Pooja was born in Kochi and raised on a mix of newspapers, pop culture, and too many questions. She studied Communicative English and Journalism before earning her Master’s in Journalism from Amrita Vishwa Vidyapeetham, and began her career interning at The Times of India and Channel I'M — where she later became a news anchor, scripting and presenting her own stories. Between deadlines, she’s worked across digital media platforms, covering politics, gender, pop culture, cinema, and everything in between. She has interviewed actors, creators, and changemakers, and occasionally edits her own video content — thanks to being certified in Photoshop and InDesign. In 2025, she joined the Asian Media Group in her first “official” newsroom gig, where she now covers entertainment, lifestyle, and the layered realities of South Asian identity. She believes storytelling should feel personal — even when it’s public — and likes to write not to please, but to provoke, question, and occasionally stir the pot.
Deepika Padukone seems to be gearing up for a major comeback, and the buzz isn’t just about her next role, but about how much she’s reportedly being paid. If the latest industry whispers are to be believed, Deepika is set to earn around £1.9 million (₹20 crore) for Spirit, her upcoming film with Prabhas. That’s more than what many top male stars, including her husband Ranveer Singh, are said to be charging these days.
Spirit, directed by Animal filmmaker Sandeep Reddy Vanga, has been delayed due to scheduling changes and a reported injury to Prabhas on a previous project. Originally meant to start in late 2024, the film is now expected to begin shooting in October 2025.
Deepika Padukone is reportedly charging her highest fee yet for her next filmGetty Images
Initially, Deepika wasn’t part of the film’s plan. She had turned it down as the original shoot timeline clashed with her pregnancy. But after the delay, the director reportedly approached her again with a revised schedule and a powerful role. Sources close to the production claim that Deepika was impressed not only by the character but by how well-written her part was, especially given the director’s male-centric filmography. This will also be her first collaboration with Vanga.
This isn’t the first time Deepika has shared screen space with Prabhas. The duo previously starred together in Kalki 2898 AD, and Spirit will build on that fan-favourite pairing. The film is still in its final scripting phase but is expected to be a high-stakes action drama backed by T-Series and Bhadrakali Pictures, with a 2027 release on the cards.
Deepika Padukone is yet to officially announce her next post-pregnancy filmGetty Images
While no official announcement has been made yet by the actress or the production house, the £1.9 million (₹20 crore) figure has made waves online, not just because it’s Deepika’s highest fee to date, but because it hints at a growing shift in how leading women in Indian cinema are being valued.
In addition to Spirit, Deepika is also rumoured to appear in the sequel to Kalki 2898 AD, a possible cameo in Love & War, and a key role in Shah Rukh Khan’s much-awaited King. After a break from the spotlight following the birth of her daughter Dua, Deepika appears ready to reclaim her place and her price at the top!
Immortalised as General Zod in Superman (1978 & 1980)
Career revival in The Hit (1984)
Missed iconic roles like James Bond and Alfie
Final performance in Last Night in Soho (2021)
Terence Stamp never played life safely. He wasn’t the sort of actor who coasted on charm or looks, though he had both in abundance. Instead, he kept disappearing and reappearing, reinventing himself each time, with roles that felt daring, unsettling, or quietly revolutionary. He could have been a matinée idol forever, but that would’ve been boring. Stamp preferred to be unpredictable.
10 unforgettable roles that made Terence Stamp a legendGetty Images
Here are ten turning points that tell the story of an actor who refused to be ordinary.
1. Billy Budd (1962) — the angelic debut
Stamp began with a thunderclap. His first film role, as the doomed sailor in Billy Budd, earned him an Oscar nomination and a Golden Globe. Critics called him the face of Britain’s “angry young men.” It was a beginning that announced a star.
Playing the butterfly-obsessed kidnapper Freddie Clegg, Stamp chilled audiences with a mix of vulnerability and menace. He won Best Actor at Cannes, proving he wasn’t content to be just beautiful—he wanted to disturb.
3. Spirits of the Dead (1968) — Fellini’s decadent Englishman
When Federico Fellini singled him out as “the most decadent English actor,” it wasn’t an insult. Stamp leaned into the description, playing a drunken actor lured by the devil. The part cemented his image as an enigmatic outsider and led him deeper into European arthouse cinema.
4. General Zod in Superman (1978 & 1980) — “Kneel before Zod”
After nearly a decade in retreat, including years in an Indian ashram, Stamp returned with fire. As Superman’s Kryptonian nemesis, he turned a comic-book villain into an unforgettable cultural figure. His command: “Kneel before Zod!” became legend.
