With nearly thirty acting credits on her shining resume, Taapsee Pannu has proved her mettle not only in Bollywood but down South also. She started off 2019 with the huge success of Badla, a suspense thriller produced by superstar Shah Rukh Khan. The movie also had thespian Amitabh Bachchan in the lead role, but despite his towering presence, Taapsee did not only manage to hold her ground but also delivered an equally engaging performance.
The talented actress is back in the news again for yet another power-packed performance in the bilingual thriller, Game Over. Originally made in Tamil and Telugu and later dubbed in Hindi, the movie stars the actress as a wheelchair-bound video-game creator who has had a disturbing past and the future does not look very promising either.
A few days before the theatrical release of GameOver, Eastern Eye caught up with Taapsee Pannu in Mumbai for a candid conversation on his role in the film, the reason behind staying away from Tamil movies for so long and, most importantly, whether or not she believes in the supernatural. Excerpts...
It’s after a gap of four years that you are returning to Tamil cinema.
Yeah, it has been a while. Actually, I did not get any exciting scripts that I would have loved to do in Tamil. Even if some interesting offers came, the makers wanted me to give dates after two months, which was not at all possible for me because my dates were blocked for other projects.
The makers of Game Over only wanted me for the film, so they were okay to wait a little bit. You know what happens here is that when you do a Hindi film, you get committed to it six months in advance. So, if my dates are already locked for the next six months, then how can I give my dates to somebody who is planning to roll his film in two months?
That’s the reason that I end up doing only those films in the South where they are okay to wait for my dates or come to me six months before they want to start the film. Then I can accommodate my dates easily. That, unfortunately, did not happen in the past few years.
I also wait for those South Indian films where I feel my role is as strong as my characters in films here. Suddenly, I cannot start doing different types of films there. They should be in sync with the kind of films that I am doing here.
What persuaded you to say yes to Game Over?
Right after reading the script of Game Over, I dialled the number of the producer and told him that I was doing this film. My mind was blown after reading the script. What a script it is! After reading the script, the first thought that came to my mind was that I had never read or seen anything like that.
See, I don’t watch many Hollywood films. I mostly watch Hindi films and, at times, Tamil and Telugu films. So, I have never seen a concept like this before, in any film. A film like this might have happened in Hollywood, but I don’t think that someone has attempted this kind of a concept here in India before. I felt this was a brilliant film to do in multiple languages.
After reading the script of the film, I did not feel that it’s only a Tamil Nadu or Andhra Pradesh specific story. It did not give me the feel of any particular region; it felt very universal. It had a very universal language. So, I felt this would be a great film to do in bilingual.
Do you love psychological thrillers?
Yes, I do. Though we don’t make many psychological films here, I like them. Whenever you crawl out of the theatre after watching any such film, you don’t feel like blinking your eyelids. My film Badla (2019 – though it was not a psychological thriller – it does play with your psychology in one way or the other. It was a murder mystery, but it does play with your mind.
Would you like to share any eerie experience from your childhood?
I am afraid of ghosts. I don’t have any spooky experience to share, but I do believe that if there is God, there will be the Devil. If there is good, there will be evil. If you believe in God, you will also have to accept that negative energy also exists. I don’t watch horror films and I don’t challenge the presence of ghosts. If they are there, that’s great. But let them stay away from me (smiles).
Do you believe that after the huge success of Baahubali: The Beginning (2015) and Baahubali: The Conclusion (2017), the trend of multilingual films have gained momentum in the Indian film industry?
Even before the Baahubali franchise, many films of Rajinikanth used to release in Hindi. So, the trend is not new. Now the vision of South films has become pan-India. However, people still feel that only big South Indian films can leave an impact on the Hindi market. But my film Game Over is different. It’s not a conventional, big-starrer film, but is a high concept film. So, if this film, by God’s grace works, then definitely, I feel, there are a lot of other people who would want to release their picture in Hindi, even if it’s a dubbed version but high on concept. That would be really great, I feel, for Indian cinema.
In Game Over, you play a wheelchair-bound girl. How did you prepare for the role?
I did not have to practise at all honestly, and deliberately so because the director felt that she is a regular girl who happens to go through this accident in the film which makes her sit in the wheelchair in the 60 percent of the movie. Quite in the beginning the accident happens and then she is immobile and she is in the wheelchair.
I did not have to practise or anything because it should look that the person who is not used to a wheelchair is in a wheelchair now. So, it helped that way.
Yeah, I become a psycho woman with every film. I am seriously saying this. My mental fabric changes with every film because of these roles. Between shots, I used to play ludo. Between shooting schedules, if I would get an off, I would make sure I was not alone. I was playing that character for 12 hours every day. So, to live in that space and feel that you are a trauma victim was not easy. The feeling that you are crippled now and you have to fight an invader with these limitations in mind for 35 days was immense.
