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Ayushmann Khurrana: The audience today expects nothing but the best

Actor Ayushmann Khurrana says his attempt with his film choices is to break societal taboos, but he constantly tries to reinvent himself as he does not want the genre to become formulaic for him.

In films like the Shubh Mangal Saavdhan series, Bala (2019), or his latest Chandigarh Kare Aashiqui (2021), Ayushmann Khurrana has touched upon themes ranging from homophobia, transphobia, premature balding, and erectile dysfunction, with the constant threat of one's identity at its centre.


In an interview with PTI, Khurrana said taboo subjects intrigue him as they are a great "fodder for conversations".  "It is important that these subjects are placed in a middle-class, conservative backdrop because otherwise there will be no conflict. If you place any of it in an upper-class, woke household, there will be no conflict. It has to be a regressive, conservative family so that there is some change,” he said.

The actor added, "That conflict invokes humour and eventually gives out a social message in a palatable way. Even if I do a generic film, it has to be a conversation starter, a value addition. Otherwise, what is the fun of doing cinema?"

The 37-year-old actor is aware that many feel films on taboo subjects have become his go-to genre. Khurrana said he does not mind the perception but is careful to not fall into a pattern. "As an actor, my challenge is to regularly break the genre, and that will happen with films like Anek and Action Hero coming up. As someone who feels cinema should be used responsibly, how do we do something different with a taboo subject? It cannot be a formula. In certain films, I am the active part of the subject--like the Shubh Mangal… series while in others, like Chandigarh Kare Aashiqui or Dum Laga Ke Haisha (2015), I am the reactive part. I have to choose the side; I can't always be the same. But it is important to have taboo-breaking subjects on screen. If that is my genre, so be it," he added.

But Khurrana said the task of hunting for braver scripts is a “tedious exercise”. Out of an average of 100 scripts, the actor finds only one interesting material worthy to be translated on the big screen. Much of Khurrana's attempt then is to consistently choose scripts that have the potential to speak to a larger audience.

With many exposed to content from across the world thanks to the streaming platforms, he said it is impossible to be mediocre today.

“The audience today expects nothing but the best. In the past two years, they have watched content from across the world and a lot of good stuff. In the last two years, they have progressed ten years. A certain section has regressed ten years too. There is a dichotomy out there. People will be unforgiving now because they are exposed to international cinema. Vanilla may not work anymore," he added.

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British Asian filmmakers gain rare access to China’s entertainment industry at Third Shanghai London Screen Industry Forum

UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios

Instagram/ukchinafilm

British Asian filmmakers gain rare access to China’s entertainment industry at Third Shanghai London Screen Industry Forum

Highlights:

  • Forum brings UK and Chinese film professionals together to explore collaborations.
  • Emerging British-Asian talent gain mentorship and international exposure.
  • Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
  • Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
  • Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.

The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.

UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm

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