Finding success in Bollywood is not easy. People are free to assume that star-kids have it easy because of their super influential parents, but not every star-kid gets his first film offered on a platter. Some star-children work hard to make it happen, just like any other regular outsider.
Vardhan Puri, the grandson of renowned Hindi film actor Amrish Puri, had to go through the same grind. After facing a lot of struggle, the young actor is finally set to enter showbiz with the upcoming suspense thriller Yeh Saali Aashiqui. In a candid conversation with Eastern Eye, Vardhan Puri opens up about his fascination for acting, how his late grandfather shaped the actor in him in his formative years, and much more.
Who inspired you to take a plunge into show business and when did you think of becoming an actor?
My grandfather, Amrish Puri, has always been my inspiration, and the other one is Charlie Chaplin. I have been watching his movies since childhood and he inspires me a lot. From the age of five, my grandfather put me into theatre. I have been the student of Pandit Satyadev Dubey. I was his assistant writer, and I used to observe his plays. I used to work with senior actors, used to assist them. Right from serving tea and coffee to people to handling the backstage, I have done all kinds of work. I was the lighting in-charge too.
When did you start acting in plays?
The first role that I received in theatre was at the age of eight. So, from the age of 5 to 8 years, I just helped Mr Dubey and his team. I used to do small roles like that of a bhel-puriwala, sweeper, etc. Then I played a saint. At times I used to be Gandhiji’s soul. I used to play minor roles. I have done many plays of Munshi Premchand. I had never been the lead actor. I was just a character.
At the age of 14, I did my first lead role as a theatre actor, which was my dream. My childhood dream was not to become a film actor but to become an actor. Be it film, TV or stage, I only wanted to become an actor because my grandfather had told me that nobody can make you an actor. You are already an actor if you enact by looking into the mirror in a room. People can only give you work. Like when a writer writes something on a paper, he already has become a writer but then work is necessary and now you should work hard to get work. Since childhood, I always had fascination towards cinema. I remember I used to wear my grandfather’s wig and his costume and used to try saying all his dialogues. So, my family had understood that this child is a born entertainer, but then my grandfather said, “Though he is an entertainer, I don’t want him to be a filmy actor. If he feels he is entitled and that he is special than the other kids, then he will lose his mind and he won’t be able to do anything in his life. Put him in theatre under the scrutiny of Satyadev Dubey because he will make sure that he breaks his ego, train him properly and make him an actor”.
You have also been an assistant director on some of Yash Raj Films’ movies, right?
I did stage shows till the age of 21 and, at one point, wanted to work with Yash Raj Films as an assistant director. I became one for Habeeb Faisal Sahab, did three films and after that started auditioning for films. I did two films with Habeeb Faisal Sahab and did one film with Manish Sharmaji. I did Ishaqzaade (2012), Shuddh Desi Romance (2013) and Daawat-e-Ishq (2014) in between 2011 to 2015 and after that started auditioning. Whenever I used to meet the casting directors, they would say, “You are a good actor but you are a theatre actor and you do not understand camera”. They said that either I should only do theatre or get trained for films. I said I wanted to act for films too. They said that I should train myself. So, I took training from four people and after that I again came for auditions and it was at that time one of the casting directors said that now you have learnt film acting.
My grandfather also faced the same problem. When he started acting with Girish Karnad and Shyam Benegal, he was told that you have to remember the nuances. When you are acting for camera, you cannot project yourself like that of a theatre actor. You have to act differently for close up shots and differently for wide shots and mid-shots. So, I learnt these techniques and then went on giving auditions. I gave almost 1200 auditions. I pestered all well-known casting directors like Mukesh Chhabra, and many other for work. So, this was all about my journey.
How did you manage to bag your first role as the lead actor in theatre?
A person gets to play a lead role in theatre after working for years, but I got a very good opportunity because a senior most actor’s family shifted to Jaipur, so he had to go and I was the second choice. And somehow, I got to play Thuglak at the age of fourteen and that too in a play popular across the world. It is a very celebrated play, so that was my first play as a lead, directed by K Kasi, a student of Dubeyji.
How did you think of making a film and introducing yourself?
I am not introducing myself. It was my grandfather’s dream to produce a film in 2001. But that film did not happen due to various reasons, one of them being that the writing lacked something. My grandfather passed away in 2005. My family and I wanted to make his dream come true and produce something. So, my father started meeting various people. He started meeting writers but was not getting any exciting script.
Since I am a trained writer, I keep on writing. There is not a day in my life where I do not write. Whether it is good or bad, I write on a daily basis. Even though it is for five minutes, I write it and make sure that I don’t lose practice.
I was writing with my director Cherag. I told him that since he was in search of a story, we might pitch in together. I then narrated a page and he liked it. He then asked me for a detailed 4 pages. He liked them all. He then asked me to do a proper screenplay as it was the difficult of all. And then I told him that I would keep the screenplay ready in 3 months but as I started writing, I could only write 3 pages and it took me 14 months for the whole screenplay. I took it to my dad and presented it. I told him that production is such a complex thing that if something goes wrong, our name will be tarnished. He said that he really liked it and that is when we took it to the PEN studio and spoke to Dr Jayantilal Gada. He called for a meeting immediately as he found the screenplay very exciting, and that is how the film was locked. So, my father never thought of launching me as I was certain of doing films in my life.
