One of the most awaited films of 2020 is Sanjay Leela Bhansali’s Gangubai Kathiawadi which stars Alia Bhatt in the lead role. The film went on the floors a few weeks ago, and now, the makers are all set to launch the first look of the movie.
Along with a motion poster unveiling the logo of the film, Bhansali Productions took to Instagram to inform everyone about it. They posted, “The wait ends and the excitement begins now ♥️?? Get ready to dive into her world, first look out tomorrow. #GangubaiKathiawadi, in cinemas, 11 September 2020! @aliaabhatt #SanjayLeelaBhansali @prerna_singh6 @jayantilalgadaofficial @penmovies.”
Gangubai Kathiawadi was a brothel owner and had connections in the underworld. It is said that many of her clients were gangsters. Reportedly, SLB’s film is based on the book Mafia Queens of Mumbai written by Hussain Zaidi.
Well, clearly Alia Bhatt will be donning a never-seen-before avatar in the movie and we are super excited for the first look which will be out tomorrow.
Alia and SLB were supposed to team up for Inshallah. But, Salman Khan opted out of the film, and later the filmmaker decided to put Inshallah on a backburner. He started working on Gangubai Kathiawadi and roped in Alia for it. Reportedly, Rani Mukerji was SLB’s first choice to play the lead role in the film.
Gangubai Kathiawadi is slated to hit the screens on 11th September 2020.
Apart from Gangubai Kathiawadi, Alia will be seen in movies like Sadak 2, Brahmastra, RRR and Takht. 2020 is surely a treat for Alia Bhatt fans.
A few simple words from Justin Bieber have triggered a heated debate online. The 30-year-old singer commented “I love youuuuuuuuu” on a photo shared by 17-year-old actress Ariana Greenblatt, leading to immediate backlash from many social media users.
Ariana had posted a photo promoting her new Netflix horror film Fear Street: Prom Queen, dressed in a dark, gothic look. The caption celebrated her excitement about the genre and her character, Christy Renault. The post quickly gained traction, not just for the film but for Bieber’s unexpected comment.
Bieber’s comment on a teen’s post opens wider conversation on celebrity boundariesInstagram Screengrab
People online were quick to call out the singer. Many felt it crossed a line, pointing to Greenblatt’s age and Bieber’s status as a married adult. Some even went as far as calling for legal action, saying the comment was inappropriate for a minor.
“He’s married. She’s 17. What’s he doing?” one user asked. Others demanded he “back off,” calling it “weird” and “creepy.” A few voices tried to downplay the situation, saying it was just a harmless comment and arguing that fans were overreacting. “He’s just being supportive,” one user defended. “People are too quick to judge.”
Ariana Greenblatt, despite her age, is no stranger to fame. She began her career on Disney Channel’s Stuck in the Middle and has since made waves in big films like Avengers: Infinity War and Barbie. She’s already earned award nominations and built a solid following of over 3.8 million on Instagram.
Fear Street star Ariana Greenblatt continues to rise in Hollywood at just 17Getty Images
The post in question had nothing to do with Bieber. It was a promotional piece for her film, but his comment shifted the focus. Neither Ariana nor Bieber has spoken publicly about the controversy yet.
Social media reacts strongly to Bieber’s comment on the 17-year-old actress’s photoGetty Images
This incident has once again opened up a broader conversation regarding how public figures should engage with younger stars on social media. At what point does a message of support become uncomfortable?
Whether the comment was meant as friendly encouragement or not, the reaction online shows how carefully watched celebrity interactions have become, especially when minors are involved. In a world where one comment can spark national debate, public figures need to remember that every word counts.
Ana de Armas has addressed the ongoing buzz linking her to Tom Cruise, but she’s making it clear: what’s brewing between them isn’t love, it’s just work.
The actress, known for her roles in Blonde and the upcoming Ballerina, has been spotted alongside Cruise several times in recent months at dinners, in parks, and even stepping out of helicopters. These sightings quickly ignited speculation about a possible relationship. But according to de Armas, there’s nothing more to it than professional collaboration.
Tom Cruise and Ana de Armas spotted leaving a London heliport, sparking dating rumours
X/Tom Cruise News
“Of course I’m working with Tom,” she said in a recent interview, brushing off the chatter with a hint of amusement. “We’re developing a few projects together with Doug Liman and Christopher McQuarrie. It’s been intense, but it’s also been a lot of fun.”
