AFTER 15 years of competing and her fifth final, Reshma Ramlal finally won the coveted Queen of Chutney Soca title. She performed alongside Lil Bitts and described the guest artist as a queen in her own right. Ramlal also heaped praise on her fellow competi tors, saying they all brought their A-game. She said: “This is something I have been working towards my whole life, and now I have got it.”
BIG RICH REWARDED
BIG RICH was given a special award for his incredible track record as a successful music producer. Having delivered a mas sive number of hit songs for popular singers like Ravi B, Rikki Jai, Warrior Princess Reshma Ramlal, and Rick Ram, the beatmaker was a popular winner with industry insiders. Real name Zaheer Khan, the music producer, DJ, and TV/radio host has been a driving force in helping the chutney soca genre grow.
FROM FUSION TO LEGACY
YOU should find out more about singer Drupatee Ramgoonai. The path-breaking mu sic icon helped create an entire genre when she combined Indian-influenced songs with calypso tunes on her 1987 album Chutney Soca. The Hindi and English fu sion tracks inspired a genera tion to follow in her fabulous footsteps. The remark able 67-year-old is still going strong and regularly collabo rates with big names like Chutney Soca Monarch winner Machel Montano. With a brilliant bank of songs and achievements, the major world music icon de serves massive respect. In terms of singers with Indian roots, she ranks right up there with the greatest of all time.
Ravi B
RAVI B’S GOOD KARMA
RAVI B has been a trailblazer in chutney music with explosive live performances, incendiary tracks, and sizzling hot collaborations. He enthralled audiences with his band Karma, which included a great performance from his su per-talented sister, Nisha B. He had the crowd dancing, singing along, and having a great time with his stage mastery. The singing star told me he is proud of how far the chutney genre has come but wants to do more and help grow it even further. Ravi wants to collaborate with music talents from around the world, including the UK and India. With his impressive talent and massive multi-cultural fan following, any collaboration he is involved with would be a sure-fire hit.
CARNIVAL CELEBRATION
CARNIVAL season in Trinidad & Tobago unites an entire nation and delights tourists. The country’s National Carnival Commission admirably puts together everything from street festivals to competitions, concerts, and special events, in an annual spectacle rooted in centuries old tradition. Powered by incredible music, dance, costumes, and an electric atmo sphere, it’s a feast for all the senses. The annual cele bration ranks right up there with the world’s greatest people-powered events.
SAVITA STUNS AUDIENCES
THIS year’s CSM event was closed by chutney music’s most sought-after female artist, Savita Singh. The Caribbean Bollywood queen has de livered great songs, including unique covers of Hindi cine ma classics like Sona Re. The singer’s stunning stage presence, backed by a full live band, showcased different sides of her dynamic range as an artist, including her im pressive fashion. The in-demand live performer has be come a strong symbol of girl power, giving others the confidence to enter a massively male-dominated music genre. Her most recent song release, Take Me Higher, has an eye catching music video and is well worth checking out. She also recently had a day named after her in the Florida city of Lauderhill. You can fol low the amazing artist on Ins tagram: @savita_singh_tnt
POWER COUPLE BRINGS THE HEAT
Rick Ram and Vanessa Ramoutar have firmly become the first couple of chutney soca mu sic. The talented husband and wife competed individually at this year’s Chutney Soca Mon arch event, with memorable acts. Defending champion Rick delivered a rip-roaring performance of his incredibly catchy song Party Like This. Vanessa Ramoutar teamed up with popular artist Olatunji for terrific track Iz Ah Indian Wedding.
Their highly entertaining songs are well worth finding, along with previous music both singers have released. The dynamic artists also put across a wonderful message of unity and positivity at this year’s event. Both have expressed a strong desire to light up the UK stage in future.
