DILJIT DOSANJH TELLS US ABOUT HIS ROLE AS SANDEEP SINGH IN SPORTING BIOPIC
IT SEEMS like the whole world knows how incredibly famous Diljit Dosanjh is, but they all forgot to tell him.
The singing superstar-turned-actor is still the same grounded individual who started off trying to make a mark in the Punjabi music industry, and has remained that way despite the incredible global success.
Today he is skilfully balancing chart-topping songs, a fine acting career and performing sold-out shows around the world.
Perhaps his most interesting work is currently happening in cinema, where he is combining Punjabi films with commercial Bollywood blockbusters.
In this week’s big movie release Soorma, he plays champion Indian hockey player Sandeep Singh, who made a remarkable comeback after a bullet from an accidental shooting left him wheelchair bound for nearly two years.
Diljit has poured everything into capturing the inspirational life story of the sportsman in the Bollywood biopic. He was in good spirits when Eastern Eye caught up with him to talk about Soorma, success, inspirations and more...
Did you ever imagine your journey in cinema would be so remarkable?
(Smiles) I honestly don’t feel like my journey is that remarkable yet. If you think that Asjad, then I am very grateful and humbled by it.
You are a man very much in-demand; what did you like about Soorma?
You might think that I am indemand, but I really don’t feel that at all, but thank you for saying that. What I really liked about Soorma was brother Sandeep Singh.
You play hockey great Sandeep Singh in Soorma. Tell us about the story and your character?
The story of this film is a very inspiring one. If I tell you too much it might spoil it for you, so I would urge you instead to watch Soorma when it releases on July 13. I am portraying the real life role of Sandeep Singh, who was the captain of our Indian hockey team and holds a world record.
How aware were you of the real life story beforehand?
All I knew about him is that he was the captain of the Indian hockey team; I didn’t know about him getting shot and then coming back from that to be a captain and a world record-breaker. I am entirely at fault for not knowing that and unfortunately its because we don’t give hockey the importance it deserves.
What is the biggest challenge you faced with this film?
The biggest challenge was learning how to play hockey because I haven’t played any sport seriously in my life. It is a really intense game played by very tough individuals. So I found learning such a challenging sport very tough indeed.
How much did you interact with Sandeep Singh when preparing for the role?
I would go as far as saying that Sandeep is like a brother to me and we would meet regularly on a daily basis. We spent a lot of time together for a few months before the film started and then during the shooting of it. In total, we spent four or five months together.
We would go to gym together, eat and drink together, and had a great time. Then through that great time and enjoyment of each other’s company, the film got made. We all worked really hard on the movie and he was a great support.
The film looks like it was emotionally and physically demanding. Is that true?
Of course, for a film like this there is always a heavy physical demand. When a player is competing they really need to be in peak condition and I had to try reaching that standard. Brother Sandeep had always been in great shape and to reach that level of fitness took a lot of hard work.
That was my job in this film and I did that to the best of my ability. This is also a very emotional and touching story too, so there was a lot of hard work put in on that side too.
What is your favourite moment in the movie?
I can honestly say there isn’t just one favourite. I also don’t want to ruin the film by pinpointing certain moments. I may chose one and you might like another one better.
So watch the film and then give me your point of view. That will be better. (Smiles) Then I will discuss it with you and we can see if we both choose the same favourite moments or different ones.
Who are you hoping connects with the film?
I really do feel like everyone can connect with this film in some way because the central theme is very universal. It’s not like just a sports fan or players will connect with it. This is such an inspiring story that has so many moments of inspiration that everyone can watch the movie and take something away from it.
Also it is very much a family film, so everyone from kids to elders can watch it. The whole family can see it together or groups of friends can enjoy it.
Did you learn anything new while making the movie?
I think there were many things I learned but the one that stands out was from Sandeep, who taught me to not get defeated by yourself. If someone isn’t defeated by one’s self, then no other person can defeat them.
Can you share any memorable behind the scenes stories?
The film is memorable and has given so much that it will remain with me for a long time.
How important is it to keep real stories like these alive?
It is so important to keep inspiring stories like this alive and to bring them to the forefront. It is stories like this that will inspire the youth and future generations. We should all be proud of it and support it.
What lessons can we learn from such stories?
There is one lesson that I learned from this story, and you will learn it too after watching Soorma. Like I said earlier, don’t ever accept defeat no matter how difficult the situation gets and whatever the circumstances are. Never give up!
How have you managed to balance music, Punjabi films and Bollywood so well?
