Skip to content
Search

Latest Stories

Nikhil Parmar: I see a lot of myself in my Invisible character, and vice versa

Nikhil Parmar: I see a lot of myself in my Invisible character, and vice versa

NEW theatre production Invisible, written and performed by Nikhil Parmar, is a dark comedy about a man’s desperate struggle to be seen as the hero of his own narrative. The challenging one-man play, which runs at Bush Theatre in London, sees the acclaimed actor adds to his already impressive body of work that has included winning turns on television. The London-based performer, who is clearly looking forward to sharing the new work with audiences, spoke to Eastern Eye about the latest project, his own close connection to acting and the stage.

What first connected you to acting?


It is the summer of 2005, I’m 10 years old, and I really fancy the girl playing the queen in Alice in Wonderland. I make sure I get the part of her bodyguard, so our rehearsals are together. On opening night, I do my only line in a super-exaggerated Mancunian accent, and the audience laugh, a lot, and I love how I feel after.

Which of your roles has been closest to your heart?

I had a part in a Channel 4 drama last year called Mincemeat, in which I played a brown kid who falls in love with a white girl, only for the whole thing to turn sour when he realises that her mum’s racist. The story felt very real and honest to me, and the process was very affecting.

How did Invisible come about?

I submitted the play to the Bush Theatre as part of their yearly open submissions call, and was subsequently placed in their Emerging Writers’ Group. After a few pandemic-induced delays, it was programmed for the Bush’s 50th birthday season.

Tell us about the play?

The play is a one-man show about a brown guy called Zayan, and is set in a world in which Islamic fundamentalism doesn’t exist any more. For this and a few other reasons, Zayan thinks that brown people, because they are no longer seen as threatening to white people, have become, in effect, invisible. The play tracks his crazy solution to this problem.

Is any of the story based on reality?

The story isn’t but Zayan, like me, is a British-Indian actor in his mid-20s, so I definitely see a lot of myself in him and vice versa. The world of the play is quite absurd and heightened, but some of the situations and relationships are drawn from or inspired by my own life.

What inspired the title of the piece?

The play is all about the lengths to which a person will go to end his self-diagnosed invisibility. I think loads of people, rightly or wrongly, genuinely believe that they are invisible – be it culturally, politically, socially or otherwise. ‘Invisible’ is an expression of the rage that this belief can induce.

What is your favourite moment in the play?

There’s a scene in which the main character, who is an actor, finds out that his ex-girlfriend is now dating his arch-nemesis from drama school. His reaction is immature, petulant, and unhinged – but very fun to play.

Is this one of the most challenging projects you have taken on board?

Definitely. I don’t think I ever thought about it actually getting programmed when I wrote it, but now that I’m on the cusp of actually doing it, I’m realising it’s gonna be tough, but fun too, I hope.

In your opinion, how does theatre compare to television?

I love both, but I would say that because theatre is experienced live, in a room, with a load of other people, it has an inherent potential for a kind of immediacy and intensity that TV maybe lacks? But I do love TV.

According to you, what makes for a good theatre experience?

I think the best theatre introduces complex ideas fighting against each other but hides it in a gripping and unpredictable story. The live element means it can induce true uncomfortableness, which I think can be a very positive thing for any piece of art to do.

What would you say inspires you as an actor?

Any time I’m struggling to make something good, acting or writing wise, I find the scene in Breaking Bad that has the most relevance to the issue I’m facing. Watch it, and marvel at how good, good can be.

Why should we come watch Invisible?

Because even if all the things that I have shoe-horned in there to make myself seem smart don’t end up working, it should still make you laugh once or twice – give or take.

Invisible by Nikhil Parmar is on at Bush Theatre, 7 Uxbridge Road, Shepherd’s Bush in London W12 8LJ, from June 27-July 16. www.bushtheatre.co.uk

More For You

Glowborne

Each character in the set has been carefully designed to reflect cultural narratives

Glowborne

Anika Chowdhury reimagines chess with Glowborne, reviving its South Asian and East African origins

Highlights:

  • British-Bangladeshi prop maker Anika Chowdhury has designed a handcrafted glow-in-the-dark chess set celebrating heritage and identity.
  • The limited-edition set, called Glowborne, launches on Kickstarter in October.
  • Each piece draws from South Asian, Middle Eastern, and African cultural references, re-rooting chess in its origins.
  • The project blends art, storytelling, and representation, aiming to spark conversations about identity in play.