There was no schedule break. It took a mental toll. So, I had to go to watch frivolous comedies. I used to watch Gossip Girls in between. I used to watch Sabrina the Teenage Witch. I watched so many small, stupid, and no-brainer kinds of things. I wanted to stay normal. The moment the movie finished, within two days, I was out of the country. For 5-6 days I went out with no connection to work whatsoever. I detoxed my mind and then came back.
What do you do on a day when you don’t have any shoots?
I get up around 6:30 in the morning, whether I am working or not. Then I go to the gym for an hour or play squash. Then I eat my breakfast and discuss with my sister what to do now. If I have some work with my badminton team, I do that. My sister handles wedding planning work. If she needs some help or wants me to come for a meeting, I go with her. Otherwise, I go to watch a film with my sister. Then I hang out with my friends who are not from the industry and then I sleep by 10 pm.
How do you define a star? Do you believe that you are the one?
For me, the definition of a star is that when my film releases, the audience should blindly go to theatres, thinking that if Taapsee is there, it must be a good film. They should not wait for the reviews to come and the word of mouth to come into play. Without paying any heed to all these things when the audience shows its trust in you, then you are a star. Your star value is gauged by the opening numbers of your films. The day my films start getting good opening numbers, I will believe that I am a star.
Mark your calendars: 31 May isn’t just another Saturday. It’s Netflix’s blockbuster bonanza, Tudum 2025, arriving with a bang. And although the actual event hasn’t streamed yet, the internet is already simmering with spicy leaks, juicy first looks, and cryptic clues.
From long-awaited finales to fresh faces in familiar worlds, here’s everything Netflix is bringing to the table. No spoilers, just pure hype.
1. Stranger Things 5 : The Hawkins finale that might emotionally destroy you
The Upside Down is gearing up for its final roar. The fifth and final season of Stranger Things drops in November, and whispers are already circulating that someone major might not make it out alive. The Duffer Brothers are teasing heartbreak, chaos, and a full-circle moment that could break Netflix’s servers all over again.
2. Wednesday season 2: Forget cute, it’s going full gothic beast mode
Wednesday Addams is back but meaner, moodier, and battling even weirder creatures at Nevermore Academy. Premiering 6 August, Season 2 leans heavily into horror, supernatural folklore, and gloriously dysfunctional friendships. Jenna Ortega has hinted at darker twists… and possibly a new love interest?
Thought Season 1 was brutal? Wait until Gi-hun goes head-to-head with the Front Man. Squid Game Season 3, launching 27 June, is being framed as a revenge saga soaked in betrayal and moral rot. No games. Just war.
4. Wake Up Dead Man: Benoit Blanc is back, and the vibes are off
Rian Johnson’s third Knives Out mystery returns with Daniel Craig, but this time, the mood? Less whodunnit, more existential chaos. Featuring a stellar cast including Glenn Close, Josh Brolin, and Mila Kunis, this late 2025 release might be the weirdest Blanc case yet.
5. Frankenstein: del Toro’s creature feature might haunt your sleep
Guillermo del Toro isn’t pulling punches. His upcoming Frankenstein, starring Oscar Isaac and Jacob Elordi, promises shadow-drenched horror, poetic violence, and zero romanticism. Think less “tragic monster” and more “run, and don’t look back.” Arriving November 2025.
Adam Sandler is dusting off the clubs. Thirty years on, Happy Gilmore 2 lands in July 2025 with Shooter McGavin returning to stir trouble. Expect golf, grudges, and Sandler’s signature cocktail of stupidity and sincerity.
7. One Piece season 2: Meet Chopper (yes, the reindeer doctor is real)
The Straw Hat crew is expanding. Season 2 of the live-action One Piece introduces fan favourites Tony Tony Chopper and Dr Kureha. With filming wrapped and post-production underway, fans are bracing for adorable talking reindeers and inevitable heartbreak.
The most introverted Bridgerton finally gets his turn. Though Season 4 won’t arrive until 2026, Tudum is expected to tease Benedict’s love arc with Sophie Beckett. Will it be scandalous? Naturally. Will there be waistcoats and whispered secrets? Absolutely.
The Pogues are calling it quits but not before one last sun-drenched, danger-packed ride. The fifth and final season of Outer Banks promises utter chaos and, just maybe, a little closure.
10. Emily in Paris 5: Emily does Rome (but leaves drama in Paris)
Emily’s off to Rome with a new bob and, inevitably, more bad decisions. Season 5 follows Lily Collins navigating Italian flair, post-breakup messiness, and what might be her best wardrobe yet. Camille is out, Alfie is in and filming is already underway.