Earlier, you were about to debut with some other film, right?
I had done a film, a romantic drama where I was replaced after 6 months. Now when I think of it, I feel happy that the film didn’t happen. Then I was about to do a film called Sultana with Mahesh Bhatt. It was based on dacoits and was an amazing film. It was an 80-crore film and I was very happy. It was about to be release after Padmaavat (2018) but then looking at the Padmaavat controversy, the studio backed out. I went into depression. Then my parents told me that my grandfather Amrish Puri had dreamt of cinema in his 20s and that got fulfilled at the age of 40. I got super motivated and the next morning I got up and went to people and said that no problem that it didn’t work out, we will start working on the next. I was getting offers even then but nothing was clicking and that was the time I thought of writing the film.
Did you write the film imagining yourself as the lead?
No, I didn’t. I can never write a story keeping an actor in mind. I then become indulgent. If I keep someone in mind, a lot of limitations come to the fore. So, the script becomes corrupt. I never thought about it. It was my director who said, ‘Bro, you are correct for this’. I said that I had never done film acting but I loved this script very much and hence we must not take the risk. He said that he was sure and everyone also thought that I was perfect for it. I said, ‘I might be sounding stupid but please take my audition’. So, the auditions went on for a week and after the auditions we done, we viewed them in a studio in Bandra. And after everyone saw it, they thought that I was perfect. And then I felt that yes, I have to do it.
Ed Sheeran’s latest single, Sapphire, is out now, and it marks a new chapter in his musical journey. With the Indian rhythms, rich storytelling, and unexpected star power, Sapphire is a big cross-cultural leap for the British singer-songwriter.
A musical journey through India with Arijit and SRK in the spotlight
Bringing together the soulful voice of Arijit Singh, choreography by Bollywood icon Farah Khan, and a surprise appearance by Shah Rukh Khan, the song celebrates global connection. Recorded during Sheeran’s visit to India earlier this year, Sapphire captures the spirit of collaboration and joy. From a sitar-laced melody to Arijit's vocals, the track has the feel of a summer anthem rooted in shared sounds and stories.
Shah Rukh Khan makes a special appearance in the Sapphire music video
The music video, directed by Liam Pethick, traces Sheeran’s journey across India, starting on a rooftop at sunrise and winding through beaches, bustling markets, and backlot film sets. There is even a stop at A.R. Rahman’s music school, where he jams with young musicians. One standout moment was a studio session with Arijit and a bike ride around his hometown.
In his own words, Ed says, " Sapphire was the first track that really gave me direction for the album. I finished it in Goa with some amazing Indian musicians. Getting Arijit on board was the missing puzzle piece. We even recorded a Punjabi version that drops soon; it’s one of my favourites on the record."
Ed Sheeran and Arijit Singh in India
New album Play coming this September and live shows sell out instantly
Sapphire is part of Sheeran’s upcoming album Play, releasing on 12 September 2025. After closing the Mathematics era, this album sees him experimenting with sounds from India and Iran.
In other exciting news, Sheeran’s homecoming gigs in Ipswich, his first UK headline shows since 2023, sold out immediately. Taking place at Portman Road Stadium in July, the three-night run will feature guests like Tori Kelly, James Blunt, and Busted. A portion of ticket sales will go to The Live Trust, a new fund aimed at supporting grassroots music professionals.
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Badshah reacts to backlash over controversial Dua Lipa comment
Rapper Badshah found himself in hot water after a social media post about global pop sensation Dua Lipa. What started as a simple tweet, her name with a heart emoji, quickly spiralled into chaos when a fan asked if they were collaborating. Badshah's response? "I'd rather make babies with her bro."
Badshah's viral response to the comment under his tweet Twitter Screengrab
The backlash was instant. Critics called the remark objectifying and disrespectful, forcing Badshah to clarify. Trying to douse the fire, he later posted, "I think one of the most beautiful compliments you can give a woman you really admire is to wish for her to mother your children. Meri soch nahi, tumhari soch saamne aayi hai." But the clarification didn't sit well with many, who criticised him for doubling down rather than acknowledging the issue. "Since when did that qualify as a compliment?" one user wrote, while others called it tone-deaf and entitled.
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Honey Singh joins the fray with a sarcastic jab
As the debate raged on, Badshah's longtime rival, Honey Singh, couldn't resist chiming in. Reacting to the rapper's explanation on Instagram, Singh dropped a sarcastic "Genius 😂👏👏," clearly mocking the justification. Fans caught the dig immediately, with some laughing at the not-so-subtle jab between the two, who've had a rocky relationship for years.