Reimagining chess through heritage

When Anika Chowdhury sat down to sculpt her first chess piece, she had a bigger vision than simply redesigning a classic game. A British-Bangladeshi prop maker working in the film industry, she grew up loving fantasy and games but rarely saw faces like hers in Western storytelling.

“Chess originated in India, travelled through Arabia and North Africa, and was later Westernised,” she explains. “I wanted to bring those forgotten origins back to the board.”

Keep ReadingShow less
Piranhas’ police box

The piece was originally one of nine works that appeared across London in August 2024

Getty Images

Banksy’s ‘Piranhas’ police box heads to London Museum

Highlights:

  • Banksy’s ‘Piranhas’ artwork, painted on a police sentry box, is being stored ahead of display at London Museum.
  • The piece was originally one of nine works that appeared across London in August 2024.
  • It will form part of the museum’s new Smithfield site, opening in 2026.
  • The City of London Corporation donated the artwork as part of its £222m museum relocation project.

Banksy’s police box artwork in storage

A Banksy artwork known as Piranhas has been placed in storage ahead of its future display at the London Museum’s new Smithfield site, scheduled to open in 2026. The piece features spray-painted piranha fish covering the windows of a police sentry box, giving the illusion of an aquarium.

From Ludgate Hill to Guildhall Yard

The police box, which had stood at Ludgate Hill since the 1990s, was swiftly removed by the City of London Corporation after Banksy confirmed authorship. It was initially displayed at Guildhall Yard, where visitors could view it from behind safety barriers. The Corporation has since voted to donate the piece to the London Museum.

Keep ReadingShow less
DDLJ director Aditya Chopra earns UK Stage Debut Awards nod for 'Come Fall in Love'

Aditya Chopra (right) with his father, Yash Chopra

YRF

DDLJ director Aditya Chopra earns UK Stage Debut Awards nod for 'Come Fall in Love'

BOLLYWOOD filmmaker Aditya Chopra was last Thursday (21) named among the nominees of the UK Stage Debut Awards for his Come Fall in LoveThe DDLJ Musical, performed at Manchester’s Opera House earlier this year.

Chopra delivered a blockbuster in 1995 with Dilwale Dulhania Le Jayenge, popular as DDLJ, with Kajol and Shah Rukh Khan in the lead roles. It was adapted to a theatrical production and had its UK premiere in May.

Keep ReadingShow less
viral qawwali group UK tour

The group have introduced fresh orchestral elements and added instruments to expand their live sound

Qawwal Group

Shahbaz Fayyaz Qawwal Group brings viral energy and rich heritage to UK tour

Highlights:

  • The Shahbaz Fayyaz Qawwal Group return to the UK with a nationwide tour after viral success online.
  • The ensemble of brothers blend centuries-old qawwali traditions with fresh improvisations that connect with young audiences.
  • From Pakistan to the USA and UK, their performances have won acclaim for their electrifying energy and spiritual depth.
  • Fans can expect new instruments, reimagined classics, and the same message of love and harmony at this year’s shows.

From viral sensation to global stages

When a performance goes viral, it can change an artist’s career overnight. For the Shahbaz Fayyaz Qawwal Group, their stirring renditions of Bhar Do Jholi and B Kafara propelled them from local fame in Pakistan to global recognition, amassing millions of views across platforms. What set them apart was not just the power of their voices, but the way their music resonated with younger listeners who were hearing qawwali with fresh ears.

That viral momentum soon carried them beyond borders, leading to major performances in the United States and the UK. “It wasn’t just one track,” the group explained. “We revived older gems like Kali Kali Zulfon and Dil Pukare Aaja in our own style, and those went viral again, showing that qawwali still speaks across generations.”

Keep ReadingShow less
Annie Jagannadham

Born in 1864 in Visakhapatnam, Annie began medical studies at Madras Medical College, one of the few institutions in India then open to women.

Royal College of Physicians of Edinburgh

How Dr Annie Jagannadham broke barriers in medicine

DR ANNIE WARDLAW JAGANNADHAM was the first Indian woman to gain a medical degree at a British university and have her name added to the UK medical register in 1890.

Her story has been revisited by the General Medical Council (GMC) as part of South Asian Heritage Month. Tista Chakravarty-Gannon, from the GMC Outreach team, explored her life with support from GMC archivist Courtney Brucato.

Keep ReadingShow less