Tudum 2025 feels less like a streaming event and more like Netflix flexing every muscle it has. It’s goodbyes (Stranger Things, Outer Banks), glow-ups (Wednesday, Emily in Paris), and glorious chaos (Squid Game, Wake Up Dead Man). Cancel your plans, grab the snacks, and prepare to be bombarded because if this is what we know before the event, just imagine what Netflix is saving for showtime.
Tudum goes live on 31 May 2025. See you on the other side.
R&B star Chris Brown was taken into custody early Thursday morning in Manchester, England, over an alleged assault at a London nightclub in 2023. Police arrested the 36-year-old singer at The Lowry Hotel shortly after 2 a.m., charging him with causing grievous bodily harm to music producer Abe Diaw.
The incident dates back to 19 February 2023, when Brown reportedly attacked Diaw at Tape nightclub in Mayfair, central London. According to Diaw’s lawsuit filed last October, Brown struck him multiple times on the head with a bottle of Don Julio 1942 tequila. The assault allegedly continued with Brown stomping and kicking Diaw, leaving him unconscious for about 30 seconds and requiring hospitalisation for head wounds and torn ligaments in his leg.
Chris Brown taken into custody ahead of UK tour following 2023 nightclub assault allegationsGetty Images
Diaw claims Brown’s attack was unprovoked and caused lasting physical and emotional damage. Beyond the physical injuries, Diaw also accuses Brown of spreading false rumours to harm his reputation and business relationships. The producer has filed a civil lawsuit seeking £12 million (₹126 crore) in damages.
The Metropolitan Police confirmed the arrest and said detectives from the Central West Area Basic Command Unit are handling the case. Brown remains in police custody as the investigation proceeds.
This latest arrest adds to Brown’s long history of legal troubles linked to violent behaviour. He pleaded guilty to felony assault in 2009 after physically attacking then-girlfriend Rihanna. In 2017, a restraining order was placed on him by ex-partner Karrueche Tran amid allegations of aggressive conduct over financial disputes.
R&B singer Chris Brown appears in court for a probation violation hearing in Los Angeles Court in 2014Getty Images
Brown arrived in Manchester on a private jet just the day before his arrest, possibly preparing for his upcoming UK tour dates scheduled for June. The tour, called Breezy Bowl XX, is meant to mark 20 years of his music career and includes shows in Manchester, Cardiff, London, Birmingham, Glasgow, and Dublin. However, the ongoing police investigation raises questions about whether those dates will go ahead as planned.
Despite his troubled past, Brown remains a major figure in the music world, known for selling out large venues and generating millions in revenue. But with new serious allegations now in play, the future of his career hangs in the balance as legal proceedings move forward.
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Aamir Khan and Jr NTR are set to portray Dadasaheb Phalke in two separate biopics
The man who started it all, Dadasaheb Phalke, the pioneer of Indian cinema, is set to be immortalised on screen not once, but twice. In a surprising turn, two major biopics on the "Father of Indian Cinema" are in the works, with Bollywood and Tollywood’s biggest stars stepping into his shoes.
First, reports emerged that Jr NTR will portray Phalke in Made in India, a project backed by RRR director SS Rajamouli. The film, announced last year, will be a pan-India release diving into the birth of Indian cinema. Sources say NTR was instantly drawn to the script, fascinated by lesser-known aspects of Phalke’s journey. The actor, always known for his high-action roles, will take on a more subdued, dramatic part this time.
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But before fans could fully process this news, another bombshell dropped! Aamir Khan and Rajkumar Hirani are teaming up for their own take on Phalke’s life. The duo, known for blockbusters like 3 Idiots and PK, has been working on the script for four years, with Phalke’s grandson contributing personal anecdotes. Set against India’s independence movement, the film will highlight Phalke’s struggles and triumphs in creating an industry that now dominates global screens.
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The clash of these two projects has sparked debates: Who will do justice to Phalke’s legacy? While Rajamouli’s vision leans toward grandeur, Hirani’s touch is expected to bring together emotion with humour. Meanwhile, fans are already picking sides: will NTR’s intensity or Aamir’s nuanced acting win over audiences?
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As the two teams prepare to bring this legendary filmmaker’s story to audiences, viewers can look forward to two distinct cinematic portraits of the man who laid the foundation of Indian cinema, each promising a unique perspective on the icon who changed the course of Indian storytelling forever.
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Iconic moments that transformed Eurovision, from ABBA’s dazzling debut to Måneskin’s raw rock rebellion, these performances changed the game forever
The Eurovision Song Contest has never been just about glitter, high notes, and questionable fashion choices. It’s where music collides with the messiness of global politics. Some acts stroll onstage, sing politely, and vanish. Others? They rip the roof off, rewrite the rules, and leave scorch marks on history.