Liman and McQuarrie are no strangers to big-screen action, both having long-standing ties with Cruise through films like Edge of Tomorrow and the Mission: Impossible series. De Armas spoke highly of the duo, calling them “a great team” and praising the energy and creativity on set.
While the specifics of their collaboration remain under wraps, the actress hinted that the scale of the projects demands extreme physical preparation. “The training is intense, the kind you expect when working with someone like Tom. He sets the bar high, and we’re pushing ourselves to meet it.”
This isn’t the first time de Armas has had to bat down dating rumours. During an appearance on Good Morning America, she again emphasised that multiple projects and not a romance are behind the frequent sightings with Cruise. “We’re working on a few things. Not just one. It’s exciting stuff,” she said.
Ana de Armas keeps it professional despite romance speculation with Tom Cruise
Instagram/Vogue/People
Cruise, meanwhile, has publicly shown support for Ballerina, de Armas’s lead role in the John Wick spinoff set to release on 6 June. He called the film “fantastic” and praised her performance.
Their high-profile outings, including a birthday walk in the park and a helicopter ride over London, might look like scenes from a romantic film. But as far as de Armas is concerned, they’re just part of the job.
“We’re just enjoying the process,” she said. “That’s all there is to it.”
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Sundaram Tagore with Sebastião Salgado in Venice (2015)
When film director Danny Boyle saw Sebastião Salgado’s photograph of Churchgate Station in Bombay (now Mumbai), he knew this was where he would end Slumdog Millionaire with the rousing Jai Ho dance sequence, writes Amit Roy.
This was revealed to Eastern Eye by Sundaram Tagore, who owns art galleries in New York and Singapore and is about to open one in London (he is moving from the previous smaller venue in Cromwell Place).
Tagore, who has flown in from New York to attend Eastern Eye’s Arts, Culture & Theatre Awards (ACTA) on Friday (23), last week participated in a photography exhibition called Photo London at Somerset House.
Now in its 10th year, “the UK’s leading photography fair” said that Photo London 2025 was “dedicated to the past, present, and future of photography”.
Salgado’s iconic 1995 photograph of Churchgate Station in Bombaygetty images
Tagore had a booth where he showcased work by several celebrated photographers, including three – Salgado, Steve McCurry and Karen Knorr – all of whom have drawn inspiration from India.
The work of the Brazilian-born Salgado has been described by Andrei Netto of The Guardian as an “instantly recognisable combination of black-and-white composition and dramatic lighting”.
“He’s a world-renowned photographer who has a deep relationship with India,” said Tagore, standing in front of Salgado’s famous photograph of Churchgate railway station in Mumbai (previously Bombay).
The photograph was taken by Salgado in 1995 (when Bombay was renamed Mumbai) as part of a decade-long series on the subject of “migration”, said Tagore, who explained the circumstances in which the picture was taken.
“When he got to the station, he knew he wanted a vantage point higher up,” said Tagore. “Then he was told he’d need to go to an office to get clearance (because everything in India is bureaucratic). He was looking around, thinking ‘Where can I take a photograph of Churchgate?’ Just then he saw this scene and, without waiting for official clearance, just snapped the picture. And in the migration context, if you look carefully at the picture, only two people are static. There is this man who appears to be looking across the crowd to a woman sitting down.”
MF Husain in his Bombay studio (1993); Karen Knorr with her works shown at Photo Londongetty images
Tagore said Boyle happened to come across the picture when he was shooting Slumdog Millionaire in 2007, with Dev Patel and Freida Pinto in the lead roles. Boyle is reported to have said, “This is where I will end the film.”
Tagore added, “This is where the Jai Ho dance scene takes place. That was the inspiration. It was all a bit accidental.”
In his booth, Tagore had also included photographs by McCurry, who is just as famous for his images captured in India.
He caught a boy running down a lane in Jodhpur in 2007. On a taxi journey between Jodhpur and Jaisalmer in 1983, he captured a group of women caught in a sudden sandstorm. He photographed the painter MF Husain in his Bombay studio in 1993. And, in China, in 2004 he took a photograph of Shaolin monks in training in the city of Zhengzhou.
The Opium Smoker, Chitrasala, Bundi (2017) by Knorr and Steve McCurry’s photograph of women caught in a sand storm in Rajasthan in 1983getty images
Present alongside Tagore was photographer Karen Knorr, who talked to Eastern Eye about her striking images – she takes pictures of lions, tigers, peacocks, horses, deer, elephants, cheetahs and swans, for example, and inserts them into photographs taken separately of ornate rooms in palaces and forts in Rajasthan.
