Hrithik Roshan's yet-to-be-released film Super 30 has walked right into Bollywood's age-old debate on racism and class-caste stereotypes with the fair-skinned actor transitioning to tones of brown, apparently in keeping with his deglam role as a grassroots teacher from Bihar.
The 'colour coding' is not new in formulaic cinema with numerous examples over the decades of Bollywood mistaking stereotyping with realism and using various shades of brown to portray those grappling with caste and class divides -- remember Sunil Dutt as the angry young farmer in Mother India and, six decades later, Alia Bhatt as a labourer in Udta Punjab.
Fair-skinned actors both who were dabbed with tan makeup in an effort to be authentic.
Clearly, the passage of time made little difference to the cliche that fair equals upper class and success and dark skin denotes working class.
Sociologist Sanjay Srivastava believes the stereotype has always existed in cinema where a dark skin tone is associated with people who are on the lower rung of caste and class.
"In the west, there is 'black face' where white actors opt for exaggerated stereotypes but it is criticised severely there. In India, fair skin tone is aspirational while dark skin tone is associated with people who are lower on the caste and class hierarchy and popular culture just perpetuates this stereotype.
"This is why youngsters appearing for interviews use fairness creams because somehow they believe fair skin colour represents a value. There is not much outrage because people are used to this discrimination," Srivastava told PTI.
The conflict is back with Super 30, a biopic on Anand Kumar, a mathematics teacher from Bihar who opened a coaching institute to help underprivileged students prepare for competitive exams, set for release on July 12.
The film has been in the news for all the wrong reasons but what has upset people from the state the most is Hrithik's fake accent and his 'brown face' because that's how Bollywood thinks people from Bihar look.
Many cinema enthusiasts say the actor could have played the character without being made to look so brown.
"People need to understand that Biharis don't live in coal mines. Most have access to soap and face wash," a PhD student pointed out on social media.
"I like Hrithik but that brown face. So if an actor puts up a brown face makeup that automatically makes him/her poor well done Bollywood. #Super30," another social media user wrote.
Many others agreed.
"I was excited for #Super30 initially but the trailer just gave me all the reasons to not watch it. That Bihari accent just doesn't suit Hritik & that brown face! Mahn even the actual guy ain't that brown," added another critic.
If the makers are so particular to make the actor look the part, they can just as well choose another person to play the role.
In this case, director Vikas Bahl could have chosen Pankaj Tripathi, who hails from the state and plays a role in the film, point out some on social media.
"Super 30 is a movie in which Hritik Roshan is playing a teacher from Bihar...and Pankaj Tripathi is dancing," a social media user pointed out the irony while juxtaposing Tripathi and Kumar's faces, which bear some similarity.
Hrithik is not the first actor to be hit by the 'brown face makeup syndrome' in an attempt to make him look like a commoner.
Most recently, Ranveer Singh appeared shades darker than what he is in real life to represent an up and coming rapper from a Mumbai slum in Zoya Akhtar's Gully Boy.
In an interview, Zoya defended Ranveer's tan saying that's how the actor looked as he had come from a tropical vacation.
Then there is Udta Punjab, which had Alia playing a Bihari labourer working in the fields of Punjab. The filmmakers used the old ruse and darkened her skin tone in a bid to make her look the part.
As a mirror of society, and therefore the racism that underscores it, mainstream Hindi cinema has done this often. In many cases, a dark skin tone is not just taken to depict the working or the lower classes but also as the antithesis of the good, fair and handsome protagonist.
In the award winning Fashion, Priyanka Chopra plays a high-strung supermodel who is unable to cope with the rigours of fame and becomes an alcohol and a drug addict. But the turning point for her comes only when she wakes up to find herself next to a black man. It's only then that she realises the horror that her life has become.
Parallel cinema, too, surrendered to this fair-dark stereotype with greats like Shabana Azmi and the late Smita Patil, both dusky, being considered most suitable for characters in films on rural and urban angst of the working classes.
