Mastering the art of making meaningful conversations
THE Voice It Out podcast, hosted by Shyama Sudra and Amrita Tanna, delves into the journeys of British Asians and the complexities they face with a ‘split identity'
By Priya MuljiSep 30, 2023
WITH more British Asian podcasts than ever before, there is a great variety of shows on offer for avid listeners.
The popular medium is also giving those who have never thought about broadcasting an avenue to express their opinions to a worldwide audience. With all that in mind, Eastern Eye sought out three quality podcasts worth finding. The hosts also offered advice for those wanting to do the same.
Voice It Out
THE Voice It Out podcast, hosted by Shyama Sudra and Amrita Tanna, delves into the journeys of British Asians and the complexities they face with a ‘split identity’. They discuss dilemmas and experiences in a relatable way for listeners to identify with. Both of them discussed their podcast further.
What do you think sets your podcast apart from others?
We want to encourage meaningful conversations, which allow us to talk about being our authentic selves in whatever way we can. And we want to be able to do that through our own and other people’s experiences and perspectives. We are all on our own paths and feel that we can learn from each other in invaluable ways.
Which of your podcasts has been a personal favourite?
I don’t think we could choose just one. We’ve talked about a range of things from women’s guilt in putting themselves first to whether marriage should be seen as an essential life goal (which it mostly is in our culture). We are both at different points in our lives and an essential underlying theme of our first season is to draw from our similarities, but also talk about and respect each other’s differences – in opinion or otherwise.
What advice would you give those who may be wanting to start a podcast?
It’s important to know not to expect an instant audience. Be patient but keep doing your thing.
What can we expect next from you?
Season two is coming. And, as mentioned, it will feature guests who will come and enhance our conversations and add their own unique sparkle to Voice It Out.
What do you think makes for a good podcast?
Good, honest conversations and being as authentic as possible.
The Diverse Bookshelf
The Diverse Bookshelf podcast sees host Samia Aziz interview authors from under-represented communities. The literary fan creates a space to enhance positive representation of minority communities, and to give authors the space to talk openly about their work. Each episode explores what really drives the author, along with exploring themes and issues they write about. Samia explained more.
Samia Aziz
What inspired you to start a podcast?
I’ve been an avid podcast listener for years, and love how deep and wonderful they often are. I really like the idea of having a space to ask questions that are sometimes a bit different, uncomfortable, but always judgement-free. I wanted to create a space where I could interview authors and really dig deep, going far beyond the finished books in our hands.
What has been your most memorable moment so far?
I’ve been most grateful for the support I initially received when I decided I wanted to start my own podcast. Friends and family rallied around to encourage me. Also, authors, some of whom I had hardly spoken to asking to be interviewed, really showing they believed in me.
Which author would you love to interview?
Like all podcast hosts, I’m sure, I have my own dream list. My list includes Elif Shafak, Zadie Smith, Malorie Blackman and Trevor Noah.
What are your book recommendations for 2023?
2023 has been a great year for books with so many excellent titles hitting the bookshelves. Some of my recommendations from this year are The Bandit Queens by Parini Shroff, Yellowface by Rebecca F Kuang, Wandering Souls by Cecile Pin and Black Butterflies by Priscilla Morris.
What advice would you give those wanting to start a podcast?
You don’t need to know everything about podcasting before starting your own. There are a lot of resources online that can help, and places where you can outsource certain elements if you get stuck. But so much about having your own podcast is learning onthe-go, and figuring out what works for you. In time, you’ll explore more things, learn so much and get into your own rhythm.
Khandaan: A Bollywood Podcast
THE Khandaan: A Bollywood Podcast began five years ago and now has a dedicated audience around the world. It sees Asim Burney, Sujoy Singha, and Amrita Rajan produce and record shows on a weekly basis, giving a unique perspective of Hindi cinema. Asim gave further details on it.
Asim Burney
What inspired the unique name of your podcast?
Khandaan:A Bollywood Podcast is a pun – our podcast uses the movies of the three Bollywood Khans (Aamir, Salman, Shah Rukh) to explore Indian cinema. Khandaan means family in Urdu, so we’re a big family of film enthusiasts united by our love for the Khans.
What is the hottest topic people want to talk about in terms of Bollywood?
