ABHISHEK BACHCHAN ON THE FILM AND DIRECTOR THAT INSPIRED CINEMA RETURN.
POPULAR actor Abhishek Bachchan makes a welcome return to the big screen in this week’s big Bollywood release Manmarziyaan.
He stars alongside Vicky Kaushal and Taapsee Pannu in the Punjab-set romantic drama about a woman torn between two very different men.
The latest film from acclaimed director Anurag Kashyap has taken the talented star into a brand new space with a challenging role and reinvigorated him. Eastern Eye caught up with Abhishek to discuss Manmarziyaan, acting, inspirations and more...
Why did you decide to take a break from acting; you have been missed...
First of all, thank you. Wow. Why? Quite simply put Asjad, I think I had reached a stage where I felt I needed to just re-evaluate what I was doing, how I was doing it and why. Reassess and repackage!
I’ve always felt that sometimes in life when you feel you are at a bit of a dead end, it is good to just pause, go back to basics and get a different perspective in life. That was the intention behind maybe not working for a period of time. Just to reignite the passion for doing what you are doing!
You have been linked to a lot of projects in the last few years, so what did you like about Manmarziyaan?
It just felt right. There was no big thought process. When the discussions happened and everything fell into place, it just felt right. Every bone in my body was telling me this is the one, just go with it. That is just what I did. It was a very instinctive decision.
Manmarziyaan seems to be one of the most performance-driven roles you have done in a while. Is that what attracted you?
I wouldn’t necessarily agree. I think the last few films I did, be it a Housefull, Happy New Year or Bol Bachchan required a lot of work from my end. They were difficult films to do. I will agree this was a different style and approach altogether. Also Anurag’s cinema is very different from what I am used to. So it was very challenging for me, yes.
What was the biggest challenge you faced playing this role?
I think to keep audiences invested in him and keep him as likeable as possible. When you are in a film and your co-actors’ characters are very high on energy and so flamboyant, and in comes this character who is very subtle, mature and subdued, it
is very easy to label him as boring.
So keeping the audience engaged and invested in this character was the biggest challenge. That is something Anurag and I spoke a lot about and really tried to work on.
What is Anurag Kashyap like as a director to work with?
It was a sheer pleasure, it really was! It was one of the most enjoyable experiences of my life. I thoroughly enjoyed him as a director and enjoyed the actor I was under his direction. Everything about him was great.
I don’t think you have enough print space for me to properly say how I feel having worked for him. It has been an absolute honour and a pleasure.
Anurag is known to take his actors out of their comfort zones. Did he do that with you?
Absolutely, and that was one of the main reasons why I was so happy to work with him. It is because I knew he was going to push me. I knew he was going to make me uncomfortable. I knew he was going to challenge me, and that is exactly what I needed.
Did your approach as an actor change or did you use the same method as before?
Anurag liked everything to be done organically. He doesn’t like to plan out these things too much and likes a certain amount of ‘on the spot’ creativity.
He loves to discuss the character and film, then he gives the actors space to kind of just create what naturally comes to them. Once he sees that, he then starts tweaking. So his process I would say in that way is very organic. He just likes to give his actors space and then reacts to that instinctively.
Do you have a favourite moment in the movie?
There are several moments in the movie I love and ones I had a lot of fun shooting. My character goes on a great journey.
There are wonderful moments between Robbie and Rumi that I really enjoyed working on.
You shot in the Punjab; what did you like about it most?
I loved everything about it, but if there is one thing I loved most it has to be the authentic
lassi. The best in the world!
How much are you looking forward to Manmarziyaan premiering at the Toronto Film Festival?
I am very excited. I have never had a film premiere at a major film festival like this. I am more excited to share the film with everybody, keen to know what they think and how they react to it. I think it is a film that today’s youth is really going to understand and get. It is made truly for them.
What Anurag is trying to say through the film and what Kanika Dhillon, the writer, is trying to say through her words is something they are really going to associate with and really appreciate. So I am excited to share it, especially with the youth.
You are experienced but do you feel nervous ahead of a release?
I am still a bag of nerves ahead of a release. It wrecks you!
