After a lot of speculations, Rohit Shetty and Ranveer Singh are finally teaming up for a project which hasn't got its title yet. However, reports suggest that the movie will be inspired from Telugu blockbuster, Temper.
According to Shetty, he will start the film next year because his lead actor Ranveer will not be available before that.
Ranveer, who is currently shooting for Sanjay Leela Bhansali’s ambitious period drama Padmavati, will move on to shoot director Zoya Akhtar’s Gully Boy right after wrapping up Padmavati in a couple of weeks.
Gully Boy will see his pairing with vivacious actress Alia Bhatt. They haven't worked before in any film and hence the audience is waiting for the film with bated breath.
It is after completing Gully Boys that Ranveer will start his work for Rohit Shetty's film. As per the director, the film will roll in May 2018 as Ranveer is busy with his prior commitments while he himself is tied up with his much-awaited film Golmaal Again.
Golmaal Again, which stars Tabu, Ajay Devgn and Parineeti Chopra in principal roles, is the fourth instalment of the Golmaal film franchise.
Touted to be the biggest entertainer of the year, the film brings back the successful duo of Rohit Shetty and Ajay Devgn after a gap of three years. Their last outing, Singham Returns came in 2014 and was a big hit.
Golmaal Again is slated to release on 20th October 2017.
• BTS will release a new group album in spring 2026, followed by a world tour. • All seven members have now completed South Korea’s mandatory military service. • The announcement was made during their 1 July livestream, their first group appearance since 2022. • The band will begin regrouping in the U.S. this month to start production.
BTS have officially confirmed their long-anticipated comeback. The global K-pop phenomenon announced that a new group album will be released in spring 2026, alongside a worldwide tour, marking their first full-group activity since 2022.
The announcement came during a 30-minute livestream on 1 July via Weverse, which saw all seven members including Jin, RM, Suga, J-Hope, Jimin, V, and Jungkook, together on air for the first time in nearly three years. Their hiatus began in late 2022 as each member enlisted for South Korea’s mandatory military service. Jin, the eldest, was discharged in June 2024, while the final group members RM, V, Jimin, and Jungkook completed service in June 2025. Suga, who served alternative duty, finished on 21 June.
K-pop band BTS's members RM and V react after being discharged from a mandatory military serviceGetty Images
BTS album to reflect 'original mindset'
“We’ll begin working closely together from July,” the group shared during the livestream. “Since this is a group album, it’ll reflect everyone’s input. We’re going into it with the same mindset we had when we first started.”
The 2026 release will be BTS’ first studio album since BE in 2020 and their first full-group project since the 2022 anthology Proof, which became South Korea’s best-selling album of that year with nearly 3.5 million copies sold.
V, Suga, Jin, Jungkook, RM, Jimin and J-Hope of BTS attend the 64th Annual GRAMMY AwardsGetty Images
Tour to follow new album release
Alongside the album, BTS confirmed plans for a global tour, though exact dates and cities have not been revealed. The tour will be their first since Permission to Dance on Stage, which drew more than 4 million fans across in-person shows and digital broadcasts during the post-pandemic period.
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“We’ll be visiting fans all over the world. Please look forward to it,” RM said, as fans flooded Weverse with excitement. The stream drew over 7.3 million real-time views.
Economic impact and global success
BTS' return is more than just a musical event, it’s almost like an economic force. Before their hiatus, the group contributed over £3.2 billion (₹33,600 crores) annually to South Korea’s economy, amounting to roughly 0.2% of the country’s GDP, according to the Korea Culture and Tourism Institute. They remain the most-streamed group on Spotify and were the first K-pop act to top both the Billboard 200 and Billboard Artist 100 charts.
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Raw, grounded, and impossible to ignore; these films captured the year’s deepest emotions
These 10 films weren’t just hits; they started conversations and held up a mirror
Malayalam cinema leads the list, with 4 standout films pushing boundaries
Stories tackle caste, grief, gender, and class without sugar-coating
From indie gems to box office smashes, they prove truth sells too
Some films punch you in the gut. Others sit quietly with you after the credits roll, refusing to leave. This year, South Asian cinema has delivered both, and more. It hasn't been about larger-than-life heroes or formula plots. It's been about discomfort. Tenderness. Grief. Guts. From sun-drenched fields in rural Maharashtra to gritty courtrooms in Kerala, filmmakers across the region are telling stories with a kind of bravery that feels new and honestly overdue.
