Shah Rukh Khan and his son Aryan Khan have dubbed for the Hindi version of The Lion King. While SRK has dubbed for the voice of Mufasa, Aryan has dubbed for the character of Simba. The movie has received mixed reviews but is doing quite well at the box office.
Shah Rukh Khan took to Twitter to express that he is very happy that people are enjoying the film. He also thanked the other actors who have dubbed for the movie. SRK tweeted, “So happy to hear that so many r enjoying Lion King. A special thanx to my coactors & friends for bringing this film to life in Hindi. @imsanjaimishra @shreyastalpade1 & the amazing @AshishVid & #asrani sahib. Thx for making me & Aryan sound good!”
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While talking about the film, SRK had earlier said, "The Lion King is that one movie that my entire family loves the most and it holds a very special place in our hearts. As a father, I can totally relate with Mufasa and the endearing relationship he shares with his son - Simba. The legacy of Lion King is timeless, and being a part of this iconic re-imagining with my son Aryan makes it extra special for me. We are most excited that AbRam is going to watch this.”
Well, SRK’s fans are quite happy to hear his voice in the film. But we are sure they are keen to know which will be his next film as an actor. SRK was last seen on the big screen in 2018 release Zero which failed to make a mark at the box office. A few weeks ago, while talking about why he is not signing any films, the actor had said, "Usually what happens is when your one film is coming to an end, you begin work on your next film and I get involved within 3-4 months. But this time I am just not feeling like. My heart doesn't allow me to. I just felt that I should rather take time out, watch films, listen to stories and read more books. Even my kids are in their college stage, my daughter is going to college and my son is about to finish his studies. So I just want to spend more time with my family.”
Reportedly, SRK will next be seen in Rajkumar Hirani’s next. However, there’s no official announcement about the film.
Andrew Garfield and Monica Barbaro stepped out in matching Ralph Lauren looks at Wimbledon 2025.
The couple shared affectionate moments courtside, including hand-holding and a cheek kiss.
They were first linked romantically in February after being spotted at a London play.
The pair may reunite on screen in Luca Guadagnino’s upcoming film Artificial.
Andrew Garfield and Monica Barbaro made their most public appearance yet as a couple on Sunday, arriving hand-in-hand at Wimbledon 2025 in coordinated white ensembles and sharing subtle yet sweet moments of affection. The actors, who were first rumoured to be dating in February, looked completely in sync as they entered the All England Lawn Tennis and Croquet Club on 6 July. Dressed in matching Ralph Lauren outfits, the two smiled for cameras and appeared relaxed throughout the day.
Andrew Garfield and Monica Barbaro arrive hand in hand at Wimbledon in all whiteInstagram/voguemagazine
Stylish Wimbledon appearance draws attention
Garfield, known for The Amazing Spider-Man, and Top Gun: Maverick star Barbaro sat near Maude Apatow, Charithra Chandran, and Matthew Broome in the VIP area. Fans and onlookers caught glimpses of the pair laughing, chatting, and sharing a quiet kiss on the cheek, a rare public display from Garfield, who’s known for fiercely guarding his privacy.
While they’ve been spotted together multiple times since February, including Hollywood events and casual outings, Wimbledon marked the first time they appeared to fully embrace their couple status in front of the public eye.
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Romance rumours started earlier this year
The two were first linked after attending a theatre performance in London in February. A source later confirmed to People that they were indeed dating. Since then, they’ve kept their relationship largely under wraps, choosing not to comment publicly. In May, speculation intensified after both attended events in New York around the same time. While Barbaro walked the Met Gala red carpet solo, Garfield was reportedly waiting for her at The Mark Hotel nearby.
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Possible on-screen collaboration in Artificial
Adding to the buzz, Deadline recently reported that Garfield and Barbaro are in talks to star together in Artificial, a new film by Challengers director Luca Guadagnino. When asked about the project during the premiere of her Netflix action-comedy series FUBAR in June, Barbaro stayed tight-lipped but called Guadagnino “one of my favourite directors.”
Pressed specifically about working with Garfield, she laughed and added, “I’m excited to work with the whole cast. It’s going to be a great time.” The statement, while vague, only fuelled anticipation for a joint screen appearance.
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Garfield maintains stance on privacy
Despite the public display at Wimbledon, Garfield has consistently drawn boundaries around his personal life. In a 2024 interview, the Oscar-nominated actor reiterated his stance, saying, “I have never, and I won’t ever, speak about or confirm or deny anything about my personal life with anyone, ever.”
He echoed the same sentiment in a 2021 interview, where he spoke about protecting his “right to be ordinary… to get it wrong, to be stupid, to be a person.”