"Stereotypes regarding class and caste which have been popularised through ads, TV and cinema, and about fairness being about success... most people do not find this offensive as there is no widespread condemnation in public discourse," Srivastava said.
There are many exceptions, of course,
In Pad Man, for instance, a biopic on Arunachalam Muruganatham, a social entrepreneur from Tamil Nadu who introduced low cost sanitary pads, Akshay Kumar plays the title role with no artifice. He is as he is.
Abhishek Bachchan credits Aishwarya Rai for taking the lead in daughter Aaradhya’s upbringing.
Says Aaradhya, now 13, has no phone and stays away from social media.
Calls Aishwarya “selfless” for prioritising parenting over everything else.
Slams online gossip surrounding their marriage as baseless and insensitive.
Actor Abhishek Bachchan has dismissed recent speculation around his marriage with Aishwarya Rai Bachchan, instead shining a light on her unwavering dedication as a mother. In a recent chat, he spoke warmly about their 13-year-old daughter Aaradhya, revealing that she neither owns a mobile phone nor uses social media, something he attributes to Aishwarya’s hands-on parenting.
Aaradhya Bachchan has no access to social media or a personal phoneGetty Images
Aishwarya Rai's parenting praised as ‘selfless and devoted’
Speaking in an interview, Abhishek was full of admiration for how Aishwarya has raised their daughter. "I have to give credit entirely to Aishwarya. I go out and work, but she does all the heavy lifting when it comes to Aaradhya. She’s incredibly selfless,” he said. According to him, Aishwarya’s decision to put her daughter's well-being above everything else has shaped Aaradhya into a grounded young person.
Abhishek Bachchan calls Aishwarya a devoted mother and partnerGetty Images
Aaradhya has no phone, no social media — by choice and design
In an era when most teenagers are glued to their screens, Aaradhya stands out. “She doesn’t have a phone. She’s not on any social media. She’s being raised to be thoughtful and aware,” Abhishek said. He also acknowledged that while Aishwarya plays the larger parenting role, Aaradhya herself deserves credit for the person she’s becoming, calling her a “wonderful little lady” who brings joy and pride to the family.
Aaradhya is now taller than Aishwarya says Abhishek in candid interviewGetty Images
Responds to rumours, says online chatter can be hurtful
For months, the internet has been buzzing with speculation about a rift between Abhishek and Aishwarya. Without naming any specific rumours, Abhishek expressed frustration with how quickly false stories gain traction. “People sit behind their screens and type things without realising they’re talking about real lives. It’s very easy to be nasty online,” he shared during a media interaction.
Aishwarya Rai often seen with daughter Aaradhya at public eventsGetty Images
‘She’s taller than Aishwarya now’: a proud dad reflects
Recalling the night Aaradhya was born, Abhishek fondly mentioned how she once fit in the crook of his arm. “She’s taller than Aishwarya now,” he said with a smile, adding that the happiness of coming home to a healthy family is what matters most to him today.
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To address the ongoing demand, Nintendo is working to increase production
Nintendo Switch 2 demand outstripping supply in several countries
Over 2.2 million applications submitted in Japan’s lottery sales
Nintendo held four purchase draws, with a fifth scheduled for early July
Company aims to strengthen production and supply to meet demand
Switch 2 had the biggest launch in Nintendo history
Strong demand leads to shortages
Nintendo president Shuntaro Furukawa has confirmed that demand for the Nintendo Switch 2 has surpassed available supply in many regions. Speaking during the Q&A session of the company’s 85th annual general meeting of shareholders, Furukawa addressed concerns about ongoing stock shortages.
“Currently, for Nintendo Switch 2, demand is exceeding supply in many countries, and we sincerely apologise for any inconvenience this may be causing our consumers,” he said.
Furukawa acknowledged that even shareholders and their families may be struggling to secure a unit, particularly in Japan, where Nintendo implemented a lottery system through its official My Nintendo Store.
2.2 million applications in Japan alone
The company began accepting applications for the Switch 2 via random draw in early April. Applicants had to meet specific criteria to qualify. The number of entries far exceeded Nintendo’s expectations, with over 2.2 million applications submitted.
