HE MAY be one of the biggest TV stars of his generation, but that hasn’t stopped Vivian Dsena from being super selective about work he takes on.
That desire to concentrate on quality over quantity has turned the actor into a small-screen icon and why his return with new serial Sirf Tum was welcomed by audiences globally. The romantic drama is based on 2019 Bollywood blockbuster Kabir Singh, which itself was a remake of 2017 Telugu film Arjun Reddy. He went through intensive preparation for the role of a hot-headed doctor and is very much enjoying bringing the challenging character to life.
Eastern Eye caught up with the massively popular actor to discuss his welcome return, new serial, high expectations, lockdown life lessons and incredible fan base.
When you took a step back after your last series, did you expect the break to be so long?
I have not taken a longer break, it’s just that out of my two-and-a-half-year break, one and a half years was for Covid, where everybody was having a lockdown and not just me. I didn’t want to repeat myself as an actor. Like I say, I wanted to do a different character with a different approach.
Was the biggest challenge finding a satisfactory project?
Yes it was, because everybody either wanted me for a ‘Harman’ kind of a character or wanted me as ‘RK’, so I wanted to break that pattern. It is important to reinvent yourself and take up projects that are different from the previous body of work.
with Eisha Singh in Sirf Tum
Sirf Tum
What did you like about Sirf Tum?
The thing was that my character is a college-going guy, similar to (drama serial) Pyaar Ki Ek Kahaani – I never went to college in real life, but there I was playing a vampire. Here, I’m playing a human being, so the feeling is totally different, as is the approach. I somehow work on challenges and unless I’m not challenged as an artist, I will not be doing my 200 per cent, to be very honest. So, I had to work hard on myself to look like a college boy. Then I had to do a little bit of medical science research to play a medical student, and, of course, the whole approach of the character is different.
How much is it on the lines of Kabir Singh?
I don’t think there are any similarities. (My character) Ranveer is quite a bit different from Kabir Singh. There are basic similarities as the show has a medical background and he is an angry young man, so people might have those kinds of thoughts about it, but I don’t feel that similarity.
With more development time, are you looking forward to adding more layers to the character?
Of course, I’m completely working on my character every now and then, be it the body language or any kind of scene, and about losing weight. Who wants to lose weight? Everyone likes to be in their comfort zone, but you can’t be in your comfort zone forever. One has to take up challenges at some point.
Do high expectations put pressure on you?
Not really! I don’t consider myself in competition with anyone. I’m my own competition with what I was five to 10 years back and what I am now. That is what makes competition for me. I don’t compete with any actor and have my own ways. I run it my own way and have to be the best version of me, not a comparative version of someone else.
Do you think about previous successes?
The days I’m low I think about those days. We’re all human, so there are days when I feel low and think about all that I’ve achieved. It is human to experience different feelings and emotions.
What does acting mean to you today?
I never wanted to become an actor, so for me my profession became my passion.
What is the secret of a good performance?
When you’re scared of performing you get a great performance. There are scenes where you have butterflies in your stomach and you are constantly thinking about that scene and are reading it again and again. That is what keeps you alive as an actor, so those butterflies in your stomach are important.
What is it like working in a pandemic world?
Things have changed! People have become more cautious and are taking it more seriously, with hygiene being way better than before. It is important to work. As they say, the show must go on.
What inspires you today?
My inspiration is the love I get from my fans and viewers. People can disappear with their career if they have been away for one or two years. I’ve made a comeback in a show and the way they have accepted me has been humbling. I think that is enough inspiration I need to have.
What is the biggest life lesson lockdown taught you?
Eventually, you get to know the real ones for you. We need to value our time, priorities, and our loved ones. Life is in the present moment. It is nice to be important but it is more important to be nice.
How much do your fans who have patiently waited mean to you?
I love them! What I am today is because of them. The thing is that whatever a person gets in life is either something they are worthy of or deserve. Any of us, be it a person who works 10 hours or be it a person who works 15 hours, we all are worthy of what we are today because of our choices. So, it’s the biggest blessing I’ve got from God that my fans are all over the world and they have liked my work. To have that kind of love from all over the world is a great responsibility on my shoulders.
Rapper Badshah found himself in hot water after a social media post about global pop sensation Dua Lipa. What started as a simple tweet, her name with a heart emoji, quickly spiralled into chaos when a fan asked if they were collaborating. Badshah's response? "I'd rather make babies with her bro."
