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Kartik Aaryan inks a three-film deal with Eros International

There is no denying the fact that Kartik Aaryan has solidified his position as one of the most bankable actors from the current crop. The actor, who shot to overnight fame after the huge success of filmmaker Luv Ranjan’s comic-caper Sonu Ke Titu Ki Sweety (2018), has been consistently proving his worth over the past few years.

Aaryan already has his plate full with several high-profile projects. And if the latest buzz regarding a lucrative deal that he has just struck with a leading production house is to be believed, his diehard fans should rejoice as their favourite actor is set to leave several of his contemporaries far behind in terms of remuneration.


According to a report, Kartik Aaryan has inked a three-film deal with Erose International for a whopping amount of ₹75 crores (£79,57,687.50). A source close to the development informs the publication, "Kartik has signed a three-film deal with Eros International. He is being paid to the tune of ₹75 crore for the same. He used to previously charge to the tune of ₹6-8 crore for a film, but with this, he has catapulted into the big league where he is getting ₹25 crore (£26,52,430.18) per project. Details of the films and the directors helming them are not known because it is still not decided. But Kartik will definitely do three films under the banner.” However, the team at Eros International has denied the news.

On the work front, Kartik Aaryan currently has Dharma Productions’ Dostana 2 and T-Series Films’ Bhool Bhulaiyaa 2 at various stages of development. Buzz has it that the talented actor has also been locked to headline the Hindi remake of superhit Telugu film Ala Vaikunthapuramaloo (2020), which will be helmed by Rohit Dhawan for Cine1 Studios. The makers are yet to announce the project officially.

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Relies on body horror, sound design and shock value over spectacle

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How Lee Cronin’s 'The Mummy' turns a classic adventure into a domestic horror

Highlights

  • Moves away from the adventure tone of The Mummy (1999) into possession-led horror
  • Shifts the setting from desert tombs to a family home in Albuquerque
  • Focuses on parental fear and a “returned” child rather than treasure hunting
  • Relies on body horror, sound design and shock value over spectacle
  • Critics call it bold and unsettling, but uneven in storytelling

From desert spectacle to domestic dread

For decades, The Mummy has been tied to adventure, romance and spectacle, most famously in The Mummy (1999). That version thrived on sweeping desert landscapes, archaeological intrigue and a sense of escapism.

Lee Cronin takes a sharply different route. His reworking strips away the sense of adventure and relocates the horror into the home. The story still begins in Egypt, anchored by an ancient sarcophagus, but quickly shifts to the United States, where the real tension unfolds inside a family house.

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