You have been linked with various projects, but have you decided on your next one?
There are two of three projects that are lined up, which I am due to start shooting after Manmarziyaan releases. I have always been a bit shy of talking about a project until the producer gives us the go ahead.
Once the producer is ready with everything to announce the film is when I will be at liberty
to speak about them. But what I can say is that there aren’t going to be very long gaps now. There is going to be back-to-back work.
There has been a lot of talk about Dhoom 4; what is happening with that?
Dhoom 4, as far as I know, is not happening. I have not heard anything from (producer)
Adi (Chopra). Usually when Adi is ready with the story of Dhoom, he tells me: ‘Okay, we
are ready and this is when we are starting’. He has not spoken to me about that, so Dhoom 4 is not happening as of now.
You have produced, but can you see yourself directing a movie?
Asjad, it’s very difficult to say never, but I can say pretty confidently for now that in the immediate future I don’t see myself doing it. Direction is a discipline I don’t have right now. It is also an urge that I don’t have right now.
I am just happy being back doing acting, and that is something I really want to do. I want to produce more films as well. So direction is something quite honestly I haven’t even given a thought to.
Which movie have you really loved in recent years as an audience member?
There are so many! Being an actor and someone who has grown up in the film industry, my
respect for anyone who manages to make a film is immense. I know what it takes, so I have enjoyed watching so many films.
Today, what motivates and inspires you most as an actor?
I think it has to be the sheer love of doing what you do. It has to inspire you, so it is as simple and as difficult as that.
As an actor, you must be happy with how many diverse subjects Hindi cinema is tackling?
Absolutely! I also think the internet has played a huge part because it allows you to exhibit a lot more of your work. It is such an exciting time to be part of films, be it as an actor, producer, director, technician or musician. It really is an exciting period, so I’m blessed and thankful that I get the opportunity to act in films right now.
You have a lot of interests, including football. What are your other big passions?
Right now, my world is kind of consumed by my movies and sports, be it my football or kabaddi team. Coupled with my film work, that kind of encapsulates everything that I do.
What are your hopes for your beloved Chelsea football club this season?
So far I think (manager) Maurizio Sarri is showing promise. There is a bit of work to be done, but it’s looking better than anyone thought it would be at the start of the season. It has been a strong start and it should be very exciting.
Why should we watch Manmarziyaan?
You know I have never been able to answer this question, but a nice way to put it is that I think today’s generation is really going to understand what the characters stand for, voicing the opinion they have.
I think everyone who sees the film will see a bit of themselves in it, including seeing a dilemma they have been in emotionally. So I think there will be a lot of relatable aspects.
A milk product sold in Northern Ireland has been urgently recalled due to fears of contamination with a potentially deadly strain of E. coli bacteria. Kenneth Hanna's Farm Shop has issued a recall for its Ken's Raw Jersey Milk following the possible detection of Shiga toxin-producing Escherichia coli (STEC), a dangerous form of the bacteria.
The recall applies to all batch codes and use-by dates of the two-litre bottles sold in Northern Ireland. Consumers have been advised not to consume the product. Instead, the milk should either be returned to the place of purchase or safely disposed of.
The Food Standards Agency (FSA) has issued a public health warning, stating: “The possible presence of STEC in this product. Symptoms caused by STEC organisms include severe diarrhoea (including bloody diarrhoea), abdominal pain, and sometimes haemolytic uraemic syndrome (HUS), a serious condition that can lead to kidney failure and can be fatal.”
STEC is a specific strain of E. coli that produces Shiga toxins, which are capable of causing serious illness. One of the most recognised strains is E. coli O157:H7, commonly linked to foodborne outbreaks associated with undercooked meat, unwashed produce, and unpasteurised dairy products.
Symptoms of an STEC infection typically develop within three to four days of exposure but can appear anytime between one and ten days. They include stomach cramps, diarrhoea—often bloody—and in some cases, fever. These symptoms may last for up to two weeks. While many recover without complications, the infection can result in severe outcomes in certain individuals.