Am I managing? I am not balancing anything. (Laughs) Music, Punjabi films and Bollywood are managing me. I am just here, there, then sometimes over there. Kabhi daal daal, Kabhi paat paat (sometimes from branch to branch, sometimes from leaf to leaf).
Massive success hasn’t changed you as a person. How do you remain so grounded?
The truth is that sometimes success happens and other times it doesn’t. As a human being, if you let success change you in some way then you are not a human being. Then what are you? (Laughs) I don’t know what you would be. I don’t think that anyone should let success change them in anyway at all.
What can we expect next from you?
You can hopefully expect a lot from me. You can expect a lot of songs and many films. Just expect that from me as that is all I can do and I will try my best every time.
What are your big passions away from work?
My greatest passions are music and films. (Laughs) With music and films, one can get new fashion and new outfits. I like that a lot!
You are a versatile actor who does varied projects, but what kind of movies do you enjoy watching yourself?
I watch all sorts of films and enjoy them. So it can be any movie from any genre.
What inspires you?
(Thinks) What inspires me? Today’s youth really inspires me in a big way. (Laughs) I am also a youth so sometimes will inspire myself.
Can you give a message to your fans...
I just want to tell my fans that I love you darlings, every single one of you.
Why should we watch Soorma?
I would ask you the question, why shouldn’t you watch Soorma? When you try to answer that question, you will want to watch it.
Amitabh Bachchan has made yet another high-value move in Ayodhya’s fast-growing property market. The veteran actor has reportedly bought a 25,000-square-foot plot for £3.7 million (₹40 crore), marking his fourth land purchase in the temple city within a year.
The newly purchased land is located near The Sarayu, an upscale real estate project where Bachchan had previously invested £1.4 million (₹14.5 crore). This recent deal adds to a string of property investments he has made in the area since the development of the Ram Temple began drawing national attention and infrastructure projects to Ayodhya.
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This is not just about business. A large 54,000-square-foot plot registered under the Harivansh Rai Bachchan Trust, named after his late father, is also part of his Ayodhya holdings. There are reports that a memorial is being planned on that site to honour the poet, offering a personal touch to what appears to be a wider strategic expansion.
Bachchan’s interest in Ayodhya real estate began last year, when he bought a 5,372-square-foot plot for £440,000 (₹4.54 crore) just before the Ram Temple’s inauguration. Since then, his name has become increasingly tied to the city’s transformation into a high-profile spiritual and tourism hub.
Amitabh Bachchan strengthens his ties to the temple town with another high-value dealGetty Images
In addition to Ayodhya, he has been active in Mumbai’s property circuit. He recently sold a duplex flat in Andheri for £8 million (₹83 crore), a property he had purchased for £3 million (₹31 crore) in 2021, nearly tripling his investment. In 2023, he and his son Abhishek also jointly purchased 10 apartments, valued at £2.4 million (₹25 crore).
Just days before the Ayodhya purchase, Bachchan had also invested £1.9 million (₹20 crore) in a real estate firm run by Bollywood producer Anand Pandit, putting £960,000 (₹10 crore) into two separate projects. These back-to-back deals suggest a deliberate diversification of assets, with Ayodhya becoming a central piece in that plan.
With multiple real estate deals this year Amitabh Bachchan’s property empire keeps expandingGetty Images
According to Jaya Bachchan’s election affidavit from last year, the Bachchan family’s total assets stood at £152 million (₹1,578 crore), with £70.5 million (₹729.77 crore) in immovable assets alone. With Amitabh’s continued property acquisitions, those figures are almost certainly higher now.
Whether it is personal legacy or calculated investing or both, Amitabh Bachchan’s real estate footprint is growing fast, and Ayodhya is clearly central to his long-term vision.
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Hailey Bieber celebrates Rhode’s £800 million sale with fans calling her the real boss in the Bieber household
Hailey Bieber is riding high after her skincare label Rhode was bought for $1 billion (₹84,00,00,00,000) by e.l.f. Beauty, a big leap for the 28-year-old who launched the brand in 2022. The deal includes £480 million (₹50,40,00,00,000) in cash, e.l.f. stock worth £160 million (₹16,80,00,00,000), and a potential £160 million (₹16,80,00,00,000) more depending on how well the brand performs over the next three years.
Hailey isn’t just cashing out now; she’s stepping up. She’ll now serve as Chief Creative Officer and Head of Innovation at Rhode, while also becoming a strategic advisor at e.l.f. Beauty. In her announcement, she said the deal felt like the beginning of a new chapter and credited her team and customers for their role in Rhode’s growth.
