Sharad Kelkar is one of the most talented actors that we have today in the industry. From television to films to the ever-expanding digital space, the actor has showcased his talent everywhere.
Apart from acting, Kelkar has also proved his mettle as a dubbing artist. If you have seen the Hindi dubbed versions of S.S. Rajamouli’s Baahubali: The Beginning (2015) and Baahubali: The Conclusion (2017), you would clearly remember that it was Sharad who dubbed for Prabhas’ voice in both instalments of the franchise.
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Talking about his Bollywood career, the actor entered films with Vikram Bhatt’s horror flick 1920: Evil Returns (2012), where he was seen playing the evil spirit. Over the years, the actor has played negative characters in a number of movies, including Bhoomi (2017) and the recently released Housefull 4 (2019).
When asked if he is at all worried about being typecast as an actor who mostly takes up villainous roles, Sharad Kelkar tells a popular newswire, “I am not worried about being typecast as a villain because it is the other thing the industry needs. Until and unless there is a villain there cannot be a hero. So, I am happy with that space.”
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The actor, who recently made his digital debut with Amazon Prime Video’s original The Family Man (2019), says that he wants to grow as an actor and that playing a villain in fun. “I want to grow, so I want different kind of roles and thankfully I am getting… I am not very insecure. I am not tired of playing the villain as such, but yes, I need a change. In between I do projects in different roles. But playing a villain is fun.”
Sharad goes on to add that the audience will get to see him in different roles ahead. “For an actor doing a different kind of roles is very important, so you will see me in different avatars. Last time I did The Family Man. People appreciated that character. There is Housefull 4 where I played a negative character. Then there is Tanhaji… and Rangbaaz 2. There is one more series. I am trying to do different roles and I hope people like me in different avatars,” he says in conclusion.
