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Dinesh Vijan and Amar Kaushik start work on their next

After setting the box-office on fire with their latest release Stree, producer Dinesh Vijan and director Amar Kaushik have now come together to make a film on the issues of surrogacy.

The film will be the official Hindi adaptation of National Film Award-winning movie Mala Aai Vhhaychay! (I Want To Be A Mother!), which was written, directed and produced by Samruoddhi Porey.


Talking about the project, director Amar Kaushik says, “I’ve always been attracted to mother-children stories.”

“What makes this one even more interesting is that it is rooted in a true story, one of the many cases that came to Samruoddhi Porey who is a practising lawyer with the Bombay High Court,” he adds.

Producer Dinesh Vijan reveals how he got the idea to adapt the Marathi film for the Hindi audience. “Once when I was on a flight, I saw Garth Davis’s Oscar-nominated biographical drama Lion (2016), again based on a true story, and wished I could make a film as emotionally stirring and engaging. Then, I saw this Marathi film which had been selected by President Pratibha Patil to be screened for former American President Barack Obama during his visit to India and immediately acquired its Hindi remake rights.”

The producer goes on to add, “My writer, Sita Menon, has been adapting the story since the past one year to cater to a wider audience while taking into account new surrogacy laws. Amar is the right guy to direct it. Going by the way he married horror and humour in Stree, I know he will make you smile and tear up with this one.”

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The Mummy

Relies on body horror, sound design and shock value over spectacle

X/ DiscussingFilm

How Lee Cronin’s 'The Mummy' turns a classic adventure into a domestic horror

Highlights

  • Moves away from the adventure tone of The Mummy (1999) into possession-led horror
  • Shifts the setting from desert tombs to a family home in Albuquerque
  • Focuses on parental fear and a “returned” child rather than treasure hunting
  • Relies on body horror, sound design and shock value over spectacle
  • Critics call it bold and unsettling, but uneven in storytelling

From desert spectacle to domestic dread

For decades, The Mummy has been tied to adventure, romance and spectacle, most famously in The Mummy (1999). That version thrived on sweeping desert landscapes, archaeological intrigue and a sense of escapism.

Lee Cronin takes a sharply different route. His reworking strips away the sense of adventure and relocates the horror into the home. The story still begins in Egypt, anchored by an ancient sarcophagus, but quickly shifts to the United States, where the real tension unfolds inside a family house.

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