Pooja was born in Kochi and raised on a mix of newspapers, pop culture, and too many questions. She studied Communicative English and Journalism before earning her Master’s in Journalism from Amrita Vishwa Vidyapeetham, and began her career interning at The Times of India and Channel I'M — where she later became a news anchor, scripting and presenting her own stories. Between deadlines, she’s worked across digital media platforms, covering politics, gender, pop culture, cinema, and everything in between. She has interviewed actors, creators, and changemakers, and occasionally edits her own video content — thanks to being certified in Photoshop and InDesign. In 2025, she joined the Asian Media Group in her first “official” newsroom gig, where she now covers entertainment, lifestyle, and the layered realities of South Asian identity. She believes storytelling should feel personal — even when it’s public — and likes to write not to please, but to provoke, question, and occasionally stir the pot.
Ozzy Osbourne didn’t come into music to chase fame or play safe. He arrived like a storm, scraping his voice against the sky, dragging darkness and vulnerability into sound, and setting fire to what rock thought it was. He was messy, wild, broken, brilliant, and in that chaos, he changed everything.
With Ozzy, it wasn’t just the bat bite or the reality show or the outrageous headlines. It was the sound, the howl in your chest when War Pigs starts. The goosebumps from the first haunted notes of Mr. Crowley. The punch of recognition when Crazy Train hits the chorus. His songs crawled into your head, grabbed your guts, and shook you. It was the sound of being lost, pissed off, scared, high, in love, and staring into the damn void, sometimes all at once. He gave misfits an anthem, outcasts a home, and music a pulse that refused to die.
This isn’t just a list of songs. It’s a map of what made Ozzy Ozzy. Here are 10 recordings that turned a Birmingham dropout into a goddamn legend.
1.Black Sabbath (1970)
The day metal was born.
That first unholy riff. Church bells. Thunder. And Ozzy’s voice, terrified and terrifying. “What is this that stands before me?” he asked, and no one had heard anything like it before. This was heavy metal being born, screaming into the Birmingham gloom. And it marked the start of something new and unstoppable.
Forget subtlety. Ozzy spat venom at the suits sending kids to die: "Politicians hide themselves away! They only started the war!". It was a scream against war, greed, and lies. Every time this plays at a protest or blares through headphones, it reminds us that metal could tear down empires.
Kids who never listened to Sabbath still know that riff. The story of a time-travelling metal outcast? Bizarre. Genius. Ozzy narrated it like a tragic ghost story. But underneath it all is Ozzy, telling the story of someone broken by time and turned into steel. It crawled out of the metal dungeon and infected everything. Pop culture never stood a chance. Sad, scary, unforgettable.
He got kicked out of Sabbath. He could’ve disappeared. Instead, he teamed up with Randy Rhoads and came back louder, faster, and fully unhinged. Ozzy’s "All Aboard!" wasn't an invitation; it was a threat. "I'm going off the rails!" Cold War dread met a chorus that punched you in the chest. His solo roar back. The sound of a madman finding his power.
That creepy organ. Ozzy whispering about dead talk and dark arts. Then Randy Rhoads… oh, man, RANDY. That first solo was pure mournful beauty. Then the second one? Like demons shredding through the ceiling. Pure dark magic. He’s not mocking the dark; in fact, he’s inviting it in for tea.
This is Ozzy at his most raw. A drug song that doesn’t glamorise anything. It’s bleak, slow, and numb. When he says, “I feel the snowflakes freezing me,” it’s not poetry; it’s what addiction felt like. Ozzy admitted the drug didn’t set him free; it froze him. That honesty hit hard then and still does now. You’re not dancing to this; you’re sinking with it.
He was the Prince of Darkness, sure. But this ballad, co-written with Lemmy, stripped away the theatrics. Ozzy got personal. A soft acoustic start leads into a powerful, aching ballad about love, loss, and coming back. When Ozzy sang it in Birmingham weeks before he died, seated and fragile, there wasn’t a dry eye in the crowd. Hits harder now, doesn't it?
