Over the years, superstar Salman Khan has launched many newcomers in Bollywood, but this is going to be the first time when someone from his own family makes his acting debut under his wings. We are talking about Khan’s brother-in-law Aayush Sharma who enters showbiz with the forthcoming film LoveYatri, bankrolled under the banners of Salman Khan Films.
Khan says that he always knew that the association of his name with Aayush’s debut flick would spark nepotism debate again, but it’s the audience who decides who will stay and survive and who goes into oblivion.
In this latest interaction with Eastern Eye correspondent, Mohnish Singh, at Galaxy Apartments, Salman Khan opens up about Aayush Sharma, nepotism, and the controversy around the title of his production. Excerpts...
Salman, your brother-in-law Aayush Sharma said that this place, Galaxy Apartments, is an institution of performing arts from where his journey started. There have been some good graduates and some not-so-good ones. What do you have to say?
Who are the good ones and who are the not-so-good ones? I think everyone who has come here has done well for themselves. See, everyone has their own destiny. Who will go up and who will come down, it’s all in destiny.
When I did Maine Pyar Kiya (1989), I did pretty okay for myself. So, whoever has started from here is in a better position than what they were in when they started.
Everyone wants to be the biggest star, but some people have it in their destiny, while others don’t. Sohail and Arbaaz are working as directors and producers. They own their entertainment companies. They are doing pretty well for themselves.
Ahead of the release of LoveYatri, what is the advice that you would like to give him?
The only thing that I tell him is that don’t play any games. Just be very enthusiastic about what you want to do. Be patient. Just don’t jump into anything just because you need to work. If there is no work, that’s fine. You need to do only good work, otherwise working every day and doing bad work will get you no work later on. So, you might have to wait for good work to come. And work does come. Work nowadays comes from web, TV, movies and different kind of cinemas. People get not one, two are three changes, but they keep on getting work.
In one of his interviews, Aayush said that irrespective of whether he is going to be launched by you or somebody else, he has this baggage on his shoulder that he is related to Salman Khan, the superstar. Even if he had made his debut outside your banner, people would say Salman must have helped him bag the film. Do you think it’s not cool when a superstar’s name is attached to someone from the family who is being launched?
That’s why I am staying as far away as possible (from the film and promotions), so much so that I hope that my sister (Arpita Khan Sharma) does not think I don’t like Aayush and that I am not supporting Aayush (laughs).
When I did Hero (2015) with Sooraj (Pancholi), I did one promotional song in the film. Everywhere I go, I sing that song. It became so popular. But these things do not translate into people going and watching the movie in the theatre. The film is got to be good for it to work. In the promo and trailer of your film the urgency that people want to see the film should be there. After that, it’s word of mouth. There are many of our films which did not do well. Then people ask me to do guest appearances and stuff like that, and they think the film would do well because of that. But when they don’t work, it brings me to earth. I have danced and sung, but (at times nothing works). It’s a very close-knit industry, so we keep doing that. It’s good. It’s a good bonding. If you are free for four-five days, you go and hang out with friends. So, it’s a very chilled out atmosphere.
(Coming back to your question), I’ll tell you a story. Sohail saw Aayush a lot before in the gym. If not me, somebody else would have launched him. It was (a matter of) time. He’s been training really hard. He’s been working really hard. He’s been taking care of himself. I had worked with Abhiraj (director) on Sultan (2016); he’s a very sorted guy. So I thought this was the best for both of them.
But then the nepotism debate is still on...
I always knew the topic of nepotism would crop up. But Aayush is the son of a politician. How can one drag him into nepotism debate? He is from Himachal (Pradesh). Let me tell you, this (Bollywood) is the only place where nepotism cannot work. It cannot work at all. No matter how much you push, but it is only the audience that will make you a superstar, or reject you. No matter whose son you are, let alone being the brother-in-law of somebody. Here, brothers and sons don’t survive if they are not good. I am a writer’s son. Ajay Devgn is an action director’s son. So, it’s just the audience. It’s totally, totally audiences who come and see you in a movie, and what they like you never know. You could be the best looking guy, the best actor, but they will reject you. At the same time, you can have nothing, but it’s something endearing that they feel whether it’s the script that you have done or something about your screen presence, that they like and they go for you. That’s it.
No matter how many hits you give, one film down, the audience is not going to have that reflect, but people from the industry would. I have been seeing this change. It’s become competitive, which is very good. Earlier people used think that my film should work, his film should also work. Right now people want their films to do well, not yours, which is the worst thing for the industry. However, we are still of that old thinking where we feel happy if somebody’s film does better than ours. It motives us to work much harder to beat that. But when people don’t want to work hard, it’s hard for them to digest that somebody is doing well. So, it’s all about the hard work.
The title of the film has been changed from Loveratri to LoveYatri because some people had issues with its original title. Do you think there are always attempts to curb the freedom of expression of people in showbiz?
I think there is a lot of creativity. If they don’t like any title, we will change it. If they don’t like LoveYatri either, we can change it. Had the title of the film would matter so much, they would use only titles before theatres.
