Darasing Khurana’s focus is to make therapy accessible and affordable
Khurana, 32, has been named the Commonwealth Year of Youth Champion, with his role focusing on mental health initiatives.
By Sarwar AlamApr 15, 2024
ACTOR Darasing Khurana said the death of his close friend, fellow actor Sushant Singh Rajput in June 2020, led him to become a mental health campaigner.
Khurana, 32, has been named the Commonwealth Year of Youth Champion, with his role focusing on mental health initiatives. He founded the Pause. Breathe.Talk Foundation after the sudden death of Rajput, who struggled with his mental health.
The foundation works to make therapy affordable and accessible to young people in India.
“Sushant Singh Rajput was a dear friend of mine who was really ahead of his time,” Khurana told Eastern Eye.
“He was a very passionate man and we would have really in-depth, interesting discussions. One day we had this call about a national mental health therapy and counselling and that it needs to be affordable in India for people to try it out at least and know how it works.
Khurana with Baroness Patricia Scotland
“When the news came out during the pandemic that he was depressed and had committed suicide, it felt like a personal loss to the entire country and more to me because I knew him. He was my friend. We spent a lot of time together in the same house that he died.”
Following the actor’s death, Khurana noticed people, especially youth, began to share their own mental health struggles on social media.
It prompted Khurana – an actor, model, radio jockey and former Mr India pageant winner – to support people through his social media platform.
He told Eastern Eye, “I was so surprised to see the messages that I received. For example, a young girl from Rajasthan said her life was in danger because she was in love with a guy from different religion and, if her father found out, he was going to kill her.
“I was expecting to personally help them out, but these conversations and these problems, I realised they need help from experts.”
Khurana approached counsellors and therapists, telling them he would pay for these young people to get the therapy they needed, but was shocked by how expensive it was.
“I was told each patient needs at least 10 sessions, with each session costing `2,500 (£25), so that’s `25,000 (£250) per person,” said Khurana.
“That is when I realised this idea to make therapy affordable in India. Instead of just uploading statues [on social media], I need to do something in his [Rajput’s] memory and that is when I started this foundation, which now subsidises therapy by 90 per cent.”
Khurana’s foundation works with counsellors who charge `250 (£2.37) for each session. Sometimes, when a person is not able to afford even that, he pays from his own pocket.
His work led to a chance encounter with the Commonwealth secretary-general, Baroness Patricia Scotland.
“There was this event happening in Hyderabad [south India] at the world’s largest meditation centre [Kanha Shanti Vanam] in January where people from 139 countries were participating in. Secretary-general Patricia Scotland was the chief guest and we happened to meet,” said Khurana.
“We spent two days in the ashram after the event and I was able to share these ideas with her as I felt we had common goals and wanted to develop them with her views.
“She probably saw I was full of ideas and of enthusiasm and a young guy that wants to change the world and thought I will be the right one to be the youth ambassador.
“When I received my appointment letter, it was such a beautiful surprise for me and I was honestly overwhelmed with joy.”
Khurana kicked off his Commonwealth Year of Youth Champion role with a meeting with Queen Camilla and had discussions with Baroness Scotland in London last month.
Khurana greeting Queen Camilla in London
He shared his plans with the Queen, who was representing husband King Charles as the head of the Commonwealth, as the monarch undergoes treatment for cancer.
“I shared my plans around youth mental health and wellbeing with Her Majesty and she was really supportive, so I’m even more pumped now to get on with the work,” said Khurana.
“I explained how we want to work towards a better balance with technology in the life of young people, by implementing a Commonwealthwide programme. She agreed it was absolutely the need of the hour and encouraged me to focus on this,” he said.
Khurana helped children as young as eight access heavily discounted counselling through his foundation.
“I have seen young people suffering and that is the reason I feel I can be the voice, and bring this change in the Commonwealth countries. I want to make sure we do not take this mental health crisis ahead for the generations to come and we end it here,” he said.
Research by his foundation showed a drastic drop in patience levels among the younger generation and a corresponding spike in their anxiety levels.
The primary reason is believed to be the overuse of electronics and social media.
Through his work with Dr Rekha Chaudhri, founder of World Digital Detox Day, his focus is on encouraging a lifestyle change that would help young people better deal with technology.
“We have come up with a roadmap, which can be merged with the education system in all the Commonwealth countries so that students are taught right from the beginning in their schools on how to maintain a balance with technology in their life,” Khurana said.