She is a German-born American photographer, “the product of a photojournalist mum and a father, who was an editor of a Stars and Stripes American paper in Frankfurt am Main, where I was born”.
She grew up in Puerto Rico and now lives in London.
Her website says that her “photography explores cultural heritage and its ideological underpinnings. Questions concerning post-colonialism and its relationship to aesthetics have permeated her photographic work since the 1980s. Her acclaimed work, India Song, researched the stories and myths of India, photographing animals and placing them in temples and palaces across heritage sites in India. In 2024 Sundaram Tagore Gallery held a solo exhibition of her work, Karen Knorr: Intersections.”
Works shown at Photo London included The Opium Smoker, Chitrasala, taken in Bundi in 2017.
Standing in front of two of her photographs – one called The Transgressor, taken at Takhat Vilas in Jodhpur in 2022, and another titled A Moment of Solitude at Amer Fort in 2021 – she spoke about how India had changed her life.
A British photographer called Anna Fox introduced Knorr to Abhishek Poddar, head of the Museum of Art in Bangalore (now Bengaluru).
She remembered: “He picked up the phone and said, ‘Why don’t you come to India?’ And I said, ‘Why not?’”
getty images
There have been numerous trips to India since her first visit – a “very long road trip across Rajasthan”.
“I immersed myself in India. I would revisit places I had visited before. I am very interested in how time changes a building. I just sort of fell in love with the country. Its hybridity is what really interested me, this idea that architecture could be there for diversity, reconciliation, different cultures coming together. I read most of William Dalrymple’s books and his very critical and alternative history of India that didn’t glorify the British empire. Some of the spaces are older than British rule. What interested me were the Muslim inflections in the buildings. I read the Mahabharat and the Ramayan, everything from (American Indologist) Wendy Doniger to Dalrymple.”
As for the animals inserted into her pictures, she said: “I found the animals were as important as the cultural heritage. I use them as transgressors and disrupters. They are not supposed to be there. I didn’t photograph the animals in situ. That would never work. The animals would move. So, I became a wildlife photographer. Often, I wouldn’t know which animal goes where. I would work on that in London. The animal chosen has to work within the space. It’s about designing an effective image.”
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Cardiff Mela 2025 A Vibrant Celebration of Multiculturalism
Cardiff Mela has grown into one of the UK’s most exciting multicultural festivals, attracting thousands of visitors each year. With a strong emphasis on inclusivity, diversity and heritage, the event is designed to reflect and celebrate the rich cultural mosaic of Cardiff and the wider South Wales region. This year’s event promises to be bigger, brighter and more interactive than ever before.
Taking place at the iconic Roald Dahl Plass, situated in the heart of Cardiff Bay, the 2025 edition of the Mela will feature a lively mix of traditional and contemporary entertainment. From soulful Asian music and dazzling Bollywood performances to Afro-Caribbean beats and Celtic fusion, the stage will be packed with performances representing a spectrum of global cultures.
One of the unique aspects of Cardiff Mela is its ability to create space for meaningful community engagement. Local schools, charities, performers, and small businesses are given a platform to showcase their talents and causes. It is not only a cultural festival but also a catalyst for community cohesion and social awareness.
The event is designed to be inclusive and accessible, welcoming people of all backgrounds, faiths, and ages. It reflects Cardiff's multicultural identity and reinforces the city’s role as a leading cultural destination in the UK.
Cardiff Bay offers plenty of amenities for visitors, including transport links, car parking, and nearby attractions such as the Wales Millennium Centre and Mermaid Quay. Whether you’re a Cardiff local or travelling from elsewhere in the UK, the Mela is an excellent reason to spend the day in this scenic waterfront area.
Visitors are encouraged to arrive early to make the most of the day and to experience the full range of activities. For updates, stage times, and more, be sure to follow the official website and social media channels.
In today’s global landscape, events like Cardiff Mela play a crucial role in fostering mutual respect, appreciation, and shared joy among communities. They serve as a powerful reminder that while our backgrounds may differ, celebration and creativity unite us all.
Whether you’re drawn in by the music, the mouth-watering food, or the chance to celebrate cultural heritage, Cardiff Mela 2025 is an unmissable event that brings the spirit of multicultural Britain to life.
