As the coronavirus kept virtually everyone at home, Talat Jahan was busily crisscrossing the slums in her black-and-yellow rickshaw - on a lockdown mission to help women suffering abuse and hunger in her central Indian city.
Jahan, 29, a domestic abuse survivor, and about a dozen other women who recently trained to become Bhopal's first female rickshaw drivers, ferried food and other essentials to hard-hit city families during India's months-long lockdown.
But often, Jahan said, she and her fellow volunteers from the Gauravi one-stop crisis centre were simply a sympathetic ear for women cooped up with their abusers during the COVID-19 lockdown, which led to a spike in domestic violence worldwide.
"Some women who were stuck at home with their abusive husbands, they would come and seek me out and tell me about their troubles," said Jahan, who suffered violence and demands for a dowry from her in-laws.
Bhopal's charity-run Gauravi was the first such centre set up after the gang rape and murder of a woman on board a Delhi bus in 2012, a crime that sparked global outrage over women's treatment and led to tougher anti-rape laws in India.
Gauravi, which means "brave heart" in Hindi, gives abuse victims legal, financial, social and psychological support.
It also helped Jahan and the other women rickshaw drivers - many of whom are survivors of domestic violence - find a new profession, as well as a way to assist other women in need.
"I felt blessed to be able to help these women because I had been through the same and knew what it is like, this feeling of helplessness," Jahan told the Thomson Reuters Foundation by phone from Bhopal, the capital of Madhya Pradesh state.
"When one of them said to me 'Had it not been for you, I would have died', I knew I was doing something right."
As countries across the world reported a surge in calls to domestic violence hotlines, India's federal and state governments set up a dedicated helpline for women during the coronavirus restrictions.
The National Commission for Women (NCW) also launched a WhatsApp helpline in April, according to the women's ministry.
The NCW registered 660 complaints of domestic violence in July, up about 45% from the previous month. During the strict lockdown between late March and June, the commission's helpline logged some 1,500 complaints.
Neither the women's ministry or the NCW responded to requests for comment.
'HEALING TOUCH'
Sarika Sinha, a director at ActionAid India who manages Gauravi, said the women tuk-tuk drivers played a key role in identifying and ensuring support to domestic abuse victims.
"It's a difficult time. You lose your livelihood, you lose your food, you lose your security," she said.
"So, where do these most vulnerable women go? That's the larger picture that needs to be seen against the COVID-19 pandemic."
She said the centre received 1,400 distress calls from women during the lockdown, ranging from domestic abuse, marital rape and trafficking cases to pregnant women unable to access healthcare and abortion services.
In cases involving domestic violence, counsellors would talk to the couple over the phone. If that failed, they would meet the husband at the couple's home or at Gauravi before approaching the police for help.
"If husbands didn't mend their ways, we would keep the women and their young children at our shelter," said Neelima Jatav, 26, who joined Gauravi as a staff worker after enduring domestic abuse, divorce and a miscarriage.
While there were many challenges - not least securing travel permits to reach distressed women, one of the biggest was social distancing, Sinha said.
"Earlier we would hug women, hold them, wipe their tears to comfort them during a difficult time," she said.
"A healing touch - that was what was most needed during COVID-19 - and that totally got lost."
There is no quick end in sight to the outbreak in India as coronavirus cases soar in the world's second most-populous nation, reaching 3.69 million this week as the country repeatedly reports the highest global single-day caseloads.
Despite the surge in infections, restrictions are being eased as authorities seek to revive the economy.
'NOT ENOUGH'
The United Nations has called domestic violence a "shadow pandemic", predicting that lockdowns could lead to a 20% surge in abuse.
To prevent such an outcome, the women at Gauravi decided to find vulnerable people, list their needs, pack kits of food and vital aid and use their tuk-tuks to deliver nearly 10,000 of them over the three months.
They also drove women to work, helped them call government ambulances and raised awareness about COVID-19 when public transport - including tuk-tuks - came to a halt, depriving the women drivers of the daily income of up to 1,500 rupees ($20).