“We are overusing technology, which is harming us. We need to train the youth of today to realise how much technology, social media and electronics is right for them. And that you need to be with an actual human being, have that touch, that love, that connect with your own families.
“The digital detox will help younger people, whilst they are growing up, learn the basic rules of the use of electronic devices, social media – when not to use it.
“When we make it a part of the education system, society will start accepting it in the years to come. It wouldn’t be like that: ‘Oh, I was trying to reach you today and have the entire day pass and you did not reply to me’. It will be a normal thing to be digitally detoxifying for some days in a week.”
While mental health will be among his top priorities, Khurana also has plans to help organise an interfaith event with the University of Cambridge.
A short film competition and sustainable fashion, inspired by his modelling and acting career, are among other ideas he wants to bring to fruition.
Khurana revealed his intricate fusion sherwani by designers Shantanu & Nikhil was admired by the Queen during his visit.
He added, “We need to get to the deeper meaning of religion, to bring all the religious leaders from across the globe together and make sure the right message is sent across, that all the religions are together. This is another subject very close to my heart.”
He is keen to pack in as much as he can into his year-long Commonwealth role and help amplify the voice of young people from across the 56 member countries.
Khurana will be working with Prince Edward, the Duke of Edinburgh, who took on the role to promote and raise the profile of issues facing young people in the Commonwealth.
On the work front, Khurana has a Marathi film, Bandra, releasing in November.
Lauren Sánchez didn’t need a red carpet to mark her pre-wedding celebration, just a close circle of friends and the charm of Paris. Days before tying the knot with Jeff Bezos, the former TV anchor turned aviation entrepreneur spent a laid-back but lavish weekend in the French capital with a dozen women she calls her pillars of strength.
The guest list was anything but ordinary. Kim Kardashian, Kris Jenner, Katy Perry, Eva Longoria, and a few other familiar faces from business, entertainment, and media joined Sánchez for what looked like a celebration of sisterhood rather than a spectacle. Over the course of two days, the group dined at chic spots like Lafayette’s and cruised through the city on a private boat, all while keeping things relatively low-key by celebrity standards.
From clinking espresso martinis to dancing to Earth, Wind & Fire, the vibe was expensive, chill, and relaxed. The celebration wrapped with a surprise vanilla meringue cake and laughter under the Paris sky.
Sánchez shared heartfelt moments on Instagram, calling her friends “the women who’ve lifted me up and shaped my heart.” The photos, mostly in black and white, showed candid rooftop laughs and cosy robe moments, far from the polished party shots one might expect.
Inside Lauren Sánchez’s Paris bachelorette Instagram/laurenwsanchez
Her outfit choices, too, while expensive, leaned into romantic minimalism. A short white Oscar de la Renta dress with 3D florals and a vintage pink Chanel bag added soft glamour to the weekend.
Heartfelt moments and low-key glam defined Sánchez’s pre-wedding celebration in Paris Instagram/laurenwsanchez
Sánchez and Bezos, who went public in 2019, got engaged in 2023 on board his yacht Koru, where he proposed with a rare 20-carat pink diamond worth approximately £15 million (₹160 crore). Their wedding is expected in June on the coast of Venice, Italy, although they’ve been tight-lipped about the specifics. Italian officials have already reassured locals that the ceremony will not disrupt the city.
A candid moment with Sánchez and her closest friendsInstagram/laurenwsanchez
Beyond the headlines and designer outfits, Sánchez’s celebration in Paris was about a woman pausing to honour the relationships that helped her grow, before stepping into a new chapter as Mrs. Bezos.
Ever walked into a cinema, popcorn in hand, all hyped for a big new Hindi release – only to realise, halfway through, that you have seen the exact same story before, just in another language? That weird sense of déjà vu has become all too familiar for Bollywood audiences in recent years, with one remake after another. Many are based on South Indian hits.
From Vikram Vedha to Shehzada, Bholaa to Selfiee, Bollywood seems to be treating South Indian blockbusters like a catalogue to borrow from. But here is the problem – most of them did not work. Not just with critics, but at the box office too. Which raises the obvious question: if the originals were such big hits, why can’t the Hindi versions strike gold?
The numbers do not lie Let us look at the figures.
