EXCITING NEWCOMER RIDI DISCUSSES HER DEBUT SONG AND ITS DEEP MEANING
TERRIFICALLY talented teenager Ridi has gone from training in music in New York to introducing herself as a singer with new track Top Guy.
The Switzerland-based 17-year-old singer-songwriter has worked with highprofile producer Midi Jones to deliver a pop anthem that combines commercial music with English and French vocals. The new song has a deeply meaningful message that she hopes helps people travel a journey of self-realisation and is the beginning of what looks like an exciting career ahead.
Eastern Eye caught up with Ridi to discuss her debut single, musical influences, inspirations and future hopes.
Who have been your greatest influences?
I listen to a lot of music, so have been influenced by a variety of artists, but I especially like the pop genre. I feel the music of Sam Smith, Indila, king of pop Michael Jackson and Stromae has a lot of meaning behind it – I definitely enjoy that the most.
What led you towards your very interesting sound?
I knew I wanted something a little more rock for my first song, since it helped portray the emotions of frustration and anger in a more prominent way. I also wanted a bit of a French influence, since that’s a big part of who I am, as I’ve grown up in Switzerland. The song talks about quite a heavy topic, so portraying those emotions correctly was important for me. I feel like my sound is really created through emotions I’m feeling. I’m lucky to have a supportive family, who helped me launch the first song.
What inspired your song Top Guy?
I really wanted those listening to the song to build a connection with the story. It started when I was kicked out of my old school of six years, because I spoke up about the bullying I was facing. They just didn’t like that someone was speaking out! It was like I didn’t even matter and my entire existence in a school where I had spent six years could be wiped out by someone who had the power to do whatever they want – like they are the ‘top guy’. One that can decide someone’s fate and condemn them if they are in a bad mood.
That must have been difficult…
Looking back, I find it ironic how when people around me were taking drugs and drinking they tended to ignore it, but when I stood up for myself, they kicked me out. I can’t imagine how other kids like me, who wanted to stand up for themselves, go through backlash like that, and that in my opinion is so messed up. Top Guy came to life and helped me understand and vent those feelings.
Who are you hoping connects with this unique track?
Anyone who has ever felt alone and lost or even anyone who just feels misunderstood can connect to it. Since that’s exactly what I was feeling when I wrote it. Honesty, I’m not too sure who will exactly connect to it since there are so many different elements in it. I’ve tried to make the song as global as possible, even incorporating a French element. I hope that even if people do not understand my words the music is able to touch them.
You are working on diverse songs going forward, but what inspires you musically?
My day-to-day experiences and emotions I’m feeling most prominently at that moment in time! At the moment, since I’m still in school, my songs are connected to a lot of what happens there. I’ve felt what many other normal teenagers feel, so writing really helps me better understand what those feeling are. But those feelings sometimes overtake me, especially since socially school has never been an easy place for me, and I’m actually just a little awkward in social environments. Writing is my one friend!
Who would you love to work with?
Sam Smith or even Stromae. I really like their music and the meaning behind it. But I would love to work with anyone that takes pride in what they create and wants to say something that would benefit and create positivity in someone else’s life, even if it just means they feel more comfortable with themselves. Music is powerful and I dislike music that promotes the wrong message. I mean how many more songs can we have about a girl’s butt! I want to collaborate with artists that use their platform to spread the right message and celebrate everyone’s differences, and uniqueness.
What kind of music dominates your own playlist?
I have a shared family playlist, and typically like to listen to all of the music on there, depending on my mood! The angry mood definitely is dominated by Eminem! I love his lyrics – they’re so full of life and definitely make me want to get up and start working. But typically, there are most of the oldies on my playlist, from Michael Jackson to Mariah Carrey.
If you could ask any music artist, alive or dead, a question, who would it be and what would you ask?
So, that would be Brian May! I know that he is an artist and astrophysicist, which to me is super cool, since I adore sciences too. So, I would ask him how he balances his music life with his scientific life without overdoing one or the other. That’s something I’m going to have to learn, as currently I plan to walk both paths too. Right now, I spend about 10 hours a day studying, if it’s a school term and five-six hours on music, until I can’t physically take it anymore.
You have started the amazing campaign StopTheB with your sister Vasundhara Oswal to stop cyberbullying. What are your other passions away from music?
I love sciences and reading Stephen Hawking classics. I am hoping to graduate and study engineering in the future. Apart from that, I love to ski, since Switzerland has beautiful mountain ranges that I love to explore. (Laughs) I try and bake mug cakes, but that doesn’t always go to plan.
How do you feel about your debut single releasing?
To be honest, I am a little nervous and excited. This song is like a baby to me. It was a little cell and now it’s grown so big. I’m just such a clingy mother and can’t let go. I’m basically releasing my pain and frustration and it’s a little nerve wrecking. All I can do is hope people will like it! I hope that people who hear my song will never give in on what they believe in and stand for.