Pranita Achyut, a director at the International Center for Research on Women in Asia, welcomed such projects, but said India had a long way to go in adequately supporting and rehabilitating women trying to flee abuse.
"Unless we take violence as a systemic, structural issue, small bits and pieces - while they are important and necessary – will not be enough," she said.
She called for a range of actions, including reforming India's creaking criminal justice system to ensure more domestic abuse cases reach court and make it more sensitive to the mental health problems suffered by many victims.
In the meantime, Jahan said she was happy with her newly-acquired driving skill, which she credits for a boost in her confidence - something she lacked in the past.
"I was very nervous at first... and people made fun of me too. But I carried on regardless. They slowly understood I was not going to back down," she said, adding that she now felt ready to learn how to drive a bus, and then fly a plane.
"I've never been on one, but it has been my childhood dream to fly one."
Xiaomi’s new YU7 SUV secures 289,000 orders within the first hour
Demand exceeds expectations and beats the previous SU7 launch
Analysts predict Tesla may lose more market share in China
Tesla could be forced to cut prices or offer more incentives to stay competitive
Xiaomi’s YU7 SUV triggers record-breaking demand
Xiaomi’s second electric vehicle, the YU7 SUV, received a staggering 289,000 orders within just one hour of launch, sending the company’s share price to a record high and intensifying competition in the electric vehicle (EV) market.
The YU7’s initial demand was nearly three times higher than that of the SU7 sedan, launched in March 2024, and significantly exceeded market expectations of around 100,000 orders. Priced from 253,500 yuan (approximately £28,000), the YU7 undercuts Tesla’s Model Y by nearly 4% while offering superior performance, according to analysts.
Tesla’s market share under renewed threat
Tesla, which currently sells China’s best-selling SUV, the Model Y, may face increasing pressure from local rivals such as Xiaomi. Analysts say the surge in YU7 orders is a clear sign that Tesla’s dominance in the Chinese EV market is eroding.
The US-based automaker’s share of China’s EV market has dropped steadily from 15% in 2020 to 10% in 2024, and to 7.6% in the first months of 2025.
Tesla has not yet commented on the situationReuters
Xiaomi’s SU7 has already outsold Tesla’s Model 3 in China on a monthly basis since December. With the YU7’s competitive pricing and specifications, analysts at Jefferies believe it could accelerate Tesla’s market share decline.
Possible Tesla response
Citi analysts suggested that Tesla may be forced to reduce prices again, offer its Full Self-Driving software at no extra cost, or provide more financing incentives to maintain its position in the Chinese market. Tesla has not yet commented on the situation.
Market reaction
Xiaomi’s shares rose 8% in early trading on Friday, reaching an all-time high before settling at a 3% gain. The company’s stock has climbed over 70% so far in 2025, making it the best-performing large-cap stock in the Asia-Pacific region, according to LSEG data.
The sharp increase in valuation brings Xiaomi’s market cap to nearly $200 billion, solidifying its position as a major new player in the EV industry.
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Scottish-Pakistani theatre-maker Lubna Kerr returns to the Edinburgh Fringe with 'Lunchbox'
Acclaimed Scottish-Pakistani theatre-maker Lubna Kerr returns to the Edinburgh Fringe with Lunchbox – the final instalment of her deeply personal and widely praised ‘BOX’ trilogy, following Tickbox and Chatterbox.
Inspired by her own upbringing as a Pakistani immigrant girl in Glasgow, Lunchbox is a powerful one-woman show that tackles themes of identity, race, bullying and belonging through the eyes of two teenagers growing up on the same street but living vastly different lives. With humour, honesty and heart, Kerr brings multiple characters to life, including her younger self and a troubled classmate, as she explores whether we are shaped by our environment or capable of breaking the cycle.
Ahead of the show’s run at this year’s Edinburgh Fringe, she speaks to Eastern Eye about her creative journey, the inspiration behind the trilogy and why she believes now is the time to share these stories.
Lunchbox is a powerful one-woman show that tackles themes of identity, race, bullying and belongingInstagram/ lubnakerr
How do you reflect on your creative journey?