The Hollywood pair appear relaxed and close at Wimbledon 2025Instagram/voguemagazine
What’s next for the couple?
While the Wimbledon appearance suggests Garfield and Barbaro are growing more comfortable being seen together, they’re keeping things on their terms. Professionally, both have packed schedules. Garfield is set to return to the screen in After the Hunt, which hits cinemas on 10 October. Meanwhile, Barbaro will appear in the crime thriller Crime 101 alongside Chris Hemsworth and Mark Ruffalo, slated for release in February 2026.
Whether or not Artificial brings the real-life couple together on screen remains to be seen. But for now, Wimbledon has served as their soft launch, and fans are here for it.
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ONE reason I watched the BBC documentary Amol Rajan Goes to the Ganges with particular interest was because I have been wondering what to do with the ashes of my uncle, who died in August last year. His funeral, like that of his wife, was half Christian and half Hindu, as he had wished. But he left no instructions about his ashes.
Sooner or later, this is a question that every Hindu family in the UK will have to face, since it has been more than half a century since the first generation of Indian immigrants began arriving in this country. Amol admits he found it difficult to cope with the loss of his father, who died aged 76 three years ago. His ashes were scattered in the Thames.
Amol, who is 41, was born in Calcutta and was brought to Britain when he was three.
“My dad was my hero, totally and utterly,” he declares.
He recalls: “Very suddenly, three years ago, he got pneumonia, went into hospital, spent five dreadful weeks in intensive care, and died. This was really shocking to me because it was the first time I’d ever lost someone I loved.” Watching the grand final of University Challenge, in which Christ’s College, Cambridge, beat Warwick 175–170 in an exciting finish, we saw Amol’s intellectual and secular side as a BBC TV presenter.
He says he is an atheist, but nevertheless undertook a pilgrimage to the Ganges to see if he could emancipate his father from the eternal cycle of birth, death and rebirth and help him gain moksha. He couldn’t get to the confluence of the Ganges and the Yamuna at the Kumbh Mela because of a stampede in which 30 people were trampled to death and hundreds injured. But he participated in pind daan and took a dip in the Ganges.
Rajan offers the pind daan in honour of his father and ancestors
He says: “I think that one of the things that I wanted to go to the Kumbh Mela to do, was to confront my grief, reconnect with my dad, but also to try and work out what the next 38 or 40 years of my life would have to do with the first half.”
Expressing grief on camera, as Amol does, is a little odd, but he explains: “I think there are three things I want people to take away from this documentary. One is about grief, the other is about faith, and the final one is about family. Every grief is different, and everyone grieves for somebody they’ve lost in a very unique way, but I do think there are certain rules about grief. I do think it does get easier over time, and I do think that sharing grief by talking about it, by connecting with other people that are aggrieved, is a really valuable thing. This documentary is a way of trying to grieve in public, not for vain reasons, but because I think there’s something that people could learn from that.”
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Gupta previously served as CEO of JioStar Sports, a role he took up following the $8.5 billion merger between Reliance Industries and Walt Disney’s Indian media assets in November last year. (Photo: X/@HomeOfCricket)
THE International Cricket Council (ICC) has named Sanjog Gupta as its new chief executive officer, replacing Geoff Allardice. The announcement was made on Monday.
Gupta previously served as CEO of JioStar Sports, a role he took up following the $8.5 billion merger between Reliance Industries and Walt Disney’s Indian media assets in November last year. He becomes the ICC’s seventh CEO.
Allardice, who was appointed in November 2021 after serving in an interim capacity for eight months following the suspension of Manu Sawhney, stepped down from the position earlier this year.
Gupta took charge on Monday and said, “These are exciting times for the sport as marquee events grow in stature, commercial avenues widen and opportunities such as the women's game scale in popularity. Cricket’s inclusion in the Los Angeles 2028 Olympic Games and the rapid acceleration of technology deployment/adoption could act as force-multipliers for the cricket movement around the world.”
ICC chair Jay Shah said Gupta’s experience would support the organisation’s plans. “His deep understanding of the global sports as well as M&E landscape combined with his continued curiosity about the cricket fan’s perspective and passion for technology will prove essential in our ambition to grow the game in the coming years.”
The ICC said over 2,500 applications were received from 25 countries.
(With inputs from agencies)
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Lisa Nandy, Steve Reed, René Olivieri and Hilary McGrady at a National Trust event marking its 130th anniversary
THE National Trust, which is seeking to broaden its appeal to British Asians, is marking its 130th anniversary with a renewed commitment to restoring nature and widening access under a 10-year strategy.