Here’s a list of 10 films from 2025 that haven’t just made money but also moved people. If you haven't seen these yet, fix that.
1. Ponman (Malayalam)
Dowry culture in Kerala? This black-comedy thriller doesn't just expose it, it truly sets it on fire. Basil Joseph is phenomenal as a gold broker trapped in a wedding scheme gone horribly criminal. Made on a small budget of £285,000 (₹3 crore), the film earned £1.73 million (₹18 crore+). Proof you don't need a mega-budget, just a killer story and guts. Beneath the dry humour is a grim look at how tradition twists into greed, and how no one comes out clean.
A heartbroken college dropout slides into online fraud to numb the sting of failure. But lies have limits, and this one drags him back to where it all went wrong. It’s funny, sad, and painfully honest about how young people drown quietly in pressure and heartbreak. And damn, did people watch – £14.2 million (₹150 crore) says they felt it too.
Imagine giving up everything for your sick mum. Now imagine your neighbours using that love to blackmail you. Moushumi Chatterjee, back after 12 years? Her performance is a quiet masterclass. You feel every sigh, every unspoken pain. It’s about sacrifice, rage, and the quiet grief of being trapped by love. You’ll want to call your mother after this one.
A failing basketball coach stumbles into teaching neurodivergent adults, and learns he's not the only one looking for redemption. It’s messy, warm, and awkward in the best way. No easy solutions, but plenty of real moments that catch you off guard. It’s warm, sometimes chaotic, but ultimately about seeing people truly seeing them. £9.5 million+ (₹100 crore+) and counting? People are feeling it.
Remember making stupid movies with your friends? These guys in 90s Maharashtra did it with pure, chaotic passion, spoofing Bollywood to save their video shop. In a dusty town where money’s tight but dreams run wild, a group of boys try to make a film with zero budget and all heart. It’s not about success, but about doing something that makes you feel alive. You’ll laugh, maybe cry, and definitely smile.
No songs. No glamour. Just Abhishek Banerjee, jaw clenched! A tribal mother and two estranged brothers tear through the filth of a child-trafficking ring. It’s grimy. It’s urgent. It exposes the rot of class privilege exploiting the desperate. And Banerjee? Forget “good.” This is career-defining. It’s the underrated gut-punch of the year.
A city guy grieving. A rural farmer. A 10-day funeral ritual. Oh, and they’re both gay, navigating isolation amidst tradition. Rohan Kanawade’s debut is revolutionary precisely because it’s so quiet. No grand speeches, just aching glances and shared silence. Won Sundance. Won Guadalajara. It’s a lot about loneliness, ritual, and finding softness in the most unlikely corners of grief.
Disgraced cop. Forty-year-old murder. The twist? It’s tangled up in the real history of Malayalam cinema. They used AI to recreate old film scenes and it was mind-blowing. Asif Ali’s great, but this is for Mollywood nerds. It’s niche, clever as hell, and made bank: £5.44 million (₹57 crore+). It’s a slow burn, like a love letter to film itself, coded in celluloid secret.
A teen falsely accused. A lawyer fighting caste bias inside the courtroom. Ram Jagadeesh holds up a mirror to legal corruption, and it’s ugly. Lawyers praised its real courtroom vibe. Sivaji’s villain might steal the show, but the rage against a broken system? That’s the real takeaway. It’s claustrophobic, brutal, and terrifyingly real.
Mohanlal. An old Ambassador car. Starts as a sweet family drama about his bond with the taxi... then spirals into a criminal nightmare. Mohanlal is just phenomenal, as usual. It’s Drishyam’s tension meets raw emotional realism. £22.4 million (₹235 crore) globally? Yeah, people connected. Hard. Director Tharun Moorthy keeps the pace slow and deliberate, letting the tension build quietly. Shobhana is understated but powerful, her presence brings a quiet weight to the story that stays long after it ends.
This isn't just a “top 10.” It's proof. Proof that right now, in cinemas and on your screens, South Asian stories are exploding with a courage and honesty that’s impossible to ignore. Malayalam’s on fire. New directors like Kanawade (Sabar Bonda) and Jothish Shankar (Ponman) are arriving fully formed, swinging hammers. Seven out of ten are staring down hard truths like displacement, caste, gender, corruption.