While Hailey’s career hits new heights, her husband Justin Bieber is making headlines for less celebratory reasons. Reports have surfaced claiming he’s been facing serious financial setbacks, including an $8 million (₹67,20,00,000) debt from his cancelled 2022 Justice tour. Insiders suggest the pop star’s spending habits and questionable financial management may have led to these issues.
Despite selling his music catalogue for $200 million (₹16,80,00,00,000) in 2022, sources say Justin’s fortune has taken a hit, and he was reportedly lent money by former manager Scooter Braun to cover the tour fallout. There were even murmurs last year that Justin considered suing his financial advisors for mishandling funds, though his team denied all claims of money trouble.
Justin Bieber breaks his silence on marriage rumours and health concerns following viral Coachella video Getty Images
Meanwhile, fans have been closely watching the couple’s dynamic. Hailey’s billion-dollar win sparked online chatter suggesting she should “take the money and run,” with several social media users urging her to leave Justin, citing past moments where he appeared dismissive or distant. His quiet reaction to her business success, posting a photo with no caption, fuelled further speculation.
Still, the couple publicly appear united. Justin recently posted photos of himself embracing Hailey, though fans debated whether it felt supportive or staged. With Hailey now officially the top earner in the Bieber household, many are wondering how this shift will impact their relationship.
For now, Hailey’s focus remains on building Rhode into a global name, proving she’s more than just a celebrity wife, she’s a top player in the beauty business.
It’s been nearly two years since Ms. Marvel made its debut on Disney+, and while fans have been waiting for news about a second season, actor Aramis Knight has shared a fairly grim update. Knight, who played the character Red Dagger (Kareem) in the series, revealed that he hasn’t heard anything about a return and doesn’t think it’s happening anytime soon.
Speaking at the Karate Kid: Legends premiere in New York, Knight admitted that the chances of Season 2 seem slim. “I don’t think so,” he said when asked if he’ll be back. “It’s been a while now. I’d love to return, but things didn’t line up, COVID, scheduling, and maybe even some creative shifts. I’m still waiting on a call, but I haven’t heard anything.”
Knight mentioned that he was initially supposed to appear in more Marvel projects, but none of those plans materialised. While he joked that Kamala Khan might have him on speed dial for a Young Avengers team-up, his tone made it clear that there's been no movement behind the scenes.
Ms. Marvel, which premiered in June 2022, introduced audiences to Kamala Khan, a Muslim teen from New Jersey who discovers her superpowers and identity. The show received praise for its fresh perspective, young energy, and cultural representation. Kamala then made the leap to the big screen with The Marvels in 2023, where she appeared alongside other MCU heroes.
Red Dagger actor Aramis Knight says he hasn’t heard from Marvel and doubts the show’s returnGetty Images
Talks about Season 2 had been floating around since the series ended, but nothing official has come out. In a podcast interview in 2023, co-director Adil El Arbi mentioned that any plans for a follow-up were on pause until after The Marvels released. Unfortunately, that film didn’t perform well at the box office which may have added to the uncertainty.
Marvel Studios hasn’t officially cancelled Ms. Marvel, but they’re in the middle of reorganising their television content. Several shows are being restructured or delayed, and Ms. Marvel may simply be caught in the middle of this shift.
Deepika Padukone’s exit from Spirit, directed by Sandeep Reddy Vanga, triggered an online storm, mainly due to her reported condition of limiting workdays to eight hours. While speculation ran wild, with unnamed sources labelling her “unprofessional,” Ajay Devgn has spoken up, backing the actor’s right to set boundaries.
At a recent press event for Maa, a horror film featuring his wife Kajol, Ajay addressed the topic head-on. When asked if filmmakers are okay with actors, especially new mothers, asking for shorter shifts, he said, “It’s not like people are against it. Most decent filmmakers understand. Eight or nine-hour shifts are common now.”
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He made it clear that expectations in the industry are changing. “It depends on the individual, but I think a large part of the industry is already adapting.”
Kajol, who was standing beside him, chimed in with a smile, “I love the idea of working less,” offering her own nod of approval to a more balanced work culture.
Deepika’s role in Spirit, opposite Prabhas, was meant to be her second big Telugu project after Kalki 2898 AD. But things reportedly soured after she requested an eight-hour workday and a fee of £1.9 million [approx. ₹20 crore] along with a profit share. Rumours also suggest she wasn’t keen on delivering dialogues in Telugu. Eventually, Triptii Dimri was confirmed as her replacement.
