Skip to content
Search

Latest Stories

Exclusive: “Grandfather Amrish Puri has always been my inspiration,” says debutant Vardhan Puri

Finding success in Bollywood is not easy. People are free to assume that star-kids have it easy because of their super influential parents, but not every star-kid gets his first film offered on a platter. Some star-children work hard to make it happen, just like any other regular outsider.

Vardhan Puri, the grandson of renowned Hindi film actor Amrish Puri, had to go through the same grind. After facing a lot of struggle, the young actor is finally set to enter showbiz with the upcoming suspense thriller Yeh Saali Aashiqui. In a candid conversation with Eastern Eye, Vardhan Puri opens up about his fascination for acting, how his late grandfather shaped the actor in him in his formative years, and much more.


Who inspired you to take a plunge into show business and when did you think of becoming an actor?

My grandfather, Amrish Puri, has always been my inspiration, and the other one is Charlie Chaplin. I have been watching his movies since childhood and he inspires me a lot. From the age of five, my grandfather put me into theatre. I have been the student of Pandit Satyadev Dubey. I was his assistant writer, and I used to observe his plays. I used to work with senior actors, used to assist them. Right from serving tea and coffee to people to handling the backstage, I have done all kinds of work. I was the lighting in-charge too.

When did you start acting in plays?

The first role that I received in theatre was at the age of eight. So, from the age of 5 to 8 years, I just helped Mr Dubey and his team. I used to do small roles like that of a bhel-puriwala, sweeper, etc. Then I played a saint. At times I used to be Gandhiji’s soul. I used to play minor roles. I have done many plays of Munshi Premchand. I had never been the lead actor. I was just a character.

So, when did you bag your first lead role?

At the age of 14, I did my first lead role as a theatre actor, which was my dream. My childhood dream was not to become a film actor but to become an actor. Be it film, TV or stage, I only wanted to become an actor because my grandfather had told me that nobody can make you an actor. You are already an actor if you enact by looking into the mirror in a room. People can only give you work. Like when a writer writes something on a paper, he already has become a writer but then work is necessary and now you should work hard to get work. Since childhood, I always had fascination towards cinema. I remember I used to wear my grandfather’s wig and his costume and used to try saying all his dialogues. So, my family had understood that this child is a born entertainer, but then my grandfather said, “Though he is an entertainer, I don’t want him to be a filmy actor. If he feels he is entitled and that he is special than the other kids, then he will lose his mind and he won’t be able to do anything in his life. Put him in theatre under the scrutiny of Satyadev Dubey because he will make sure that he breaks his ego, train him properly and make him an actor”.

You have also been an assistant director on some of Yash Raj Films’ movies, right?

I did stage shows till the age of 21 and, at one point, wanted to work with Yash Raj Films as an assistant director. I became one for Habeeb Faisal Sahab, did three films and after that started auditioning for films. I did two films with Habeeb Faisal Sahab and did one film with Manish Sharmaji. I did Ishaqzaade (2012), Shuddh Desi Romance (2013) and Daawat-e-Ishq (2014) in between 2011 to 2015 and after that started auditioning. Whenever I used to meet the casting directors, they would say, “You are a good actor but you are a theatre actor and you do not understand camera”. They said that either I should only do theatre or get trained for films. I said I wanted to act for films too. They said that I should train myself. So, I took training from four people and after that I again came for auditions and it was at that time one of the casting directors said that now you have learnt film acting.

My grandfather also faced the same problem. When he started acting with Girish Karnad and Shyam Benegal, he was told that you have to remember the nuances. When you are acting for camera, you cannot project yourself like that of a theatre actor. You have to act differently for close up shots and differently for wide shots and mid-shots. So, I learnt these techniques and then went on giving auditions. I gave almost 1200 auditions. I pestered all well-known casting directors like Mukesh Chhabra, and many other for work. So, this was all about my journey.

How did you manage to bag your first role as the lead actor in theatre?

A person gets to play a lead role in theatre after working for years, but I got a very good opportunity because a senior most actor’s family shifted to Jaipur, so he had to go and I was the second choice. And somehow, I got to play Thuglak at the age of fourteen and that too in a play popular across the world. It is a very celebrated play, so that was my first play as a lead, directed by K Kasi, a student of Dubeyji.

How did you think of making a film and introducing yourself?