Badshah's viral response to the comment under his tweet Twitter Screengrab
The backlash was instant. Critics called the remark objectifying and disrespectful, forcing Badshah to clarify. Trying to douse the fire, he later posted, "I think one of the most beautiful compliments you can give a woman you really admire is to wish for her to mother your children. Meri soch nahi, tumhari soch saamne aayi hai." But the clarification didn't sit well with many, who criticised him for doubling down rather than acknowledging the issue. "Since when did that qualify as a compliment?" one user wrote, while others called it tone-deaf and entitled.
— (@)
Honey Singh joins the fray with a sarcastic jab
As the debate raged on, Badshah's longtime rival, Honey Singh, couldn't resist chiming in. Reacting to the rapper's explanation on Instagram, Singh dropped a sarcastic "Genius 😂👏👏," clearly mocking the justification. Fans caught the dig immediately, with some laughing at the not-so-subtle jab between the two, who've had a rocky relationship for years.
Badshah had previously expressed a desire to end their feud, but Singh's latest comment suggests the tension isn't fading anytime soon. Meanwhile, the rapper continues to make headlines, whether for his dramatic weight loss, rumoured romance with Tara Sutaria, or this latest controversy. One thing's clear: Badshah knows how to stay in the spotlight, but not always for the right reasons.
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Anurag Kashyap reacts sharply to Ted Sarandos’ remarks on Sacred Games
Anurag Kashyap is known for being outspoken, and this weekend he made headlines again, this time taking aim at Netflix’s top boss Ted Sarandos. The filmmaker lashed out after Sarandos questioned the streaming platform’s early approach in India, particularly their decision to kick things off with Kashyap’s gritty crime drama Sacred Games in 2018.
During an interview on Nikhil Kamath’s podcast People by WTF, Sarandos said he may have chosen a more “populist” route if he could go back, admitting the series was perhaps too novel for the Indian market at the time. The comments didn’t sit well with Kashyap, who fired back on social media, calling Sarandos “the definition of dumb” and sarcastically suggesting the platform should’ve launched with traditional “saas-bahu” content instead.
Kashyap takes aim at Netflix’s shift to mass-market content
Kashyap’s reference wasn’t just casual; it came at a time when Netflix India has partnered with Balaji Telefilms, led by Ektaa Kapoor, best known for her highly successful daily soaps like Kyunki Saas Bhi Kabhi Bahu Thi. The filmmaker’s post read: “He should have started with Saas Bahu… he would have done well. Which he is doing now. I always knew tech guys are dumb when it comes to storytelling, but @tedsarandos is the definition of dumb is what I didn’t know.”
The post sparked debate online, with even singer-actor Lisa Mishra chiming in to support Kashyap, saying that everything on OTT today is “derivative… specifically of Sacred Games.”
Kapoor, without naming Kashyap, responded via Instagram by accusing unnamed artists of being classist. She defended soap operas, claiming they gave a voice to Indian women and were even studied by international researchers. Her post ended with a call for inclusivity and “graciousness.”
Ekta Kapoor's story Instagram screengrab/ektakapoor
A clash of content ideologies in India’s OTT landscape
Sacred Games, co-directed by Kashyap and Vikramaditya Motwane and starring Saif Ali Khan and Nawazuddin Siddiqui, was a landmark moment for Indian streaming content. Though it didn’t continue past two seasons, it opened doors for darker, more experimental storytelling in Indian OTT.
Sarandos’ comments appear to suggest that while Sacred Games earned critical acclaim, it may not have been the right commercial launchpad for Netflix in India. Kashyap, however, sees the platform’s current pivot toward formula-driven programming as a step backward.
Ted Sarandos talks about Sacred Games for Netflix IndiaGetty Images
This very public disagreement brings to light a bigger conversation in the entertainment industry, between art that challenges and content that simply sells.
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Fans react as Billie and Nat’s long-rumoured romance takes centre stage
Billie Eilish appears to have confirmed her latest romance in the most cinematic way possible, with a champagne-fuelled kiss on a sunny balcony in Venice. The singer was spotted with actor and musician Nat Wolff, and the intimate moment has fans convinced that the long-rumoured pair are now officially a couple.
In photos circulating online, the Chihiro singer and Wolff are seen locking lips while casually dressed in matching grey T-shirts, enjoying champagne and sunshine in one of the world’s most romantic cities.
— (@)
A long-rumoured connection comes into focus
While this is the first clear public display from the duo, Eilish and Wolff’s bond goes back a while. They worked together on her music video Chihiro, which she directed. Around the same time, Nat and his brother Alex opened for her during the North American leg of her Hit Me Hard and Soft tour in 2024.
Fans first started speculating about their closeness earlier this year when the two were seen leaving the iHeart Music Awards together and later on a night out in New York City. Although both had previously described their friendship as platonic, there seemed to be more under the surface.