The Tamil film Vikram Vedha (2017) was made on a budget of £103,695 (₹11 million) and earned £5.66 million (₹600 million). It had strong writing, originality, and standout performances. The 2022 Hindi remake starring Hrithik Roshan and Saif Ali Khan, despite slick production, was a costly misfire.
Bholaa, a remake of Kaithi, leaned too heavily on visual effects and forgot the raw, gritty storytelling that made the original shine. Made for £8.8 million (₹1 billion), it only grossed £9.7 million (₹1.1 billion) worldwide. Compare that with Kaithi, made for £2.2 million (₹250 million), which earned over £9.3 million (₹1.05 billion) – without big stars or CGI. This pattern keeps repeating itself.
Selfiee, based on Malayalam hit Driving Licence, flopped. Shehzada tried to replicate the success of Ala Vaikunthapurramuloo and failed miserably. Sarfira, based on Soorarai Pottru, came and went without impact. Even Baby John (a version of Theri) and Deva (inspired by Mumbai Police) could not turn strong originals into Hindi box office hits.
Ajay Devgn in Bholaa
Star power is not enough These numbers paint a clear picture: the remakes are not connecting. But what about star power? Salman Khan, Akshay Kumar, Shahid Kapoor, Hrithik Roshan, Kartik Aaryan – surely such big names should guarantee success? Unfortunately, it is not that simple anymore.
Audiences are smarter now. Thanks to streaming platforms, dubbed versions and social media buzz, many have already seen the originals – or at least know the storyline. So when the Hindi version arrives, it often feels stale.
Hrithik Roshan in Vikram Vedha
What is missing from the remakes? Successful films rely on many elements – chemistry between the leads, emotional tone, pacing – things you cannot script or transplant.
Take Vinnaithaandi Varuvaayaa. The chemistry between Silambarasan TR and Trisha felt electric, rooted in the film’s deeply emotional story of unrequited love. The Hindi remake Ekk Deewana Tha, with Prateik Babbar and Amy Jackson, lacked that connection.
Okkadu had raw energy, with Mahesh Babu anchoring the emotional weight. Ghilli, its Tamil counterpart, had similar intensity with Vijay’s charismatic presence and high-octane action. But the Hindi version Tevar lacked the same punch and raw emotion.
Similarly, Theri worked because of Vijay’s stardom, Atlee’s direction, and its emotionally driven story. Baby John has not captured that same feeling.
Mahesh Babu in Okkadu
Audiences want originality Here is the real kicker – audiences are not rejecting South Indian cinema. In fact, they are embracing it. Baahubali 2, the Pushpa and KGF franchises, RRR, Kantara – all became massive pan-India hits. The appetite for regional content is real.
What people are rejecting is lazy filmmaking – the idea that simply changing the language, inflating the budget, and casting a big Bollywood name is enough.
What works today is originality. Films like 12th Fail and Article 15 resonated because they told new stories. Even blockbusters like Pathaan and Jawan succeeded by playing to their own strengths – not copying someone else’s.
RRR
A call for change So what should Bollywood do? The answer is simple: focus on originality.
Stop leaning on South Indian remakes. Start backing fresh, innovative stories that speak to today’s diverse audience. The success of South Indian films lies in their ability to connect emotionally, to create real characters and tell untold stories. Bollywood needs to find that magic again.
In the end, remakes may seem like a safe bet – but they are not always the solution. Why settle for déjà vu when you can create something unforgettable?
The audience has evolved. Maybe now, it is time the industry asked itself: has it?X: @GeorgeViews
On Sunday, 25 May, music lovers in Middlesex and beyond will have the rare opportunity to experience an unforgettable evening with the legendary Anup Jalota at the Beck Theatre, Hayes. Known as the “Bhajan Samrat” (Emperor of Bhajans), Anup Jalota is a celebrated Indian singer and musician famed for his soul-stirring bhajans and ghazals that have touched millions worldwide. This culturally rich concert promises to bring the spiritual and poetic essence of Indian devotional music to life, right in the heart of Middlesex.
Whether you are deeply connected to Indian classical and devotional music or simply curious to explore a new musical tradition, this concert offers a perfect blend of spirituality, art, and heartfelt emotion. Held at the well-regarded Beck Theatre on Grange Road, this event is expected to draw a diverse audience eager to witness Anup Jalota’s mesmerizing performance.
Anup Jalota has been a towering figure in Indian music for over four decades. His unique ability to fuse the spiritual with the musical has earned him immense respect and a devoted fanbase not just in India, but internationally. Known for his deep, soothing voice and flawless diction, Jalota’s bhajans invoke a sense of peace and devotion, making them timeless classics.