Before Slayer or Metallica, there was this. Raw speed, wild drumming, and Ozzy pushing every boundary. He wasn’t trying to invent a genre. He just did. Ozzy’s voice is chaos controlled, shouting about cosmic love while the band races like it’s chasing the end of the world.
The original version was about divorce. The re-recorded one, done with his daughter, was about something bigger. Time. Ageing. Loss. This wasn’t just a duet; it was a father and daughter grappling with growing up and letting go. The original was sad. The re-recording was devastating. And it gave Ozzy his only UK #1. Ozzy’s voice cracks, Kelly tries to hold it together, and the result is oddly pure. It’s not perfect. And maybe that’s why it works.
10.Take What You Want (Post Malone feat. Ozzy, 2019)
The voice that wouldn’t quit.
At 70, Ozzy landed on the rap charts. Ozzy jumped on a trap-metal track and made it his own. He sounded ghostly, powerful, and weirdly perfect: "I’m the nightmare you won’t forget!". Teenagers who’d never heard Paranoid suddenly wanted more Ozzy. That says everything.
Ozzy didn’t leave this world quietly. He left it the way he lived: loud, raw, and unforgettable. His music was the sound of someone staring into darkness, chaos, and the terrifying beauty of life and screaming back with everything he had.
When Ozzy sang Mama, I’m Coming Home one last time in Birmingham, he wasn’t just saying goodbye to a crowd; he was saying goodbye to his own story.
Ozzy Osbourne, the godfather of heavy metal, redefined rock with his haunting vocals, wild persona, and anthems that shaped generations.Getty Images
The thing is, he didn’t play by this world’s rules. But for 50 years, he gave us everything he had.
BASHABI FRASER tells me she flew from her home in Edinburgh, where she has long been an academic working on the poet Rabindranath Tagore, to Kolkata to be with her “critically ill” father Bimalendu Bhattacharya (whom I have met on one of his annual trips to be with his daughter in Scotland).
But Bashabi returned home for a few days for the unveiling of a Tagore bust in Edinburgh, which has long been one of her ambitions. Following the unveiling of the bust in the garden of Sandeman House near Edinburgh’s historic Royal Mile, Bashabi went back to Kolkata to be with her 96-year-old father.
Bashabi Fraser with the new Tagore bust in Edinburgh
Tagore’s bust has been placed facing that of his longtime friend, Sir Patrick Geddes, a Scottish biologist turned innovative town planner.
Edinburgh University has published a book on the correspondence between Tagore and Geddes, who held the chair of sociology at the University of Bombay from 1919 to 1924. Bashabi, who is professor emerita of English and Creative Writing at Edinburgh Napier University, compiled and edited the correspondence.
The Tagore bust, sculpted by Ram V Sutar, was gifted by the Indian Council for Cultural Relations to the Scottish Centre of Tagore Studies, where Bashabi is director. It was unveiled by Indian high commissioner Vikram Doraiswami and Lord Provost of Glasgow Robert Aldridge.
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Singer-actor behind viral hit Sadqay reflects on his breakout year
New track Dheema Dheema hits 170K views in just two weeks
Opens up about juggling acting and songwriting, and his 2025 plans
Stresses importance of enjoying the process and learning from early mistakes
Draws inspiration from iconic Pakistani music and Punjabi roots
From viral sensation to balancing dual careers
The young artist behind the runaway hit Sadqay, which has now clocked over 44 million views, says the song’s success took him completely by surprise. “We had no idea it would go global,” he shared in a candid conversation, adding that while he always believed in the track, the scale of its reception was “overwhelming”.
What followed was a year of fast-moving highs, with growing recognition both within his home country and internationally. “You work towards something, and when it happens, you almost don’t know how to react.”
