Pooja Pillai is an entertainment journalist with Asian Media Group, where she covers cinema, pop culture, internet trends, and the politics of representation. Her work spans interviews, cultural features, and social commentary across digital platforms.
She began her reporting career as a news anchor, scripting and presenting stories for a regional newsroom. With a background in journalism and media studies, she has since built a body of work exploring how entertainment intersects with social and cultural shifts, particularly through a South Indian lens.
She brings both newsroom rigour and narrative curiosity to her work, and believes the best stories don’t just inform — they reveal what we didn’t know we needed to hear.
British pop star Dua Lipa has successfully defended herself against yet another copyright lawsuit over her chart-topping track Levitating. A U.S. judge ruled that the claims made by songwriters L. Russell Brown and Sandy Linzer lacked merit, marking Lipa’s second victory in a legal battle over the song.
The lawsuit, filed in 2022, alleged that Levitating copied elements from Brown and Linzer’s 1979 song Wiggle and Giggle All Night and their 1980 track Don Diablo. The claim focused on the opening melody of Lipa’s hit, arguing that it was identical to their work. However, Judge Katherine Polk Failla dismissed the case, stating that the similarities were based on commonly used musical structures that had appeared in songs for centuries.
Failla’s ruling referenced historical examples, pointing out that similar patterns could be found in compositions by Mozart, Gilbert and Sullivan operettas, and even the Bee Gees’ disco classic Stayin’ Alive. She emphasised that basic musical elements, such as scales and rhythmic patterns, cannot be copyrighted.
This is not the first time Levitating has been at the centre of a copyright dispute. In 2023, Lipa won a separate case against Florida reggae band Artikal Sound System, who claimed that the song copied the chorus of their 2015 track Live Your Life. That case was also thrown out due to lack of evidence that Lipa or her team had access to the earlier song.
Dua Lipa on stage during a live performance captivating the audience with her energyGetty Images
Despite these victories, Lipa still faces a separate legal challenge from musician Bosko Kante, who contributed vocals to Levitating using a talk box. Kante alleges that his voice was used in remixes of the song without proper authorisation and is seeking at least $2 million (£1.5 million) in damages.
The pop sensation at the Grammys celebrating another career milestoneGetty Images
The recent ruling in Lipa’s favour points out a growing trend in copyright law. The decision cited Ed Sheeran’s 2023 case, in which he successfully defended his song Thinking Out Loud against claims that it copied Marvin Gaye’s Let’s Get It On. Courts are increasingly recognising that certain musical components like scales, chord progressions, and rhythmic structures are part of a shared creative language and cannot be owned by any single artist.
Dua Lipa in a candid moment embodying the creative process behind her chart-topping hitsGetty Images
While Brown and Linzer plan to appeal, this latest win strengthens Lipa’s position and brings about a broader conversation in the music industry about originality and artistic freedom. Meanwhile, the singer continues her Radical Optimism tour, proving that despite legal battles, her career remains on an upward trajectory.
Mukerji parts ways with YRF’s Dhoom 4 after reported creative disagreements.
Decision said to be amicable, with Aditya Chopra and Ranbir Kapoor supportive.
Director shifts focus to Brahmastra: Part Two – Dev, expected to begin filming in 2026.
Filmmaker steps away from YRF’s action franchise
Filmmaker Ayan Mukerji has stepped away from Yash Raj Films’ (YRF) highly anticipated action project Dhoom 4, reportedly due to creative differences. According to Bollywood Hungama, Mukerji’s vision for the film did not align with the studio’s direction, prompting him to withdraw from the project.
Mukerji, who was in discussions to direct the next instalment of the hit franchise—expected to star Ranbir Kapoor—was said to have limited control over the script, which was reportedly written by Shridhar Raghavan. The director, best known for Yeh Jawaani Hai Deewani and Brahmastra, was keen on shaping the film creatively rather than simply executing an existing plan.
A source quoted in the report said, “Ayan didn’t have much say in the screenplay and didn’t want to embark on another journey of just execution.”
Amicable parting after discussions with Aditya Chopra
Before stepping away, Mukerji is believed to have held several discussions with YRF head Aditya Chopra and actor Ranbir Kapoor. Both reportedly supported his decision, with insiders describing the split as “completely amicable.”
The director’s departure does not mark the end of Dhoom 4, as YRF plans to continue with the project under a new director. The studio may also reconsider casting options, despite earlier reports that Ranbir Kapoor had set aside dates for the film.
Focus returns to the Brahmastra universe
Following his exit from Dhoom 4, Mukerji has shifted attention back to his passion project—the Brahmastra series. The filmmaker is currently developing Brahmastra: Part Two – Dev, the sequel to the 2022 fantasy epic.
The film, initially expected to begin production earlier, is now likely to go on floors in 2026. Sources suggest Mukerji intends to expand the Astraverse with more depth in storytelling, combining elements of mythology, drama, and spectacle.
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