In Stephen Frears’ The Hit, Stamp played Willie Parker, a gangster waiting for death. The role was quiet, philosophical, almost weary—a man facing the inevitable. It revived his career with the force of understatement.
6. Priscilla, Queen of the Desert (1994) — dignity in sequins
Few actors of his era would have taken the risk. Stamp did. As Bernadette, a transgender woman crossing the Outback with two drag queens, he gave a performance full of grace, humour, and resilience. He earned Golden Globe and BAFTA nominations and left a lasting mark on queer cinema.
Steven Soderbergh handed him one of his greatest roles: Wilson, a Cockney ex-con chasing answers about his daughter’s death. Stamp played him with raw fury, grief, and weary toughness. The use of old footage from his 1960s films made it a haunting dialogue between the young man he was and the old lion he had become.
Stamp wasn’t just on the screen in the 1960s—he was the era. Photographed by David Bailey, dating Jean Shrimpton and Julie Christie, rumoured muse for Waterloo Sunset, he embodied a time when London thought it could change the world. His film roles in Modesty Blaise and Far from the Madding Crowd made him the face of stylish rebellion.
10 iconic roles that define Terence Stamp\u2019s career \u200bGetty Images
9. The roles he turned down
He wasn’t afraid to say no. Stamp refused Alfie, opening the door for Michael Caine’s breakthrough, and lost the chance to play James Bond when producers balked at his radical take on the character. Those decisions say as much about him as the parts he did play.
10 standout performances that made Terence Stamp a star Getty Images
10. Last Night in Soho (2021) — full circle
In Edgar Wright’s eerie thriller, Stamp played a silver-haired gentleman prowling London’s night streets. It was a ghost of his own past—the Swinging Sixties icon turned into a shadow. A fitting final bow.
Terence Stamp’s career wasn’t tidy. He didn’t climb neatly upward, collecting blockbusters or safe roles. He wandered, disappeared, re-emerged. He risked ridicule for the chance to surprise. He could be angelic, monstrous, or quietly devastating.
That restlessness was his power. And it’s why, even now, his career doesn’t feel like a story with an ending—it feels like a challenge he left behind: don’t settle, don’t coast, don’t play it safe.
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Bad Omens announce 2025 tour dates including London Alexandra Palace
Bad Omens confirm 13-city Do You Feel Love tour across the UK and Europe in late 2025
London’s Alexandra Palace, Manchester Co-op Live, and Dublin 3Arena among the venues
Support from The Ghost Inside and Bilmuri throughout the run
Tickets on general sale from Friday, 22 August at 10am via badomensofficial.com
Metalcore powerhouse Bad Omens have announced a major UK and European arena tour for late 2025, marking their biggest run of shows on this side of the Atlantic to date. The Virginia quartet will bring their Do You Feel Love tour to 13 cities between November and December, with stops in Dublin, London, Manchester, Nottingham, Paris, Berlin, and more.
The tour follows the release of their haunting new single Specter, the band’s first new track since their 2022 album The Death of Peace of Mind and 2024’s Concrete Jungle (The OST) project. Frontman Noah Sebastian, who co-directed the cinematic video for Specter alongside Nico, described the new era as “a darker, more immersive chapter” for the band.
Bad Omens announce 2025 tour dates including London Alexandra Palace Instagram/mddnco
When does the Bad Omens 2025 UK and Europe tour start?
The tour kicks off on 21 November 2025 in Dublin at the 3Arena, before moving through the UK with arena dates in Glasgow (23 November), London (26 November), Manchester (28 November), and Nottingham (29 November). From there, the band heads to mainland Europe with shows in Belgium, France, Switzerland, Germany, and the Netherlands, closing at Amsterdam’s AFAS Live on 12 December 2025.
This marks Bad Omens’ most ambitious UK schedule yet, with Alexandra Palace in London and the newly opened Co-op Live in Manchester highlighting their rapid rise from club shows to arena stages in just a few years.
Bad Omens won’t be alone on this tour. They will be joined by The Ghost Inside, a post-hardcore favourite known for their comeback following a devastating 2015 bus crash, and Bilmuri, the genre-blurring project from ex-Attack Attack! guitarist Johnny Franck.
Both support acts previously appeared alongside Sleep Token on their 2024 European Rituals tour, and their inclusion here signals a night of diverse heavy music appealing to fans of metalcore, hardcore, and experimental rock.