One of the most serious complications is haemolytic uraemic syndrome (HUS), which affects approximately 5 to 10 percent of STEC cases. HUS primarily impacts young children and the elderly, and symptoms include reduced urination, pale skin, fatigue, swelling, and unexplained bruising. In severe cases, the condition can lead to kidney failure and, in rare instances, death.
The FSA has advised anyone experiencing these symptoms to stay at home and avoid attending work, school, or nursery until they have been symptom-free for at least 48 hours to minimise the risk of spreading the infection.
The recall also sheds light on the ongoing debate around raw milk consumption. Ken's Raw Jersey Milk is an unpasteurised product, meaning it has not undergone the heat treatment process used to eliminate harmful bacteria. While supporters of raw milk claim it offers health benefits such as improved digestion and a richer nutrient profile, health authorities continue to warn of the risks associated with its consumption.
Raw milk can carry pathogens including E. coli, STEC, Listeria, and Salmonella. These bacteria are typically destroyed during pasteurisation, a process not applied to raw milk products.
This incident serves as a reminder of the potential dangers of consuming unpasteurised dairy. The FSA continues to monitor the situation, and consumers in Northern Ireland are urged to heed the recall notice and take appropriate safety precautions.
For further updates or health advice, consumers are encouraged to consult the FSA’s official website or contact their healthcare provider if symptoms appear.
STEEL tycoon Sanjeev Gupta is racing against time to prevent his UK operations from collapsing, as court proceedings threaten to shut down two major plants employing nearly 1,500 workers, reports said.
The Asian businessman's company, Speciality Steel UK, appeared before the High Court on Wednesday (21) facing a winding-up petition that could force the business into liquidation. The legal action was brought by suppliers who claim they are owed substantial sums of money.
In a dramatic courtroom development, Gupta's legal team secured a crucial delay until mid-July after revealing that a mystery investor had emerged with potential interest in purchasing the struggling operation.
Barrister Daniel Judd told Judge Sebastian Prentis that "urgent meetings have been taking place" with this unnamed third party.
The reprieve provides breathing space for Gupta to negotiate a rescue deal for his factories in Rotherham, South Yorkshire, and Bolton, Lancashire. These sites produce specialised steel products for critical industries including aerospace, automotive, and energy sectors.
A company spokesperson said discussions with creditors continue, stressing their commitment to maintaining operations and protecting jobs at both facilities.
Should the rescue talks fail, the government may step in to nationalise the plants, which politicians have branded as "strategic national assets." However, ministers would only consider such intervention after the company enters formal insolvency proceedings.
This latest crisis comes just weeks after the government intervened to save British Steel, taking control of the larger steelmaker amid disputes with its Chinese owners over planned closures at the Scunthorpe facility.
Gupta had previously approached Whitehall seeking emergency support using similar legislation, but government sources confirmed his requests were rejected. This marks the second time ministers have declined to bail out his operations, having also refused assistance during the pandemic.
The current troubles stem from the collapse of Greensill Capital in 2021, a finance company that had been closely linked to Gupta's business empire. The failure left his conglomerate, known as GFG Alliance, struggling to secure funding across its global operations spanning steel, energy, and trading.
A restructuring proposal that would have forced creditors, including tax authorities, to write off significant debts was abandoned last week after failing to gain support. The plan had been designed to keep the business operating whilst addressing its financial difficulties.
Gupta built his reputation as a saviour of the steel industry, acquiring troubled plants worldwide and promising to revive their fortunes. His empire employs over 30,000 people globally, with operations across England, Scotland, and Wales.
However, his business activities have faced scrutiny since 2021, when the Serious Fraud Office launched an investigation into his empire. The company has said it is cooperating with authorities.
The steel industry has faced mounting pressures from rising energy costs and competition from cheaper overseas imports, affecting profitability across the sector.
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Brat was a cultural moment but Charli is already thinking ahead without fear
After the explosive success of Brat, Charli XCX isn’t trying to bottle lightning twice. In fact, she’s more than ready for her next album to sink. Not because she’s lost her touch but because she’s no longer creating music to top charts or break the internet. She’s doing it for herself.