They don’t all have happy endings. Some don’t even have closure. But that’s what makes them matter. Because real life isn’t tied up in neat little bows, and neither are these films.
And sometimes, that’s all we need.
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Jury reaches partial verdict in Diddy trial but stalls on racketeering charge
• Jury reaches verdict on 4 out of 5 charges in Sean Combs’ federal trial
• No consensus yet on racketeering conspiracy charge carrying life sentence
• Deliberations to continue Wednesday after just 13 hours behind closed doors
• Combs faces decades in prison if convicted of sex trafficking or racketeering
The jury in Sean “Diddy” Combs’ federal sex trafficking trial has delivered a partial verdict, agreeing on four of the five serious charges against the music mogul. However, jurors remain split on the most severe charge of racketeering conspiracy, a count that could send Combs to prison for life if convicted.
After two full days of deliberation in a New York courtroom, the 12-member panel told Judge Arun Subramanian that they had reached unanimous decisions on two counts of sex trafficking and two counts related to transportation for prostitution. These verdicts remain sealed for now.
Sean "Puffy" Combs arrives at New York State Supreme Court in New York city 29 February, 2000Getty Images
Jury stalled over racketeering conspiracy charge
The panel informed the judge on Tuesday evening that they were unable to agree on the racketeering conspiracy charge due to “unpersuadable opinions on both sides.” The charge is the most complex, requiring jurors to determine if Combs operated a coordinated criminal enterprise involving at least two crimes across several years.
Combs has denied all five charges. He sat quietly in court as Judge Subramanian declined to accept a partial verdict and ordered deliberations to continue. His defence team had requested more time to try for full consensus.
Jury reaches partial verdict in Diddy trial but stalls on racketeering charge Getty Images
Sex trafficking and prostitution charges under wraps
Though the jury has reached decisions on the remaining charges, the court has not revealed those verdicts yet. If found guilty of sex trafficking, Combs faces a minimum sentence of 15 years, while convictions on the prostitution-related charges carry up to 10 years each.
The case is based on disturbing testimony from 34 witnesses, including two of Combs’ ex-girlfriends. The government alleges that the Bad Boy Records founder orchestrated “Freak Offs” or sex marathons involving drugs, male escorts, and coercion, often across state lines.
Sean "P. Diddy" Combs performs during taping for the opening of the MTV Beach HouseGetty Images
Cassie’s testimony and surveillance video central to case
One of the most damning pieces of evidence came from R&B singer Cassie Ventura, who testified that Combs abused her physically and sexually during their decade-long relationship. The jury reviewed her account of a 2016 hotel hallway assault, captured on surveillance video, where Combs was seen kicking and dragging her.
Prosecutors say the footage supports Ventura’s claim that she tried to flee a coerced sex party. They argue Combs used threats, money, and fear of public humiliation to control and exploit her.
Sean "Puffy" Combs arrives at Manhattan Supreme Court February 28, 2001Getty Images
Defence paints alternate picture of consensual lifestyle
Combs’ attorneys insist the trial is a smear campaign aimed at criminalising the artist’s consensual swinger lifestyle. They argue his personal relationships were toxic but not criminal, and the alleged abuse, while serious, does not meet the bar for federal sex trafficking or racketeering.
Marc Agnifilo, attorney for Sean "Diddy" Combs, arrives at federal court Getty Images
They also reject claims that his employees helped facilitate illegal acts, saying any staff involvement was limited to professional duties, not criminal collaboration.
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Rachel Zegler stuns in Jamie Lloyd’s Evita as Palladium crowds grow nightly
Rachel Zegler plays Eva Perón in Jamie Lloyd’s radical Evita revival at the London Palladium.
A viral moment features Zegler singing live from the theatre’s balcony to crowds on the street.
Lloyd’s stripped-down staging amps up visuals and sound but sacrifices storytelling depth.
Talks are on for a Broadway transfer as early as 2026 with Zegler confirmed to reprise her role.
Rachel Zegler commands the London stage as Eva Perón in Jamie Lloyd’s daring reimagining of Evita, a production that trades subtlety for spectacle and could soon be heading to Broadway.
