films like 12th Fail and Article 15 resonated because they told new stories. Even blockbusters like Pathaan and Jawan succeeded by playing to their own strengths – not copying someone else’s.
RRR
A call for change So what should Bollywood do? The answer is simple: focus on originality.
Stop leaning on South Indian remakes. Start backing fresh, innovative stories that speak to today’s diverse audience. The success of South Indian films lies in their ability to connect emotionally, to create real characters and tell untold stories. Bollywood needs to find that magic again.
In the end, remakes may seem like a safe bet – but they are not always the solution. Why settle for déjà vu when you can create something unforgettable?
The audience has evolved. Maybe now, it is time the industry asked itself: has it?X: @GeorgeViews
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Ananya Panday is no stranger to the spotlight, but she’s also tired of being stuck under a microscope. In a recent chat with Lilly Singh on her podcast Shame Less, the actor spoke honestly about the constant criticism of her body and the double standards women face in the film industry.
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Jolie keeps it classic in Brunello Cucinelli with Chopard diamonds for Eddington premiereGetty Images
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The actress makes a graceful return to Cannes after 14 years awayGetty Images
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Angelina Jolie interacting with fans Getty Images
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Jolie keeps her style effortless for Cannes 2025Getty Images
Angelina Jolie’s Cannes appearance was a glorious comeback. But more than that, it was a quiet reminder of who she is: a woman of style, substance, and selective presence.