Tickets for the Do You Feel Love tour go on general sale from Friday, 22 August at 10am local time via badomensofficial.com. An artist presale opens on 19 August, while Mastercard cardholders in the UK, France, Belgium, and the Netherlands will have exclusive presale access on 20 August and 22 August through Priceless.com.
Given the band’s skyrocketing popularity, boosted by the viral success of tracks like Just Pretend and The Death of Peace of Mind, demand is expected to be high. Fans are advised to secure tickets early, as previous UK dates have sold out within hours.
Instagram StoryInstagram/Badomensofficial
Why this tour is a major moment for Bad Omens
Bad Omens’ rise over the last three years has been nothing short of explosive. Their 2022 album The Death of Peace of Mind amassed over 2.7 billion global streams, cementing them as one of the most-streamed modern metal bands worldwide. The release of Specter earlier this month, featuring actor Ryan Hurst (Sons of Anarchy, Remember the Titans) in its music video, further teased what could be the foundation of a new album cycle.
For frontman Noah Sebastian, the growing attention has been a double-edged sword. He previously spoke about stepping back from social media due to the intensity of fan culture, saying, “I got tired of seeing a stranger’s opinion of me every day. It’s not healthy.” Despite that, the band’s trajectory shows no signs of slowing down, with their 2025 tour positioning them as headliners of the next generation of heavy music.
Roma Riaz, a Miss Universe Pakistan 2025 finalist, has surged to number one on the “Universal Radiance” ranking.
In a candid interview, she described entering the pageant as an answer to people who questioned her identity.
Her platform focuses on representation and tackling female illiteracy in Pakistan.
Voting for the ranking was promoted on Instagram; supporters were urged to vote at missuniversepakistan.1voting.com.
Roma Riaz is not just another beauty queen hopeful, she is a British-Pakistani woman who has turned self-doubt into strength and made space for herself on an international stage. One of the first Pakistanis to walk at Copenhagen Fashion Week, she is now a Miss Universe Pakistan finalist determined to use her platform to push for representation and girls’ education. Speaking to Eastern Eye, Roma Riaz opened up about the push from family, the grind behind the glamour, and why representation, especially for darker-skinned Pakistani women, matters to her.
Roma Riaz shares how her family pushed her to chase the Miss Universe dreamInstagram/_romariaz/asiaburrillweddings
Why she entered: an answer to doubt
Roma described a childhood of constant identity questions and blunt remarks. “So, growing up, I have always been so outspoken that no matter where I live, no matter where I am, my roots will always be Pakistani, but my identity has always been questioned. I've constantly heard, ‘You're so dark, you can't be Pakistani,’ or ‘You're Christian, so you're not really Pakistani.’ So, I think for me, this pageant and applying for this crown was more than just becoming Miss Universe Pakistan. It's kind of an answer to everyone that has ever questioned my identity.”
She credits her sister for the nudge. “We were sat at an airport, flying to Paris, and she said, ‘The applications are open. Why don't you apply? You would be so good at this. You are so powerful, you're so beautiful.’ And I was like, ‘No, there's no way I'll ever get in.’ But yeah, my sister really pushed me to apply, and that is how I got here.”
Beyond beauty Roma Riaz champions education for girls in PakistanInstagram/_romariaz
Beyond the crown: representation and education
Roma is clear about what she wants from the platform. “I want to be the change for the beauty standard. There are so many different kinds of beauties in Pakistan, and beauty is not just a single mould that we have to fit into. So, there needs to be much more representation.”
Her advocacy reaches beyond looks. “My advocacy has always been to improve the illiteracy rates in Pakistan. Almost 40% of Pakistanis cannot read or write, which is so alarming, and it's even higher for women in rural areas. I want to challenge the mindset that an educated girl isn’t, in any way, shape or form, less cultured or less religious. Education is empowerment, and I want our girls to be more educated, more respected. Beyond the crown, that is my goal.”
She says her mixed upbringing — Pakistan, Saudi Arabia, and the UK — helps her connect with varied audiences. “I want people to see that beauty in Miss Universe is more than just superficial looks. It's about representing the richness of who you are and inspiring others to embrace their own identity.”
Fighting colourism and stereotypes Roma Riaz brings a new voice to the pageant stageInstagram/missuniversepakistan
The reality behind the runway
Peeling back the pageant gloss, Riaz offers a candid look at the unseen grind. “Most people don't have much knowledge of the process, so they only see the online aspects of our pictures being posted. I think people don't see the endless interviews, the training, the studying, and the behind-the-scenes work that goes into getting you there.” She also added a plea for basic decency: “We're just humans… people kind of objectify us and don't see us as real humans with real emotions. They just throw whatever they want to say.”