- YouTube YouTube/ EasternEye
A lighter, dance-driven follow-up: 'Dheema Dheema'
His latest release, Dheema Dheema, has already picked up over 170,000 views within two weeks. In contrast to his more emotionally resonant previous work, the artist describes this new song as “pure vibe” — a carefree, dancey track born out of an in-studio jam session with friends.
“After doing a string of love songs post-Sadqay, I felt like going back to that Afrobeat-inspired, danceable sound,” he said. “This track gave me the chance to actually dance in a music video, which I really wanted to do.”
Writing music vs. acting: which feels more fulfilling?
Having grown up in front of the camera, transitioning into music might seem like a leap, but he sees both worlds as creatively rewarding. However, he admits that songwriting offers a different kind of fulfilment.
“With acting, you’re relying on the director, the edit, the audience’s perception. Music is more personal. When you write a song and get it right, you already feel like you’ve won,” he said.
Navigating fame, pressure, and shared responsibility
When asked whether he feels the weight of representing young South Asian creatives, he responded humbly: “If I were the only one, maybe I would. But the burden is shared. Artists like Hassan Rahim and Young Stunners are doing amazing work. That makes it lighter.”
He credits the current wave of South Asian talent for building a sense of community, rather than competition.
Looking ahead: acting projects, music collaborations, and live shows
With a busy 2025 already underway, the artist shared that he’s learning to balance both acting and music. A television drama featuring him is set to release next month, alongside plans for new music collaborations.
He also teased a full live show season later this year, with performances lined up for November and December, marking what could be his first proper tour in his home country.
Offstage, grounded and reflective
When asked what fans might not know about him, he pointed to a key lesson he’s learned the hard way: “Don’t take too much stress too early. It affects your decisions and journey. You need to enjoy what you’re doing — that joy is what others feel too.”
He also shared his deep connection with old Pakistani music, citing classics like Adat by Atif Aslam and Aitebar by Vital Signs as favourites. “Those songs shaped my sound,” he said, adding that he draws heavily from Punjabi influences as well.
A poignant evening unfolded at The Chambers, Taj 51 Buckingham Gate, where storytelling met soul-searching in an unforgettable conversation between Bollywood icon Manisha Koirala and creative visionary Manish Tiwari. Hosted by Here & Now 365, the event wasn't just a rendezvous of film lovers and cultural figures; it was a moment of collective pause, reflection, and renewed strength.
Actress, activist, and cancer survivor Manisha Koirala’s presence radiated both dignity and depth. Her journey, marked by painful valleys and soaring recoveries, became a guiding light for everyone in the room.
“Resilience isn’t a heroic burst,” Manisha said softly, “it’s a series of small choices, made moment by moment.”
These words captured the essence of a woman who had once faced death and emerged with more life than ever before. Her candid recounting of her diagnosis, treatment, and emotional tumult was far from a scripted memoir; it was raw, real, and quietly transformative. “When the doctor told me I had ovarian cancer, I thought, ‘This is it. I’m going to die.” The room fell into an uneasy silence, broken only by her own calm voice. “But by the grace of God, I didn’t. I learned to live again.”
Now cancer-free for over a decade, Manisha wears her scars not as symbols of suffering, but of survival. “Cancer taught me how fragile life is, and how full of grace it can still be.” Her message to the community was loud and clear: take nothing for granted, guard your health, value your people, and embrace life… not with fear, but with fullness.
A life shaped by legacy and loss
Manish Tiwari opened the conversation by tracing her journey from Nepal, born into the influential Koirala family, known for producing four Prime Ministers, to the dazzling heights of Indian cinema. Raised partly in Banaras, partly in Kathmandu, Manisha’s early life was woven with politics, activism, and cultural richness. But the cinematic leap came unexpectedly. “I hadn’t even finished Class 12,” she laughed, “and suddenly I was standing next to Dilip Kumar and Raj Kumar on a film set!”