There was nothing offensive about Loveratri. We knew we were making a very sweet, beautiful love story. It’s about love and festivals, so we called it Loveratri. But some people got offended by that. Even if one person’s emotions are hurt, why are we going to do that? We are making a love story. We are not making a hate story. So we changed the title.
Scarlett Johansson has once again voiced her frustration over the Oscars overlooking Avengers: Endgame for the Best Picture category. The actress, known for portraying Black Widow in the Marvel Cinematic Universe, expressed her disbelief during an interview. She questioned how a film as groundbreaking and successful as Endgame managed to receive only one nomination, for visual effects, at the 2020 Academy Awards.
“It was an impossible movie that shouldn’t have worked, yet it did, both as a film and as a cultural moment,” Johansson remarked. She pointed out that the film not only pushed creative boundaries but also became one of the highest-grossing movies of all time. Despite its global impact and critical acclaim, Endgame remained absent from major Oscar categories, including Best Picture.
Scarlett Johansson questions why Avengers Endgame was overlooked by the Academy despite its record breaking successGetty Images
This snub particularly stings because Endgame marked the end of an era for Johansson’s character, Natasha Romanoff, who sacrificed herself to save the universe. Following this emotional farewell, Johansson reprised the role one last time in the 2021 prequel, Black Widow. However, when asked about returning to the Marvel universe again, she remained firm, stating that Natasha’s story had reached a meaningful conclusion.
While Johansson clearly misses working with her Marvel co-stars, she feels that bringing back the character would undermine the impact of her farewell. “It wouldn’t make sense,” she said, emphasising the importance of leaving Natasha’s legacy intact.
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Besides her frustration over the Oscars snub, Johansson also took a jab at the length of recent award ceremonies, particularly the 2025 Oscars. She found the James Bond tribute segment overly long, describing it as feeling like an advertisement rather than a celebration of cinema.
Despite the setbacks, Johansson is staying busy. She’s set to star in Jurassic World: Rebirth and is making her directorial debut with Eleanor the Great, which will premiere at the Cannes Film Festival. Her passion for storytelling continues, whether or not the Oscars recognise her past projects.
Scarlett Johansson defends Avengers Endgame and criticises lengthy Oscars ceremoniesGetty Images
In the end, Johansson’s disappointment highlights a recurring issue: the Academy’s reluctance to honour blockbuster superhero films, even when they make a significant cultural impact.
James Gunn’s Superman is shaping up to be more than just another cape-and-costume affair. The latest trailer doesn’t just show off epic battles or a parade of DC heroes; instead, it throws us straight into a tense one-on-one between the Man of Steel and the woman who refuses to let him off the hook.
In this new version, Clark Kent, played by David Corenswet, is already known to Lois Lane as Superman. There’s no awkward glasses game here, just straight talk! And Lois isn’t starstruck. She’s sharp, sceptical, and not afraid to press him on the ethics of playing global policeman. Her questions about his involvement in a foreign conflict cut through the usual superhero fanfare. Was he saving lives, or stepping over a line?
Superman insists he was acting on his own, not as an agent of any government. But Lois reminds him that intent doesn’t erase consequences. That tension between good intentions and real-world impact seems to be at the heart of Gunn’s take on the iconic character. It’s not about whether Superman can save the world; it’s about whether he should do it on his own terms.
The trailer also introduces Nicholas Hoult as Lex Luthor, who sees Superman not as a saviour, but as an alien outsider dominating a global narrative. “He’s not a man. He’s an it,” Luthor declares, breaking into the Fortress of Solitude with the mysterious Engineer. This isn’t a villain twirling his moustache; it’s someone deeply uncomfortable with Superman’s place in the world.
The film skips past origin stories and dives right into an established world, complete with supporting heroes like Green Lantern, Hawkgirl, Mr. Terrific, and Metamorpho, though the latter may be in chains rather than on the team.
We still get a glimpse of Superman’s Kansas roots, with Ma and Pa Kent reminding him that being a hero isn’t just about strength but about character.
Superman, directed and written by James Gunn, flies into cinemas on 11 July in the U.S., with international releases beginning on 9 July. Expect a film that raises questions as much as it throws punches.
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Shah Rukh Khan visits the cast of Come Fall in Love The DDLJ Musical during rehearsals in London
Thirty years after Dilwale Dulhania Le Jayenge changed the face of Hindi cinema, the story is stepping onto the UK stage, and Shah Rukh Khan himself dropped by to witness it in the making.
The actor, who became a household name playing Raj in the original 1995 film, surprised the cast of Come Fall in Love – The DDLJ Musical at their rehearsal space in London. With its UK premiere scheduled at Manchester Opera House from 29 May to 21 June, the stage show is a reimagined take on the beloved romance, directed once again by Aditya Chopra.
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This musical version is set between India and the UK and stars Jena Pandya as Simran and West End actor Ashley Day as Rog, giving a fresh take on Raj. For Pandya, the experience was surreal. “Showing him scenes he once performed was unforgettable,” she said. “He gave his time so kindly. It meant a lot.”
Day, clearly moved, added that the energy shifted the moment Khan walked in. “We all felt it. He didn’t have to say much; his presence said enough,” he reflected. “It was just one of those moments you never forget.”
