VIR DAS TALKS ABOUT COMEDY AND HIS EDGY NEW STAND-UP SHOW
by ASJAD NAZIR
ONE of the big breakout live international comedy stars of recent years has been Vir Das.
The talented actor is now widely hailed as the king of stand-up comedy in India and has the statistics to back that up.
Having performed in 32 cities across the world, including sold-out shows in North America, Australia and Europe, he is the highest grossing English language comedian to emerge out of India.
He has also delivered acclaimed Netflix specials and is looking forward to bringing his latest show Loved to UK next month, which attempts to explore what it truly takes to love in a world of friends, partners, parents, God, fellow man and iPhones.
Eastern Eye caught up with Vir Das ahead of his London show to discuss Loved, the meaning of love, comedy and why the UK is so special to him.
What connected you to comedy?
I was in a debate while in class four, and there was an interjection round. There was a class 12 senior who was my prefect in the class, and I went up to them and asked a stupid question that made the entire school laugh. It was at that moment that I realised the power of a microphone – he had authority over me until we were on stage and I had a microphone in my hand, and people were laughing. When that mic was in my hand and people were laughing, that was the most democratic set up in the world.
What was your first live gig like?
The first time I did stand-up was performing 90 minutes in front of my friends. It was a show called Brown Men Can’t Hump – don’t judge me for the title! It was a play on the movie White Men Can’t Jump, which was out around that time. It was so terrible! The show was just me telling inside jokes and stories about my friends. It kind of made me think I was good at it, and then I went to Chicago and began open micing and realised I didn’t have even 30 seconds of material. So, my first gig was pretty liberating to go up with a lot of time, but followed quickly by an extreme reality check.
You have had an amazing rise in recent years. Have you had a chance to enjoy the success and take it all in?
I don’t think of myself as successful yet. I don’t look behind and just look ahead. To me success is the amount of time that passes between you having an idea and being able to execute that idea. I’ve had 10 ideas in my head every single morning since I was 20 years old, and not enough people to listen to those ideas. So maybe once I have 10 people to listen to 10 ideas through the day, and think they’re good, then I’ll be successful. Right now, I’m just trying to get as good as I can at this art form. There is nothing more exciting and exhilarating than being at a lower rung of the ladder, knowing that there’s still so much space to go up.
How have you evolved as a stand-up comedian?
I don’t know! I mean, that’s something the audience usually tells you. I think if you get stuck thinking about that too much, you can start second-guessing yourself and writing with a goal in mind other than being funny. I’m just trying to be funny and hopefully, I’m getting funnier. I do feel more like myself on stage than ever before, which means if you like who I am, that’s good news. If not, I imagine that’s not great.
How much are you looking forward to your London show?
There’s nothing that I look forward to more than a UK show. You have the greatest crowds, you drink cider at the end of the gig and you can get a nice pie from the pub. I love that whole thing. The UK is often where I’m happiest in the world.
What can we expect from you this time around?
The show is about love, but strangely enough the most personal and edgy material I’ve written. It’s about love for your country, your government, your fellow man, your spouse, your pet, your family and really question if you’re good or bad at that love. I think it is a fair question for a comedian to ask themselves, and hopefully, you’ll leave the show asking some of those questions too.
Why did you title the show Loved?
Because I feel loved, but I don’t know if I’m particularly loving – that’s the journey of the show. Can someone who is loved assess how loving they are?
How much of the material is based on personal experiences?
Pretty much 100 per cent. It starts with personal experiences but builds to something broad everybody can relate to. You go from my view on the government to the government in general; from my view on my relationship to your relationship.
What do you really love in life?
My wife. My bulldog. His name is Doctor Watson. I love music too. These I genuinely love. I took the decision a few years ago that I wasn’t going to spend money on ‘things’ anymore, so I was going to spend it on my family, travel, music and experiences.
What don’t you love?
Censorship, silence and papaya! I don’t see any good reason for papaya to exist.
Are you always on the look-out for material in everyday life?
No. I’m juggling movies, a series and acting and comedy. My comedy brain tends to switch off a little when I’m working on an acting project. It’s a good vacation as I come back refreshed, even if it’s not intentional.
Who is the funniest person you know?
The funniest person I know is my bulldog Doctor Watson, even though he’s not a person. He’s caustic and dry, even more so than me. If I had to pick a human being, then I’d say the people I work with at my production company. I have a bunch of young people who are talented and work incredibly hard, and they’re filled with salt. I quite like how salty this new generation is.
Has being funny helped you in your life?
Absolutely not! It does not help you with your wife, the police or politicians. It definitely does not help you on social media. I’m not in the kitchen telling jokes to people and just doing the dishes.
What about with the ladies?
Put it this way, I’ve never laughed a woman into bed and thankfully, I’ve never laughed one out of bed.
You are fast becoming a comedy hero, but who is your comedy hero?
There are so many. George Carlin, Richard Pryor, Johnny Lever, Gene Wilder and Steve Carrell to name a few.
What is your master plan?