Badshah had previously expressed a desire to end their feud, but Singh's latest comment suggests the tension isn't fading anytime soon. Meanwhile, the rapper continues to make headlines, whether for his dramatic weight loss, rumoured romance with Tara Sutaria, or this latest controversy. One thing's clear: Badshah knows how to stay in the spotlight, but not always for the right reasons.
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During an interview on Nikhil Kamath’s podcast People by WTF, Sarandos said he may have chosen a more “populist” route if he could go back, admitting the series was perhaps too novel for the Indian market at the time. The comments didn’t sit well with Kashyap, who fired back on social media, calling Sarandos “the definition of dumb” and sarcastically suggesting the platform should’ve launched with traditional “saas-bahu” content instead.
Kashyap takes aim at Netflix’s shift to mass-market content
Kashyap’s reference wasn’t just casual; it came at a time when Netflix India has partnered with Balaji Telefilms, led by Ektaa Kapoor, best known for her highly successful daily soaps like Kyunki Saas Bhi Kabhi Bahu Thi. The filmmaker’s post read: “He should have started with Saas Bahu… he would have done well. Which he is doing now. I always knew tech guys are dumb when it comes to storytelling, but @tedsarandos is the definition of dumb is what I didn’t know.”
The post sparked debate online, with even singer-actor Lisa Mishra chiming in to support Kashyap, saying that everything on OTT today is “derivative… specifically of Sacred Games.”
Kapoor, without naming Kashyap, responded via Instagram by accusing unnamed artists of being classist. She defended soap operas, claiming they gave a voice to Indian women and were even studied by international researchers. Her post ended with a call for inclusivity and “graciousness.”
Ekta Kapoor's story Instagram screengrab/ektakapoor
A clash of content ideologies in India’s OTT landscape
Sacred Games, co-directed by Kashyap and Vikramaditya Motwane and starring Saif Ali Khan and Nawazuddin Siddiqui, was a landmark moment for Indian streaming content. Though it didn’t continue past two seasons, it opened doors for darker, more experimental storytelling in Indian OTT.
Sarandos’ comments appear to suggest that while Sacred Games earned critical acclaim, it may not have been the right commercial launchpad for Netflix in India. Kashyap, however, sees the platform’s current pivot toward formula-driven programming as a step backward.
Ted Sarandos talks about Sacred Games for Netflix IndiaGetty Images
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In photos circulating online, the Chihiro singer and Wolff are seen locking lips while casually dressed in matching grey T-shirts, enjoying champagne and sunshine in one of the world’s most romantic cities.
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A long-rumoured connection comes into focus
While this is the first clear public display from the duo, Eilish and Wolff’s bond goes back a while. They worked together on her music video Chihiro, which she directed. Around the same time, Nat and his brother Alex opened for her during the North American leg of her Hit Me Hard and Soft tour in 2024.
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Fans react as Billie and Nat’s long-rumoured romance takes centre stageGetty Images
In past interviews, Wolff described their connection as one of shared understanding, particularly around living with Tourette syndrome, a condition both have spoken about. “It’s rare to find people you don’t have to explain yourself to,” Wolff once shared, adding that he and Eilish could just “be” around each other.
Keeping it private until now
Eilish has openly said she regrets how much she’s shared about her personal life in the past. In an interview, she stated she wanted to keep her dating life and sexuality out of the spotlight going forward.
A kiss in Italy sparks fresh buzz around Billie Eilish’s love lifeGetty Images
“I wish no one knew anything about my dating life,” she said. “And I’m never talking about who I’m dating ever again.”
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The cast of Maybe Happy Ending celebrates their big night at the Tony Awards
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From Seoul to Broadway: A story born in two languages
Maybe Happy Ending wasn’t always destined for the bright lights of Broadway. It first opened in a small Seoul theatre in 2016, a result of a local arts foundation’s programme. Co-created by South Korean lyricist Hue Park and American composer Will Aronson, the story explores loneliness, connection, and memory through the eyes of obsolete robots. Written in both Korean and English, the piece has been reimagined several times since its debut.
Darren Criss, known to many as a Glee star, played Oliver and took home his first Tony for the role. His co-star Helen J Shen portrayed Claire, the other robot. Together, they brought the emotional weight to a futuristic love story that’s more human than it sounds.
While the robots explore feelings in a near-future Seoul, the show managed to preserve distinct Korean elements like Jeju Island and the traditional plant pot hwabun on the Broadway stage, something fans celebrated online.
A cultural shift, decades in the making
With this win, South Korea joins the rare club of nations with major victories across all four major American entertainment awards, including the Oscars, Emmys, Grammys, and now Tonys. From Parasite to Squid Game, and now Maybe Happy Ending, Korean creators are no longer breaking into the global scene, they’re leading it.
The success also validates years of quiet work in South Korea’s theatre scene. Original musicals like Marie Curie and The Great Gatsby have made appearances in the West End and on Broadway, but Maybe Happy Ending marks the first time a Korean musical has truly swept the Tonys.
As one critic noted, more than awards, it’s about shifting global perspectives. Korean musicals are no longer export hopefuls. They’re now centre stage.