Saaniya Abbas is going to hell – and she is taking us with her.
Well, not literally. But in Hellarious, her blisteringly bold stand-up debut at this year’s Edinburgh Festival Fringe, the Dubai-based comedian dives headfirst into the kind of topics that might make more cautious comics sweat. These include divorce, cultural taboos, internet fame, and the eternal question of whether your mother was right about that fiery afterlife.
In a groundbreaking moment for the UAE comedy scene, Saaniya becomes the first local stand-up to present a full solo hour at the Fringe – bringing her signature mix of sharp storytelling, cheeky irreverence, and personal confession to the world’s biggest stage. From a convent school in New Delhi to going viral post-divorce, her life has been filled with contradictions – and punchlines.
Eastern Eye caught up with Saaniya ahead of her history-making run to talk comedy, chaos, her new show, being fearless on stage, and crafting jokes in a colonoscopy waiting room.
Saaniya Abbasgetty images
What first connected you to comedy?
After a painful post-pandemic divorce, I randomly signed up for a comedy workshop (mostly to break up the daily routine of staring at my wall). I started writing jokes about everything I was going through. Watching that pain turn into laughter was easily the best high I have ever had. After that, I was hooked. Now, the worse life gets, the better the material.
Did you ever imagine becoming so popular?
I was a Harry Potter-obsessed nerd in school with thick glasses that covered most of my face. I was bullied relentlessly. It has always been hard for me to make friends, as I am socially awkward. So no, I never imagined being associated with the word ‘popular’.
How do you reflect on your action-packed comedy journey?
From the outside, it probably looks more glamorous than it really is. In truth, it has been a constant juggle – balancing a full-time job, stand-up, and content creation. It feels like I am working three jobs at once. On top of that, I am managing relationships and a dog who needs to poop at the worst possible times. It is a lot! A lot of hard work, late nights, and sacrifices. The grind is the hard part. But the moment I step on stage, everything else melts away. That is when it all makes sense.
Saaniya Abbasgetty images
How much are you looking forward to the Edinburgh Fringe?
I spent four days at the Fringe last year just to get a feel for it. It was the wildest, most overwhelming four days of my life – in the best way possible! I left knowing I had to be part of it. I have been manifesting this moment ever since.
Tell us about your show.
Hellarious is the culmination of the past four years of my life. It began as a tight 10 minutes of divorce jokes, and then I built the story around it – backwards and forwards. Who was I before it all? Why does that make what happened even funnier? What came after? It explores how the identity I was born into shaped my story, and how that story is now shaping the identity I want to create. It is a cathartic confession filled with tongue-in-cheek observations, cultural chaos, and some good old-fashioned oversharing.
Does being at such a huge festival with countless shows put pressure on you?
It is the no-breaks part that is intimidating. I have toured all over the UK before, but I always had some lovely rest days in between to catch my breath. The Fringe is a whole different beast: daily shows for a month, no days off. What if I get sick? I am basically overdosing on vitamins at this point, trying to build an immune system that can survive both the Scottish weather and my own anxiety.
How would you describe your brand of comedy?
My comedy is deeply personal. It is my story. Most of my jokes are so specific to my experience that nobody else can tell them. It is narrative-driven, with cheeky observations, and if you listen carefully, there is a quiet point simmering underneath it all. I want people to laugh, yes, but I also want them to see me. To realise they are part of my story too.
Is it fair to say that you are a fearless comedian?
The word ‘fearless’ is subjective. I am scared of unpredictable things – like tripping over a mic cord or confronting a heckler only to realise it is my ex-boyfriend’s mum from Year 7. Anything can happen. But when it comes to saying what I want on stage, I am not afraid. I trust my voice, and I trust my jokes. That said, I live in the Middle East, so there are things I cannot say. I may be brave, but I am not an idiot. I do not want to go to jail or get deported. But at the Fringe? Oh, those jokes are absolutely coming out.
But do you ever get nervous before going on stage?
No, I feel excited.
Do you know if a joke will work beforehand or only after you have performed it live?
A joke can feel hilarious in my head, kill in conversation, and then absolutely flop on stage. On the flip side, I have pitched jokes to friends who gave me the blankest expressions imaginable. But something in my gut says, ‘No, this will land.’ And more often than not, I am right. It is an instinct you develop – like a muscle, one awkward silence at a time.
Saaniya Abbasgetty images
Have you ever felt like you are revealing too much about yourself on stage?
Such a great question! When you do personal, narrative-style comedy, everything in your life starts to feel like fair game, especially when you are pulling from pain. But then one day, you try a new joke on stage and something just feels off. Maybe it is too soon. Maybe it is never going to be funny. You only find out by doing it. It is all trial and error. Everything in my show is something I have sat with, processed, and chosen to share. I will not say it if I am not ready to own it.