You’re really giving me a lot more credit than I deserve. There is no plan! I’m just jumping from piece to piece of the broken iceberg right now and I know that it’s a matter of time before the whole thing is flooded.
Today what inspires you?
Music really inspires me. I try and listen to one piece of new music each day. It inspires me and gives me ideas.
Why should we come see you live?
Because if you don’t, I will hunt you down! I have a very special set of skills and you will suffer. Also, I’m really funny, and the show’s about love and you should come and see it.
Vir Das: Loved is on at O2 Shepherd’s Bush Empire in London on December 4.
Aishwarya Rai Bachchan has once again touched down in France for the Cannes Film Festival, and this time, as always, her daughter Aaradhya is by her side. The duo was seen arriving at Nice Airport, where they were warmly received. A video of their arrival, now circulating widely online, captures Aishwarya chatting warmly with a greeter who hands a gift to Aaradhya before they head off.
Clad in a navy blue trench coat, Aishwarya kept it simple yet elegant. Aaradhya wore an all-black outfit and seemed at ease, exchanging smiles and laughter during the brief encounter at the airport. Despite recent speculation about whether Aishwarya would attend Cannes this year, especially after a video of her dancing with husband Abhishek Bachchan at a wedding in Mumbai, her airport appearance has laid all doubts to rest.
Fans quickly jumped into action online, sharing excitement over her return to Cannes. Comments ranged from “She is back!” to eager anticipation over her upcoming looks. However, not all responses were glowing, with some commenting on her choice of hairstyle.
Aishwarya is expected to walk the Cannes red carpet on 21 and 22 May, marking her 22nd year at the prestigious event. Her first appearance was in 2002 for the premiere of Devdas, where she made headlines arriving in a traditional gold saree, accompanied by Shah Rukh Khan and director Sanjay Leela Bhansali.
As for Aaradhya, her presence at Cannes is no surprise. Aishwarya has often said that her daughter enjoys the experience, not just for the glamour but for the atmosphere and the people she’s grown familiar with over the years. She once shared that Aaradhya understands the significance of the festival and appreciates the world of cinema.
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This year’s Cannes also sees other Indian names on the guest list, including Payal Kapadia on the competition jury, and stars like Janhvi Kapoor, Ishaan Khatter, and Vishal Jethwa promoting their film Homebound. Meanwhile, the restored version of Satyajit Ray’s Aranyer Din Ratri brings legends like Sharmila Tagore and Simi Garewal back to the spotlight.
With Aishwarya back on the red carpet, the countdown to her Cannes look has officially begun.
Taylor Swift’s long-awaited Reputation (Taylor’s Version) finally made its presence known, but not through a press release or streaming platform. Instead, it emerged through the eerie silence of Gilead. The re-recorded version of “Look What You Made Me Do” debuted unexpectedly in the opening scene of the latest episode of The Handmaid’s Tale, catching fans and viewers completely off guard.
The episode begins with Elisabeth Moss’s character, June Osborne, orchestrating a quiet but fierce act of resistance against the regime. As handmaids march through a war-torn street, Swift’s voice cuts through the chaos. The updated track underscores the rebellion, syncing perfectly with the tension and defiance unfolding on screen.
The original 2017 version of the song was a turning point in Swift’s career, born out of public backlash and a media storm. Its reappearance now, in a show about fighting back against oppression, feels deeply personal. Swift’s battle to reclaim her music mirrors the episode’s themes: reclaiming agency, rewriting narratives, and refusing to be silenced.
Moss, also an executive producer of the show, shared how this moment had been years in the making. She revealed she had always wanted to feature a Taylor Swift track but waited for the right moment. “This was it,” she said. “The song, the scene, the story, it all just clicked.” Moss also attended Swift’s Eras Tour last year with castmate Bradley Whitford, making her admiration for the singer no secret.
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For Swifties, this is the clearest sign that Reputation (Taylor’s Version) is on the horizon. While fans have spotted hints in everything from merch updates to symbolic fashion choices, this full-length debut feels like the real beginning of the next chapter.
It also marks the latest move in Swift’s ongoing mission to re-record her early albums and reclaim ownership after the rights to her original masters were sold without her consent. So far, she’s re-released Fearless, Red, Speak Now, and *1989*, with Reputation and her debut album left.
Swift’s music has popped up in recent shows and documentaries, but this moment in The Handmaid’s Tale is her strongest re-entry into the Reputation era. It's less of a promo, more of a declaration. The gloves are off.
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Peppa Pig welcomes baby Evie in a royal-style announcement
After 20 years of being the star of the family, Peppa Pig is no longer the youngest girl in the house. A new face has joined the Pig family: a baby girl named Evie. Born early Tuesday morning at 5:34 AM at the Lindo Wing of St Mary’s Hospital in London (yes, the same one where the royal children were born), Evie marks the first major addition to the family since the show began in 2004.
The news was revealed in true British fashion with a town crier in a video posted on Peppa Pig’s official Instagram. The announcement, styled like a royal birth, sent fans and brands into a frenzy. Mummy Pig is said to have named the baby after her great-aunt, and while the birth was not easy, she shared that she is relieved and happy to have Evie here, safe and healthy.
