AS 2020 drew to a close last Thursday (31), Eastern Eye asked some prominent people to reflect on the year and reveal their hopes for 2021.
We asked them:
a. What have you learned about yourself in the past year?
b. How would you reflect on 2020 and what are you looking forward to in 2021?
c. Have you adopted any new habits that you intend to continue into 2021?
SADIQ KHAN, mayor of London
a. I’m a people person and the need to reduce our social contact has reminded me just how much I enjoy meeting other Londoners. I miss the chats we would have on the Tube or at City Hall events, and I really miss the debate, discussion and conversations you have in an office. Teams and Zoom calls have really helped but it’s not the same as engaging with people face-to-face.
b. To say 2020 was a difficult year would be a massive understatement. The pandemic has changed our capital forever and disproportionately impacted many of our communities. It has exposed and widened inequalities in our society. But it has also shown the strength of our communities, and the way that Londoners stand together to help one another in the face of adversity. The vaccines offer some light at what has felt like a very dark tunnel, and like many Londoners, I am looking forward to our capital’s recovery from this virus – including returning to the things we enjoy and seeing the people we’ve missed. Until then we must all continue to obey the rules to help each other and our NHS.
c. Like so many Londoners in 2020, I started cycling again and I intend to use my new bike as much as possible. It’s great exercise and good for my mental health too.
NIHAL ARTHANAYAKE, BBC presenter
a. I need to make new experiences with the ones I care about the most, rather than relying on and reminiscing about past exploits. I need to make time for things that are important. I lost one of my closest friends to Covid last Wednesday (30) and I need to make sure I don’t waste the gift of life.
b. I feel blessed for what I have because so many lost so much in 2020. I saw such extreme selfishness and foolishness in 2020, but also the very best of humanity. I should concentrate on celebrating the latter and ignoring the former.
c. Playing the piano. I have started and am really enjoying the feel of my left and right hand working together to create music. The chords and the melodies, when they combine, give me such an uplift. I never learned to play an instrument as a kid, but now I am proving it is never too late. If the Tokyo Olympics take place, I will be going to Japan, so I want to try and learn some basic Japanese. It is a beautiful language and I have the utmost respect for many aspects of Japanese culture. I also have a book to write this year for publication in 2022 and really need to get my head in the game for that. I MUST spend less time on Twitter in 2021.
DR NIKITA KANANI, medical director of primary care at NHS England
a. This last year has tested my own personal resilience, as I am sure it has for many others. It has been such a challenging time for everyone and I am grateful for the support I have from friends, colleagues and family – it’s often been remotely, but seeing my Ba and Dada’s faces on a screen has been a powerful motivation!
b. 2020 was a tough year in healthcare but I have been so impressed by how quickly the NHS has adapted and evolved to the pandemic. GP practices quickly moved to seeing patients remotely over the phone and online. Pharmacies remained open on our high streets providing vital support and advice, and dentistry stepped up urgent dental centres to ensure patients could still access emergency dental care.
Sadly, the pandemic disproportionately affected those from Asian, black and minority ethnic backgrounds; including the loss of many of our colleagues.
2021 and the arrival of two new vaccines brings new hope and we have already vaccinated more people than the rest of Europe combined. What I am most looking forward to in 2021, is seeing more of our population protected from this cruel virus. I would urge everyone to get vaccinated as soon as they are contacted.
c. I think having worked for so long now in a high pressured environment, for me retaining kindness and compassion towards my colleagues, friends and family has been so important. Making sure I looked after my own physical and mental health has been key and I even managed to squeeze in a charity walk in October, a double marathon! Access to our health services for excluded groups, such as refugees and migrants, is often challenging and for this reason I was pleased to be able to do this and raise money for Doctors of the World, an independent humanitarian movement working at home and abroad to empower excluded people to access healthcare.
SUNDER KATWALA, founder of British Future
a. I surprised myself at the start by quite liking the slowdown of lockdown. But the novelty had worn off by the end of spring.
b. Last year turned into a test of stamina and endurance, so 2021 should be a more important year. It will be one where we decide what we want to do with the experience, so that the new normal isn’t necessarily a return to what came before. Beyond Covid and beyond Brexit, I am looking forward to new ideas and debates opening up.
c. Lockdown has been bad for arts and culture, but we found ourselves watching the National Theatre’s weekly YouTube offerings quite often. A Christmas subscription to the National Theatre at Home is a chance to continue that. We made a good start with War Horse on New Year’s Day.