Rick Ram and Vanessa Ramoutar
RANI CARRIES FORWARD LEGACY
SHE may be short in stature, but accomplished singer Rasika Dindial is a world music giant. Affectionately known as D Rani, she hails from a legend ary music family filled with top talents and always gener ates incredible musical power on stage. She delivered a rip-roaring opening performance at this year’s CSM event. Chutney soca media personality Vashtie Doorga said: “D Rani has nev er compromised her stan dards as a woman in chut ney. After many years of flying the flag of Trini dad & Toba go in coun tries glob ally, the spectral icon is a shin ing bea con of pure talent.”
GAJRAJ GETS HONOUR
GUYANA music great Terry Ga jraj delivered a message of one ness during his glorious stage performance at the 30th Chut ney Soca Monarch final. Just like the event itself, the iconic singer celebrated 30 years, as it has been three decades since his game-changing hit Guyana Ba boo was released.
An inspiring artist who is proud of his Indian roots, he was happy to re ceive the award. He told me: “It was a joy and honour re ceiving the Guyana Baboo 30th anniversary award from the beautiful people of Trini dad & Tobago. I am humbled and grateful.”
GEORGE IS A BIG HERO
ALTHOUGH the huge six-hour music marathon was filled with majestic music icons, perhaps the biggest hero was organiser George Singh. By founding the Chutney Soca Monarch competition 30 years ago, he has provided a platform for artists to shine, but also brought them to gether as a united force. This has helped the chutney music genre grow and motivat ed new generations to become part of what is a great musical movement. He said: “The free event gives a global platform for great music talents and brings communities together, but it also highlights the strong Indi an cultural ties that exist in the Caribbean.”
A new mural by street artist Banksy has appeared on the Royal Courts of Justice building in central London.
The artwork depicts a judge hitting a protester, with blood splattering their placard.
It comes days after nearly 900 arrests at a London protest against the ban on Palestine Action.
The mural has been covered and is being guarded by security; Banksy confirmed authenticity via Instagram.
Banksy’s latest work at the Royal Courts of Justice
A new mural by the elusive Bristol-based street artist Banksy has appeared on the side of the Royal Courts of Justice building in central London.
The artwork shows a judge in traditional wig and black robe striking a protester lying on the ground, with blood depicted on the protester’s placard. While the mural does not explicitly reference a specific cause or incident, its appearance comes just two days after almost 900 people were arrested during a protest in London against the ban on Palestine Action.
Security and public access
Social media images show that the mural has already been covered with large plastic sheets and two metal barriers. Security officials are guarding the site, which sits beneath a CCTV camera.
Banksy shared a photo of the artwork on Instagram, captioning it: “Royal Courts Of Justice. London.” This is consistent with the artist’s usual method of confirming authenticity.
Location and context
The mural is located on an external wall of the Queen’s Building, part of the Royal Courts of Justice complex. Banksy’s stencilled graffiti often comments on government policy, war, and capitalism.
Previous works in London
Last summer, Banksy launched an animal-themed campaign in London featuring nine works. The series concluded with a gorilla appearing to lift a shutter at the London Zoo. Other notable pieces included piranhas on a police sentry box in the City of London and a howling wolf on a satellite dish in Peckham, which was removed less than an hour after unveiling.
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.
Works are painted on bark cloth from Lake Victoria
Artist Shafina Jaffer presents a new chapter of her Global Conference of the Birds series.
The exhibition runs from 7–12 October 2025 at Mall Galleries, London.
Works are painted on bark cloth from Lake Victoria, combining spiritual themes with ecological concerns.
Exhibition details
Artist Shafina Jaffer will open her latest exhibition, Whispers Under Wings (Global Conference of the Birds), at the Mall Galleries in London on 7 October 2025. The show will run until 12 October 2025.
This practice-led series reinterprets Farid ud-Din Attar’s 12th-century Sufi allegory, Conference of the Birds, reflecting on themes of unity, self-realisation and the idea that the Divine resides within.
