As a blackout plunged her desert dwelling into darkness, Suwa Devi, a dancer belonging to India's Kalbeliya gypsy community, asked her neighbour to turn on his jeep's headlights so she could continue teaching her Zoom class, outside.
The coronavirus pandemic has forced many people to go online, but the largely nomadic, marginalised Kalbeliya face bigger challenges than most, with several living in mud huts or tents with patchy electricity and non-existent wifi.
"In the beginning, I had no idea how to make this work," dancer Aasha Sapera told AFP, describing her early forays into hosting classes on Zoom.
"We had so many internet problems. Lessons would often get cancelled because the connection was terrible," said Sapera, whose students span the globe from Japan to Brazil.
Virus restrictions wiped out the 26-year-old single mother's livelihood as a performer in tourism-dependent Rajasthan state. Like others in the community, she has received no financial aid from the government.
The struggle to survive is not new to the Kalbeliya. Although they have not faced persecution and slaughter on the scale of Europe's Sinti and Roma gypsies, they have long been condemned to living on the fringes of Indian society.
British colonial rulers designated the group as a "criminal tribe" in the 1800s and they continue to be stigmatised as thieves and prostitutes in independent India.
A 1972 ban on snake charming -- their traditional economic pursuit -- pushed them to eke out a living as dancers, with many learning the art from their mothers and grandmothers, as Sapera did.
- Sway like a snake -
The dance, which is meant to mimic the swaying movements of a serpent, with performers usually dressed in black, was classified as "intangible cultural heritage" by UNESCO in 2010 and has attracted a steady stream of global artists and researchers to Rajasthan.
Such access to international collaborators played a key role in their evolution as digital entrepreneurs, said Sapera, who is one of 11 dancers on Kalbeliya World, an online platform offering classes for a $10 fee that goes directly to the performers.
"They were very enthusiastic. They were also intimidated", said Belgian anthropologist Ayla Joncheere, one of the co-founders of Kalbeliya World, describing the dancers' initial response to the idea.
Joncheere and the group's other co-founders Aakansha Maheshwari and Christina Gomes set up a "buddy system", partnering each dancer with an overseas counterpart who could help navigate the administrative and technological challenges.
Since its launch in mid-May, some 600 students from 20 countries including Chile, Morocco, France and Finland have logged on to learn dance from the Kalbeliya.
The lessons, and the income they bring in, have been a lifesaver for the women, many of whom are the sole breadwinners for their large extended families.
The group's success has prompted other Kalbeliya dancers to follow in their footsteps, but with mixed results.
- 'Too difficult' -
When Binu Sapera -- members of the tribe often use the same last name meaning snake-charmer in Hindi -- first ventured into the world of online classes, she hosted a few lessons on Instagram, inviting students to pay what they wanted.
None of the people who signed up contributed.
"It was so upsetting. I had spent so much money getting my mobile data recharged so I could host those lessons, and it was all for nothing," she told AFP.
A British backpacker friend then helped her set up classes on Zoom, where she now teaches a small pool of students and earns around 11,000 rupees ($150) a month, barely half of what she used to make before the pandemic.
The loss of her livelihood coupled with a 20,000-rupee debt has left the 23-year-old mother-of-two, who lives in a mud hut with no electricity, deeply ambivalent about the Kalbeliya's future as rapid change comes to India.
"I desperately want my children to study and pursue other jobs, away from dance," she said.
"I used to love our way of life but now I feel that it's all just too difficult. You can't depend on it for anything."
- Female breadwinners -
Yet other Kalbeliya performers like Aasha Sapera believe dance may well be the key to empowering women and ending widespread discrimination against the community.
Dance gave Sapera the confidence to leave an unhappy marriage -- divorce is a rarity in the conservative community -- because she could easily out-earn her musician husband and raise their six-year-old daughter on her own.
Such financial freedom is a watershed for women in a community that high-profile dancer Gulabo Sapera says used to bury baby girls alive, reflecting India's longstanding gender bias in favour of men.