Why do you love music?
Without music I’d probably be very confused. Music has helped me through the rough times, and that’s all I could really ask from it. It can make you feel like the most beautiful girl in the world and fieriest woman on Earth. What’s not to love? It’s the only drug I’d ever take!
The Cannes Film Festival is about films. But it’s also about the stories that walk the red carpet when the cameras flash. This year was no cookie-cutter glamour, no borrowed Hollywood poses. Instead, our stars stormed, blessed, questioned, and, in some cases, completely redefined what it meant to “represent India” on a global stage. Forget the overused phrases about “making heads turn” or “serving looks.” These artists and icons came with messages stitched into every pleat, petal, and pearl. Some brought politics. Some brought poetry. All brought power.
Here are 10 moments that prove India didn’t just attend Cannes 2025. We hijacked it.
1. Aishwarya Rai Bachchan: The queen didn’t return, she reclaimed
In a sea of plunging necklines and sheer gowns, Aishwarya chose ivory silk, sindoor, and rubies that looked like they’d been mined from a queen’s treasury. Swathed in an ivory Banarasi masterpiece by Manish Malhotra, she reintroduced the red carpet to what Indian opulence really means. With sindoor glowing under camera flashes and rubies big enough to fund a film worth over £2 million, her look was unapologetically Indian. Not a throwback but more like a takeover.
Aishwarya Rai Bachchan stuns in an ivory Banarasi silk saree by Manish Malhotra Getty Images
2. Sharmila Tagore: Grace walked in, time stood still
When Sharmila Tagore walked the Cannes carpet in emerald silk, something magical happened: the noise dimmed, and elegance took centre stage. No sequins, no theatrics. Just a green saree so rich it could’ve been woven from the forests of Aranyer Din Ratri. She simply stood there all radiant, calm, and proud, and Cannes remembered what a real star looks like.
Sharmila Tagore exudes timeless grace in a rich emerald silk sareeInstagram/sabapataudi
Janhvi’s Cannes debut paid homage to her mother with a soft pink Tarun Tahiliani saree look, handwoven in Banaras and accessorised with Chopard pearls worth £50,000. For the second look, she stunned in a green and gold backless Anamika Khanna gown with intricate embroidery, a dramatic long train, and traditional gold jewellery that elegantly draped down her back. From princess-core to regal desi drama, Janhvi served a dual wardrobe win on the Croisette.
Janhvi Kapoor in a soft pink Tarun Tahiliani Banarasi saree and wows in a green and gold backless Anamika Khanna gownInstagram/janhvikapoor/Getty Images
4. Karan Johar: Florals, but make it fearless
If anyone can make a rose controversial, it’s Karan. While others played it safe in black tuxedos, Karan marched in like a Bollywood maximalist dream in a Rohit Bal rose-embroidered coat priced at £10,000. Producing a serious film like Homebound and still showing up dripping in drama? That’s the duality only KJo can serve.
Karan Johar breaks the mold in a bold rose-embroidered coat by Rohit BalGetty Images
5. Simi Garewal: White isn’t a colour. It’s a command
In a snow-white Karleo gown with clean cuts and zero fuss, Simi proved style doesn’t need sparkle. With her trademark open hair and clutch, she looked like she’d walked straight out of a vintage film reel. Her presence was a quiet answer to anyone who thinks Cannes is only for the young. Legends, she reminded us, don’t fade; they refine.
Simi Garewal commands attention in a crisp white Karleo gownInstagram/simigarewalofficial
6. Jacqueline Fernandez: Red hot and regal at Women in Cinema
While others posed, Jacqueline was honoured, picked by the Red Sea Film Foundation as a Woman in Cinema. She stunned at the Women in Cinema Gala in a strapless red Nicole + Felicia gown worth £30,000 with a corseted bodice and fishtail skirt. The rose-floret drape added drama, while diamond jewellery and a bold red lip sealed this show-stopping look.
Jacqueline Fernandez captivates at the Women In Cinema gala in a strapless red Nicole + Felicia gownGetty Images
7. Vishal Jethwa: Dandy debut done right
Vishal made a strong first impression at Cannes in a sculpted black Kaushik Velendra pantsuit with shimmering shoulders and a golden bird brooch worth £5,000 . Sleek rings, glossy shoes, and a backswept hairdo completed his quietly flamboyant fashion win. It was a refreshing break from the usual red carpet formula, earning him instant sartorial cred.
Vishal Jethwa makes a stylish debut in a black embellished Kaushik Velendra pantsuit with a golden bird brooch Instagram/vishaljethwa06
8. Aditi Rao Hydari: The bride and the starlet in one
One night: a futuristic Rahul Mishra gown. The next? A red Raw Mango saree, sindoor, and all. Aditi didn’t just switch looks; she switched identities. Tradition and modernity, worn like two sides of the same coin. She wore her heritage like armour, proving tradition can outshine trend.
