Skip to content 
Search

Latest Stories

Chronicles of singing superstar KL Saigal

Remembering India’s first singing superstar who helped define Bollywood music

Chronicles of singing superstar KL Saigal

KL SAIGAL was arguably the most influential singer in Hindi cinema history.

The first singing superstar of India helped define Bollywood music and inspired all those who followed in his giant footsteps, including music icons like Lata Mangeshkar, Kishore Kumar, Mohammed Rafi and Mukesh.


Born on April 11, 1904, Saigal transitioned from being a railway timekeeper to achieving immense popularity as an actor and singer before his untimely death on January 18, 1947, at the age of 42.

Eastern Eye decided to honour the icon’s death anniversary by narrating the tale of his extraordinary stardom, profound influence and a tragic ending that mirrored his most famous film.

Saigal was born into a Punjabi family in Jammu, with a father serving as a land revenue officer and a devoutly religious mother with a passion for music. As the fourth of five siblings, his early exposure to classical Indian music came from accompanying his mother to religious gatherings where spiritual bhajans, kirtans and shabads were performed.

These outings stood out in an otherwise unremarkable childhood, marking his initial connection to music. Despite objections from his father, Saigal’s ability to mimic songs he heard was encouraged by his supportive mother, sparking his interest in singing.

After dropping out of school early, Saigal found work as a railway timekeeper and later as a typewriter salesman, which allowed him to travel extensively across India. His journey led him to Lahore, a creative hub, where he frequented poetry recitals and received encouragement from his friend Mehrchand Jain to pursue his passion for singing.

Lead inset Tansen cAH

In 1930, while in Calcutta, he encountered film producer BN Sircar. Saigal recounted in a rare interview that he was nudged into a singing career, stating, “As a representative for the Remington Typewriter Company, I came to Calcutta.

That’s when I had a meeting with BN Sircar. At that time, he was contemplating starting a film company. They had already placed orders for machinery, but the studio was not ready yet.”

Saigal’s singing talent was accidentally discovered one day during a discussion with a group that included an actor, producer and musician. He was signed on by the newly formed Calcutta-based studio, New Theatres, on a contract of `200 a month. He had said in the interview:

“Maybe they sensed something about my nature, so they extended the offer after a thorough discussion.

“However, at that time, I wasn’t willing to join their company as an actor. Later, they explained things to me in great detail and spoke about the excellent prospects. That’s when I agreed. But during the initial days, I had to face quite a few hardships because my parents were absolutely against me working in films.

Lead inset Devdas  V1 Devdas

Nonetheless, I persevered and eventually entered this field.”

A few of his songs were released by the Indian Gramophone Company, but his foray into Bollywood as an actor and singer was in 1932, under the name Saigal Kashmiri, with the release of three movies, Mohabbat Ke Ansu, Subah Ka Sitara and Zinda Lash. But all three of them failed, and the following year, he used his own name KL Saigal for the film Yahudi Ki Ladki, which flopped as well.

Lead inset KL Saigal in Devdas 90310 n In Devdas

The big turning point came later in 1933 with the devotional movie, Puran Bhagat. A young musician named RC Boral, who would later become an alltime great and receive Indian cinema’s highest honour, the Dadasaheb Phalke Award in 1978, composed the songs. He introduced techniques into song recordings that combined classical music with traditional folk tunes. The result was a game-changing soundtrack that featured bhajans sung by Saigal, which became a sensation across India and turned him into a star.

The newcomer would become a big box office draw, largely due to his magnificent singing in films such as the 1934 social drama Chandidas. He would gain many fans, including a very young Lata Mangeshkar. One of the greatest singer’s of all time, Mangeshkar had said of him:

“I know there are many singers who idolise me. But there was only one singer I idolised and that’s KL Saigal saab. I have been crazy about his voice since childhood. I had even declared during my childhood that if I married anyone it would be Saigal. There was a pathos and magnetism in his voice which I didn’t find in anyone else.”

The actor-singer soared to superstardom the following year with his careerdefining role in Devdas (1935), which was based on the famous Sarat Chandra Chattopadhyay novel. The runaway success established him as India’s biggest star. Mangeshkar had also said: “He was not only my all-time favourite singer, he was also one of the few human beings who inspired me. I never met him. I only saw him in films. I watched his film Devdas innumerable times. I idolised him from childhood. After my father, Saigal saab was my greatest influence.”

The only downside to playing a lovelorn alcoholic in Devdas was a deadly drinking habit he developed. His subsequent musicals in Hindi and Bengali would become huge successes. Some of his most entertaining films included Pujarin (1936), President (1937), Dharti Mata (1938), Street Singer (1938) and Dushman (1939).

Even though playback singing had been introduced, he would still render some songs live in front of the camera.

Saigal once said: “I have no clear understanding of the grammar of music. I manage to sing because of a strong feeling about how certain sounds should be rendered in a given raga. I do not use 10 notes if I can manage to do the same with one. That’s because I know very little.”

Lead inset chandidas 00

He became a major movie star and the most popular singer in the country.

Many aspiring singers, who would go onto become future legends like Kishore Kumar, Mohammed Rafi, Lata Mangeshkar and Mukesh, were inspired by him. Before finding his own voice, Mukesh had delivered the song Dil Jalta Hai, which sounded so similar to his idol that Saigal had said: “That’s strange, I don’t recall singing that song.”