The musical brings a new twist to the original, with 18 English tracks composed by Vishal Dadlani and Sheykhar Ravjiani. The duo were thrilled by Khan’s visit. “He loved the vibe, the energy, the music,” Vishal said. “It felt like Raj was passing the torch to Rog.” Sheykhar added, “For everyone involved, it was a special afternoon. He connected with the cast on a deeper level; theatre is where he began, after all.”
This production isn’t just about nostalgia. It’s an attempt to present a timeless story to a new audience, with Broadway-style storytelling and Indian emotion. The script and lyrics have been adapted by Nell Benjamin, known for Legally Blonde and Mean Girls, while the choreography is led by Tony Award winner Rob Ashford, with Indian dance sequences by Shruti Merchant.
With immersive events also planned at railway stations in London and Manchester, nodding to the film’s famous train scenes, Come Fall in Love aims to bridge the old with the new. And if Khan’s glowing reaction is any sign, this musical might just become a classic in its own right.
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Indian standup comedian Shamik Chakrabarti at Soho Theatre, London
In his debut UK show – and first international performance – Indian stand-up comedian Shamik Chakrabarti took to the stage at Soho Theatre, London, with a deceptively low-key presence that quickly revealed a sharp wit beneath his ‘sensible nerd’ exterior.
The aptly titled Despite Appearances saw the bespectacled comic defy expectations. His softly spoken, academic demeanour gave way to punchlines filled with sly irony, sarcasm and culturally specific references that regularly caught the audience off guard.
The promising newcomer joins a growing list of Indian comedians making their first international strides through the iconic venue. Performing in English, Chakrabarti opened with locally tailored jabs at British quirks before shifting to idiosyncratic tales from life in India.
What followed was a string of wry observations on topics ranging from his (notably tall) height and online sex bots, to an unforgettable visit to what seemed like a knock-off safari park – complete with deer and what appeared to be a man in a tiger costume.
Rather than delivering rapid-fire gags, the slow-burn set leaned into long, ironic setups and unexpected, sideways punchlines – building a world that felt both absurd and relatable.
The show’s centrepiece was an extended story about losing his laptop in a rickshaw and the surreal events that followed – including trying to explain the situation to bewildered police officers. While this was clearly a crowd favourite and delivered several strong moments, it slightly overstayed its welcome and dragged the pace in the second half.
That said, Chakrabarti’s delivery remains distinctly his own – dry, deadpan and unapologetically niche. It resonated with sections of the audience, though others, perhaps expecting more energy, were less engaged.
With over 25 million Instagram views and more than 8 million on YouTube, Chakrabarti already commands a sizeable fan base – one that is now set to grow. If he can sharpen the storytelling and tighten the structure, he could soon become a regular name on the global stand-up circuit, with the upcoming Edinburgh Fringe as his next big step.
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Fans cheer as Tom Cruise walks the Cannes red carpet for The Final Reckoning premiere
Tom Cruise had a heartfelt moment at the 2025 Cannes Film Festival when his latest film, Mission: Impossible – The Final Reckoning, received a five-minute standing ovation at its world premiere. The 62-year-old actor was visibly moved as the crowd at the Grand Théâtre Lumière cheered him on, acknowledging his 30-year run as Ethan Hunt in the blockbuster franchise.
Cruise walked the aisle surrounded by applause, joined by director Christopher McQuarrie and co-stars including Hayley Atwell, Simon Pegg, Angela Bassett, Pom Klementieff, and Esai Morales. Moments later, he took the mic to thank the audience, calling the experience a dream come true. “I’ve been lucky to entertain you with this series for three decades,” he said, adding a heartfelt tribute to McQuarrie, who has directed the last four films in the series.
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The Cannes premiere was a grand affair. A 40-piece orchestra played the iconic Mission: Impossible theme as the cast walked the red carpet. Fans held up posters from Cruise’s earlier films, and some paid tribute to his Top Gun co-star Val Kilmer. Cruise, known for his genuine connection with fans, took time to sign autographs and pose for photos.
Greg Tarzan Davis, Angela Bassett, Tom Cruise, Tramell Tillman, Hannah Waddingham, Simon Pegg, Pom Klementieff, Esai Morales and Erik Jendresen at Cannes 2025Getty Images
This premiere is, in fact, Cruise’s return to Cannes after Top Gun: Maverick in 2022, which received a six-minute ovation and a jet flyover. While this time lacked such theatrics, the emotional impact was no less powerful. The actor was seen clasping his heart, overwhelmed by the audience’s love.
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The film, which picks up from 2023’s Dead Reckoning Part One, is being touted as the final chapter in the Ethan Hunt saga. Though Cruise hinted it’s a culmination of 30 years of work, he stopped short of calling it his last. “Let people watch it and decide,” he said.
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The Final Reckoning opens in India on 17 May, six days ahead of its global release, and will be available in English, Hindi, Tamil, and Telugu. Given the high production costs and moderate performance of the previous film, the stakes are high. But with Cruise’s relentless promotion across countries and a warm Cannes reception, the franchise may be gearing up for one last big win.