DR KAILASH CHAND, honorary vice-president of the British Medical Association (BMA)
a. Community family and friends are so important. It is good to devote time to oneself, reflect, learn and move on. Never give up – yes, the night is dark and deep, but when was it not permitted to light a small lamp? When the dreamed home you built with affection and love was drowned in destruction, when was it not permitted to pick up little bricks and stones to rebuild a small peaceful hut again?
b. I reached some major milestones in 2020, and 2021 will be the year to put into action all the learning from the reflections in 2020. Basically to live each day fully – life is ephemeral. The coronavirus has shone light on massive inequalities in society; I will continue to fight to level up.
c. Take enough time for meditation, regular exercise and healthy food. Social responsibility will be in my mind more so than before. I will stay connected to community, family as well as friends – and if not physically, then virtually.
PROFESSOR AISHA K GILL, PhD. CBE, professor of criminology, University of Roehampton
a. The importance of resilience, patience and seva (selfless service).
b. The Covid-19 crisis has further exposed violence against women and girls, and racial discrimination as a global emergency requiring urgent action. At a local level, it has further galvanised my community activism in terms of supporting migrant women and children victims and survivors of abuse. Between June and December 2020, my friends and I came together to fundraise £65,019. In 2021, I intend to be more determined in further raising awareness about gender-based violence in black and minority ethnic communities. Not only to reach the £100K target but also to reverse the inhumane, no-recourse-to-public-funds policy that has denied so many their basic human rights in this painful, pandemic year.
CYRUS TODIWALA, celebrity chef and founder of Café Spice Namasté
a. The past year has been one hell of a learning curve for everyone and I am no exception. I have come to conclude that I cannot do everything all the time and be on top of all my work and responsibilities as successfully as I think I should be. This is tough for me as I keep going and going, but often don’t manage to catch my tail. So, sometimes I need to let go and tackle things as I can. I also realised we are all very fragile and I am too. I had a major surgery on the very last day that all hospitals went into lockdown and while very lucky to get that sorted, I realised I’m fragile too. I haven’t learnt my lesson though as yet! You soon learn that friends, family and staff are very important and while we cannot meet, hug or chat face to face, just keeping in touch keeps everyone’s spirits alive. I also realised I’m not that bad at making short videos of recipes and posting them on Instagram – something I just would not have done otherwise.
b. We have learnt a lot from 2020 – it shattered everything. From our health and (Café Spice) having to relocate and set up business elsewhere to thinking of new ideas on how to make some business out of nothing and being shunted into a very difficult position, last year taught us that creativity emerges when one is pushed outside the norm. I will always look at it from the perspective that it’s a year that has changed our lives too and has pushed us over the edge and raised awareness. It should not be scoffed at as 2020 has brought misery and sadness to many, but it has been a wake-up call to remember that we do not need in life as much as we all wish to own and cherish. Above all else, it’s the people closest and dearest us to us that are what we really need.
c. I was a four-hour sleeper and always in a rush to get up and start my day early and get on top of as much work as I possibly could. Now I sleep up to six hours on most days and am not so rushed. This has made one of our very dear and regular customers Duncan Aldred very happy. He even gave me a book Why We Sleep (by Matthew Walker). I have not read it yet but I do sleep a couple more hours and find my energy levels up. I exercise more regularly now too as I’m more relaxed.
The Cannes Film Festival 2025 has already delivered one of its most talked-about moments: a nine-minute standing ovation for Die My Love, a dark and intimate drama led by Jennifer Lawrence and Robert Pattinson.
Directed by Scotland’s Lynne Ramsay, the film is in the running for the Palme d'Or and has made a powerful impression on critics and festivalgoers alike. Based on Ariana Harwicz’s novel of the same name, the story delves into the emotional turmoil of a new mother battling postpartum depression and creeping psychosis.
Jennifer Lawrence and Robert Pattinson reunite on the red carpet for their Cannes premiere Getty Images
Jennifer Lawrence plays Grace, a woman unravelling at the seams, while Pattinson stars opposite her as Jackson, her husband caught in the emotional crossfire. LaKeith Stanfield also delivers a strong performance in a key supporting role.
