Ganesh Bhalerao is a cartoonist hoping to go viral in the battle to secure prime minister Narendra Modi's re-election when India votes over the next two months.
Hired by the ruling Bharatiya Janata Party (BJP) to find amusing ways to lionise Modi or lampoon opposition leader Rahul Gandhi, Bhalerao is a social media warrior in an election campaign being fought online as never before.
"Political parties are realising the importance of cartoons as they elicit a huge response," the 29-year-old former art teacher told Reuters while feverishly sketching a piece glorifying the Modi government for ordering India's recent air strikes against Pakistan.
Cartoons posted on BJP-run Facebook pages, Twitter handles and WhatsApp groups are shared hundreds of times and reach millions, Bhalerao told Reuters as he worked in his apartment in the western city of Pune.
"A cartoon conveys the message of a 500-1,000 word article in just a minute," he said.
The scale of elections in India means voting is staggered, with the first regions going to vote on April 11, and the count to be completed on May 23.
Each day Bhalerao reads the local newspapers, watches the television news, and checks his WhatsApp messages, seeking ideas for an image or issue that might resonate with supporters of the Hindu nationalist BJP.
Being a Modi supporter himself makes it easier.
Like the BJP, Gandhi's Congress Party and other rivals have their own armies of artists, video editors and journalists to create online content for the social media war.
Hired for the campaign season, they get paid a few hundred dollars a month, according to half a dozen party workers who spoke with Reuters.
Social media has made it a lot easier for political parties to get out their message to more voters. But nowadays, India's masses want politics served with more pizzazz.
Nearly two-thirds of the population is under 35 years old. Most have little time or patience for attending political rallies, or wading through turgid party manifestoes.
"The larger audience is now more inclined to short videos, cartoons and visuals," Diptansu Chaudhury told Reuters in Kolkata, where he heads the IT wing of Trinamool Congress, a powerful regional party in West Bengal.
LIMITED OVERSIGHT
India is by far the world's biggest democracy, but most of its 1.3 billion population belong to lower income groups. And, at a time when more mature democracies than India's are grappling with the impact of social media, there are concerns about the electorate's susceptibility to false messages spread online.
As more than two-thirds of Indians live in rural areas, political parties are trying to extend their social media reach through regional languages, to go beyond urban areas where Hindi and English are more commonly spoken.
When Modi's BJP won a landslide victory in 2014, social media had not become as pervasive as it is today. Data plans were expensive and pricey smartphones were unaffordable for far more people.
Now there are more than 400 million smartphones users and consumers are able to access nearly 50 gigabytes of data for as little as $3 per month.
It all helps explain why social media platforms like Facebook, its messenger WhatsApp and micro-blogging site Twitter have become such fierce political battlegrounds.
In 2014, parties spent less than half a million dollars on digital advertising, but this time round it is likely to be closer to $26 million, according to a top media and marketing firm, which did not want to be named.
India's Election Commission has asked candidates to report their spending on social media and it also requires them to seek approval for advertisements, but such rules can be bypassed by the use of proxies.
A code of conduct, which prohibits political campaigning 48 hours before voting in any area, will apply for online campaigns too, the commission said earlier this month.
But the new rule is unlikely to stop thousands of party workers from spreading messages on social media platforms.
Putting a cut-off on campaigning doesn't have any effect anymore, as the Commission is unable to control what is posted online, according to Nikhil Pahwa, digital rights activist and editor of MediaNama, a Delhi-based publication.
"It just doesn't know how to deal with the idea of content being available online in perpetuity," Pahwa said.
ASDA has reported a slowdown in its sales decline as the supermarket chain's aggressive price-cutting strategy begins to show results.
The UK's third-largest grocer said like-for-like sales fell 3.1 per cent in the four months to the end of April, an improvement from the 4.2 per cent decline recorded in the previous quarter, reported the Financial Times.
Executive chairman Allan Leighton, who returned to lead the company last November, said he was seeing "green shoots" of improvement but warned there was still "a long way to go" before Asda fully recovers.
Asda is now under the majority control of private equity giant TDR Capital after billionaire Zuber Issa sold his shares last year. Funds managed by TDR Capital now hold a 67.5 per cent stake in the Leeds-headquartered company while Zuber's brother Mohsin retains his 22.5 per cent holding. A further 10 per cent is held by previous owner, Walmart.