Following the success of Sunset Boulevard, Lloyd’s signature stripped-down style meets rock concert intensity in this revived version of the Andrew Lloyd Webber and Tim Rice musical. Zegler, in only her second major stage role, dazzles with commanding vocals and presence, even as critics debate the show’s dramatic clarity.
Jamie Lloyd’s Evita with Rachel Zegler set for Broadway after London triumphInstagram/officialevita
Zegler’s Evita performance leaves no doubt
From her first note, Rachel Zegler proves she’s no newcomer to the stage. Her performance, both vocally and physically, carries the entire show, even when the production leans more into visual punch than emotional depth. Zegler’s rendition of Don’t Cry for Me Argentina, performed from the Palladium’s real-life balcony to street crowds below, has already become the production’s signature moment. The scene is filmed live and broadcast inside, symbolically capturing Eva Perón’s manipulation of public adoration.
Staging pushes boundaries with video and spectacle
Jamie Lloyd’s direction strips the production down to a giant grey staircase and replaces traditional storytelling with flashing lights, camera close-ups, and muscular choreography. While critics say some scenes lose emotional resonance, especially in the second act, others land with undeniable theatrical force. Some note the live camera work, booming lighting, and thundering score often feel closer to a Beyoncé tour than traditional West End fare.
After drawing big names on opening night, from Pedro Pascal and Keanu Reeves to Elaine Paige, the show’s success has sparked conversations about a Broadway transfer. Lloyd, backed by Tim Rice and Andrew Lloyd Webber, is pushing for an early 2026 New York run. Logistics are already in motion, with plans to replicate the live balcony scene in the heart of Manhattan, pending city approval for crowd management.
Though visually electrifying, the production has drawn criticism for flattening the emotional arc of Eva Perón’s story. Supporting roles, including Diego Andres Rodriguez as Che and James Olivas as Juan Perón, offer committed performances, but critics say the narrative lacks clarity. Still, audiences have been captivated, and the show has crossed into public conversation beyond theatre circles, exactly the kind of impact Lloyd seems to be chasing.
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Vismaya Mohanlal makes her film debut with Malayalam project Thudakkam
Vismaya Mohanlal to debut in Thudakkam, helmed by Jude Anthany Joseph.
The Malayalam film is produced by Antony Perumbavoor under Aashirvad Cinemas.
Mohanlal and Pranav Mohanlal posted heartfelt messages welcoming Vismaya to cinema.
Vismaya is also a published poet and visual artist with a book titled Grains of Stardust.
Malayalam superstar Mohanlal’s daughter, Vismaya Mohanlal, is stepping into cinema with Thudakkam, a Malayalam feature directed by 2018 filmmaker Jude Anthany Joseph. The announcement, made on social media by her father and production house Aashirvad Cinemas, marks Vismaya’s formal entry into acting after years of working quietly as a poet and artist.
Vismaya Mohanlal transitions from poetry and art to acting in ThudakkamInstagram/mayamohanlal
Jude Anthany Joseph teams up with Aashirvad Cinemas for Thudakkam
The upcoming film Thudakkam is being produced by Aashirvad Cinemas, the renowned banner behind many of Mohanlal’s blockbusters. Director Jude Anthany Joseph, known for 2018: Everyone Is a Hero, said he felt a personal responsibility when entrusted with Vismaya’s debut.
“It’s a humble film, but one made from the heart,” he shared, promising to honour the trust shown by Mohanlal and his wife, Suchitra. Details about the film’s plot and cast remain under wraps, though early hints suggest an action-driven storyline, possibly tapping into Vismaya’s martial arts background.
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Vismaya Mohanlal brings her artistic journey to screen
Before venturing into films, Vismaya carved a creative path through literature and painting. In 2021, she published Grains of Stardust, a collection of poems and illustrations that offered glimpses into her introspective world. Written in a raw, spontaneous style, many of the poems were jotted down during subway rides or inspired by fleeting moments in nature.
Her brother, actor Pranav Mohanlal, encouraged her to compile them into a book. With both siblings now in the film industry, Thudakkam also adds to the growing list of second-generation talents in Malayalam cinema, including Dulquer Salmaan, Keerthy Suresh, and Kalidas Jayaram.