I am not introducing myself. It was my grandfather’s dream to produce a film in 2001. But that film did not happen due to various reasons, one of them being that the writing lacked something. My grandfather passed away in 2005. My family and I wanted to make his dream come true and produce something. So, my father started meeting various people. He started meeting writers but was not getting any exciting script.

What happened next?

Since I am a trained writer, I keep on writing. There is not a day in my life where I do not write. Whether it is good or bad, I write on a daily basis. Even though it is for five minutes, I write it and make sure that I don’t lose practice.

I was writing with my director Cherag. I told him that since he was in search of a story, we might pitch in together. I then narrated a page and he liked it. He then asked me for a detailed 4 pages. He liked them all. He then asked me to do a proper screenplay as it was the difficult of all. And then I told him that I would keep the screenplay ready in 3 months but as I started writing, I could only write 3 pages and it took me 14 months for the whole screenplay. I took it to my dad and presented it. I told him that production is such a complex thing that if something goes wrong, our name will be tarnished. He said that he really liked it and that is when we took it to the PEN studio and spoke to Dr Jayantilal Gada. He called for a meeting immediately as he found the screenplay very exciting, and that is how the film was locked. So, my father never thought of launching me as I was certain of doing films in my life.

Earlier, you were about to debut with some other film, right?

I had done a film, a romantic drama where I was replaced after 6 months. Now when I think of it, I feel happy that the film didn’t happen. Then I was about to do a film called Sultana with Mahesh Bhatt. It was based on dacoits and was an amazing film. It was an 80-crore film and I was very happy. It was about to be release after Padmaavat (2018) but then looking at the Padmaavat controversy, the studio backed out. I went into depression. Then my parents told me that my grandfather Amrish Puri had dreamt of cinema in his 20s and that got fulfilled at the age of 40. I got super motivated and the next morning I got up and went to people and said that no problem that it didn’t work out, we will start working on the next. I was getting offers even then but nothing was clicking and that was the time I thought of writing the film.

Did you write the film imagining yourself as the lead?

No, I didn’t. I can never write a story keeping an actor in mind. I then become indulgent. If I keep someone in mind, a lot of limitations come to the fore. So, the script becomes corrupt. I never thought about it. It was my director who said, ‘Bro, you are correct for this’. I said that I had never done film acting but I loved this script very much and hence we must not take the risk. He said that he was sure and everyone also thought that I was perfect for it. I said, ‘I might be sounding stupid but please take my audition’. So, the auditions went on for a week and after the auditions we done, we viewed them in a studio in Bandra. And after everyone saw it, they thought that I was perfect. And then I felt that yes, I have to do it.

More For You

Onam 2025: 5 celebrity Onam celebrations that got the looks just right

Onam 2025: 5 celebrity fits that nailed the Onam mood

Onam 2025: 5 celebrity Onam celebrations that got the looks just right

Highlights:

  • Mohanlal kept it timeless in a crisp mundu and shirt
  • Prithviraj & Supriya Menon looked like the perfect festive album shot
  • Malavika Mohanan brought in a twist with her kasavu saree with traditional jewellery
  • Malaika Arora embraced Kerala’s spirit with a kasavu saree, temple jewellery, and a warm Sadhya
  • R. Madhavan & Sarita Birje showed coordinated elegance in mundu and saree

Festivals tell their own stories. Sometimes it’s not in the captions, not even in the feasts, but in the clothes, the smiles, and the way people carry tradition without trying too hard. Onam this year gave us just that: celebrities, often dripping in designer labels, strip it back to something pure, elegant, and powerfully rooted.

Here’s who absolutely nailed the Onam vibe.

Keep ReadingShow less
Armani fashion journey

Giorgio Armani’s journey from window dresser to fashion emperor

Getty Images

Giorgio Armani: 10 chapters that turned a window dresser into fashion’s emperor

Highlights:

  • Armani began as a window dresser in Milan before sketching suits for Nino Cerruti.
  • In 1975, he launched his own label by selling his car, sparking a quiet fashion revolution.
  • His unstructured suits redefined power dressing for men and women in the 1980s.
  • From American Gigolo to the Oscars, Armani became Hollywood’s style signature.
  • He built a global empire yet stayed hands-on, shaping fashion until his final days at 91.