Bollywood fandom is very star driven, much more than Hollywood even. The fan wars are intense. Mass hysteria generated by star actors is a spectacle unto itself, and there’s always gossip - sometimes silly and harmless. Other times it veers sharply into propaganda and disinformation. This is why our movie reviews spend so much time discussing the context in which these movies are made
What are your film and web recommendations for this year?
In terms of 2023 films, Rocky Aur Ranii Ki Prem Kahaani,was our runaway favourite. We’re looking forward to Animal and Dunki as well. In streaming shows, this has been the year of the cop show - from Dahaad on Amazon Prime to Kohrra on Netflix.
What advice would you like to give those who want to start a podcast?
Consistency is key. You need to figure out your schedule and keep to it. Also, talk to your audience. The love we get from ours and their passion for the movies keeps us going.
Why do you love creating this podcast?
On a personal level, it’s just very good for our mental health. We’ve survived Covid, cancer, losses in the family – things that would have been so much worse if we hadn’t had each other and the larger Khandaan family to help us through. On a macro level, we began this podcast because we wanted a platform to feature Indi[1]an cinema with the love and respect it deserves. With a healthy dollop of humour. We basically created a podcast that we would love to listen to.
Xiaomi’s new YU7 SUV secures 289,000 orders within the first hour
Demand exceeds expectations and beats the previous SU7 launch
Analysts predict Tesla may lose more market share in China
Tesla could be forced to cut prices or offer more incentives to stay competitive
Xiaomi’s YU7 SUV triggers record-breaking demand
Xiaomi’s second electric vehicle, the YU7 SUV, received a staggering 289,000 orders within just one hour of launch, sending the company’s share price to a record high and intensifying competition in the electric vehicle (EV) market.
The YU7’s initial demand was nearly three times higher than that of the SU7 sedan, launched in March 2024, and significantly exceeded market expectations of around 100,000 orders. Priced from 253,500 yuan (approximately £28,000), the YU7 undercuts Tesla’s Model Y by nearly 4% while offering superior performance, according to analysts.
Tesla’s market share under renewed threat
Tesla, which currently sells China’s best-selling SUV, the Model Y, may face increasing pressure from local rivals such as Xiaomi. Analysts say the surge in YU7 orders is a clear sign that Tesla’s dominance in the Chinese EV market is eroding.
The US-based automaker’s share of China’s EV market has dropped steadily from 15% in 2020 to 10% in 2024, and to 7.6% in the first months of 2025.
Tesla has not yet commented on the situationReuters
Xiaomi’s SU7 has already outsold Tesla’s Model 3 in China on a monthly basis since December. With the YU7’s competitive pricing and specifications, analysts at Jefferies believe it could accelerate Tesla’s market share decline.
Possible Tesla response
Citi analysts suggested that Tesla may be forced to reduce prices again, offer its Full Self-Driving software at no extra cost, or provide more financing incentives to maintain its position in the Chinese market. Tesla has not yet commented on the situation.
Market reaction
Xiaomi’s shares rose 8% in early trading on Friday, reaching an all-time high before settling at a 3% gain. The company’s stock has climbed over 70% so far in 2025, making it the best-performing large-cap stock in the Asia-Pacific region, according to LSEG data.
The sharp increase in valuation brings Xiaomi’s market cap to nearly $200 billion, solidifying its position as a major new player in the EV industry.
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.
Scottish-Pakistani theatre-maker Lubna Kerr returns to the Edinburgh Fringe with 'Lunchbox'
Acclaimed Scottish-Pakistani theatre-maker Lubna Kerr returns to the Edinburgh Fringe with Lunchbox – the final instalment of her deeply personal and widely praised ‘BOX’ trilogy, following Tickbox and Chatterbox.
Inspired by her own upbringing as a Pakistani immigrant girl in Glasgow, Lunchbox is a powerful one-woman show that tackles themes of identity, race, bullying and belonging through the eyes of two teenagers growing up on the same street but living vastly different lives. With humour, honesty and heart, Kerr brings multiple characters to life, including her younger self and a troubled classmate, as she explores whether we are shaped by our environment or capable of breaking the cycle.