Aditi Rao Hydari transitions seamlessly between a futuristic Rahul Mishra gown and a traditional red Raw Mango saree Instagram/aditiraohydari
9. Mouni Roy: From primetime to prime carpet
She may be a Cannes freshman, but Mouni dressed like royalty. Midnight-blue couture, Chopard diamonds worth £100,000 and a pose that said, “I belong here.” No awkward debut jitters, just a woman who knew exactly when to step into the light.
Mouni Roy shines in midnight-blue couture and Chopard diamondsInstagram/imouniroy
10. Sonam C. Chhabra: The red carpet got political and personal
While others wore sequins, Sonam wore a cape etched with names of terror attack sites: Mumbai, Pulwama, Uri. It wasn’t subtle. It wasn’t supposed to be. Wrapped in white, she turned the carpet into a canvas for grief, pride, and resistance. Fashion can flirt or fight. She chose the latter.
Sonam C. Chhabra delivers a powerful political statement in a white cape etched with names of terror attack sitesInstagram/sonamcchhabra
So, what did India really do at Cannes 2025?
We didn’t just attend. We arrived. With every saree, every scene-stealing moment, and every cinematic victory, India’s stars reclaimed the narrative. This year, it wasn’t about who wore what. It was about who said something with fabric, with film, with fierce intent.
The Riviera might have the sunset, but this year, India owned the light.
Hailey Bieber’s solo Vogue cover was meant to mark a celebratory milestone, her first since becoming a mother. But instead of basking in the spotlight, the moment quickly devolved into digital chaos, thanks to a now-deleted caption posted by her husband, Justin Bieber.
The pop star shared Hailey’s cover image with an unexpected confession: he once told her she’d never make it to Vogue during a past argument. While Justin tried to frame the post as a heartfelt apology and testament to her growth, fans didn’t see it that way. The caption struck many as tone-deaf, with critics accusing him of overshadowing Hailey’s achievement with an unnecessary anecdote that placed the focus back on him.
The post read like an awkward mix of self-awareness and self-centring. While Justin did express regret, admitting he was “clearly wrong” and calling the moment “humbling”, the damage was already done. His words, meant to uplift, were quickly interpreted as a reminder of past disrespect rather than present support.
The backlash was swift. Fans and followers flooded the comments, calling the post inappropriate and poorly timed. Many asked why Justin chose to bring up a private fight during what should have been Hailey’s big moment. Others noted that the caption turned an empowering achievement into an emotional flashback, once again making her success about their marriage and, more specifically, his role in it.
In response to the backlash, Justin deleted the original caption and replaced it with a string of emojis. That move too drew criticism, with some calling it a passive dismissal of valid concerns and others viewing it as a way to quietly dodge accountability.
Though Hailey did not address the post directly, she acknowledged the toll public scrutiny has taken on her in her Vogue interview. She mentioned how online commentary often labels her a liar whenever she attempts to clarify anything, prompting her to adopt a more silent stance, a coping mechanism she credits to Justin, who advised her early on that engaging with trolls is a losing game.
Fans call out Justin Bieber over caption that hijacked Hailey’s Vogue momentGetty Images
While the couple have recently welcomed their first child, Jack Blues, and have publicly spoken about how parenthood has deepened their bond, this incident proves that even joyful milestones come with complications when you’re living life in a digital fishbowl.
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The Stranger Things cast prepares for one last adventure in Hawkins
The countdown to the last season of Stranger Things has officially begun, but fans might be waiting longer than expected to see how it all ends. Though Netflix has confirmed the show will return in 2025, a new rumour suggests the final season could be released in three waves, with the concluding episodes potentially dropping in 2026.
According to an unverified leak circulating on Twitter, Stranger Things 5 could be split into three volumes: one in October 2025, another in November 2025, and a third sometime in 2026. If this is true, the finale might not land until well into next year, stretching the goodbye even further.
— (@)
So far, Netflix hasn’t confirmed this staggered release. More clarity may come on 31 May, when Netflix’s annual Tudum event goes live. The streaming giant is expected to reveal updates on several big titles, including Emily in Paris, Squid Game Season 3, and possibly the official timeline for Stranger Things Season 5.
Here’s what we do know: filming wrapped up in December 2024, and the new season will have eight episodes set in the autumn of 1987, about six months after Season 4. Netflix has already released the episode titles, which include The Crawl, The Turnbow Trap, Escape from Camazotz, and The Rightside Up, all titles that hint at returning themes from earlier seasons.
Stranger Things season 4 poster Wikipedia
The core cast will be back for one last mission in Hawkins, including Millie Bobby Brown, Finn Wolfhard, Sadie Sink, and Gaten Matarazzo. Veteran actress Linda Hamilton is also joining the final chapter, although her role remains under wraps.