Furukawa noted that, as of April 23, he had posted a public message on X acknowledging the high demand and apologising to those not selected. Four lottery rounds have since taken place, but many hopeful customers remain without a console. A fifth draw is scheduled for early July.
While many Japanese retailers also used lottery systems for launch sales, Furukawa stated that more stores are now offering the device for direct purchase.
Nintendo to boost supply
To address the ongoing demand, Nintendo is working to increase production and distribution efforts. “We will continue to strengthen our production and supply systems to deliver as many Nintendo Switch 2 systems as possible to our consumers,” Furukawa said.
The Nintendo Switch 2 launched on 5 June and sold over 3.5 million units worldwide within its first four days, according to VGChartz estimates. This marks the most successful hardware launch in Nintendo history, surpassing the original Switch’s launch week total of 1.4 million units.
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Ranveer Singh in a still from Lootera that captured his most restrained performance
Ranveer’s subtle performance in Lootera marked a major shift from his usual high-energy roles.
The 1950s-set romantic drama became a career milestone for the actor.
His restrained, emotionally complex portrayal earned long-term critical acclaim.
The film showcased a successful collaboration with director Vikramaditya Motwane.
As Dhurandhar builds buzz, Lootera reminds us of Ranveer’s range.
Twelve years ago, Ranveer Singh surprised audiences with Lootera, a period romance that asked him to do something unfamiliar: stay still. Set in 1950s Bengal and directed by Vikramaditya Motwane, the film gave Ranveer the space to deliver one of his most subdued and mature performances. No outbursts. No spectacle. Just quiet heartbreak.
Lootera released in 2013 and marked a stylistic shift for Ranveer Singh Prime Video
Here’s why his role as Varun still holds up more than a decade later:
1. A rare lesson in stillness
Known for loud roles and louder screen presence, Ranveer turned things down, way down in Lootera. His portrayal of a soft-spoken, guilt-ridden thief proved that less can sometimes be more. His silences did the heavy lifting, letting emotion simmer just beneath the surface.
Ranveer Singh’s role as Varun showed he could command the screen without saying much
2. He took a risk and it worked
At a time when most rising stars would double down on mass-appealing hits, Ranveer picked a slower, more poetic film. It was a gamble, especially for someone fresh off commercial successes. But Lootera earned him serious critical respect and broadened perceptions of what he could do as an actor.
The period romance Lootera became a turning point in Ranveer Singh’s career
3. An emotionally layered performance
Varun isn’t a typical romantic lead. He’s torn, flawed, and emotionally guarded. Ranveer managed to convey all that complexity with minimal dialogue, relying instead on body language and micro-expressions that hinted at heartbreak and inner conflict.
Ranveer Singh’s performance in Lootera was praised for its emotional restraint
4. A director who brought out his quieter side
Vikramaditya Motwane’s direction played a big role in shaping the performance. There’s a quiet rhythm to the film, and Ranveer adapted beautifully to it. The collaboration allowed him to step into a world that demanded introspection over intensity, and he delivered.
Ranveer Singh and Sonakshi Sinha starred in the romantic drama set in 1950s BengalYoutube/Altt Balaji Motion Pictures
5. A role that aged well
Not all performances hold up years later, but Lootera does. While it wasn’t a box office juggernaut, the film has since found cult love. Ranveer’s turn as Varun remains one of his most respected, proof that charisma doesn’t always need volume.
Lootera’s legacy has grown over the years despite its modest box office runYoutube/Altt Balaji Motion Pictures
What’s next?
Twelve years on, Lootera continues to be a defining moment in Ranveer Singh’s career. And with his next film, Dhurandhar, already drawing attention for a darker transformation, it’s clear the actor is still full of surprises.