When I started writing my first play Tickbox, I doubted myself – would anyone come to see it? But it has since been staged all over the UK and is still touring. I have come so far in my creative journey and love being able to find new stories to tell the world.
How much are you looking forward to returning to the Edinburgh Fringe? I love the Fringe. It is my favourite part of the year.
Tell us about your new show. Lunchbox is a one-woman show and is the final part of the ‘BOX’ trilogy of my life as a Pakistani immigrant girl growing up in Glasgow. There are eight characters – some familiar and some new.
How does this compare to your other shows Tickbox and Chatterbox?
It is similar but different. It explores the next stage of my school life, but this time through the eyes of the bully, Steven.
How have you felt going on a journey with this unique trilogy?
It was never meant to be a trilogy when I first started writing, but as the stories came out, I realised I had so much to share that I could not do it all in one play.
What is the biggest challenge of doing a solo show?
Keeping well and pacing your energy. There is no understudy, so I need to make sure I get enough rest and can be fresh for my shows every day.
She says, ''do not assume you know what is going on in people’s lives behind closed doors''Instagram/ lubnakerr
Who are you hoping to reach with this show?
Those who were bullied, those who stood by and did nothing, and those who were the bullies.
Is there a key message you want to convey with this show?
Do not assume you know what is going on in people’s lives behind closed doors. I want audiences to think about who they wrote off in life. Who could they have given a hand to? Whose life did they assume was a waste? Who will they be clapping for? Have they forgiven their bully?
What do you most love about live theatre?
I love performing and sharing unheard or untold stories about the diaspora. We have such a rich culture and heritage, and we need our voices to be heard. Theatre is the vehicle to do this.
How do you feel when you are on stage?
I love being on stage, whether performing a play or doing comedy. I love feeling connected to the audience – having them hold onto my every word and fall into a trance with my characters, helping them forget their worries for an hour.
Why should we all come and watch your new show Lunchbox?
Lunchbox has a universal theme of bullying and discrimination, but it is told by an older south Asian woman. How many of us are out there doing this? I want to inspire anyone of any age to come and share their stories on stage, and let the world know that we are more than just curries and cricket (though I do love both).
Vedanta Resources, which is based in the UK and owned by Indian billionaire Anil Agarwal, has been working on reducing its debt. (Photo credit: Getty Images)
VEDANTA LTD said on Thursday that its parent company, Vedanta Resources, has signed a loan facility agreement worth up to £438 million with international banks to refinance existing debt.
The refinancing move, where old loans are replaced by new ones, often at better terms like lower interest rates, has led ratings agencies such as S&P Global Ratings and Moody's to upgrade their outlook on the company this year.
According to Vedanta's exchange filing on Thursday, the lenders involved in the deal include Standard Chartered Bank and its Mauritius unit, First Abu Dhabi Bank, Mashreqbank, and Sumitomo Mitsui Banking Corp.
Vedanta Resources, which is based in the UK and owned by Indian billionaire Anil Agarwal, has been working on reducing its debt.
The company lowered its net debt by £876m, bringing it down to £8.1 billion in fiscal 2025.
(With inputs from Reuters)
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Hrithik Roshan and Jr NTR starrer War 2 to hit IMAX screens worldwide
War 2 will be released in IMAX globally on 14 August 2025, alongside its India debut.
Stars Hrithik Roshan, Jr NTR, and Kiara Advani in an action spy thriller.
Directed by Brahmāstra filmmaker Ayan Mukerji and produced by Yash Raj Films.
New character posters dropped as part of the countdown campaign.
Yash Raj Films is pulling out all the stops for War 2, its upcoming spy thriller starring Hrithik Roshan and Jr NTR. The film is set for a simultaneous global IMAX release on 14 August, including major markets like the US, UK, Middle East, and Southeast Asia, promising fans an immersive big-screen experience just in time for the Independence Day weekend.
Global IMAX release brings War 2 to worldwide audiences
Continuing the massive YRF Spy Universe, War 2 will in fact be the first time Jr NTR joins the franchise, locking horns with Hrithik Roshan in what’s being pitched as an international action event. The film will be available in IMAX cinemas across North America, Europe, Australasia, Africa, and more, a major move that follows the global success of Pathaan and Tiger 3.