The film premiered on 17 May to an overwhelming reception. Ramsay, visibly emotional, thanked her cast on stage, saying, “I’m so overwhelmed. Thanks to these amazing actors. I’ve got to get it together, I’ll see you in a minute.” Even Stanfield was seen wiping away tears, moved by the reaction from the crowd.
Die My Love cast received extended applause from the Cannes audienceGetty Images
Produced by Lawrence under her banner Excellent Cadaver, alongside Justine Ciarrocchi, Martin Scorsese, and others, the film marks her return to serious drama after her 2023 comedy No Hard Feelings. This is also her first appearance at Cannes since becoming a mother for the second time earlier this year.
There was a lighter moment on the red carpet too when Pattinson accidentally stepped on Lawrence’s trailing gown, leading to shared laughter and a quick apology from the actor.
A red carpet moment as Robert Pattinson shares a laugh with Jennifer LawrenceGetty Images
However, the night wasn’t without mishaps. A palm tree fell on a producer during the festivities, causing injury and leading to a temporary shutdown of part of the Croisette.
Despite the chaos, Die My Love has emerged as a standout at Cannes this year, both for its raw subject matter and strong performances. With such a response, the film is now being seen as a serious contender not only for the Palme d’Or but also for the upcoming awards season. A theatrical or streaming release date is yet to be announced.
The buzz around Spider-Man: Brand New Day, Marvel’s next big web-slinging adventure, is growing louder, and it’s bringing some fresh faces and familiar names into the spotlight. Slated for release on 31 July 2026, the film might see new villains step into the fray and introduce a potential future hero from an alternate timeline.
At a recent Disney consumer products event, fans got more than they bargained for. An Instagram post from someone who reportedly attended the presentation briefly revealed potential details about Brand New Day before being deleted. Still, it didn’t go unnoticed. Several outlets quickly shared what they found: a possible villain trio consisting of Scorpion, Boomerang, and Tombstone. While these characters have shown up before mainly in animated versions like Into the Spider-Verse, this would be their first appearance in the current live-action storyline.
Sadie Sink’s role may link to Tobey Maguire’s Spider-Man timelineGetty Images
But it’s not just the bad guys who are stirring excitement.
A major shift in fan theories came after entertainment insider John Rocha spoke on The Hot Mic podcast. According to him, Sadie Sink, best known for her breakout role in Stranger Things, is being considered for the role of Mayday Parker, better known in the comics as Spider-Girl. She’s the daughter of Peter Parker and Mary Jane Watson, and depending on the timeline, that might link her not to Tom Holland’s Peter, but to Tobey Maguire’s version of the character.
This theory aligns with Tobey’s lines in No Way Home, where he hints at his ongoing relationship with MJ, suggesting a longer-term future together. Mayday, as a character, first appeared in Marvel’s What If...? comics and later developed her own identity as a web-slinging hero. While she had a baby cameo in Across the Spider-Verse, this would be her first live-action appearance, if confirmed.
Director Destin Daniel Cretton is leading the project, which is expected to begin filming once Tom Holland wraps up his current commitments. Until Marvel officially opens up about the plot or cast, fans are holding on to every leak and insider hint, piecing together what could be the next evolution in the Spider-Man legacy with new enemies, a grown-up Peter, and maybe even the rise of his daughter.
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Anti-government protesters display Bangladesh’s national flag at Sheikh Hasina’s palace in Dhaka. (Photo: Getty Images)
TWO documentaries on the July 2024 pro-democracy protests in Bangladesh were screened at the House of Commons on 20 May. The event was hosted by Apsana Begum MP, Chair of the All-Party Parliamentary Group for Bangladesh, at Portcullis House.
The screening featured the international premiere of Deepak Kumar Goswami Speaking, a 21-minute film narrated by a member of Bangladesh’s Hindu minority. It covers the student-led protests and subsequent state crackdown, also examining global financial systems linked to authoritarian regimes.
“This story is not just about one country. It’s about the global systems that allow authoritarian regimes to suppress dissent, launder wealth, and manipulate international opinion — and what happens when those systems begin to unravel,” said director Deepak Kumar Goswami.
An excerpt from July Women was also shown, presenting first-hand testimonies from two women involved in the protests.
The panel discussion, chaired by Apsana Begum MP, included photographer Shahidul Alam, writer Farrukh Dhondy, protest participant Nowshin Noor, and anthropologist Professor Nayanika Mookherjee.