Ahead of the show’s run at this year’s Edinburgh Fringe, she speaks to Eastern Eye about her creative journey, the inspiration behind the trilogy and why she believes now is the time to share these stories.
Lunchbox is a powerful one-woman show that tackles themes of identity, race, bullying and belongingInstagram/ lubnakerr
How do you reflect on your creative journey?
When I started writing my first play Tickbox, I doubted myself – would anyone come to see it? But it has since been staged all over the UK and is still touring. I have come so far in my creative journey and love being able to find new stories to tell the world.
How much are you looking forward to returning to the Edinburgh Fringe? I love the Fringe. It is my favourite part of the year.
Tell us about your new show. Lunchbox is a one-woman show and is the final part of the ‘BOX’ trilogy of my life as a Pakistani immigrant girl growing up in Glasgow. There are eight characters – some familiar and some new.
How does this compare to your other shows Tickbox and Chatterbox?
It is similar but different. It explores the next stage of my school life, but this time through the eyes of the bully, Steven.
How have you felt going on a journey with this unique trilogy?
It was never meant to be a trilogy when I first started writing, but as the stories came out, I realised I had so much to share that I could not do it all in one play.
What is the biggest challenge of doing a solo show?
Keeping well and pacing your energy. There is no understudy, so I need to make sure I get enough rest and can be fresh for my shows every day.
She says, ''do not assume you know what is going on in people’s lives behind closed doors''Instagram/ lubnakerr
Who are you hoping to reach with this show?
Those who were bullied, those who stood by and did nothing, and those who were the bullies.
Is there a key message you want to convey with this show?
Do not assume you know what is going on in people’s lives behind closed doors. I want audiences to think about who they wrote off in life. Who could they have given a hand to? Whose life did they assume was a waste? Who will they be clapping for? Have they forgiven their bully?
What do you most love about live theatre?
I love performing and sharing unheard or untold stories about the diaspora. We have such a rich culture and heritage, and we need our voices to be heard. Theatre is the vehicle to do this.
How do you feel when you are on stage?
I love being on stage, whether performing a play or doing comedy. I love feeling connected to the audience – having them hold onto my every word and fall into a trance with my characters, helping them forget their worries for an hour.
Why should we all come and watch your new show Lunchbox?
Lunchbox has a universal theme of bullying and discrimination, but it is told by an older south Asian woman. How many of us are out there doing this? I want to inspire anyone of any age to come and share their stories on stage, and let the world know that we are more than just curries and cricket (though I do love both).
Vedanta Resources, which is based in the UK and owned by Indian billionaire Anil Agarwal, has been working on reducing its debt. (Photo credit: Getty Images)
VEDANTA LTD said on Thursday that its parent company, Vedanta Resources, has signed a loan facility agreement worth up to £438 million with international banks to refinance existing debt.
The refinancing move, where old loans are replaced by new ones, often at better terms like lower interest rates, has led ratings agencies such as S&P Global Ratings and Moody's to upgrade their outlook on the company this year.
According to Vedanta's exchange filing on Thursday, the lenders involved in the deal include Standard Chartered Bank and its Mauritius unit, First Abu Dhabi Bank, Mashreqbank, and Sumitomo Mitsui Banking Corp.
Vedanta Resources, which is based in the UK and owned by Indian billionaire Anil Agarwal, has been working on reducing its debt.
The company lowered its net debt by £876m, bringing it down to £8.1 billion in fiscal 2025.
(With inputs from Reuters)
Keep ReadingShow less
Hrithik Roshan and Jr NTR starrer War 2 to hit IMAX screens worldwide
War 2 will be released in IMAX globally on 14 August 2025, alongside its India debut.
Stars Hrithik Roshan, Jr NTR, and Kiara Advani in an action spy thriller.
Directed by Brahmāstra filmmaker Ayan Mukerji and produced by Yash Raj Films.
New character posters dropped as part of the countdown campaign.
Yash Raj Films is pulling out all the stops for War 2, its upcoming spy thriller starring Hrithik Roshan and Jr NTR. The film is set for a simultaneous global IMAX release on 14 August, including major markets like the US, UK, Middle East, and Southeast Asia, promising fans an immersive big-screen experience just in time for the Independence Day weekend.
