Pooja Pillai is an entertainment journalist with Asian Media Group, where she covers cinema, pop culture, internet trends, and the politics of representation. Her work spans interviews, cultural features, and social commentary across digital platforms.
She began her reporting career as a news anchor, scripting and presenting stories for a regional newsroom. With a background in journalism and media studies, she has since built a body of work exploring how entertainment intersects with social and cultural shifts, particularly through a South Indian lens.
She brings both newsroom rigour and narrative curiosity to her work, and believes the best stories don’t just inform — they reveal what we didn’t know we needed to hear.
Netflix has set 28 August as the release date for The Thursday Murder Club, a cosy crime caper with a heavyweight cast and a clever twist; the detectives are retirees. Based on the bestselling novel by Richard Osman, this screen adaptation brings together Helen Mirren, Pierce Brosnan, Ben Kingsley and Celia Imrie in a story where age is anything but a limitation.
Set in a peaceful British retirement village, the plot revolves around four unlikely friends who spend their spare time digging into unsolved crimes. But when someone turns up dead in their own community, their amateur investigations suddenly get very real. What begins as a hobby quickly becomes a full-blown murder mystery, and they might be the only ones clever and nosy enough to crack it.
The film is directed by Chris Columbus, known for Mrs. Doubtfire and Home Alone, and written by Katy Brand and Suzanne Heathcote. It is another collaboration between Netflix and Amblin Entertainment, Steven Spielberg’s production company. The partnership, which kicked off with projects like Carry On starring Jason Bateman and Taron Egerton, now adds this charming whodunnit to its slate.
Alongside the main four stars, the film also features Naomi Ackie, Tom Ellis, Jonathan Pryce, David Tennant, Richard E. Grant and more, a stacked British cast playing quirky, colourful characters.
A scene from The Thursday Murder Club, where four retirees turn amateur detectives in a quiet British village shaken by a real murderInstagram/NetflixUK
Osman’s original book was a global hit and has since grown into a popular series. After The Thursday Murder Club, he went on to publish The Man Who Died Twice, The Bullet That Missed, and The Last Devil to Die, with a fifth instalment, The Impossible Fortune, coming this September. Osman also recently released a standalone title called We Solve Murders.
This Netflix adaptation could be the start of a new mystery franchise and with this cast, it’s off to a strong start. Whether you're a fan of light-hearted detective tales or just want to see Helen Mirren and Pierce Brosnan as curious pensioners on a mission, this one might be worth bookmarking.
Crafted from white gold and smothered in thousands of diamonds.
Carries a price tag that will make your eyes water – we are talking £1.6 million (approx. ₹16.6 crore).
She just wore a silver Manish Malhotra saree with those emerald earrings.
Nita Ambani arrived at Manish Malhotra's Diwali party and essentially broke fashion. Everyone else was present and looking great, but then there was her bag. That Hermès number is not something you see every day, or ever, really. It is the Sac Bijou, a thing so exclusive it makes a standard Birkin look common.
Nita Ambani stuns with Hermès Sac Bijou worth ₹17 crore at Diwali party Instagram/three.over.six/manishmalhotraworld and manishmalhotra05
What is special about the bag?
The Hermès Sac Bijou is only made three ever. Every detail was carefully conceived by Pierre Hardy back in 2012. With 3,025 diamonds weighing a total of 111 carats, its purpose is not to hold essentials. Instead, it transforms the wearer’s arm into a dazzling showcase.
Nita chose a razor sharp silver sequin saree from Manish Malhotra. There was no heavy embroidery, just clean lines and a great deal of sparkle to match the bag's feel. She then added those heart shaped Colombian emerald earrings, which were absolute units of gemstones, and a matching bracelet. The overall effect was pure casual flex. It was a statement, suggesting: "Oh, this old thing? Just a typical Tuesday night out."
But why does anyone care about a bag that is practically useless?
That is the whole point. It is not about utility; it is about spectacle. In the world of high fashion, this is the peak. It is a piece of art that you wear. The bag was not part of the outfit. It was the outfit. The entire ensemble felt like a massive understatement, which is remarkable to say.
No. Of course, you cannot. That is not the point. That is what makes it so brilliant. It is a power move. It is a conversation piece that instantly wins the conversation. When the value of your bag could buy an entire row of houses, it stops being an accessory. It becomes a landmark, like a statement of arrival without saying a word. And for an event like the Diwali bash, where everyone is trying to make a statement, that was hers. Game over.
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