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Prabhas 'most violent man' in 'Salaar: Part 1 - Ceasefire' trailer

The film will hit the screens in Telugu, Kannada, Tamil, Malayalam, and Hindi on December 22, a day after Shah Rukh Khan’s Dunki.

Prabhas 'most violent man' in 'Salaar: Part 1 - Ceasefire' trailer

The makers of Salaar: Part 1 - Ceasefire on Friday released the trailer of the upcoming film on social media which gave viewers a glimpse into the world of the "most violent man", played by Prabhas.

Directed by Prashanth Neel and produced by Vijay Kiragandur of Hombale Films, the movie also stars Prithviraj Sukumaran. It is the first part of the pan-India film series and is billed as a big-budget action adventure.


According to the story description shared on Hombale Films official YouTube page, Salaar: Part 1 - Ceasefire is an "extraordinary tale of rebellion filled with power-packed action and impactful music." "Get Ready to Rebel with us and witness the most violent man on screens this Dec 22, 2023," it added.

"We are all violent men, violence is in our blood," says Prabhas' character Deva in the 3.46-minute-long trailer.

Shruthi Haasan, Tinu Anand, Eshwari Rao, Jagapathi Babu, Sriya Reddy, and Garuda Ram also round out the cast of the film. Anbarivu is credited for stunts and Ravi Basrur for music.

Salaar: Part 1 - Ceasefire was originally scheduled to premiere on September 28 but the release was delayed by the makers due to "unforeseen circumstances".

The film will hit the screens in Telugu, Kannada, Tamil, Malayalam, and Hindi on December 22, a day after Shah Rukh Khan's Dunki.

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5 mythological picks now streaming in the UK — and why they’re worth watching

Highlights:

  • Indian mythological titles are landing on global OTT services with better quality and reach.
  • Netflix leads the push with Kurukshetra and Mahavatar Narsimha.
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  • 2025 marks the start of long-form mythological world-building on OTT.

There’s a quiet shift happening on streaming platforms this year. Indian mythological stories, once treated as children’s animation or festival reruns, have started landing on global services with serious ambition. These titles are travelling further than they ever have, including into the UK’s busy OTT space.

It’s about scale, quality, and the strange comfort of old stories in a digital world that changes too fast. And in a UK market dealing with subscription fatigue, anything fresh, strong, and rooted in clear storytelling gets noticed.

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