Global IMAX release brings War 2 to worldwide audiences
Continuing the massive YRF Spy Universe, War 2 will in fact be the first time Jr NTR joins the franchise, locking horns with Hrithik Roshan in what’s being pitched as an international action event. The film will be available in IMAX cinemas across North America, Europe, Australasia, Africa, and more, a major move that follows the global success of Pathaan and Tiger 3.
Nelson D’Souza, YRF’s VP of International Distribution, confirmed that the studio aims to raise the bar for Indian cinema’s global appeal. “This is a massive face-off between two of Indian cinema’s biggest stars, and IMAX is the perfect canvas for it,” he said.
New posters spark buzz as countdown to War 2 begins
To kick off the 50-day countdown to release, YRF revealed new character posters of Hrithik Roshan, Jr NTR, and Kiara Advani. Each look teases the tone of their characters: Hrithik with smouldering cool, NTR in fierce mode, and Kiara exuding quiet command.
Director Ayan Mukerji, known for creating visually rich films, has shot War 2 with IMAX screens in mind. According to IMAX’s Christopher Tillman, “This is not just another action film. It’s a full-scale theatrical event designed for immersive viewing.” A special IMAX teaser is already screening globally, offering fans a glimpse of what’s to come when the film lands on 14 August.
Keep ReadingShow less
Wintour’s style of leadership earned her the nickname “Nuclear Wintour”
Anna Wintour steps down as editor of US Vogue after 37 years
She will remain Vogue’s global editorial director and hold senior roles at Condé Nast
Wintour transformed US Vogue into a global fashion authority
The 75-year-old has received numerous honours, including the Presidential Medal of Freedom
End of an era at US Vogue
Anna Wintour has stepped down as the editor of US Vogue, bringing to a close a 37-year tenure that redefined the publication and saw her become one of the most influential figures in global fashion.
The announcement was made on Thursday (26 June) during a staff meeting in New York. Wintour, 75, will no longer oversee the day-to-day editorial operations of Vogue’s US edition. However, she will continue to serve as Vogue’s global editorial director and Condé Nast’s chief content officer, maintaining senior leadership roles across the company.
A transformative legacy
Wintour took the helm of US Vogue in 1988, inheriting a relatively conservative magazine. She swiftly transformed it into a trendsetting, authoritative voice in fashion. Under her leadership, the publication became known for its iconic covers, high-end photography, and ability to shape careers in the fashion industry.
With extensive budgets and strong advertising support, Vogue became a global fashion flagship, influencing designers, celebrities, and brands worldwide.
Wintour’s style of leadership earned her the nickname “Nuclear Wintour” for her decisiveness, with some reports noting her tendency to make bold editorial decisions without extensive discussion. Her distinctive bob haircut and ever-present sunglasses made her a recognisable front-row figure at fashion weeks around the world.
Beyond the magazine
The British-born editor rose to wider public fame as the inspiration behind the character Miranda Priestly in The Devil Wears Prada — both the 2003 novel and the 2006 film adaptation. While Wintour rarely commented on the portrayal, she acknowledged the attention it brought, most recently during the launch of a stage musical adaptation in London in 2024.
She told the BBC, “They [my sunglasses] help me see and they help me not see. They help me be seen and not be seen. They are a prop, I would say.”
Wintour also became synonymous with the Met Gala, the annual high-profile charity event in New York City, which she has organised for years, drawing celebrities from fashion, film, politics, and sport.
Recognition and future plans
Wintour has received numerous accolades during her career. She was made a Dame Commander of the Order of the British Empire (DBE) in 2017 and became a Companion of Honour in February 2025. During the ceremony in London, she removed her sunglasses to receive the award and told King Charles III that she had no intention of retiring.
Wintour also became synonymous with the Met GalaGetty Images
In the United States, President Joe Biden awarded her the Presidential Medal of Freedom earlier this year before leaving office.
Despite stepping back from US Vogue, Wintour will continue to oversee several major Condé Nast titles including Wired, Vanity Fair, GQ, Condé Nast Traveler, and Glamour, as part of her global leadership responsibilities.
In her remarks to staff, she described the decision as “pivotal” but confirmed she would not be leaving the company or her office. “I’ll be turning all my attention to global leadership and working with our team of brilliant editors around the world,” she said.