Gulabo, who has spoken of how she was rescued from such a fate, is one of a handful of dancers to enjoy international success -- helping to further ease the stigma.
Online classes, and the global reach they offer, could expand those possibilities, with Kalbeliya World planning to continue hosting lessons long after pandemic restrictions are relaxed.
With so much uncertainty still in the air, her devotion to dance has kept Aasha Sapera going.
"Dance has given me an identity.... I never want it to fade away," she said.
"I want my daughter to finish school. But I also want her to learn how to dance."
Abhishek Bachchan credits Aishwarya Rai for taking the lead in daughter Aaradhya’s upbringing.
Says Aaradhya, now 13, has no phone and stays away from social media.
Calls Aishwarya “selfless” for prioritising parenting over everything else.
Slams online gossip surrounding their marriage as baseless and insensitive.
Actor Abhishek Bachchan has dismissed recent speculation around his marriage with Aishwarya Rai Bachchan, instead shining a light on her unwavering dedication as a mother. In a recent chat, he spoke warmly about their 13-year-old daughter Aaradhya, revealing that she neither owns a mobile phone nor uses social media, something he attributes to Aishwarya’s hands-on parenting.
Aaradhya Bachchan has no access to social media or a personal phoneGetty Images
Aishwarya Rai's parenting praised as ‘selfless and devoted’
Speaking in an interview, Abhishek was full of admiration for how Aishwarya has raised their daughter. "I have to give credit entirely to Aishwarya. I go out and work, but she does all the heavy lifting when it comes to Aaradhya. She’s incredibly selfless,” he said. According to him, Aishwarya’s decision to put her daughter's well-being above everything else has shaped Aaradhya into a grounded young person.
Abhishek Bachchan calls Aishwarya a devoted mother and partnerGetty Images
Aaradhya has no phone, no social media — by choice and design
In an era when most teenagers are glued to their screens, Aaradhya stands out. “She doesn’t have a phone. She’s not on any social media. She’s being raised to be thoughtful and aware,” Abhishek said. He also acknowledged that while Aishwarya plays the larger parenting role, Aaradhya herself deserves credit for the person she’s becoming, calling her a “wonderful little lady” who brings joy and pride to the family.
Aaradhya is now taller than Aishwarya says Abhishek in candid interviewGetty Images
Responds to rumours, says online chatter can be hurtful
For months, the internet has been buzzing with speculation about a rift between Abhishek and Aishwarya. Without naming any specific rumours, Abhishek expressed frustration with how quickly false stories gain traction. “People sit behind their screens and type things without realising they’re talking about real lives. It’s very easy to be nasty online,” he shared during a media interaction.
Aishwarya Rai often seen with daughter Aaradhya at public eventsGetty Images
‘She’s taller than Aishwarya now’: a proud dad reflects
Recalling the night Aaradhya was born, Abhishek fondly mentioned how she once fit in the crook of his arm. “She’s taller than Aishwarya now,” he said with a smile, adding that the happiness of coming home to a healthy family is what matters most to him today.
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To address the ongoing demand, Nintendo is working to increase production
Nintendo Switch 2 demand outstripping supply in several countries
Over 2.2 million applications submitted in Japan’s lottery sales
Nintendo held four purchase draws, with a fifth scheduled for early July
Company aims to strengthen production and supply to meet demand
Switch 2 had the biggest launch in Nintendo history
Strong demand leads to shortages
Nintendo president Shuntaro Furukawa has confirmed that demand for the Nintendo Switch 2 has surpassed available supply in many regions. Speaking during the Q&A session of the company’s 85th annual general meeting of shareholders, Furukawa addressed concerns about ongoing stock shortages.
“Currently, for Nintendo Switch 2, demand is exceeding supply in many countries, and we sincerely apologise for any inconvenience this may be causing our consumers,” he said.
Furukawa acknowledged that even shareholders and their families may be struggling to secure a unit, particularly in Japan, where Nintendo implemented a lottery system through its official My Nintendo Store.