On fatigue and doubt, she was honest about juggling a nine-to-five job with pageant training and family life. “I came home exhausted… and I just sat in my room and said to myself, ‘Maybe I can't do this. Maybe this is all too much for just a little girl like me.’ But my family remained my constant rocks. They always remind me of my purpose and my power.”
Roma Riaz says the crown is an answer to years of doubtInstagram/_romariaz
Sisterhood and small moments
Amid the pressure, Roma found camaraderie. A light moment in the Maldives filming brought the group closer: exhausted, her arm aching from wrestling her hair into a ponytail, she desperately yelled for a "bubble" (hair tie). American contestant Jessica Zain's confused “What's a bubble?” sparked hysterical laughter over the British-American English divide. “But even through the whole process, all the girls were so good to each other — with words of advice, comfort, offering each other clothes, hair appliances.”
Her non-negotiable ritual? Faith. “Praying. I think I wouldn't be anywhere without God… before any important step, any interview, any photoshoot, I have to pray and thank God… it's non-negotiable for me.”
Roma Riaz, surging to the top spot in the Miss Universe Pakistan 2025 “Universal Radiance” ranking, isn't just vying for a crown. She's answering a lifetime of doubters. She’s the dark-skinned Pakistani woman reclaiming her identity, the advocate for girls' education, the exhausted professional who found her power, and the girl who just wants her dal chawal. Her message is clear: “I want younger girls to feel as proud in a shalwar kameez or lehnga as they would in a designer gown… I want people to see that beauty… is about representing the richness of who you are.”
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Stratford’s THE SOURCE launches South Asian Film Nights with Zindagi Na Milegi Dobara
South Asian Film Nights will launch on 30 August at THE SOURCE in Stratford, East London.
The monthly screenings will begin with Zindagi Na Milegi Dobara, followed by classics like Devdas and English Vinglish.
Each evening also features short films from emerging London-based South Asian filmmakers.
Tickets priced at £5 (₹500) will be available soon via THE SOURCE website and Eventbrite.
South Asian cinema is set to find a new cultural home in East London as South Asian Film Nights launches at THE SOURCE in Stratford. Beginning on Saturday 30 August, the monthly series will bring together classic Bollywood blockbusters and contemporary South Asian gems, creating a consistent platform for both audiences and emerging filmmakers.
Organised in partnership between Newham Council and the University of East London, the initiative aims to celebrate storytelling from the subcontinent and its diaspora, offering affordable screenings for the borough’s diverse communities.
South Asian Film Nights bring Bollywood classics and new voices to Stratford
What is South Asian Film Nights?
The programme will run on the last Saturday of every month, with a special pre-holiday screening on 20 December. Unlike one-off festivals, South Asian Film Nights is designed as a regular fixture, turning THE SOURCE into a hub for cinema lovers in East London.
“Newham is a borough shaped by South Asian life, culture and creativity,” said Kritee Gower, Executive Director of THE SOURCE. “Through South Asian Film Nights, we want to create a consistent space where stories from across the subcontinent and its diasporas can be shared, celebrated and reimagined together.”
The launch line-up mixes celebrated Bollywood hits with stories of self-discovery and resilience. Each evening starts at 6:30pm with short films by London-based South Asian filmmakers, followed by the feature at 7:00pm.
30 August – Zindagi Na Milegi Dobara (12+) – A feel-good road movie about friendship and courage.
27 September – Devdas (PG) – Sanjay Leela Bhansali’s grand tale of doomed love.
25 October – English Vinglish (PG) – A heartfelt story of self-worth and confidence.
29 November – Tanu Weds Manu (PG) – A quirky romantic comedy full of chaos and charm.
20 December – Dil Dhadakne Do (PG) – A cruise-ship drama exploring family dysfunction and renewal.
Located in Stratford, THE SOURCE offers excellent transport links through the Elizabeth Line, Jubilee Line, Overground, and National Rail, making it accessible for audiences across East and Greater London. Tickets are priced at £5 (₹500) plus a small booking fee, ensuring affordability while creating a community-driven cinema experience.
Refreshments will also be available at THE SOURCE Café, turning each screening into a social as well as cultural gathering for attendees.