She described her debut with wide-eyed wonder, calling it “Alice in Wonderland… but scarier.” Though she had no background in acting, her performances quickly earned critical and commercial success. Yet fame, she said, was only one layer of the journey. “I burned out. I was working 18 to 19 hours a day… no holidays, no boundaries. Slowly, I started making bad films. I lost direction.”
When stardom faded, the soul spoke louder
And then came her diagnosis. “It shattered my world,” she admitted. From being the darling of millions to lying in a New York hospital, confronting her mortality, the fall was brutal. But the rise was even more beautiful. Her account of choosing life again of surrendering, healing, and seeking purpose, brought moist eyes and standing applause.
Throughout the talk, she emphasised how the real journey began after her illness. “I’m a Koirala woman — strong, stubborn, a little rebellious. Our women worked the fields and shaped history. That fire is in my blood.” She spoke about feminism, finding meaning in the roles she played, and how her heart sought characters that carried purpose.
“Even if the film didn’t do well, it didn’t matter. If the script opened my eyes, if it moved something in me, that’s what I lived for.”
For the soul, not the spotlight
She admitted to hitting rock bottom, professionally and personally, and spoke of rebuilding her identity from “minus and zero”. But never once did she sound bitter. Instead, there was acceptance. Grace.
Manisha also touched on Nepal’s political instability with cautious honesty. “I love my country deeply. But I worry- there’s a longing for dignity, for stability. We need to rebuild institutions, not just governments.”
A masterclass in living
The audience, a mix of diaspora professionals, art lovers, and well-wishers, sat rapt. They didn’t just meet a film star that evening. They met a truth-teller, a woman who had faced darkness and brought back light.
Her final takeaway? “Life is here today and gone tomorrow. So live it — fully, bravely, kindly.”
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From Bollywood blockbusters to global collabs, the actor’s music videos continue to shape dance trends and digital culture
Jacqueline Fernandez has quietly built one of the most consistent records in the Indian entertainment industry when it comes to delivering chart-topping music videos. From high-voltage Bollywood dance numbers to independent cross-cultural hits, her music collaborations have repeatedly gone viral, not just for their sound but also for their styling, choreography, and screen presence.
Her latest track, Dum Dum, is currently trending across platforms, with fans and creators picking up on its hook steps and fashion cues. The song adds to a growing list of viral hits led by Fernandez, each one helping cement her image as one of the most recognisable music video stars in Indian pop culture today.
With viral choreography, bold styling, and mass appeal, Jacqueline’s music video appearances have become internet staples
Here’s a look at 12 of Jacqueline Fernandez’s most talked-about music videos, songs that continue to feature in playlists, dance reels, and party sets:
Yimmy Yimmy
One of 2024’s biggest global hits, this trilingual track featuring Shreya Ghoshal and Tayc made waves on both Indian and international charts. Jacqueline stood out for her statement styling, seamless transitions, and effortlessly catchy dance moves.
Jumme ki raat
A standout number from Kick, this collaboration with Salman Khan became a dance floor staple. Fernandez’s energetic performance and signature step made it one of the most replayed tracks of that year.
Ek do teen
Reinterpreting a classic is no small feat, but Jacqueline’s edgy rework of Madhuri Dixit’s iconic number drew both attention and debate. Her modern visual treatment and stylised choreography gave the song a new identity.
Genda phool
Pairing folk melodies with rap elements, this Badshah collaboration saw Jacqueline in a bold, traditional look. The visual contrast contributed to its mainstream appeal and high replay value.
Beat pe booty
In A Flying Jatt, her duet with Tiger Shroff introduced unconventional choreography that went on to spark a viral dance challenge. The light-hearted tone and quirky synchronisation became a hit among younger audiences.
Jadoo ki jhappi
One of her earlier tracks from Ramaiya Vastavaiya, this song featured Jacqueline in a more playful, bubbly avatar. Her expressive performance and dance energy were among the highlights.