2.2 million applications in Japan alone
The company began accepting applications for the Switch 2 via random draw in early April. Applicants had to meet specific criteria to qualify. The number of entries far exceeded Nintendo’s expectations, with over 2.2 million applications submitted.
Furukawa noted that, as of April 23, he had posted a public message on X acknowledging the high demand and apologising to those not selected. Four lottery rounds have since taken place, but many hopeful customers remain without a console. A fifth draw is scheduled for early July.
While many Japanese retailers also used lottery systems for launch sales, Furukawa stated that more stores are now offering the device for direct purchase.
Nintendo to boost supply
To address the ongoing demand, Nintendo is working to increase production and distribution efforts. “We will continue to strengthen our production and supply systems to deliver as many Nintendo Switch 2 systems as possible to our consumers,” Furukawa said.
The Nintendo Switch 2 launched on 5 June and sold over 3.5 million units worldwide within its first four days, according to VGChartz estimates. This marks the most successful hardware launch in Nintendo history, surpassing the original Switch’s launch week total of 1.4 million units.
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Ranveer Singh in a still from Lootera that captured his most restrained performance
Ranveer’s subtle performance in Lootera marked a major shift from his usual high-energy roles.
The 1950s-set romantic drama became a career milestone for the actor.
His restrained, emotionally complex portrayal earned long-term critical acclaim.
The film showcased a successful collaboration with director Vikramaditya Motwane.
As Dhurandhar builds buzz, Lootera reminds us of Ranveer’s range.
Twelve years ago, Ranveer Singh surprised audiences with Lootera, a period romance that asked him to do something unfamiliar: stay still. Set in 1950s Bengal and directed by Vikramaditya Motwane, the film gave Ranveer the space to deliver one of his most subdued and mature performances. No outbursts. No spectacle. Just quiet heartbreak.
Lootera released in 2013 and marked a stylistic shift for Ranveer Singh Prime Video
Here’s why his role as Varun still holds up more than a decade later:
1. A rare lesson in stillness
Known for loud roles and louder screen presence, Ranveer turned things down, way down in Lootera. His portrayal of a soft-spoken, guilt-ridden thief proved that less can sometimes be more. His silences did the heavy lifting, letting emotion simmer just beneath the surface.
Ranveer Singh’s role as Varun showed he could command the screen without saying much
2. He took a risk and it worked
At a time when most rising stars would double down on mass-appealing hits, Ranveer picked a slower, more poetic film. It was a gamble, especially for someone fresh off commercial successes. But Lootera earned him serious critical respect and broadened perceptions of what he could do as an actor.
The period romance Lootera became a turning point in Ranveer Singh’s career
3. An emotionally layered performance
Varun isn’t a typical romantic lead. He’s torn, flawed, and emotionally guarded. Ranveer managed to convey all that complexity with minimal dialogue, relying instead on body language and micro-expressions that hinted at heartbreak and inner conflict.
Ranveer Singh’s performance in Lootera was praised for its emotional restraint
4. A director who brought out his quieter side
Vikramaditya Motwane’s direction played a big role in shaping the performance. There’s a quiet rhythm to the film, and Ranveer adapted beautifully to it. The collaboration allowed him to step into a world that demanded introspection over intensity, and he delivered.
Ranveer Singh and Sonakshi Sinha starred in the romantic drama set in 1950s BengalYoutube/Altt Balaji Motion Pictures
5. A role that aged well
Not all performances hold up years later, but Lootera does. While it wasn’t a box office juggernaut, the film has since found cult love. Ranveer’s turn as Varun remains one of his most respected, proof that charisma doesn’t always need volume.
Lootera’s legacy has grown over the years despite its modest box office runYoutube/Altt Balaji Motion Pictures
What’s next?
Twelve years on, Lootera continues to be a defining moment in Ranveer Singh’s career. And with his next film, Dhurandhar, already drawing attention for a darker transformation, it’s clear the actor is still full of surprises.
