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Indian cinema’s costliest flick 2.0 creates havoc on opening day

As expected, 2.0, the most expensive film of Indian cinema, rocked the domestic box-office by registering an earth-shattering occupancy of over 70 to 80 per cent on its opening day on 29th November.

Smashing a string of records, the movie went on to hoard a whopping ₹ 61 crore nett, becoming the second highest opener of all times, behind S.S Rajamouli’s magnum opus, Baahubali: The Conclusion which had netted ₹ 121 crores all across India on its opening day.


The Hindi version of the Shankar directorial alone did the unthinkable and made an impressive debut in cinemas by raking in ₹ 20.25 on opening day.

Sharing the box-office figures on Twitter, noted film critic and trade analyst Taran Adarsh wrote, “Non-holiday release… Non-festival period… Yet, #2Point0 takes a SUPER START… Keeping in mind the fact that it’s a dubbed film + advance bookings opened very late, the biz is STRONG… Thu ₹ 20.25 cr. India biz. Note: HINDI version.”

Headlined by southern superstar Rajinikanth and Bollywood star Akshay Kumar, 2.0 is a sequel to the 2010 blockbuster Enthiran. Made on a massive budget of between ₹ 400 crore to ₹ 500 crore, the sci-fi action thriller had earned around ₹ 400 crores before its release, by selling theatrical, satellite and streaming rights, etc.

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Vikram’s lar gibbon video: India's forest department starts probe into exotic animal trade

Wildlife authorities will verify the origin and documentation of the lar gibbon

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Vikram’s lar gibbon video: India's forest department starts probe into exotic animal trade

Highlights

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  • Conservationists have raised concerns about the illegal trade in young gibbons and the harm caused during their capture.

Actor Vikram’s video featuring a lar gibbon has prompted wildlife authorities in Chennai to examine how the protected exotic animal came to be kept in a private setting.

The video, shared by Vikram on social media, shows the actor interacting with a well-grown lar gibbon. While the footage quickly attracted attention online, it also raised questions among wildlife officials and conservationists about the animal’s source and whether its owner has the necessary documentation.

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