From ABBA’s glitter-drenched revolution to Måneskin’s rock ‘n’ roll swagger, these iconic acts reshaped the contest, searing themselves into the collective memory of millions. Let’s dive into five performances that tore the rulebook to shreds and left the world stunned.
1. ABBA – Waterloo (Sweden, 1974)
The explosion that turned Eurovision into a supernova. ABBA didn’t just win. They hijacked the whole show with sequins, swagger, and a chorus that’s been stuck in humanity’s brain for 50 years. The song was so unstoppable that even Napoleon would’ve surrendered to it. This was a total pop coup. Why it’s legendary? Because Eurovision’s biggest success story began here! ABBA set the bar for every act that followed.
Monsters. Fire. Riffs that could crack concrete. Who would’ve thought that a metal band dressed like monsters would rock the Eurovision stage? When Finland’s nightmare-fuelled rock brigade stormed the stage, half the audience clutched their pearls and the other half lost their minds. Eurovision had never smelt like gasoline and face paint before. It was the first time Eurovision truly embraced heavy metal, and Europe loved it. It was an anthem of rebellion, forcing Eurovision to evolve and Finland’s first win was well earned.
3. Conchita Wurst – Rise Like a Phoenix (Austria, 2014)
Conchita Wurst didn’t just sing, in fact, she soared. In a flowing gown with a beard that dared the world to question its norms, Conchita’s ballad became an anthem for resilience. When the final note faded, it was clear: Conchita had shattered stereotypes, and Eurovision was more inclusive because of it. Eurovision became more than a show that night; it became a revolution.
Leather, sweat, and a smirk that could melt steel. Rock hadn’t felt this raw at Eurovision in years. Måneskin swaggered onto the stage with an unfiltered, unapologetic energy that made everyone sit up and take notice. Gritty, powerful, and defiantly cool, this performance not only won the contest, but also marked a new era, where Eurovision wasn’t just a pop paradise but a space for rock to thrive.
Måneskin - Zitti E Buoni - Italy 🇮🇹 - Grand Final - Eurovision 2021youtu.be
5. Loreen – Euphoria (Sweden, 2012)
Twelve minutes of wind machines and raw euphoria (pun intended). Merging barefoot from the shadows, she captivated audiences with her ethereal vocals and minimalist choreography, all set against a backdrop of strobe lights and falling snow. By the time she finished, Europe was collectively breathless, earning her a landslide victory with 372 points: the second-highest in contest history at the time.
Eurovision isn’t just another song contest. It was a referendum. On war. On freedom. On who gets to be heard. Some acts left with trophies, others left with scars. But every single one proved that when the world’s a dumpster fire, music doesn’t just soundtrack the chaos… it answers it.
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Scarlett Johansson expresses frustration over Oscars snubbing Avengers Endgame for Best Picture
Scarlett Johansson has once again voiced her frustration over the Oscars overlooking Avengers: Endgame for the Best Picture category. The actress, known for portraying Black Widow in the Marvel Cinematic Universe, expressed her disbelief during an interview. She questioned how a film as groundbreaking and successful as Endgame managed to receive only one nomination, for visual effects, at the 2020 Academy Awards.
“It was an impossible movie that shouldn’t have worked, yet it did, both as a film and as a cultural moment,” Johansson remarked. She pointed out that the film not only pushed creative boundaries but also became one of the highest-grossing movies of all time. Despite its global impact and critical acclaim, Endgame remained absent from major Oscar categories, including Best Picture.
Scarlett Johansson questions why Avengers Endgame was overlooked by the Academy despite its record breaking successGetty Images
This snub particularly stings because Endgame marked the end of an era for Johansson’s character, Natasha Romanoff, who sacrificed herself to save the universe. Following this emotional farewell, Johansson reprised the role one last time in the 2021 prequel, Black Widow. However, when asked about returning to the Marvel universe again, she remained firm, stating that Natasha’s story had reached a meaningful conclusion.
While Johansson clearly misses working with her Marvel co-stars, she feels that bringing back the character would undermine the impact of her farewell. “It wouldn’t make sense,” she said, emphasising the importance of leaving Natasha’s legacy intact.
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Besides her frustration over the Oscars snub, Johansson also took a jab at the length of recent award ceremonies, particularly the 2025 Oscars. She found the James Bond tribute segment overly long, describing it as feeling like an advertisement rather than a celebration of cinema.
Despite the setbacks, Johansson is staying busy. She’s set to star in Jurassic World: Rebirth and is making her directorial debut with Eleanor the Great, which will premiere at the Cannes Film Festival. Her passion for storytelling continues, whether or not the Oscars recognise her past projects.
Scarlett Johansson defends Avengers Endgame and criticises lengthy Oscars ceremoniesGetty Images
In the end, Johansson’s disappointment highlights a recurring issue: the Academy’s reluctance to honour blockbuster superhero films, even when they make a significant cultural impact.