Fans react as Billie and Nat’s long-rumoured romance takes centre stageGetty Images
In past interviews, Wolff described their connection as one of shared understanding, particularly around living with Tourette syndrome, a condition both have spoken about. “It’s rare to find people you don’t have to explain yourself to,” Wolff once shared, adding that he and Eilish could just “be” around each other.
Keeping it private until now
Eilish has openly said she regrets how much she’s shared about her personal life in the past. In an interview, she stated she wanted to keep her dating life and sexuality out of the spotlight going forward.
A kiss in Italy sparks fresh buzz around Billie Eilish’s love lifeGetty Images
“I wish no one knew anything about my dating life,” she said. “And I’m never talking about who I’m dating ever again.”
Still, their recent public outing in Venice may signal a quiet shift in that. Whether or not they’ll speak out, the photos seem to say plenty.
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The cast of Maybe Happy Ending celebrates their big night at the Tony Awards
South Korea just scored a historic milestone at the Tony Awards, with the musical Maybe Happy Ending bagging six trophies, including Best Musical and Best Lead Actor. The show, centred on two ageing helper robots living on the edge of Seoul, left the awards night buzzing. Korean entertainment, long a force in film, television, and music, is now making serious inroads into Western theatre too.
From Seoul to Broadway: A story born in two languages
Maybe Happy Ending wasn’t always destined for the bright lights of Broadway. It first opened in a small Seoul theatre in 2016, a result of a local arts foundation’s programme. Co-created by South Korean lyricist Hue Park and American composer Will Aronson, the story explores loneliness, connection, and memory through the eyes of obsolete robots. Written in both Korean and English, the piece has been reimagined several times since its debut.
Darren Criss, known to many as a Glee star, played Oliver and took home his first Tony for the role. His co-star Helen J Shen portrayed Claire, the other robot. Together, they brought the emotional weight to a futuristic love story that’s more human than it sounds.
While the robots explore feelings in a near-future Seoul, the show managed to preserve distinct Korean elements like Jeju Island and the traditional plant pot hwabun on the Broadway stage, something fans celebrated online.
A cultural shift, decades in the making
With this win, South Korea joins the rare club of nations with major victories across all four major American entertainment awards, including the Oscars, Emmys, Grammys, and now Tonys. From Parasite to Squid Game, and now Maybe Happy Ending, Korean creators are no longer breaking into the global scene, they’re leading it.
The success also validates years of quiet work in South Korea’s theatre scene. Original musicals like Marie Curie and The Great Gatsby have made appearances in the West End and on Broadway, but Maybe Happy Ending marks the first time a Korean musical has truly swept the Tonys.
As one critic noted, more than awards, it’s about shifting global perspectives. Korean musicals are no longer export hopefuls. They’re now centre stage.
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BBC Three documentary uncovers new details in Kim Kardashian Paris robbery case
Nearly ten years after Kim Kardashian was robbed at gunpoint in a Paris hotel, the story is being revisited in a new documentary coming to BBC Three and iPlayer. Titled The Kim Kardashian Diamond Heist, the film digs into one of the most talked-about celebrity crimes of the last decade, offering fresh access and unheard accounts from those closely involved in the case.
Kim Kardashian Paris robbery case revisited in new BBC Three documentaryGetty Images
New voices and untold moments from the night that shocked the world
The 45-minute documentary features first-hand interviews with close family friends, French police officers, and journalists who followed the robbery from day one. It takes viewers back to that October 2016 night, when Kardashian was tied up and robbed of jewellery worth millions of pounds inside her private apartment at a luxury hotel during Paris Fashion Week.
The film doesn’t stop at the crime itself. It moves forward to recent developments, including the court case in which Kim finally came face-to-face with her assailants last month. Eight people were found guilty, nearly a decade after the robbery made global headlines.
Kim Kardashian 2016 diamond heist case brought eight people to justice nearly a decade after the robberyGetty Images
Beyond gossip: A look at the cost of digital fame
This BBC Three documentary goes beyond the headlines and Instagram timelines. It examines the role of social media in the robbery, where public posts may have tipped off the thieves, and the emotional fallout Kim faced in the aftermath.
Nasfim Haque, Head of Content at BBC Three, says the film “cuts through the noise and looks at the real-life consequences of being so visible in the digital age.” Firecracker Films, the production company behind the documentary, also hopes the film helps viewers understand how the case was solved and the emotional cost behind the glamour.
Kim Kardashian arrives at the Assize Court for the trial Getty Images
Directed by Ben Bryant and produced by Jessica Sartenaer, The Kim Kardashian Diamond Heist will be available on BBC Three and BBC iPlayer later this month. Executive producers include Jes Wilkins and Sam Emmery, and the documentary will be distributed globally by Passion Distribution.