Has being funny ever got you out of trouble?
Not yet. Believe me, I have tried. Sadly, the cops at Dubai airport did not share my sense of humour. But hey, that story made a great bit. So, silver lining!
Who is your own comedy hero?
I adore Ricky Gervais. I think he is just so funny and real. He does not give a sh*t. I hope I am like him when I am old.
Where is the strangest place you have come up with a joke?
In the waiting room, right before my first colonoscopy.
What do you not find funny as a comedian?
I think some people are quite mean on stage. There is a big difference between being cheeky and just being cruel. I do not like that energy. It feels bitter and lazy, and it is not for me.
What inspires you creatively?
I am an art director by profession, so I have always lived in the world of art, design, books, music, and poetry. I grew up immersed in all of it, and those influences still fuel me. When it comes to comedy, I do not just see it as joke-telling. I see it as a performance. There is rhythm, wordplay, aesthetic, and even a bit of quiet poetry woven through the chaos.
Why should we all come to your Edinburgh Fringe show?
Because if all goes to plan, I will make you laugh. Or at the very least, smile. Maybe even cry a little. You will definitely leave feeling less alone. Also, I spent an absurd amount of money on these posters, so honestly, I really need you to come.
Sidhu Moosewala’s official Instagram page announced a 2026 world tour titled Signed to God.
The Punjabi singer-rapper was killed in 2022 in Punjab at age 28.
The tour will use digital tech, possibly holograms, to bring Moosewala ‘back’ on stage.
No official dates or venues announced yet; fan reaction online has been a mix of awe and confusion.
On Tuesday, the late Punjabi singer-rapper’s official Instagram handle dropped a teaser for a 2026 world tour called Signed to God. The announcement stunned fans and sparked immediate speculation over how a concert by a deceased artist is even possible. While the organisers have kept technical details under wraps, reports suggest cutting-edge tech like 3D holograms or augmented reality will be used to recreate Moosewala’s presence on stage.
Sidhu Moosewala, Indian Singer (Photo: @sidhu_moosewala) www.easterneye.biz
How will the Sidhu Moosewala tour work in 2026?
The teaser post simply featured the tour title and year: 2026, with no explanation on format, locations, or ticket sales. However, sources quoted in Tribune India suggest that the organisers plan to use high-tech visuals, potentially combining holographic imagery with pre-recorded vocals and augmented reality.
This approach is similar to posthumous concerts held for global artists like Tupac Shakur and Michael Jackson, whose likenesses were projected via holograms for live audiences. If confirmed, Signed to God would be India’s first full-scale digital tour for a deceased artist, and possibly the first in Punjabi music history.
Fan reaction to the announcement has ranged from excitement to disbelief. The Instagram video gathered over a million likes in 24 hours, with many users commenting "Welcome back, Legend" and "Forever in our hearts." Others were more puzzled, asking: “But who’s going to perform?” and “Is this real or just promotion?”
One user wrote, “Bro took ‘dropping from heaven’ literally,” while another speculated, “They might be doing a hologram show. That’s why it’s 2026.”
While many expressed joy at the idea of seeing Moosewala’s presence honoured live, others questioned whether it would feel authentic, or even appropriate.
Fans react with shock and excitement after Moosewala’s posthumous tour is announcedInstagram/sidhu_moosewala
What does this mean for Sidhu Moosewala’s legacy?
Sidhu Moosewala, born Shubhdeep Singh Sidhu, rose to global fame with hits like So High, *47*, and The Last Ride. His unique style of Punjabi folk, trap, and drill made him a voice of the youth, especially among the South Asian diaspora. In 2020, he was listed by The Guardian as one of the 50 most promising new artists worldwide.
His murder on 29 May 2022 in Punjab’s Mansa district sent shockwaves across India and abroad. He was shot dead by six assailants, with gang-related motives behind the killing. Moosewala was only 28.
Since his death, posthumous songs and videos have kept his presence alive online. His parents, Balkaur Singh and Charan Kaur, even welcomed a baby boy via IVF in 2024, calling him "Shubh’s little brother," further cementing the idea that Moosewala’s memory is still very much alive in his family and fan base.
Though full details are awaited, the Signed to God tour has already triggered conversations about the future of entertainment and how technology can reshape memorialisation. For Moosewala’s fans across Canada, the UK, Punjab, and the US, this may be a rare chance to experience his stage presence again, digitally.
If successful, the tour could spark a wave of posthumous concerts across South Asia, opening up ethical and creative debates around legacy, digital resurrection, and fan engagement.