Speaking at Cannes in an interview with Culted, Charli shared that she doesn’t feel the weight of trying to outdo Brat. “When I made Brat, I believed in it, but I didn’t know how people would react,” she said. “It just clicked with the audience. That wasn’t something I planned.” Now, with her next record on the horizon, she’s bracing for it to miss the mark and she’s completely okay with that. “You can’t repeat the same thing twice,” she added, “and honestly, if it flops, I’m fine with it.”
Charli XCX attends the 2025 Kering Women In Motion Awards and Cannes Film Festival Presidential Dinner at the Cannes Film FestivalGetty Images
Released in mid-2024, Brat catapulted Charli into mainstream stardom. From viral TikTok trends to sold-out arena shows, the album became a cultural mood board. That neon green cover wasn’t just aesthetic; it became a statement, one even Kamala Harris welcomed when Charli jokingly dubbed the U.S. presidential candidate “brat-coded.”
The album didn’t just resonate with fans. It grabbed three Grammy wins, including Best Dance/Electronic Album and Best Recording Package. But despite the acclaim, Charli admits she never expected to be on the Grammys’ radar. “Last year, I didn’t think I’d even be in the conversation,” she said.
Charli XCX at the Magnum Crack Into Pleasure party Getty Images
Her older track Party 4 U is also getting a second life, blowing up years after its quiet 2020 release. “It reminds me of lockdown, recording vocals alone, stuck inside. It was a strange, lonely time,” she reflected.
Now, while fans anticipate new music, Charli’s exploring other creative lanes too. She’s stepping into acting, with several films lined up, including an A24 project she helped create, The Moment.
Charli xcx attends the 2025 Met Gala Getty Images
Whether the next album flops or flies, Charli isn’t chasing legacy. She’s just showing up, creating from instinct, and letting go of the scoreboard. That’s what makes her cool and maybe even braver than ever.
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The camera deliberately omits certain features common in contemporary models
Fujifilm has unveiled the X Half, a new compact digital camera designed to evoke the look and feel of classic film photography. Set to launch in late June 2025, the X Half is a part of Fujifilm’s X-series, and aims to appeal to enthusiasts seeking a nostalgic, analog-inspired shooting experience in a digital format.
The X Half is priced at £849.99 and features an 18-megapixel 1-inch-type sensor paired with a fixed 32mm-equivalent f/2.8 lens. While it uses modern digital technology, the camera deliberately omits certain features common in contemporary models – most notably, it does not support RAW image capture, offering only JPEG files. This decision is part of Fujifilm’s effort to deliver a “what-you-see-is-what-you-get” experience that mirrors traditional film photography.
A redefined half-frame concept
Fujifilm’s interpretation of the “half-frame” format differs from traditional definitions. Classic half-frame film cameras, such as the Pentax 17, typically capture images sized at 18mm x 24mm, roughly half the size of a full-frame (35mm) negative. In contrast, the X Half’s sensor measures 8.8mm x 13.3mm – half the size of an APS-C sensor used in other Fujifilm models like the X100VI and X-T5. Though the physical dimensions differ, Fujifilm retains the essence of half-frame photography: portability, casual shooting, and creative flexibility.
With a body weight of just 240 grams (8.5 ounces), the X Half is small enough to fit into a small bag or even a large pocket. Its compact size is reminiscent of disposable film cameras, but unlike those, it comes equipped with a proper glass lens featuring autofocus and aspherical corrections. The lens is described by Fujifilm representatives as having “some character”, a phrase often used to indicate a unique, though not necessarily sharp, optical performance.
Dedicated to film-like shooting
A key feature of the X Half is its commitment to film simulation. The camera includes 13 built-in film simulations that mimic the look of Fujifilm’s classic analogue stocks. Uniquely, there is a second screen on the camera specifically for selecting these simulations, enhancing the tactile and immersive experience.
The camera's analogue homage continues with the absence of an electronic or hybrid viewfinder. Instead, users compose their shots using a traditional optical viewfinder or the portrait-oriented 2.4-inch touchscreen on the rear. This design further aligns the X Half with the simplicity of vintage cameras.
Since the camera does not shoot RAW, any film simulation or filter applied during shooting is permanently embedded in the JPEG image. This limits post-processing flexibility but supports Fujifilm’s philosophy of embracing imperfections and encouraging spontaneous creativity.