Material and meaning
Each work is painted on sustainably sourced bark cloth from the Lake Victoria region, using natural pigments, minerals and dyes. Large panels are formed from the bark of single trees, aligning material ecology with the spiritual narrative.
The series weaves together sacred geometry, Qur’anic verses and depictions of endangered bird species, underscoring the connection between ecological fragility and spiritual awakening.
Previous recognition
Whispers Under Wings follows earlier presentations in London and Dubai, extending the project’s message of peace, unity and environmental care.
A central work from the series — the Simurgh, conceived as a symbol of light (Noor) — was recently acquired by Prince Amyn Aga Khan for the new Ismaili Centre in Houston. A feature on the exhibition also appears in the September edition of Twiga, Air Tanzania’s inflight magazine.
Keep ReadingShow less
The piece was originally one of nine works that appeared across London in August 2024
Banksy’s ‘Piranhas’ artwork, painted on a police sentry box, is being stored ahead of display at London Museum.
The piece was originally one of nine works that appeared across London in August 2024.
It will form part of the museum’s new Smithfield site, opening in 2026.
The City of London Corporation donated the artwork as part of its £222m museum relocation project.
Banksy’s police box artwork in storage
A Banksy artwork known as Piranhas has been placed in storage ahead of its future display at the London Museum’s new Smithfield site, scheduled to open in 2026. The piece features spray-painted piranha fish covering the windows of a police sentry box, giving the illusion of an aquarium.
From Ludgate Hill to Guildhall Yard
The police box, which had stood at Ludgate Hill since the 1990s, was swiftly removed by the City of London Corporation after Banksy confirmed authorship. It was initially displayed at Guildhall Yard, where visitors could view it from behind safety barriers. The Corporation has since voted to donate the piece to the London Museum.
Museum’s first contemporary street art
London Museum’s Head of Curatorial, Glyn Davies, said:
“With the arrival of Banksy’s Piranhas, our collection now spans from Roman graffiti to our first piece of contemporary street art. This work by one of the world’s most iconic artists now belongs to Londoners, and will keep making waves when it goes on show next year in the Museum’s new Smithfield home.”
Formerly known as the Museum of London, the institution closed its London Wall site in December 2022 as part of its relocation. It rebranded as the London Museum in July 2024, with £222m allocated by the City of London Corporation to support the move. The project is expected to attract two million visitors annually and create more than 1,500 jobs.
Part of Banksy’s animal-themed series
Piranhas was one of nine animal-themed works Banksy created across London in August 2024. The series also featured a rhino on a car, two elephants with interlocked trunks, monkeys swinging from a bridge, a howling wolf on a satellite dish, and a goat painted on a wall. Some of the artworks were later vandalised, removed, or covered up.
Preserving street art for the public
Chris Hayward, policy chairman of the City of London Corporation, said:
“Banksy stopped Londoners in their tracks when this piece appeared in the Square Mile – and now, we’re making it available to millions. By securing it for London Museum, we’re not only protecting a unique slice of the City’s story, but also adding an artwork that will become one of the museum’s star attractions.”
Keep ReadingShow less
The group have introduced fresh orchestral elements and added instruments to expand their live sound
The Shahbaz Fayyaz Qawwal Group return to the UK with a nationwide tour after viral success online.
The ensemble of brothers blend centuries-old qawwali traditions with fresh improvisations that connect with young audiences.
From Pakistan to the USA and UK, their performances have won acclaim for their electrifying energy and spiritual depth.
Fans can expect new instruments, reimagined classics, and the same message of love and harmony at this year’s shows.
From viral sensation to global stages
When a performance goes viral, it can change an artist’s career overnight. For the Shahbaz Fayyaz Qawwal Group, their stirring renditions of Bhar Do Jholi and B Kafara propelled them from local fame in Pakistan to global recognition, amassing millions of views across platforms. What set them apart was not just the power of their voices, but the way their music resonated with younger listeners who were hearing qawwali with fresh ears.