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Bookish brings postwar London to life with gripping weekly mysteries
Mark Gatiss stars as Gabriel Book, a crime-solving bookshop owner in post-war London in Bookish.
The detective drama premiered on U&Alibi on 16 July 2025, with two episodes airing weekly.
Critics praise the series for its smart plotting, rich period detail, and modern queer representation.
A second season has already been confirmed, with filming set to begin this summer.
Mark Gatiss, best known for co-creating Sherlock, is back with another brainy sleuth, and this time, it’s personal. Bookish, a 1940s-set detective drama written by and starring Gatiss, follows the eccentric Gabriel Book, a former intelligence agent turned antiquarian bookseller who helps the police crack cases in bombed-out postwar London. The six-part series, which debuted this week on U&Alibi, has already garnered praise for its clever plots, layered characters, and strong sense of time and place, with some calling it “the next best thing to Sherlock.”
Mark Gatiss brings queer detective drama Bookish to life as fans call it the new SherlockInstagram/uandalibi
What is Bookish about? Inside the premise and setting
Set in 1946, Bookish introduces Gabriel Book, a tea-loving, ginger snap-baking bibliophile who runs a bookshop on Archangel Lane. Behind his mild-mannered exterior lies a sharp intellect honed by wartime service. With a quirky filing system and a special “Churchill letter” granting him access to investigations, Book works alongside the police while navigating a double life as a gay man in a repressive era.
His domestic arrangement is just as unconventional: he lives with his best friend Trottie (Polly Walker), in a lavender marriage that hides both their truths. Alongside them is Jack (Connor Finch), a young ex-con taken in as a shop assistant, and Nora (Buket Kömür), a war orphan with a flair for sleuthing.
Each pair of episodes follows a standalone case, from skeletons in plague pits to arsenic-laced murder, while teasing out larger mysteries about Book’s past and Jack’s true identity.
How Bookish compares to Sherlock, and why fans are on board
Though comparisons to Sherlock are inevitable, Bookish offers something distinct. It trades fast-paced modern twists for rich historical textures and a gentler pace, drawing inspiration from classic whodunits à la Agatha Christie. Critics have noted that Gatiss “plays fair” with his audience, offering tightly woven mysteries that reward attention to detail.
But it’s the characters, not just the crimes, that are drawing viewers in. Gabriel Book’s sexuality isn’t just a character note; it’s interwoven with the story, giving Bookish a rare kind of queer visibility in the genre. Gatiss has said the show’s concept came from imagining a bookshop as a kind of analogue search engine: “The answer is in there somewhere.”
What do reviews and social media say about Bookish?
Early reviews have been overwhelmingly positive. The Times praised it as “deceptively multifaceted,” while The Telegraph described it as “a witty, well-plotted sleuther.” The Radio Times went so far as to call it “a breath of fresh air” in a market crowded with detective dramas.
On social media, fans have expressed delight at the show’s mix of charm and darkness, praising its performances and historical authenticity. The casting of Daniel Mays as a jovial butcher-turned-killer in the first case had viewers hooked, especially as the storyline spiralled into revelations about murder, plague bones, and mistaken blackmail.
Yes. Before the first episode even aired, Bookish was greenlit for a second season. Filming is expected to begin in summer 2025, with a likely release in mid-2026. Gatiss and the core cast, including Walker, Finch, Kömür, Elliot Levey, and Blake Harrison, are all set to return. While no new guest stars have been announced, the structure of the series means fresh faces are expected to appear in each new mystery.
Gatiss expressed his excitement in a statement: “I’m thrilled that the team at U&Alibi are allowing me to dive back into the world of Bookish and create more fiendish crimes for Gabriel Book and the team to solve.”
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Kareena continues to break stereotypes with bold film choices at age 44
Kareena Kapoor Khan to star as a ghost in an upcoming genre-bending film
The 44-year-old actress will reportedly be paired with an actor in his early 20s
Script is penned by Hussain Dalal, known for Brahmāstra
The film explores a quirky new take on the ghost genre and is currently unannounced
Kareena Kapoor Khan is reportedly all set to headline a new supernatural film, but with an unconventional twist. The Bollywood star, who turned 44 this year, will be seen playing a ghost in the upcoming project, which is also said to feature a much younger male lead, an actor in his early 20s. If confirmed, this pairing will mark a rare age-reversal in Bollywood casting, where older male actors have long romanced much younger actresses on screen.