In addition to bhajans, Anup Jalota is renowned for his ghazal renditions – poetic songs that express love, longing, and life's philosophical musings. His mastery in delivering both these forms of music with emotion and authenticity is unmatched. Audiences attending the Beck Theatre concert can expect to be transported through a variety of moods, from serene devotion to contemplative reflection.
The concert promises to be a carefully curated showcase of some of Anup Jalota’s most beloved bhajans and ghazals, as well as a few surprises for fans. The Beck Theatre, with its excellent acoustics and intimate setting, will provide the perfect atmosphere for a close connection between the artist and his audience.
Attendees can look forward to an evening filled with spiritual melodies and poetic beauty that celebrate Indian heritage and music traditions. It’s an ideal occasion for families, music enthusiasts, and anyone interested in experiencing a slice of India’s rich cultural tapestry.
The Beck Theatre is located at Grange Road, Hayes, Middlesex UB3 2UE. It is easily accessible by public transport and offers ample parking facilities nearby.
Tickets for this much-awaited concert are available on the Beck Theatre’s official website at www.becktheatre.org.uk. Given the popularity of Anup Jalota’s performances, early booking is strongly recommended to avoid disappointment.
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Ananya Panday gets candid about body shaming on Lilly Singh’s podcast
Ananya Panday is no stranger to the spotlight, but she’s also tired of being stuck under a microscope. In a recent chat with Lilly Singh on her podcast Shame Less, the actor spoke honestly about the constant criticism of her body and the double standards women face in the film industry.
Ananya recalled the early days of her career when, at 18, she was mocked for being too thin. Terms like “chicken legs” and “matchstick” were thrown at her regularly. “They said I had no boobs, no butt, like a flat-screen,” she shared. Fast forward a few years, and as her body naturally changed, new rumours popped up, but this time accusing her of undergoing cosmetic surgery. “Now they say I’ve had my butt done. You can never win,” she said.
What hits harder for Ananya is that this scrutiny often comes from other women. “The harshest comments I get are from women. I rarely see this happening to male actors,” she said, pointing out the gender gap in how public figures are judged.
But Ananya doesn’t shy away from taking responsibility either. She admitted that Bollywood films, including some of her own, have pushed unrealistic beauty ideals. “We’ve shown women waking up with perfect hair and makeup. That’s not real life. I’ve been part of that narrative, and I’m trying to be more aware of it now,” she said. Off camera, she tries to keep things real, reminding her followers that what they see on screen isn’t always the truth.
This honesty is, in fact, a shift in Ananya’s journey, from someone who once felt pressured to fit in, to an actor willing to question the norms she’s grown up with. Her recent work also reflects that change. From light-hearted romances to more grounded roles like her turn as a lawyer in Kesari: Chapter 2, Ananya is clearly making deliberate choices.
Women in the public eye are constantly judged, but it’s time to break that cycle. “If I talk about it, maybe one other girl will feel less alone,” she said. That, perhaps, is the quiet power behind her loudest statement yet.
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Remaining matches will be held at six venues, with Chennai, Hyderabad, Kolkata, and Dharamsala removed from the schedule.
The Indian Premier League resumes on Saturday, eight days after it was suspended due to escalating tensions along the India-Pakistan border.
Most foreign players who left the country after the suspension have now returned. The tournament was halted on May 8 during a match between Punjab Kings and Delhi Capitals in Dharamsala, which was stopped after 10.1 overs when rockets landed 80km away. That game will now be played on 24 May in Jaipur.
Remaining matches will be held at six venues, with Chennai, Hyderabad, Kolkata, and Dharamsala removed from the schedule.
The Pakistan Super League also restarts on Saturday. It had considered relocating to the UAE before suspension. Its final is now on 25 May, with matches limited to Rawalpindi and Lahore. Only Multan has lost hosting rights.
Royal Challengers Bengaluru will face Kolkata Knight Riders in the first of 13 remaining IPL league games, followed by playoffs from 29 May and the final on 3 June.
The revised IPL schedule overlaps with England’s ODI series against West Indies starting 29 May. Cricket West Indies released Sherfane Rutherford and Romario Shepherd to remain in India. Some players, including Mitchell Starc and Sam Curran, have opted not to return. Temporary replacements are allowed.