Money money
From Raid 2, this high-energy track with Yo Yo Honey Singh featured Jacqueline in a glamorous, high-octane avatar. The visuals combined luxury aesthetics with fast-paced dance routines.
Chittiyaan kalaiyaan
A commercial success, this peppy number cemented Jacqueline’s place in Bollywood’s dance music scene. Her playful charm matched perfectly with the catchy hook, making it a long-running favourite.
Paani paani
Another successful team-up with Badshah, this song was visually driven, combining Rajasthani aesthetics with urban cool. Jacqueline’s look and screen presence added to the song’s viral momentum.
Mud mud ke
Paired opposite Italian actor Michele Morrone, this song expanded Jacqueline’s appeal beyond Indian borders. The music video leaned into sleek production and international styling, giving it strong crossover appeal.
Tik tik
A recent track with Dystinct and Vishal Mishra, Tik Tik brought together global sounds with Indian flair. Jacqueline’s performance showed her versatility in adapting to different musical and visual styles.
Dum dum
Currently dominating reels and dance challenges, Dum Dum taps into Fernandez’s strengths like vibrant choreography, bold styling, and magnetic on-screen energy. The track further reinforces her ability to tap into internet trends and mass appeal simultaneously.
These 12 songs reflect how Jacqueline Fernandez has turned dance numbers into viral cultural moments
With each of these tracks, Jacqueline Fernandez has managed to stay relevant in a fast-evolving music landscape. Her song choices often blur the lines between Bollywood glamour and global pop aesthetics, a combination that continues to resonate widely. From stage-ready choreography to viral fashion moments, she has become a reliable fixture in India’s music video culture.
And with Dum Dum now taking over timelines, that streak shows no signs of slowing down.
After turning heads with his comeback single Je Karda, DJ Tally followed it up with his recent track Fake Friends — a bold, emotional song featuring the powerful vocals of Bakshi Billa and heartfelt lyrics by Rattu Randhawa. The song explores themes of trust and betrayal, with DJ Tally’s signature production adding intensity and depth.
A seasoned DJ since the age of 15, Tally grew up in a family of musicians and was surrounded by top tunes from a young age. That passion for music led him to co-found Gravity Entertainments with his brother Harj, creating a platform for bold, boundary-pushing sound. With influences ranging from bhangra, qawwali and Bollywood to r’n’b, hip hop, reggae and house music, the British talent selects the songs he loves.
DJ Tallygetty images
Yaar Bolda by Surjit Bindrakhia: This one’s an absolute classic. A proper dancefloor banger that hits different every time. The timeless track still has that same power and cross-generational appeal.
Suti Paee Nu Hichkian by Manmohan Waris: This is another song that will never lose its power. It is perfect for long drives. The lyrics and melody just hit that perfect vibe.
Kidha Dassa by Notorious Jatt: Just a great, smooth, laid-back track. It has that chilled-out energy we all love.
Sheraan De Kaum by Manjit Pappu: The Leamington Spa boys’ anthem. This one’s definitely for me and the lads. It goes off every single time. An absolute anthem in our circle. Best appreciated loud.
Outta Control by 50 Cent: A timeless banger from the iconic American hip hop star. Great for when you are just kicking back and vibing.
Kacherian Ch Mela Lagda by Kulwinder Dhillon: Another top track for all the desi heads out there. When this comes on, I’m straight on the dancefloor.
Young Goat by Gur Sidhu: A big tune. Great lyrics, solid beat. Just a vibe all around.
Jaddhu by Tru Skool and JK: The mix of raw vocals and powerful production? Unreal. This one definitely hits different.
Hiccups by Prem Dhillon: A song that beautifully blends old-school energy with a modern twist. Just pure quality from start to finish.
Das Main Ki Pyar Wichon by Yamla Jatt: A song I grew up hearing with my Baba Ji. It was also my father-in-law’s favourite. A proper timeless track from a Punjabi music legend.