Its director-general, Hilary McGrady, also aims to inspire more people to get involved in caring for the country’s natural resources.
The National Trust was founded in 1895 by three Victorian philanthropists – Octavia Hill, Sir Robert Hunter and Canon Hardwicke Rawnsley – to “promote the permanent preservation for the benefit of the nation of lands and tenements (including buildings) of beauty or historic interest”. With more than “5.38 million members, 11,000 staff and 61,000 volunteers, it is now Europe’s largest conservation charity, caring for over 250,000 hectares of farmland, 890 miles of coastline and 500 historic properties, gardens and nature reserves, for everyone, for ever”.
It wants more British Asians to apply for jobs with the Trust or offer to become volunteers. Many of its historic properties have Indian connections.
McGrady, who has been with the Trust for 20 years, set out the organisation’s aims: “For 130 years, the National Trust has responded to the crises and challenges of the time. Today, nature is declining before our eyes and climate change is threatening homes and habitats on a colossal scale. Meanwhile, millions of people can’t enjoy the benefits that green space and heritage bring.
“So, we will ramp up our work to restore nature, both on our own land and beyond our boundaries. We’ll work to end inequality of access to green space and cultural heritage. And we will inspire millions more people to take action to protect the things we all need to thrive.
“Our charity’s founders were passionate campaigners who recognised the threats to our natural and cultural heritage, and, against the odds, did something about it. That same boldness is needed today. The Trust is uniquely placed to do something about these challenges and it’s why we are setting ourselves these ambitious but much-needed goals.”
At a recent reception to mark the Trust’s 130th birthday in College Gardens, Westminster, the director general asked guests to close their eyes and imagine their favourite idyllic locations.
“You need to know the National Trust is here to look after it, to support it, to stand up for it, to stand up for the right for everyone to have the kind of access to the beauty and the nature that you’ve been thinking about,” McGrady said.
She was “incredibly proud” of what the Trust had achieved “from the very days where there was just a glint in Octavia’s eyes. But I also want you to think about the legacy – not just what we’ve achieved so far, but the legacy we want to leave for our future, for your children, your children’s children, and far beyond,” she added.
She pointed out: “Our historic fabric in our towns and our cities is under massive threat, because we’ve no money to be able to upkeep them. Local authorities are under real pressure. People living in cities – 40 per cent of them – have no access to green or blue space, and so that connectedness that is so vital for the care of nature is being broken.
“And, of course, climate change is affecting everybody’s life – and anyone who doesn’t think it, please just look at the flooding, look at the heat damage, look at our landscapes. These are new challenges, and the Trust is going to step up and face them again.
” She declared: “We’re going to restore nature. We’re not just going to stop the decline. We’re going to restore it.”
McGrady said: “We’re going to move more and more into cities.” “We’ve just done that at Castlefield,” she added, referring to the transformation of a Victorianera steel viaduct transformed into a green “sky garden” in the heart of Manchester.
She also spoke about a landscape project in Belfast: “We’ve just acquired an amazing bit of divis on the edge of Belfast that will make a massive difference to the north of the city.”
She paid tribute to the people who had built the organisation over 130 years: “I stand on the shoulders of many, many of those giants, and they’re the people who built an institution that is much loved, that is much respected and is really trusted, which in this day and age, is a rare and a precious thing I will fight to protect to the death.
” She concluded: “I hope that Octavia – if she’s looking down on us now – will be pleased to see the spirit of the National Trust remains and that we remain for everyone, forever.”
McGrady was followed by Steve Reed, secretary of state for the environment, food and rural affairs, who waved his National Trust membership card: “We all have a special place we love to visit. For me, it’s Sissinghurst Castle in Kent. I love the beautiful gardens designed by the writer and poet Vita Sackville-West and her husband Harold Nicolson, which remain popular today.”
He expressed the Labour government’s support for the Trust: “I look forward to working with the National Trust to develop this work and open up more of our beautiful countryside for everyone to enjoy.”
He said: “Nature underpins everything: our economy, our communities and our livelihoods. But we have become one of the most nature-depleted countries in the world. Restoring nature is a key pillar of the government’s plan for change.
“I’ve just arrived back this afternoon from the UN Oceans Conference in Nice. I was proud to announce a consultation on banning bottom-trawling in our marine protected areas. We can’t go on wiping out precious marine habitats, just because they’re out of sight beneath the sea.
“And yesterday, my colleague Matthew Pennycook announced that the government will update national planning policy to ensure swift bricks are incorporated into new buildings. They make a massive impact on expanding bird populations. We will make sure that now happens in new developments right across the country.
