The actor has made bad choices and struggles to meet sky-high expectations
By Asjad NazirOct 14, 2023
THE two blockbuster Baahubali movies turned Prabhas into the biggest pan-Indian star.
Instead of capitalising on that record-breaking success, the actor has made bad choices and struggled to meet sky-high expectations.
That is why a lot is riding on his new film Salaar. But despite the action entertainer looking like a sure fire winner, more bad decisions, including a recent colossal error, may ensure the movie doesn’t reach its potential. Before looking at that mistake, it’s important to see how Prabhas got to this crucial juncture.
His previous three movies collapsed after a strong opening weekend. It was plainly obvious that all were dud projects. His Baahubali follow-up Saaho was written and directed by Sujeeth, someone who should never have been allowed near such a mega-budget movie. His only previous experience was making a small 2014 romantic comedy, so why anyone including Prabhas thought he could handle a huge action entertainer remains a mystery. Instead of establishing him as the king of Indian cinema, it was declared a critical and commercial disaster due to the eye-wateringly high budget.
A poster of 'Salaar'
There was a similar story for his next film Radhe Shyam. Instead of opting to work with a big named filmmaker with a proven track record like Baahubali director SS Rajamouli, for some strange reason, Prabhas thought it would be good to team up with Radha Krishna Kumar on the huge budget romance, when his only previous directorial experience was with low budget 2015 action film Jil, which had got average reviews and was quickly forgotten. Not surprisingly, the 2022 film got a strong opening weekend thanks to the Prabhas name, but quickly collapsed under the weight of expectations.
Instead of going for a safe option and an experienced director with his next film, Prabhas chose the CGI generated Adipurush, helmed by Om Raut, who had only previously directed two films. With global audiences being exposed to phenomenal special effects in projects like the two Avatar movies, anything produced in India would look dated and that is exactly what happened. The movie was postponed due to the poor special effects and when it did release, they still weren’t good enough. It also got into trouble for hurting Hindu religious sentiments – a more experienced filmmaker wouldn’t have let that happen. These three movies haven’t been career ending due to the strong fan base Prabhas has.
Salaar, his new film seemed to be a much smarter choice and was supposed to get his career back on track. It is directed by ace filmmaker Prashanth Neel, who is riding high on the success of his two KGF movies, which have been blockbuster hits. This is his follow up to the record-breaking KGF: Chapter 2 and is in the same action space.
That combination of the popular genre and a filmmaker who knows what he is doing was supposed to serve Prabhas well. But the release strategy has been a total mess with multiple postponements. When it was pulled from release on September 28, rumours started swirling that it hadn’t turned out well and needed further editing. That leads us to where we are today with producers taking the ridiculous decision to now release it on December 22 and clashing directly with hotly anticipated Bollywood film Dunki. (It also releases weeks after Ranbir Kapoor starrer Animal, which looks like a sure-fire winner).
If there is one forthcoming Indian film to avoid, then it’s Dunki. It is the next Shah Rukh Khan starrer after his massive 2023 blockbuster hits Pathaan and Jawan. But more tellingly, it is the latest offering from Bollywood’s best filmmaker Raj Kumar Hirani, who has a 100 per cent success record and has broken multiple records. With Dunki expected to smash records and be this year’s best Indian film, Salaar releasing on the same day seems like suicide.
Although Prabhas has a huge fan base, he is more guaranteed of that much needed super hit his career needs if the movie gets a solo release, without any competition and especially not from a juggernaut like Dunki, which teams up Bollywood’s current king, with its best writer/director.
If Salaar fails, it will plunge Prabhas into the biggest crisis of his career and show how bad choices can bring down even the biggest stars.
THERE has been very little substantive coverage of Sir Keir Starmer’s first visit to India as prime minister in the British press.
One paper ignored the visit altogether, preferring to devote three pages to something it considered far more important – David and Victoria Beckham. There was also the regular instalment of just how awful Meghan, Duchess of Sussex, is, especially when compared to Kate, the Princess of Wales. One paper did have a story, but it was about how Starmer would not liberalise visas for India.
Britain once became rich through ruling India. History could repeat itself, though now the partnership is of equals.
The UK economy could be rescued, indeed transformed, though a closer engagement with India made possible by the Free Trade Agreement (FTA).
The FTA is probably Starmer’s biggest foreign policy success, which might be one reason why his enemies want to play it down. The Times did carry a story, “British Airways to expand its flights to India”, and quoted the airline’s CEO Sean Doyle, who was part of the Starmer delegation to India.
He said: “India is not just another market. It is one of the fastest-growing major economies, the world’s most populous democracy, and a tech and innovation hub that is reshaping global business. Forging stronger links with India is not only logical – it’s essential. British Airways has been flying to India for 100 years, making us one of the longest-serving international carriers in the country.”
The Times made only a passing reference to what Starmer found on landing in India: “During his visit to Mumbai this week, the prime minister received the kind of reception politicians in Britain can only dream of. As his convoy made its way into the city centre, it passed more than 5,700 posters bearing his face. At one point, Sir Keir Starmer even found himself joining in with a traditional Indian dance to celebrate Diwali.”
The Financial Times covered the visit,but wrote at length about visas.
To be sure, papers publish stories they think will boost sales. But they need to cover stories other than boats, Farage and Meghan. The India story is much more exciting and has the potential to make life better for everyone.
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.