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The chain had also gained a following for its themed brunches
Chinese dim sum restaurant Ping Pong has closed all its UK locations
The chain made the announcement via social media
Founded in 2005, the brand thanked customers and staff for their support
Loyal diners shared memories and disappointment in the comments
All branches are permanently closed
Chinese restaurant chain Ping Pong has permanently closed all its branches in the UK, the company confirmed in a social media announcement.
Founded in 2005 by restaurateur Kurt Zdesar, the dim sum chain had become popular for its stylish interiors, creative menus, and Asian-inspired cocktails. The company did not provide prior notice of the closure but said the decision marked the end of an “unforgettable” 20-year journey.
Social media announcement thanks customers and staff
In a post shared on Instagram, the company wrote: “It’s a wrap. After 20 unforgettable years, all Ping Pong locations are now permanently closed.
“We’re incredibly proud of what we built, an independent hospitality brand full of creativity, flavour and soul.
“To everyone who joined us over the years, for dim sum dates, happy hours, bottomless brunches, and just-because catch-ups – thank you.
“You shared your moments with us, passed around little parcels of deliciousness, and helped make Ping Pong what it was.
“To our collaborators, suppliers, and the incredible team who kept the steam going, thank you. It’s been sum-thing truly special.”
Customers express sadness over sudden closure
Regular customers responded to the announcement with disappointment and nostalgia. Many expressed shock over the sudden news and the lack of notice.
One Instagram user commented: “Noooo, we’ve made some amazing memories there, birthdays, anniversaries, you name it. The food was always so amazing.”
Another said: “WHAT?? WE HAD NO CHANCE TO SAY GOODBYE! NO WARNING.”
Others fondly recalled the restaurant’s atmosphere and signature dishes, with one writing: “The food and the lychee cocktails will be sorely missed.”
Ping Pong had multiple locations across London and was known for its contemporary take on traditional Chinese dim sum. The chain had also gained a following for its themed brunches, casual dining experience, and cocktail offerings.
No further information has been shared regarding the reason behind the closure or whether the brand will return in a new format.
THE seven-year prison sentence handed to a 15-year-old boy convicted of the manslaughter of 80-year-old Bhim Sen Kohli is to be reviewed under the UK’s Unduly Lenient Sentence (ULS) scheme.
The boy, who cannot be named due to legal restrictions, was found guilty of carrying out an "unprovoked" attack on Kohli as he walked his dog in a park in Leicester, eastern England, in September last year.
The review follows a detailed assessment by Solicitor General Lucy Rigby KC MP to determine whether the case met the threshold for referral.
“The Solicitor General, Lucy Rigby KC MP, was appalled by this violent, cowardly attack on an innocent man. She wishes to express her deepest sympathies to Bhim Kohli’s friends and family at this difficult time,” said a spokesperson for the Attorney General’s Office.
“After a detailed review of the case, the Solicitor General concluded the sentence of the 15-year-old could be referred to the Court of Appeal. The court will now determine whether the sentence should be increased.”
A 13-year-old girl, who was also convicted of manslaughter for her role in the attack, avoided a custodial sentence. She had filmed the assault while laughing and encouraging the boy, the court heard.
At a sentencing hearing on June 5 at Leicester Crown Court, Justice Mark Turner described the attack as “wicked”. He said he was legally bound to consider the defendants’ ages.
The boy, referred to as D1, was convicted of physically assaulting Kohli, while the girl, referred to as D2, received a three-year youth rehabilitation order with a six-month curfew.
Addressing the girl in court, Justice Turner said that a custodial sentence would likely cause “more harm than good”. It is understood that her sentence will not be referred for review as it did not meet the legal threshold.
During the trial, the court was told that Kohli had been racially abused and repeatedly punched and kicked. His daughter, Susan Kohli, found him lying on the ground after the attack.
“They chose to attack a defenceless pensioner and for that I cannot give them any of my sympathy,” she said after the sentencing.
Kelly Matthews, senior district crown prosecutor at the Crown Prosecution Service, called the incident “tragic” and said it had deeply affected the Leicester community and beyond.
“Kohli set out to walk his dog in his local park, as he did every day, but lost his life in what followed,” she said.