That viral momentum soon carried them beyond borders, leading to major performances in the United States and the UK. “It wasn’t just one track,” the group explained. “We revived older gems like Kali Kali Zulfon and Dil Pukare Aaja in our own style, and those went viral again, showing that qawwali still speaks across generations.”
Heritage, family and style
The Shahbaz Fayyaz Qawwal Group’s uniqueness lies in their roots. Composed of seven brothers and joined by fellow musicians from respected musical families, the ensemble was trained by their late father, himself a master of the art form. On stage, as many as 15 to 20 performers create a sound that is both deeply traditional and daringly modern.
Their shows are alive with improvisation. In the middle of a devotional track, harmonium player Shahbaz might suddenly weave in a melody from a contemporary Bollywood hit, while lead vocalist Fayyaz channels his energy into unrestrained movements and audience interaction. “When different styles meet, something new emerges,” they said. “That’s what keeps the music vibrant.”
UK audiences and the international journey
Having performed across the USA, the Middle East and Europe, the group describe UK audiences as particularly electric. “Each time we perform here, the atmosphere is charged. People don’t just listen – they become part of the performance,” they said.
Their repertoire often draws requests from fans who expect to hear viral favourites alongside traditional classics. “Sometimes, if organisers don’t allow us to perform songs like B Kafara or Dil Pukare Aaja, the audience won’t let the show continue. That’s the level of passion here,” they recalled with a laugh.
Keeping qawwali alive for new generations
While the roots of qawwali stretch back centuries, the group see their role as carrying the tradition into the present. By fusing tabla, harmonium and handclaps with newer instruments and arrangements, they appeal to younger listeners without losing the music’s essence.
“We want every audience to feel peace, harmony and love when they leave our concerts,” they said. “An artist should never belong to just one group of people – music is for everyone.”
What fans can expect this tour
This year’s UK tour promises new surprises. The group have introduced fresh orchestral elements and added instruments to expand their live sound. Fans can expect a mix of beloved classics, spontaneous improvisations, and the chance to hear qawwali reimagined for today’s world.
For Shahbaz Fayyaz Qawwal Group, the mission remains unchanged: to honour their heritage, embrace new audiences, and spread the universal message at the heart of their art. As they put it: “We look forward to growing together with our fans. Let’s celebrate qawwali as a tradition that belongs to everyone.”
This Navratri, the traditional rhythms of Garba are being paired with the timeless melodies of British folk in a new musical fusion that promises to bring fresh energy to the festival.
The piece blends the iconic Gujarati folk song Kon Halave Limdi Ne Kon Halave Pipdi with the classic English–Celtic ballad Scarborough Fair. It is performed as a duet by Gujarati folk singer Kashyap Dave and Western classical vocalist Vanya Bhatt, a graduate of Christ University, Bengaluru.
Rooted in Surat, Gujarat—the city where the British East India Company established its first factory in 1612—the collaboration connects two cultures centuries apart, showing how music can transcend time and geography.
“For me, Kon Halave Limdi captures the joy and energy of Garba,” said Vanya. “Pairing it with Scarborough Fair created a harmony that feels both new and familiar, perfect for global Navratri celebrations.”
Music producer Jimmy Desai called it “a rare and exciting blend.” He added: “It’s not often you hear operatic vocals flowing seamlessly over Garba rhythms. We wanted to preserve the essence of both traditions while making the music festive and universal.”
The English ballad, originally romantic, has been reworked with lyrics highlighting the camaraderie, joy and togetherness central to Navratri.
“The Gujarati melody instantly evokes community spirit,” said Kashyap. “Combining it with a British classic gives it cross-cultural appeal, making it suitable for celebrations anywhere in the world.”
The fusion, the team said, is more than just a song: it is a celebration of heritage, a bridge between East and West, and a musical thread tying hearts together during the festival of dance, devotion and community.