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The chain had also gained a following for its themed brunches
Chinese dim sum restaurant Ping Pong has closed all its UK locations
The chain made the announcement via social media
Founded in 2005, the brand thanked customers and staff for their support
Loyal diners shared memories and disappointment in the comments
All branches are permanently closed
Chinese restaurant chain Ping Pong has permanently closed all its branches in the UK, the company confirmed in a social media announcement.
Founded in 2005 by restaurateur Kurt Zdesar, the dim sum chain had become popular for its stylish interiors, creative menus, and Asian-inspired cocktails. The company did not provide prior notice of the closure but said the decision marked the end of an “unforgettable” 20-year journey.
Social media announcement thanks customers and staff
In a post shared on Instagram, the company wrote: “It’s a wrap. After 20 unforgettable years, all Ping Pong locations are now permanently closed.
“We’re incredibly proud of what we built, an independent hospitality brand full of creativity, flavour and soul.
“To everyone who joined us over the years, for dim sum dates, happy hours, bottomless brunches, and just-because catch-ups – thank you.
“You shared your moments with us, passed around little parcels of deliciousness, and helped make Ping Pong what it was.
“To our collaborators, suppliers, and the incredible team who kept the steam going, thank you. It’s been sum-thing truly special.”
Customers express sadness over sudden closure
Regular customers responded to the announcement with disappointment and nostalgia. Many expressed shock over the sudden news and the lack of notice.
One Instagram user commented: “Noooo, we’ve made some amazing memories there, birthdays, anniversaries, you name it. The food was always so amazing.”
Another said: “WHAT?? WE HAD NO CHANCE TO SAY GOODBYE! NO WARNING.”
Others fondly recalled the restaurant’s atmosphere and signature dishes, with one writing: “The food and the lychee cocktails will be sorely missed.”
Ping Pong had multiple locations across London and was known for its contemporary take on traditional Chinese dim sum. The chain had also gained a following for its themed brunches, casual dining experience, and cocktail offerings.
No further information has been shared regarding the reason behind the closure or whether the brand will return in a new format.
THE seven-year prison sentence handed to a 15-year-old boy convicted of the manslaughter of 80-year-old Bhim Sen Kohli is to be reviewed under the UK’s Unduly Lenient Sentence (ULS) scheme.
The boy, who cannot be named due to legal restrictions, was found guilty of carrying out an "unprovoked" attack on Kohli as he walked his dog in a park in Leicester, eastern England, in September last year.
The review follows a detailed assessment by Solicitor General Lucy Rigby KC MP to determine whether the case met the threshold for referral.
“The Solicitor General, Lucy Rigby KC MP, was appalled by this violent, cowardly attack on an innocent man. She wishes to express her deepest sympathies to Bhim Kohli’s friends and family at this difficult time,” said a spokesperson for the Attorney General’s Office.
“After a detailed review of the case, the Solicitor General concluded the sentence of the 15-year-old could be referred to the Court of Appeal. The court will now determine whether the sentence should be increased.”
A 13-year-old girl, who was also convicted of manslaughter for her role in the attack, avoided a custodial sentence. She had filmed the assault while laughing and encouraging the boy, the court heard.
At a sentencing hearing on June 5 at Leicester Crown Court, Justice Mark Turner described the attack as “wicked”. He said he was legally bound to consider the defendants’ ages.
The boy, referred to as D1, was convicted of physically assaulting Kohli, while the girl, referred to as D2, received a three-year youth rehabilitation order with a six-month curfew.
Addressing the girl in court, Justice Turner said that a custodial sentence would likely cause “more harm than good”. It is understood that her sentence will not be referred for review as it did not meet the legal threshold.
During the trial, the court was told that Kohli had been racially abused and repeatedly punched and kicked. His daughter, Susan Kohli, found him lying on the ground after the attack.
“They chose to attack a defenceless pensioner and for that I cannot give them any of my sympathy,” she said after the sentencing.
Kelly Matthews, senior district crown prosecutor at the Crown Prosecution Service, called the incident “tragic” and said it had deeply affected the Leicester community and beyond.
“Kohli set out to walk his dog in his local park, as he did every day, but lost his life in what followed,” she said.