Peppa’s younger brother George, who has somehow been two years old forever, now has a new sibling to share toys and tantrums with. And while Peppa seems thrilled in the official photos, it is hard not to wonder how she will really feel once the attention shifts away from her.
To mark the occasion and the show’s 20th anniversary, the creators are rolling out a cinema special called Peppa Meets The Baby. Hitting screens on 30 May, the one-hour film will follow Peppa and George as they prepare for Evie’s arrival, featuring 10 new episodes and six new songs. Evie will also become a regular on the main show, adding a new layer to the Pig family’s dynamic.
The show, which started on Channel 5 and Nick Jr. in 2004, has grown into a global phenomenon, airing in over 180 countries and more than 40 languages. In 2019, toy giant Hasbro took over the franchise, promising even more Peppa-centric content.
The buzz around baby Evie has been building for months. Mummy Pig’s pregnancy reveal in February was followed by a gender reveal in April, complete with a media rollout that rivalled any celebrity birth. Parenting tips, maternity photos, and interviews about balancing work and family were part of the package.
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Now, with baby Evie here, it feels like growing up just got real.
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The Harry Potter reboot becomes the most expensive TV show ever
The next time you think of a big-budget show, forget Game of Thrones or The Rings of Power. The new Harry Potter reboot is set to leave them all behind and not just in storytelling, but in cost. With a jaw-dropping budget of over $4.2 billion (₹33,600 crore), this upcoming series is on track to be the most expensive television production ever attempted.
Each of the 42 planned episodes, spread across seven seasons, will reportedly cost more than $100 million (₹837 crore). That’s more than many Marvel movies and nearly double the per-episode spend of Amazon’s The Rings of Power. But where is all that money going?
A massive part of the budget is being poured into something rarely attempted on this scale: a custom-built town. Nicknamed “Potterville,” this mini city is under construction at Warner Bros. Studios in Leavesden and will house life-size recreations of iconic locations like Hogwarts, King’s Cross Station, and Privet Drive. The price tag for this alone? Around £1 billion (₹10,700 crore). The idea is not just about visual realism but a long-term investment in the franchise’s future, with the possibility of spin-offs or other productions set in the same magical universe.
Unlike the original film series, which had to condense the books into blockbuster-length scripts, this version aims to give each book its own season, allowing for a deeper dive into the world J.K. Rowling created. The show is expected to go into the details that never made it to the big screen.
A fresh cast will step into some of the most recognisable roles in pop culture. John Lithgow will take on the role of Albus Dumbledore, joined by Janet McTeer as Professor McGonagall, Paapa Essiedu as Snape, and Nick Frost as Hagrid, among others. The trio of young leads Harry, Hermione, and Ron are yet to be announced.
Set to film on a sprawling 200-acre site, this reboot marks a major moment for HBO and Warner Bros. Whether it lives up to expectations or not, it’s already rewritten the rules of television production. And in the process, it’s raised a question: how much is too much to bring magic back to life?
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Liu Yifei, Lisa and Priyanka pose at the star-studded luxury gathering
At a recent Bvlgari event in Sicily, Priyanka Chopra turned heads in an elegant beige outfit, joining BLACKPINK’s Lisa and Chinese star Liu Yifei for an evening filled with fashion, glitz, and glamour. The trio, all associated with the luxury brand, were seen posing together, sparking a wave of reactions online as fans shared photos and videos from the event.
While Liu dazzled in a silver-toned off-shoulder gown, Lisa chose a white dress with soft yellow accents. Priyanka, keeping things minimal and classic, wore a sheer beige dress with subtle gold detailing, matched with Bvlgari jewellery, and tied her hair back into a sleek bun.
During the red carpet moments, Priyanka stood out not just for her look, but also for her gesture of gratitude. After posing for the photographers, she folded her hands in a traditional namaste, a simple thank-you that felt personal amidst all the glamour.
Stars at the Bvlgari event Getty Images
Inside the event, she was seen chatting with Bvlgari CEO Jean-Christophe Babin and later sharing a light-hearted moment with Lisa. A short clip from the evening shows Priyanka asking Lisa to switch spots while posing, leading to a burst of laughter between them.
Priyanka’s elegant beige look paired with Bvlgari jewellery turns heads on the red carpetGetty Images
This isn’t the first time Priyanka has represented the brand at their global events. She attended a similar gathering in Rome last year, wearing an off-shoulder cream and black dress and flaunting Bvlgari’s Serpenti Aeterna necklace alongside Anne Hathaway and Shu Qi.
Beyond red carpets, Priyanka is staying busy with a packed slate of projects. She’ll be seen in Heads of State, co-starring Idris Elba and John Cena, and in The Bluff, where she plays a pirate in the Caribbean. Back in Indian cinema, she’s confirmed to be part of SSMB29, a much-anticipated film by SS Rajamouli with Mahesh Babu. The project is expected to unfold in two parts, with releases slated for 2027 and 2029.