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In response to all this, Vanga posted a cryptic message on Twitter, hinting at betrayal and “dirty PR games,” accusing an unnamed actor of breaching an unwritten trust. While he didn’t name anyone, most believed the post was aimed at Deepika. His mention of “Is this what your feminism stands for?” added fuel to the fire.
Through it all, Deepika has stayed silent, except for a calm remark at a recent event: “When faced with tough choices, I listen to my inner voice. Peace matters more.”
With Ajay and Kajol now speaking out, the conversation seems to be shifting. The film world may not be the same as it once was, and perhaps that’s for the better.
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Karan Johar, Janhvi Kapoor, Neeraj Ghaywan, Vishal Jethwa and Ishaan Khatter at Cannes for Homebound last Wednesday (21)
On paper, Neeraj Ghaywan’s Homebound, which was premiered last Wednesday (21) at the Cannes Film Festival, may seem like a typical Bollywood tearjerker.
It follows two best friends who grow up together in a poor village and set out to take on the world, with their friendship and mettle tested at every turn.
But this is no average buddy movie. Set in northern India during the pandemic lockdowns, the moving epic goes far beyond a simple tale of friendship – one boy is Muslim, the other a low-caste Hindu.
Their unbreakable bond, forged in adversity, is the beating heart of the film, which so moved Hollywood legend Martin Scorsese that he got on board to help bring it to the world.
There are millions of such friendships which cross religious and caste divides in India, its director said, “but it has never been shown” before on the big screen.
“Only a handful of films have ever featured dalit (lower caste) stories and most of those were made by people from the privileged castes,” Ghaywan said.
Ghaywan is a dalit director from the lowest rung in the Hindu caste system and a rarity in the Hindi industry.
He believes he is the “first acknowledged dalit behind a camera in the history of Hindi cinema. That’s a stunning disparity,” he said.
And one that means the stories of the quarter of India’s 1.4 billion people who are tribals or come from castes once disparagingly known as “untouchables”, are not being seen.
“India and the world really needs to see their stories,” said Ghaywan, adding that with such a vast population “it is understandable that they are often talked of as just statistics.”
“I myself come from a marginalised background. I am a dalit. So there’s a lot of me in the movie,” said Ghaywan, who lives near Mumbai but grew up in the south of the country. It is also loosely inspired by a heartbreaking real-life tale of poor workers who set out on foot on an epic journey back to their village from the city during the Covid lockdowns.
Ghaywan brought his two leading actors, Ishaan Khatter and rising star Vishal Jethwa, out to the villages to see the lives of India’s poor from the inside
. “We did a long immersive exercise,” Ghaywan said. “We got to know people and ate in their homes. It was genuinely such a humbling experience.”
There was a nine-minute standing ovation following the screening in the Un Certain Regard segment at the Debussy Theatre last week. The cast was joined by producer Karan Johar.
Khatter said he had loved and admired Ghaywan for many years, while Jethwa said Homebound feels like a step forward for “all of us”.
Knowing he has to get past India’s censors, Ghaywan insisted he tried to avoid politics or inflaming tensions.
Sandhya Suri’s movie Santosh, which premiered at Cannes last year, still hasn’t been screened in India despite winning a heap of international awards.
Santosh shone a light on sexism, religious discrimination and corruption in the Indian police as well as the treatment of lower caste people.
“I like to keep politics underneath the narrative, because if your politics supersedes the story it’s just propaganda. Even good propaganda is propaganda. It’s not cinema,” Ghaywan added.
Emotion, however, holds no fear for Ghaywan. “I embrace it. I make no apologies for it. We Indians are an emotional people and this is a story that brings up a lot of them,” he explained.
Industry insiders have “bawled and bawled” at private screenings of the film, he said, with Scorsese saying that “Neeraj has made a beautiful film that’s a significant contribution to Indian cinema.”
The noted filmmaker said he wasn’t surprised that Cannes snapped it up for its secondary “Un Certain Regard” selection after Ghaywan won two prizes there in 2015 with his debut film, Masaan. Flattered as he is, Ghaywan said that “I did not make the movie for festivals” or arthouse audiences.
“The most important thing is that it is seen in India,” he said.
Ghaywan stressed that Homebound is “attacking no one”, with its story even set “in a fictional state”.
Justin Bieber faces backlash for ‘I love you’ comment on 17-year-old star Ariana Greenblatt’s post