It’s strange to think Armani once stood behind a shop window, fixing mannequins instead of red carpets. He wasn’t born into Milan’s glittering salons or stitched into privilege. His journey started with burns from a war shell, with a mother who made scraps look elegant, with a young man who quit medical school because he couldn’t quite see his future in blood and bandages.

From there, he picked up fabrics, cuts, and the quiet dream of building something lasting. And against all odds, he did. You know his clothes. You’ve seen that look, the effortless drape of a jacket, the quiet confidence of a suit that doesn’t scream but whispers luxury. Giorgio Armani, who left us last year at 91, wasn’t just a designer, he rewrote how the world dresses. These ten chapters show how he carved that throne.

Keep ReadingShow less
Exclusive: Geeta Basra returns after a decade, calls 'Meher' the film she was destined to do

Geeta Basra returns with Meher after a decade away from films

Instagram/geetabasra

Exclusive: Geeta Basra returns after a decade, calls 'Meher' the film she was destined to do

Highlights:

  • British-born actress Geeta Basra makes a powerful return to the screen with the Punjabi film Meher after a decade away.
  • She reveals the industry once dropped her for getting married but now celebrates women balancing career and family.
  • Basra plays a relatable matriarch and describes the project as a “dream role” that mirrors her own life.
  • Meher is a large-scale cinematic experience shot in unique locations like Manikaran, designed for the big screen.

After a decade away building a family and a life outside cinema, British-born actress Geeta Basra is back with the Punjabi drama Meher, and this time, she’s rewriting the rules for married women on screen. For the mother-of-two, this isn’t just about returning to acting, it’s about challenging how the industry views married women and mothers while spotlighting the women who have inspired her own journey.

In an exclusive interview with Eastern Eye, Geeta opens up about her comeback, her inspirations, the shift in opportunities for women, and why this family drama feels so personal.

Keep ReadingShow less
Priyanka Chopra, Alia Bhatt and Katrina Kaif

Farhan Akhtar confirms Jee Le Zaraa is not shelved but cast uncertain

Instagram/priyankachopra

Farhan Akhtar says ‘Jee Le Zaraa’ will happen but drops bombshell that Alia Bhatt, Priyanka Chopra and Katrina Kaif may exit

Highlights:

  • Farhan Akhtar says Jee Le Zaraa has been delayed but not shelved
  • Significant work including music and location scouting already completed
  • Director cannot confirm if Alia Bhatt, Priyanka Chopra and Katrina Kaif remain attached
  • Project first announced in 2021 as a female-led road trip film

Filmmaker-actor Farhan Akhtar has clarified that his highly anticipated film Jee Le Zaraa has not been shelved. Speaking about the much-discussed project, Akhtar said the film is simply “on the back burner” due to scheduling conflicts. The clarification comes after years of speculation that the all-female road trip film, originally announced with Priyanka Chopra, Katrina Kaif and Alia Bhatt, might have been abandoned.

Priyanka Chopra, Alia Bhatt and Katrina Kaif Farhan Akhtar confirms Jee Le Zaraa is not shelved but cast uncertain Instagram/priyankachopra

Keep ReadingShow less
Heidi Klum

Heidi and Leni Klum pose together in co-ordinated Intimissimi gowns at the Venice Film Festival

Instagram/heidiklum

Heidi Klum Venice Film Festival look with daughter Leni reignites criticism over mother-daughter lingerie fashion partnership

Highlights:

  • Heidi Klum and daughter Leni walked the Venice Film Festival red carpet in matching corset-style gowns.
  • The supermodel opted for a blush pink silk design, while Leni wore an inky black version.
  • Both gowns were created by Italian lingerie brand Intimissimi, for which they are ambassadors.
  • The mother-daughter duo previously fronted a controversial campaign for the same brand.

Heidi Klum's Venice Film Festival appearances always generate headlines, but this year she doubled the impact by walking the red carpet with her daughter Leni. The pair stunned in co-ordinated gowns from Italian intimates brand Intimissimi, bringing high fashion and red carpet glamour together in one of the festival’s most talked-about moments. Their matching corset silhouettes highlighted the duo’s modelling credentials and added a striking family twist to the opening night of the prestigious event.

Heidi Klum Heidi and Leni Klum pose together in co-ordinated Intimissimi gowns at the Venice Film Festival Instagram/heidiklum

Keep ReadingShow less