Behind the scenes, the mood has been emotional. At the final table read, several cast members reportedly broke down in tears. David Harbour (Hopper) described it as “waves of people crying,” while Millie Bobby Brown shared a heartfelt message on social media, reflecting on her journey from child actor to global star.
Once Season 5 wraps, the Stranger Things universe won’t close entirely. An animated series titled Stranger Things: Tales From ’85 is in the works. Details are scarce, but it promises to explore new corners of the show’s world, whether or not the original cast returns.
For now, fans will have to hold tight as Netflix prepares to bring one of its biggest shows to a dramatic, and possibly drawn-out, conclusion.
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Deepika Padukone was expected to lead Spirit opposite Prabhas before exiting the project
Deepika Padukone is no longer part of Spirit, the high-profile film directed by Sandeep Reddy Vanga and starring Prabhas. The news comes amid reports of rising tensions between the actress and the filmmaker over working terms that didn’t quite align.
Initially, Deepika was expected to headline the film and take home a career-best paycheck of £1.9 million (₹20 crore). Her presence in the project had created early excitement among fans of both the actress and Prabhas. However, things reportedly soured during early discussions.
Industry buzz grows as Deepika walks away from SpiritGetty Images
According to several industry reports, disagreements began when Deepika reportedly requested fixed work hours for an 8-hour workday with approximately 6 hours spent filming. She also wanted a share in the film’s profits, in addition to her fee. Further, there were claims that she was unwilling to deliver her lines in Telugu, which became a sticking point in a multilingual project.
While none of these details have been officially confirmed by Deepika or Vanga, sources close to the film suggest that the director was not on board with the terms and decided to part ways. The production team is now said to be on the lookout for a new lead actress.
Earlier, Deepika had already stepped back from the film due to her pregnancy. The film’s shooting schedule, initially set for late 2024, had to be adjusted. When the filmmaker returned with a revised timeline, she was reportedly back on board. But the situation appears to have shifted again.
This development has sparked chatter on social media, with fans and insiders weighing in. Some question whether the actress was ever keen on doing the film, while others point out that Vanga’s films haven’t offered substantial roles for women. The debate has only intensified in the absence of any official statement from either party.
Deepika Padukone’s Spirit exit fuels debate on demands and director controlGetty Images
Meanwhile, Spirit remains a highly anticipated release, with plans for a global rollout in multiple languages, including Hindi, Telugu, Tamil, and Korean. The film is still in its early stages, and casting updates are expected soon.
For now, what could’ve been a major collaboration has ended before it began, not with a bang, but with a breakdown in expectations.
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Brat was a cultural moment but Charli is already thinking ahead without fear
After the explosive success of Brat, Charli XCX isn’t trying to bottle lightning twice. In fact, she’s more than ready for her next album to sink. Not because she’s lost her touch but because she’s no longer creating music to top charts or break the internet. She’s doing it for herself.
Speaking at Cannes in an interview with Culted, Charli shared that she doesn’t feel the weight of trying to outdo Brat. “When I made Brat, I believed in it, but I didn’t know how people would react,” she said. “It just clicked with the audience. That wasn’t something I planned.” Now, with her next record on the horizon, she’s bracing for it to miss the mark and she’s completely okay with that. “You can’t repeat the same thing twice,” she added, “and honestly, if it flops, I’m fine with it.”
Charli XCX attends the 2025 Kering Women In Motion Awards and Cannes Film Festival Presidential Dinner at the Cannes Film FestivalGetty Images
Released in mid-2024, Brat catapulted Charli into mainstream stardom. From viral TikTok trends to sold-out arena shows, the album became a cultural mood board. That neon green cover wasn’t just aesthetic; it became a statement, one even Kamala Harris welcomed when Charli jokingly dubbed the U.S. presidential candidate “brat-coded.”
The album didn’t just resonate with fans. It grabbed three Grammy wins, including Best Dance/Electronic Album and Best Recording Package. But despite the acclaim, Charli admits she never expected to be on the Grammys’ radar. “Last year, I didn’t think I’d even be in the conversation,” she said.
Charli XCX at the Magnum Crack Into Pleasure party Getty Images
Her older track Party 4 U is also getting a second life, blowing up years after its quiet 2020 release. “It reminds me of lockdown, recording vocals alone, stuck inside. It was a strange, lonely time,” she reflected.
Now, while fans anticipate new music, Charli’s exploring other creative lanes too. She’s stepping into acting, with several films lined up, including an A24 project she helped create, The Moment.
Charli xcx attends the 2025 Met Gala Getty Images
Whether the next album flops or flies, Charli isn’t chasing legacy. She’s just showing up, creating from instinct, and letting go of the scoreboard. That’s what makes her cool and maybe even braver than ever.