The event follows a UN OHCHR report that found credible evidence of extrajudicial killings, arbitrary arrests, and torture during the 2024 protests under the former Awami League government.
“These films are more than documentation. By giving these voices a platform, we reaffirm the need for a worldwide commitment to human rights, democracy, and justice globally. The world must stand with the people of Bangladesh as they navigate the path to accountability and true democratic reform,” said Apsana Begum MP.
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Simi Garewal and Sharmila Tagore return to the Cannes stage 55 years after the film’s release
At the 2025 Cannes Film Festival, a quiet but powerful celebration of Indian cinema took place. A newly restored 4K version of Aranyer Din Ratri, Satyajit Ray’s 1970 Bengali film was screened under the Cannes Classics section and received a full standing ovation. Among those present were the film’s lead actors, Sharmila Tagore and Simi Garewal, both of whom played key roles in the original.
Sharmila Tagore, dressed in a green saree, stepped onto the stage after the screening, met with thunderous applause and an emotional crowd. Her daughter, Saba Ali Khan, who attended the event alongside her, captured the moment on video and shared it online with simple pride. Soha Ali Khan, too, posted a heartfelt “That’s my Amma,” sharing the personal joy of seeing her mother honoured on an international platform.
Originally based on Sunil Gangopadhyay’s novel, Aranyer Din Ratri follows four middle-class men from Kolkata who head to the forests of Palamau seeking escape from city life. What begins as a carefree getaway slowly turns into a subtle exploration of class, loneliness, and self-awareness. Sharmila plays Aparna, a composed and observant city woman, while Simi portrays Duli, a tribal girl with a strong presence.
The film was presented by Wes Anderson, a long-time admirer of Satyajit Ray. He introduced the screening and stood alongside the cast and the restoration team. The project was spearheaded by Martin Scorsese’s The Film Foundation through the World Cinema Project, in collaboration with Shivendra Singh Dungarpur’s Film Heritage Foundation, Janus Films, and Criterion Collection, with support from the Golden Globe Foundation.
This return to Cannes marked a full-circle moment for Sharmila Tagore, who had previously walked the red carpet in 2009 as part of the festival jury. Her earlier collaboration with Ray, Devi, had once been in the running for the Palme d’Or.
Fifty-five years since its release, Aranyer Din Ratri has aged like a quiet classic with its themes still relevant. The Cannes tribute was like celebrating Ray’s lasting impact in world cinema, and of the enduring grace of actors like Sharmila Tagore and Simi Garewal who helped bring it to life.
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Ram Gopal Varma under fire for now deleted tweet on Kiara Advani
Ram Gopal Varma has once again found himself in hot water, this time for a tweet that many felt crossed the line. Shortly after the War 2 teaser dropped online, the filmmaker shared a still of Kiara Advani in a bikini, pairing it with a suggestive caption that sparked outrage across social media. The tweet did not last long since it was quietly taken down after users slammed him for being disrespectful and objectifying the actress.
The teaser, released on Jr NTR’s birthday, introduced fans to a high-stakes face-off between Hrithik Roshan and Jr NTR, with Kiara Advani stepping in as the leading lady. While the internet had plenty to say about the slick action sequences and overuse of CGI, Kiara’s bikini scene grabbed its own share of attention, some celebratory, some critical.
But Varma’s take was not just a fan reaction. His remark, which implied the female character was a prize to be won by the male leads, was seen as distasteful and reductive. Screenshots of the post began circulating even after the tweet was deleted, sparking intense discussions online. On Reddit and X, users called him out, some even pointing to his past behaviour. Comments ranged from “OG tharki” to “Can you imagine what he says in private if this is what he’s tweeting publicly?”
This is not the first time Varma has drawn criticism for his online conduct. But many now feel he has veered from being provocative to being downright inappropriate.
Meanwhile, Kiara took a far more upbeat approach to the teaser. On Instagram, she listed the many “firsts” that War 2 represents for her: first YRF project, first action film, first time working with Ayan Mukerji, and her first bikini shot. Her excitement, in fact, stood in stark contrast to the backlash around Varma’s post.
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War 2, set for release on 14 August 2025, is the latest in YRF’s spy universe. Directed by Ayan Mukerji, it stars Hrithik Roshan reprising his role as Kabir, with Jr NTR making his Bollywood debut. Kiara’s presence has already made waves, but not in the way Varma chose to highlight.