Companion app and analogue-inspired features
Fujifilm will also launch a companion smartphone app shortly after the X Half’s release. The app includes several features designed to expand the analogue experience. Notably, it allows users to create diptychs – side-by-side images – similar to traditional half-frame compositions. These diptychs can be made using two photos, two short videos, or a combination of both.
The Fujifilm X Half is clearly aimed at younger photographers and content creators Fujifilm
Another standout feature is the Film Camera Mode, which groups captured images into digital “rolls” of 36, 54, or 72 shots, displayed as a contact sheet. Each contact sheet includes film strip branding that corresponds to the chosen film simulation, enhancing the archival and nostalgic feel. The app even features a virtual film advance lever, which must be used between shots in Film Camera Mode, mimicking the operation of vintage film cameras.
Additional effects can be added to photos, including light leaks, expired film aesthetics, and retro date-and-time stamps reminiscent of 1990s point-and-shoots. Since the X Half only produces JPEGs, these filters become a permanent part of the image, with no option to remove or alter them in editing software later.
Targeting a new generation of film lovers
The Fujifilm X Half is clearly aimed at younger photographers and content creators who are increasingly drawn to the visual quirks and tactile charm of film photography. While cheaper alternatives like the £70 Camp Snap or £10–£20 disposable film cameras offer a similar aesthetic at a lower price point, the X Half distinguishes itself by blending those vintage sensibilities with modern digital conveniences.
It remains to be seen how the £849.99 price tag will be received by the intended market. However, Fujifilm’s offering is unique in combining authentic design elements, creative shooting modes, and high-quality digital components. If it manages to capture even a fraction of the fun and spontaneity associated with traditional half-frame photography, the X Half may prove a worthwhile tool for nostalgic shooters and creative hobbyists alike.
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Aishwarya Rai stuns in a white Manish Malhotra saree paired with a 500-carat ruby necklace at Cannes
Aishwarya Rai Bachchan arrived at the 2025 Cannes Film Festival with the grace and impact only she can command. For her 22nd appearance, she skipped the usual fashion formulas and stepped onto the red carpet in a handwoven ivory Banarasi saree by Manish Malhotra. With her sindoor clearly visible and a smile that lit up the red carpet, Aishwarya didn’t just attend Cannes but took it back to its roots, on her own terms.
The saree, built like a gown but rooted in tradition, featured hand embroidered zari in silver and a flowing lace train that moved like a dream. She paired the look with a dramatic cape style dupatta that shimmered under the lights, and jewellery that turned heads, over 500 carats of Mozambique rubies and uncut diamonds wrapped around her neck. The red lip, the signature hair parted with sindoor, every element was deliberate, and every detail carried a message.
Aishwarya greets fans and photographers and pose for photographs at Cannes 2025Getty Images
Her look felt like a quiet celebration of Indian craftsmanship, but it was also personal. She greeted the cameras with a folded namaste, waved to fans, and blew kisses, making her presence feel like a moment of stillness amid all the flash. As a long time ambassador for L'Oréal Paris, she attended the premiere of The History of Sound, holding her own among the global fashion elite.
With sindoor and a smile Aishwarya brings Indian elegance to the global red carpetGetty Images
But this year, Cannes wasn’t just about Aishwarya. India showed up strong. Neeraj Ghaywan’s Homebound received a standing ovation after its premiere in the Un Certain Regard section, with stars Janhvi Kapoor, Ishaan Khatter, and Vishal Jethwa walking the red carpet alongside him. Satyajit Ray’s restored classic Aranyer Din Ratri was screened in Cannes Classics, introduced by Wes Anderson. Veterans Sharmila Tagore and Simi Garewal were present, marking a moment of reverence and recognition for Indian cinema’s legacy.
Filmmaker Payal Kapadia, who made history last year, returned as a member of the main competition jury, a proud moment in itself.
And yet, despite all the big names and powerful moments, when Aishwarya stepped onto the red carpet in that saree, everything paused. For many fans, Cannes truly begins when she arrives. As one put it simply online: “Queen is always a queen.”