THE SOURCE Stratford becomes home to monthly South Asian cinema screeningsInstagram/thesourcestratford
A cultural space for South Asian storytelling
What makes this series different is its community-first approach. Rather than being a one-time celebration, South Asian Film Nights is designed to be sustainable, ongoing and welcoming.
“Cinema reflects who we are and sometimes, who we could be,” added Gower. “We’re not just screening films; we’re creating a cultural space where identity, imagination and community meet.”
With its mix of nostalgic classics and emerging voices, South Asian Film Nights promises to become a cultural anchor for East London’s South Asian diaspora and wider cinema enthusiasts.
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Aryan Khan makes his directorial debut with Netflix series The Ba***ds of Bollywood
Netflix drops first glimpse of The Ba**ds of Bollywood, Aryan Khan’s debut as director.
Teaser flips Shah Rukh Khan’s signature romance narrative into satire and action.
Cast includes Bobby Deol, Lakshya, Sahher Bambba, Mona Singh, and Manoj Pahwa.
Backed by Red Chillies Entertainment, the series is set for release in 2025.
Netflix has unveiled the first teaser of ‘The Ba***ds of Bollywood’, the much-talked-about directorial debut of Aryan Khan. The series, produced by Red Chillies Entertainment, has already sparked buzz for its sharp, witty, and unconventional tone.
Aryan, son of superstar Shah Rukh Khan, makes his creative debut not as an actor but from behind the camera. In the teaser, he sets the stage with a striking voiceover: “Bollywood – jisse aapne saalon se pyaar bhi kiya aur vaar bhi kiya, main bhi wohi karunga, bohot saara pyaar… aur thoda sa vaar.” The line encapsulates the series’ theme, part tribute, part critique of the Hindi film industry.
The Ba***ds of Bollywood teaser signals a generational shift in Hindi cinemaYoutube Screengrab/Netflix India
What is ‘The Ba***ds of Bollywood’ about?
The show is described as a satirical take on Bollywood, bringing in romance, drama, and action with self-aware humour. The teaser opens with a familiar violin tune reminiscent of Mohabbatein, before introducing lead pair Lakshya and Sahher Bambba in a dreamy setup. But the mood quickly shifts to stylised action sequences, signalling that this is not a conventional love story.
Aryan’s narrative tone may remind audiences of Shah Rukh Khan, but his treatment shows a clear generational shift. The series positions itself as both an insider’s love letter and a cheeky critique of Hindi cinema’s biggest clichés.
Aryan Khan flips Shah Rukh Khan’s romance legacy into bold satireYoutube Screengrab/Netflix India
Who is in the cast of Aryan Khan’s debut series?
The Ba**ds of Bollywood features a strong ensemble cast. Bobby Deol plays a pivotal role, alongside Lakshya, Sahher Bambba, Manoj Pahwa, Mona Singh, Manish Chaudhari, Raghav Juyal, Anya Singh, Vijayant Kohli, and Gautami Kapoor.
Industry reports suggest that cameos from Ranbir Kapoor, Salman Khan, and Karan Johar also feature in the show, adding to its star power. The combination of established actors and fresh faces hints at a mix of nostalgia and novelty, much like Aryan’s own vision for the series.
Netflix unveils first glimpse of Aryan Khan’s The Ba***ds of BollywoodYoutube Screengrab/Netflix India
When will ‘The Ba***ds of Bollywood’ release on Netflix?
While Netflix has not announced an exact release date, the series is scheduled to stream globally in 2025. The project was first introduced earlier this year during Netflix’s “Next on India” showcase, where Shah Rukh Khan himself unveiled the title. Since then, speculation around Aryan’s debut has steadily grown, and the newly released teaser confirms that the project is nearing completion.
Produced by Gauri Khan under Red Chillies Entertainment, the show has Aryan Khan as creator and director, with Bilal Siddiqi and Manav Chauhan serving as co-creators and writers. Bonnie Jain and Akshat Verma are on board as executive producers.
Bobby Deol and Lakshya feature in Aryan Khan’s first Netflix projectYoutube Screengrab/Netflix India
Why Aryan Khan’s debut matters for Bollywood and streaming
Aryan Khan’s entry into direction is, in fact, an important generational moment for Bollywood. Unlike many star kids who choose acting as their first step, Aryan has opted for storytelling from behind the camera.
The show’s title itself; The Ba**ds of Bollywood, signals irreverence and a willingness to question the industry’s norms. With Netflix’s global platform, Aryan’s series could attract audiences beyond India, especially among younger viewers who consume Bollywood as both nostalgia and meme-worthy entertainment.