Nelson D’Souza, YRF’s VP of International Distribution, confirmed that the studio aims to raise the bar for Indian cinema’s global appeal. “This is a massive face-off between two of Indian cinema’s biggest stars, and IMAX is the perfect canvas for it,” he said.
New posters spark buzz as countdown to War 2 begins
To kick off the 50-day countdown to release, YRF revealed new character posters of Hrithik Roshan, Jr NTR, and Kiara Advani. Each look teases the tone of their characters: Hrithik with smouldering cool, NTR in fierce mode, and Kiara exuding quiet command.
Director Ayan Mukerji, known for creating visually rich films, has shot War 2 with IMAX screens in mind. According to IMAX’s Christopher Tillman, “This is not just another action film. It’s a full-scale theatrical event designed for immersive viewing.” A special IMAX teaser is already screening globally, offering fans a glimpse of what’s to come when the film lands on 14 August.
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Wintour’s style of leadership earned her the nickname “Nuclear Wintour”
Anna Wintour steps down as editor of US Vogue after 37 years
She will remain Vogue’s global editorial director and hold senior roles at Condé Nast
Wintour transformed US Vogue into a global fashion authority
The 75-year-old has received numerous honours, including the Presidential Medal of Freedom
End of an era at US Vogue
Anna Wintour has stepped down as the editor of US Vogue, bringing to a close a 37-year tenure that redefined the publication and saw her become one of the most influential figures in global fashion.
The announcement was made on Thursday (26 June) during a staff meeting in New York. Wintour, 75, will no longer oversee the day-to-day editorial operations of Vogue’s US edition. However, she will continue to serve as Vogue’s global editorial director and Condé Nast’s chief content officer, maintaining senior leadership roles across the company.
A transformative legacy
Wintour took the helm of US Vogue in 1988, inheriting a relatively conservative magazine. She swiftly transformed it into a trendsetting, authoritative voice in fashion. Under her leadership, the publication became known for its iconic covers, high-end photography, and ability to shape careers in the fashion industry.
With extensive budgets and strong advertising support, Vogue became a global fashion flagship, influencing designers, celebrities, and brands worldwide.
Wintour’s style of leadership earned her the nickname “Nuclear Wintour” for her decisiveness, with some reports noting her tendency to make bold editorial decisions without extensive discussion. Her distinctive bob haircut and ever-present sunglasses made her a recognisable front-row figure at fashion weeks around the world.
Beyond the magazine
The British-born editor rose to wider public fame as the inspiration behind the character Miranda Priestly in The Devil Wears Prada — both the 2003 novel and the 2006 film adaptation. While Wintour rarely commented on the portrayal, she acknowledged the attention it brought, most recently during the launch of a stage musical adaptation in London in 2024.
She told the BBC, “They [my sunglasses] help me see and they help me not see. They help me be seen and not be seen. They are a prop, I would say.”
Wintour also became synonymous with the Met Gala, the annual high-profile charity event in New York City, which she has organised for years, drawing celebrities from fashion, film, politics, and sport.
Recognition and future plans
Wintour has received numerous accolades during her career. She was made a Dame Commander of the Order of the British Empire (DBE) in 2017 and became a Companion of Honour in February 2025. During the ceremony in London, she removed her sunglasses to receive the award and told King Charles III that she had no intention of retiring.
Wintour also became synonymous with the Met GalaGetty Images
In the United States, President Joe Biden awarded her the Presidential Medal of Freedom earlier this year before leaving office.
Despite stepping back from US Vogue, Wintour will continue to oversee several major Condé Nast titles including Wired, Vanity Fair, GQ, Condé Nast Traveler, and Glamour, as part of her global leadership responsibilities.
In her remarks to staff, she described the decision as “pivotal” but confirmed she would not be leaving the company or her office. “I’ll be turning all my attention to global leadership and working with our team of brilliant editors around the world,” she said.