“We will create nine new national river walks, plant three new national forests and support communities to create new parks and green spaces in their neighbourhoods. We’ve already announced the first new national forest between the Cotswolds and the Mendips which will see 20 million trees planted in the coming years.
“It’s a national scandal that our rivers, lakes and seas are choked by record levels of pollution. We’re cleaning them up with new laws to ban bonuses for water bosses who oversee catastrophic pollution incidents, and bringing in over £100 billion of private funding to fix the broken pipes that are the primary cause of sewage leaks.”
The culture secretary, Lisa Nandy, also spoke in support of the Trust, in contrast to some of her predecessors under the Tories who had criticised a report revealing that nearly a hundred of its historic properties were built with money made in India or through the slave trade.
Nandy said she had visited Trust properties with her parents and now, with her 10-year-old son, had been to “hundreds of National Trust properties all over the country”. “What we’ve seen is an organisation that is truly national in the sense that you are rooted locally, standing with communities not just to protect and preserve, but to promote and celebrate the pride, heritage and contribution of those places and their people to our country.”
The volunteers were warmly thanked by the Trust’s chairman, René Olivieri.
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Rishab Shetty battles through flames in new Kantara Chapter 1 poster
Kantara: Chapter 1, the much-awaited prequel to the 2022 blockbuster, releases in cinemas on 2 October 2025.
Poster unveiled on Rishab Shetty’s 42nd birthday shows him in an intense warrior avatar.
The film explores the divine origins of Panjurli and Guliga, expanding the Kantara mythology.
Massive action sequences filmed with 3,000 participants over 50 days make it one of India’s biggest productions.
Rishab Shetty gave fans a fierce first glimpse into Kantara: Chapter 1 on his 42nd birthday, unveiling a new poster that shows him in full warrior mode. The upcoming prequel to the 2022 Kannada hit Kantara is now officially set to release on 2 October 2025. Directed and headlined once again by Shetty, the film is expected to dive deep into the spiritual and mythological roots of the original story.
Shetty returns to direct and lead the Kantara prequel
Following the resounding success of Kantara, Rishab Shetty returns to both direct and star in the film’s prequel. Titled Kantara: Chapter 1, the film will trace the origin story of the forest deity Panjurli and its protector Guliga, diving into the lore that shaped the mystical world introduced in the original. The new poster shows Shetty charging through fire, shield pierced with arrows, eyes blazing, and axe in hand, a visual that has already sparked frenzied reactions online.
Fans have flooded social media with praise and speculation, with hashtags like #KantaraChapter1 trending across platforms. Many described the poster as “goosebump-inducing,” while others celebrated Shetty’s birthday by calling him “the pride of Kannada cinema.”
Kantara poster (Image Source: X) Print-160
Massive battle sequence shot with 3,000 people
The makers have spared no effort in scaling up the cinematic experience. One of the biggest highlights of Kantara: Chapter 1 is an elaborate war sequence shot over 45–50 days on a 25-acre set. The sequence involved more than 500 trained fighters and over 3,000 participants, making it one of the most ambitious action scenes ever filmed in Indian cinema. Both Indian and international stunt experts collaborated on the project, ensuring the sequence lives up to the mythology it portrays.
Todor Lazarov, who choreographed action scenes in RRR, has been roped in to design the stunts. The crew, however, faced challenges during production, including accidents, floods, and even the tragic deaths of two cast members, Kalabhavan Niju and Rakesh Poojary, due to health issues earlier this year.
Hombale Films announces multilingual global release
Produced by Vijay Kiragandur under the Hombale Films banner, the studio behind hits like KGF and Salaar, Kantara: Chapter 1 will release in seven languages: Kannada, Hindi, Tamil, Telugu, Malayalam, Bengali, and English. The team is aiming for a global reach, banking on the spiritual intensity and regional depth that made the first film a crossover success.
The original Kantara won multiple awards, including National Awards for Best Actor and Best Sound Design. It was praised for its storytelling rooted in coastal Karnataka’s Bhoota Kola tradition. The prequel promises to build on that legacy with even greater visual ambition and cultural depth.
While detailed plot points are under wraps, Kantara: Chapter 1 will focus on the spiritual foundations of the first film’s mythology. The teaser and trailer are expected to drop later this year, and with fans already counting down to the 2 October release, anticipation is sky-high.
The film’s music is composed by B. Ajaneesh Loknath, and cinematography is by Arvind S. Kashyap. Actor Jisshu Sengupta also joins the cast in a pivotal role. With its mix of mysticism, action, and cultural storytelling, Kantara: Chapter 1 is poised to be one of the most awaited films of 2025.