While many expected Hollywood faces like Kristen Stewart and Scarlett Johansson to dominate the Un Certain Regard category at Cannes this year, the honours went elsewhere. Chilean filmmaker Diego Céspedes stunned the jury and audience alike by winning the top prize with The Mysterious Gaze of the Flamingo, his debut feature rooted in queer identity, fear, and survival during the AIDS crisis in 1980s Chile.
Set in a dusty mining town, the story follows young Lidia, who grows up in a tight-knit transgender community. As rumours spread that an unknown illness can be passed between men through eye contact, fear and prejudice threaten her chosen family. Céspedes’ film mixes myth, social tension, and innocence, offering viewers a powerful look at how marginalised people navigate suspicion and stigma.
While the film divided critics, with some calling its pacing uneven, the jury praised its raw emotion and unpredictability. Céspedes accepted the award with visible emotion, saying the film began “with all the angry lovers who just wanted to love like everybody else.”
This year’s Un Certain Regard jury was led by British filmmaker Molly Manning Walker, who herself won this prize in 2023 and included names from across Europe and Latin America. They chose works that didn’t shy away from discomfort, moral ambiguity, or political urgency.
The Jury Prize went to A Poet, a Colombian dark comedy about an ageing writer who tries to mentor a gifted teenager from a poor background. The film explored the blurred line between inspiration and manipulation with quiet unease.
Directing honours were awarded to Palestinian brothers Tarzan and Arab Nasser for Once Upon a Time in Gaza, a gripping drama about two young men caught in crime and conflict during Hamas’ rise to power in 2007. Their emotional speech touched on the current devastation in Gaza, dedicating the award to their people.
Actor awards went to Cléo Diara for her commanding role in the 3.5-hour postcolonial drama I Only Rest in the Storm, and British actor Frank Dillane for Urchin, a gritty look at homelessness in London. Diara’s speech included a strong call: “Free Palestine.” Dillane, quieter but just as heartfelt, dedicated his win to “those on the margins.”
Chilean film The Mysterious Gaze of the Flamingo wins top Cannes prizeIMDB
Best Screenplay was awarded to British director Harry Lighton for Pillion, a powerful queer romance involving a BDSM relationship between bikers. Lighton cheekily thanked his team for stopping him from relocating the film to Ancient Rome at the last minute.
This year’s Cannes proved that raw, honest storytelling still triumphs over star power.
Justin Bieber under fire after commenting on Ariana Greenblatt’s Instagram post
Justin Bieber faces backlash for ‘I love you’ comment on 17-year-old star Ariana Greenblatt’s post
A few simple words from Justin Bieber have triggered a heated debate online. The 30-year-old singer commented “I love youuuuuuuuu” on a photo shared by 17-year-old actress Ariana Greenblatt, leading to immediate backlash from many social media users.
Ariana had posted a photo promoting her new Netflix horror film Fear Street: Prom Queen, dressed in a dark, gothic look. The caption celebrated her excitement about the genre and her character, Christy Renault. The post quickly gained traction, not just for the film but for Bieber’s unexpected comment.
People online were quick to call out the singer. Many felt it crossed a line, pointing to Greenblatt’s age and Bieber’s status as a married adult. Some even went as far as calling for legal action, saying the comment was inappropriate for a minor.
“He’s married. She’s 17. What’s he doing?” one user asked. Others demanded he “back off,” calling it “weird” and “creepy.” A few voices tried to downplay the situation, saying it was just a harmless comment and arguing that fans were overreacting. “He’s just being supportive,” one user defended. “People are too quick to judge.”
Ariana Greenblatt, despite her age, is no stranger to fame. She began her career on Disney Channel’s Stuck in the Middle and has since made waves in big films like Avengers: Infinity War and Barbie. She’s already earned award nominations and built a solid following of over 3.8 million on Instagram.
The post in question had nothing to do with Bieber. It was a promotional piece for her film, but his comment shifted the focus. Neither Ariana nor Bieber has spoken publicly about the controversy yet.
This incident has once again opened up a broader conversation regarding how public figures should engage with younger stars on social media. At what point does a message of support become uncomfortable?
Whether the comment was meant as friendly encouragement or not, the reaction online shows how carefully watched celebrity interactions have become, especially when minors are involved. In a world where one comment can spark national debate, public figures need to remember that every word counts.