The supermarket has been battling serious problems including poor product availability, dirty stores, and unhappy customers. To win shoppers back, Asda has slashed prices on around 10,000 products - more than a third of everything it sells.
Leighton revealed the company has created a price gap of three per cent to six per cent compared to traditional rivals, with plans to widen this to between seven per cent and 10 per cent over the next year.
"We like it. If we're putting prices down, when inflation is going up, this is good for us," he said about rising food costs.
The price-cutting strategy appears to be working. Asda recorded its best sales performance since May 2024, according to industry figures, and saw further improvements in May. The company's market share currently stands at 12.1 per cent, down from 13 per cent a year ago, but Leighton isn't worried.
"For me, market share is about tomorrow," he said. "We're not fixed on market share; we're fixed on rebuilding the business. I'm not bothered about it at all."
Beyond cheaper prices, Asda has also tackled its stock problems. Product availability has jumped from 90 per cent to 95 per cent since January, whilst customer satisfaction scores have also improved.
"People who've been in the industry a long time are amazed at the progress that we've made on availability in a relatively short period of time," Leighton told reporters.
The turnaround plan has spooked competitors. When Leighton announced in March that Asda would be five per cent to 10 per cent cheaper than rivals, it wiped more than £4 billion off the value of Tesco, Sainsbury's and Marks & Spencer shares as investors feared a new price war.
Both Tesco and Sainsbury's have warned that their profits will fall or stay flat this year as they fight to defend their positions in the highly competitive grocery market.
However, retail analyst Eleanor Simpson-Gould from GlobalData warned that Asda's first-quarter performance was "particularly alarming" given that the UK food market actually grew 1.4 per cent in early 2025. She added that "the finish line for Asda's recovery remains distant" despite the recent improvements.
TDR Capital brought Leighton back more than 20 years after he previously ran the company and sold it to Walmart.
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Yash in discussion with stunt director Guy Norris during Ramayana shoot
Yash, the actor best known for the K.G.F. series, has begun work on his most ambitious project yet, Ramayana. This time, he’s not just acting but also co-producing the film through his banner, Monster Mind Creations, along with Prime Focus Studios, headed by Namit Malhotra. And to make the action sequences truly stand out, Yash has brought in one of Hollywood’s top stunt directors, Guy Norris.
Norris is no stranger to intense, high-octane action. He’s the man behind the wild, explosive scenes in Mad Max: Fury Road, Furiosa, and The Suicide Squad. Now, he’s in India, working side by side with Yash to design the massive action scenes for Ramayana, aiming to raise the benchmark for an Indian cinematic spectacle.
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Directed by Nitesh Tiwari of Dangal fame, the film reimagines the ancient Indian epic in two parts. Ranbir Kapoor plays Lord Ram, Sai Pallavi is cast as Sita, and Sunny Deol takes on the role of Hanuman. Yash will be portraying Ravana and has committed to an intense 60–70-day shoot for the first part. Early photos from the set show Yash in peak physical form, working closely with Norris in what looks like serious preparation for large-scale battle scenes.
The first part of Ramayana is slated for release during Diwali 2026, with the second part expected the following year. The film’s visuals are being handled by DNEG, the VFX studio behind Dune and Tenet, both Oscar winners. A.R. Rahman is scoring the music, and Pankaj Kumar is on board as cinematographer.
Yash undergoes intense physical training to play Ravana in RamayanaInstagram/thenameisyash
Ramayana has been adapted many times before, but Yash and his team want this version to feel both visually grand and emotionally rooted. With Guy Norris on board, they’re clearly aiming to bring international-level action to a timeless Indian tale.
Besides this project, Yash is also working on Toxic: A Fairy Tale for Grown-Ups, set for release in March 2026. But for now, all eyes are on Ramayana, a film that could very well change how Indian mythological stories are told on the big screen.
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Kamal Haasan’s Thug Life faces possible ban in Karnataka after Kannada language row
Kamal Haasan’s new film Thug Life is caught in a storm in Karnataka, where protests and a formal ban have emerged following a controversial remark made by the actor at a recent event. At the audio launch of the film in Chennai on 24 May, Haasan stated that “Kannada is born out of Tamil”, a comment that triggered widespread outrage among Kannada groups and activists.