According to reports, the film is described as a genre-defying and humorous take on ghost stories. The story is said to be written by Hussain Dalal, known for co-writing Brahmāstra and frequently collaborating with director Ayan Mukerji. While Kareena’s role as a female ghost is being celebrated as bold and experimental, her reported romantic pairing with a 20-something actor is what has caught everyone’s attention.
Kareena Kapoor set to flip the script with a younger co-star and a ghost twistInstagram/kareenakapoorkhan
Kareena’s ghost character promises a genre shake-up
The yet-to-be-titled film is positioned as a quirky reinvention of the ghost genre. A source close to the production told Deccan Chronicle, “This quirky story featuring Kareena as a ghost has a refreshing script and will carve out a new space in the ghost genre. It’s a fun, genre-bending take, and Kareena is perfect for it.”
While details about the film’s production or release date remain under wraps, the concept has already sparked interest online for both its storyline and the unconventional casting. Kareena, who has consistently picked roles that challenge stereotypes, seems to be pushing boundaries once again.
Fans react to reports of Kareena being paired with a much younger co-starInstagram/kareenakapoorkhan
Reverse age-gap pairing fuels debate in Bollywood
The age difference between Kareena and her rumoured co-star, reportedly over 20 years, is already making headlines, especially at a time when Bollywood’s long history of older male stars being cast opposite teenage or much younger actresses is being widely criticised.
Recent examples include 38-year-old Ranveer Singh paired with 18-year-old Sara Arjun in Dhurandhar, and Salman Khan facing backlash for starring opposite Rashmika Mandanna in Sikandar. The shift in Kareena's upcoming role presents a fresh reversal, and possibly a new precedent in how gender and age are portrayed in mainstream cinema.
Kareena’s career longevity defies Bollywood norms
The Jab We Met star has often been a trendsetter, from being one of the few married actresses to continue headlining major films to starring in female-led projects like Veere Di Wedding post-motherhood. If this casting rumour is true, she would become one of the first A-list actresses to take on a romantic role opposite a significantly younger actor in mainstream Indian cinema.
Kareena has also been in the news recently for her Instagram photos from a beach vacation, where she confidently showed off her toned physique in a monokini.
Beyond the ghost film, Kareena is also set to appear in Daayra, a social crime drama directed by Meghna Gulzar. The film stars Prithviraj Sukumaran opposite her and is co-written by Meghna, Yash, and Sima. Daayra explores how social systems respond to justice and crime and is expected to release in late 2025 or early 2026.
After her ensemble role in Rohit Shetty’s Singham Again, all eyes are now on Kareena’s upcoming choices, especially this bold new ghost project that might redefine Bollywood’s age-gap narrative.
Singer-actor behind viral hit Sadqay reflects on his breakout year
New track Dheema Dheema hits 170K views in just two weeks
Opens up about juggling acting and songwriting, and his 2025 plans
Stresses importance of enjoying the process and learning from early mistakes
Draws inspiration from iconic Pakistani music and Punjabi roots
From viral sensation to balancing dual careers
The young artist behind the runaway hit Sadqay, which has now clocked over 44 million views, says the song’s success took him completely by surprise. “We had no idea it would go global,” he shared in a candid conversation, adding that while he always believed in the track, the scale of its reception was “overwhelming”.
What followed was a year of fast-moving highs, with growing recognition both within his home country and internationally. “You work towards something, and when it happens, you almost don’t know how to react.”
- YouTube YouTube/ EasternEye
A lighter, dance-driven follow-up: 'Dheema Dheema'
His latest release, Dheema Dheema, has already picked up over 170,000 views within two weeks. In contrast to his more emotionally resonant previous work, the artist describes this new song as “pure vibe” — a carefree, dancey track born out of an in-studio jam session with friends.
“After doing a string of love songs post-Sadqay, I felt like going back to that Afrobeat-inspired, danceable sound,” he said. “This track gave me the chance to actually dance in a music video, which I really wanted to do.”
Writing music vs. acting: which feels more fulfilling?
Having grown up in front of the camera, transitioning into music might seem like a leap, but he sees both worlds as creatively rewarding. However, he admits that songwriting offers a different kind of fulfilment.
“With acting, you’re relying on the director, the edit, the audience’s perception. Music is more personal. When you write a song and get it right, you already feel like you’ve won,” he said.
Navigating fame, pressure, and shared responsibility
When asked whether he feels the weight of representing young South Asian creatives, he responded humbly: “If I were the only one, maybe I would. But the burden is shared. Artists like Hassan Rahim and Young Stunners are doing amazing work. That makes it lighter.”
He credits the current wave of South Asian talent for building a sense of community, rather than competition.
Looking ahead: acting projects, music collaborations, and live shows
With a busy 2025 already underway, the artist shared that he’s learning to balance both acting and music. A television drama featuring him is set to release next month, alongside plans for new music collaborations.
He also teased a full live show season later this year, with performances lined up for November and December, marking what could be his first proper tour in his home country.
Offstage, grounded and reflective
When asked what fans might not know about him, he pointed to a key lesson he’s learned the hard way: “Don’t take too much stress too early. It affects your decisions and journey. You need to enjoy what you’re doing — that joy is what others feel too.”
He also shared his deep connection with old Pakistani music, citing classics like Adat by Atif Aslam and Aitebar by Vital Signs as favourites. “Those songs shaped my sound,” he said, adding that he draws heavily from Punjabi influences as well.
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Emergency services respond quickly to contain the blaze at the Boom festival site
• A massive fire destroyed the Tomorrowland main stage in Boom, Belgium, just two days before the festival’s opening. • No injuries were reported; around 1,000 workers were evacuated safely from the site. • Organisers confirmed that the festival and DreamVille campsite will proceed as planned. • The cause of the fire is still under investigation, but initial reports suggest it may have been accidental.
Tomorrowland opens gates despite stage fire as organisers stay committed to festival
Tomorrowland 2025 officially opened its doors on Thursday morning, even as the charred remains of its iconic Orbyz main stage stood in stark contrast to the festival’s usual vibrant spectacle. The massive fire, which erupted on Wednesday evening, destroyed the centrepiece structure ahead of opening day. Luckily, the site had not yet opened to the public, and all workers were safely evacuated. Organisers have confirmed that the festival will go on as planned across both weekends.
Flames tear through Tomorrowland’s main stage just two days before the eventGetty Images
Main stage fire at Tomorrowland halts final preparations
The fire erupted on Wednesday evening, around 6 pm local time, sending thick black smoke into the skies over the small Belgian town of Boom. Eyewitness videos quickly spread on social media, showing the stage consumed by flames as fireworks went off nearby. According to local reports, workers were putting finishing touches on the stage when the fire began.
One crew member told local newspaper Het Nieuwsblad, “We were just a day away from completion. Four weeks of effort, gone in half an hour.” Emergency services responded quickly, containing the blaze before it could spread to neighbouring woodland or residential areas.
— (@)
Organisers confirm DreamVille and festival weekend will go ahead
Despite the main stage’s destruction, Tomorrowland organisers reassured fans that the show will continue. In an official statement, they confirmed that DreamVille, the festival’s on-site campsite, will open on Thursday as scheduled. Approximately 38,000 visitors are expected at the site ahead of the weekend.
The team behind the event said, “Our beloved main stage has been severely damaged, but we are working tirelessly to ensure the festival can go ahead as planned. No one was injured, and safety remains our top priority.”
Tomorrowland, one of the world’s most prominent electronic dance music festivals, draws around 400,000 people annually over two weekends. This year’s lineup includes David Guetta, Martin Garrix, Swedish House Mafia, Armin van Buuren, and Charlotte de Witte. With less than 48 hours to go, organisers are actively reconfiguring performance spaces, likely reallocating shows to other stages such as the Freedom Stage.
Spokesperson Debby Wilmsen described the scene as “truly awful,” adding, “It’s a stage that took years to build, with so much love and passion. Everyone who worked on it is devastated.”
People queue to enter the DreamVille camping site of the Tomorrowland electronic music festival a day after its main stage was totally destroyed by fireGetty Images
Investigation underway, no signs of foul play
Belgian authorities have launched an investigation into the cause of the fire. Initial assessments suggest it may have been accidental, though a formal report is pending. Local residents were advised to keep windows shut due to smoke, and some nearby homes were temporarily evacuated as a precaution.
Organisers have dismissed online rumours suggesting a festival cancellation. In a social media post, Tomorrowland labelled the claims as “fake news” and reiterated their commitment to holding the event.
Workers and locals devastated after years of planning lost in under an hourGetty Images
In a detailed statement shared on social media, organisers acknowledged the emotional loss of the Orbyz stage, calling it a creation "born from pure passion, imagination, and dedication." They confirmed that DreamVille campsite officially opened at 10 am on Thursday, and all Global Journey activities in Brussels and Antwerp were proceeding. While they are still working on alternatives for the main stage area, organisers reassured fans that no other parts of the venue were affected and that updated details about performances would be announced shortly.
The festival has a long-standing reputation for its immersive stage designs and imaginative themes. This year’s now-destroyed main stage, named Orbyz, was crafted as an icy wonderland filled with mythical creatures. The loss of such a major production element is a significant blow, but the resilience of the team and the enthusiasm of fans suggest the spirit of Tomorrowland remains intact.