In response to the backlash, the Karnataka Film Chamber of Commerce (KFCC) announced that Thug Life would not be released in the state unless Haasan issued a public apology. Despite repeated demands, the actor has stood firm, saying he would apologise only if he believes he is wrong. “I’ve been threatened before. If I am wrong, I’ll say sorry. If not, I won’t,” he said during a media interaction in Thiruvananthapuram.
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Pro-Kannada activists from the Karnataka Rakshana Vedike filed a formal complaint against the actor, accusing him of offending Kannada speakers. The group, along with others, tore down film banners and staged protests near the INOX cinema hall in Belagavi.
The controversy drew political attention as well. Karnataka Chief Minister Siddaramaiah condemned Haasan’s remarks, stating that the actor “may not be aware of the long-standing history of the language.” This official criticism intensified the debate, bringing up the importance of protecting the dignity of the Kannada language and culture.
Abhirami, Trisha Krishnan and Kamal Haasan attend the press conference for Thug Life Getty Images
Karnataka’s Minister for Kannada and Culture, Shivaraj Tangadagi, wrote to the KFCC urging them to maintain the ban on the film’s release if Haasan did not retract his statement. “No matter how big someone is, they cannot talk lightly about our language,” Tangadagi emphasised.
Kamal Haasan later clarified that his comment was made out of affection and based on what historians had taught him. “Politicians, including myself, aren’t the right people to talk about language roots. That should be left to scholars,” he said.
Despite the ongoing row and official ban in Karnataka, Thug Life, directed by Mani Ratnam and starring Kamal Haasan, Trisha, and Silambarasan, remains scheduled for a nationwide release on 5 June. However, the film’s fate in Karnataka remains uncertain amid the continuing controversy.
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JaMycal Hasty of New England Patriots scores his teams first touchdown during the NFL match between New England Patriots and Jacksonville Jaguars at Wembley Stadium on October 20, 2024 in London. (Photo: Getty Images)
TICKETMASTER has paused ticket sales for all NFL London games in 2025 to make sure that actual fans can buy seats.
In a statement, Ticketmaster said the move was made to "ensure genuine fans are able to purchase tickets" after sales went live on Thursday. Fans who tried to buy tickets will keep their place in the queue, with Ticketmaster adding, "We understand how frustrating this is."
Reports indicated there was massive interest in tickets, with queues reportedly as large as 250,000 people. Ticketmaster’s decision suggests that some of those in line may have been resale vendors and bots, reported Yahoo Sports.
The NFL is set to play seven international games in 2025, including three in London.
The Minnesota Vikings will face the Cleveland Browns in Week 5. The Denver Broncos and New York Jets will play in Week 6, and the Los Angeles Rams and Jacksonville Jaguars will compete in Week 7.
The Week 5 and 6 games will take place at Tottenham Hotspur Stadium, while the Week 7 game will be held at Wembley Stadium.
The NFL first played in London in 2007, expanding from one game to three by 2014. The league will also play in Brazil, Germany, Ireland and Spain in 2025.
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The image shows a stencilled lighthouse on a plain beige wall
A new artwork by Banksy has been unveiled on the artist’s official Instagram account, but the exact location of the piece remains undisclosed.
The image shows a stencilled lighthouse on a plain beige wall, accompanied by the phrase: “I want to be what you saw in me.” The piece features a cleverly drawn false shadow from a nearby bollard, creating the visual effect that the lighthouse is formed by the silhouette of the street furniture.
Despite the post, Banksy has not provided any indication of where the artwork is located. A second photograph shared on Instagram shows two people walking dogs near the piece, though it does not offer significant clues about the setting.
Speculation online has suggested that the street could be somewhere in Marseille, France, but this has not been confirmed. Another version of the image circulating online shows a blurred figure on a scooter passing the wall, which also features a tag that reads "Yaze". The same name is used by Canadian graffiti artist Marco The Polo, who has referred to Banksy as a source of inspiration.
Banksy, who has maintained anonymity throughout his career, typically confirms the authenticity of his work via his verified Instagram account. Many of his previous artworks have tackled political and social themes, including immigration, conflict, and homelessness.
In December 2024, Banksy posted another piece showing a Madonna and child, incorporating a wall fixture that resembled a bullet wound in the figure’s chest. Last summer, he also released a series featuring animals across different locations in London, though their meaning was not explicitly stated.
The new lighthouse piece has sparked widespread interest, but until its physical location is confirmed, it remains one of Banksy’s more mysterious contributions.
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