Superstar singer Saigal continued to entertain audiences and moved to Bombay in 1941 to work for the major studio, Ranjit Movietone. By now, the heavy drinking had begun taking a toll on him.

It came to a point where he could only record songs while intoxicated. But bad health due to alcoholism meant that the number of songs and films that came his way diminished, despite his popularity.

He still delivered hits like Bhakta Surdas (1942), Tansen (1943), Tadbir (1945) and Shahjehan (1946). Alchoholism finally did him in like his most famous character Devdas, with the end coming at a young age, on January 18, 1947. His last movie, Parwana (1947), was released the same year and became a success.

Thus ended a remarkable 15-year career that included nearly 200 songs and 36 feature films. His enduring legacy continues through the inspiration he instilled in numerous musicians and singers, shaping subsequent generations, even influencing today’s contemporary artists. In many ways, KL Saigal remains the foundation of Bollywood music.

More For You

Jasbinder Bilan

Jasbinder Bilan

Jasbinder Bilan’s journey of heart and heritage: From Himalayan tales to global acclaim

When Jasbinder Bilan first paused her teaching career to pursue a creative writing degree, she had no idea it would lead to a life-changing breakthrough. What began as a leap of faith became a journey filled with hope, rejection and ultimately triumph. Inspired by her beloved grandmother and her Indian roots, Bilan poured her soul into her debut manuscript Song of the Mountain. Though the publishing world was not immediately ready for her story, perseverance paid off when she won the 2016 Times Chicken House Prize, launching her celebrated writing career. Now, following the success of her Costa Award-winning Asha and the Spirit Bird, Bilan returns with a powerful new historical adventure, Naeli and the Secret Song. In this exclusive interview, she speaks about the emotional inspiration behind the book, her love for young readers and the importance of believing in your voice — no matter how long it takes to be heard.

What first connected you to writing?
It was stories more than writing that were my first love. My grandmother, Majee, was the storyteller in our house and it was those bonding moments that sparked my love for creating my own stories. She told me lots of Indian folk tales at bedtime, but she also shared stories of our life in India on the farm near the foothills of the Himalaya. So, I grew up feeling connected to a place that I then filled with my imagination. As a little girl I loved drawing and writing, and always wanted to be a writer, but it took me a long time to make that dream come true.

Keep ReadingShow less
Rachel Zegler’s ‘Evita’ Performance Sparks Broadway Buzz

Rachel Zegler stuns in Jamie Lloyd’s Evita as Palladium crowds grow nightly

Instagram/officialevita

Rachel Zegler shines in Jamie Lloyd’s ‘Evita’ as West End hit eyes Broadway transfer

Quick highlights:

 
     
  • Rachel Zegler plays Eva Perón in Jamie Lloyd’s radical Evita revival at the London Palladium.
  •  
  • A viral moment features Zegler singing live from the theatre’s balcony to crowds on the street.
  •  
  • Lloyd’s stripped-down staging amps up visuals and sound but sacrifices storytelling depth.
  •  
  • Talks are on for a Broadway transfer as early as 2026 with Zegler confirmed to reprise her role.
  •  
 

Rachel Zegler commands the London stage as Eva Perón in Jamie Lloyd’s daring reimagining of Evita, a production that trades subtlety for spectacle and could soon be heading to Broadway.

Following the success of Sunset Boulevard, Lloyd’s signature stripped-down style meets rock concert intensity in this revived version of the Andrew Lloyd Webber and Tim Rice musical. Zegler, in only her second major stage role, dazzles with commanding vocals and presence, even as critics debate the show’s dramatic clarity.

Keep ReadingShow less
K Anis Ahmed

K Anis Ahmed’s new novel Carnivore is as imaginative as it is provocative

AMG

K Anis Ahmed’s 'Carnivore' serves up satire, class war and moral rot

From the blood-soaked backstreets of Dhaka to the polished kitchens of Manhattan’s elite, K Anis Ahmed’s new novel Carnivore is as imaginative as it is provocative. A satirical thriller steeped in class tension, culinary obsession and primal survival, Carnivore follows Kash, a Bangladeshi immigrant-turned-chef who launches a high-end restaurant serving exotic meats – only to become embroiled in a sinister world of appetite and ambition.

But this is no simple tale of knives and recipes. Ahmed – a seasoned journalist, publisher, and president of PEN Bangladesh – brings a sharp eye to the grotesqueries of power and privilege. In this exclusive interview with Eastern Eye, he speaks about his passion for food, the moral murkiness of his characters, and why even the most ordinary people can spiral into extraordinary darkness.

Keep ReadingShow less
Artists respond to a world shaped
by division at Summer Exhibition

Visitors view works in the main gallery

Artists respond to a world shaped by division at Summer Exhibition

THE theme of the Royal Academy’s Summer Exhibition 2025 is “dialogues”, prompting the question: can art help bring together the people of India and Pakistan? Or, indeed, Israel and Iran – or Israel and Palestine?

It so happens that the coordinator of this year’s Summer Exhibition is the internationally celebrated artist and Royal Academician Farshid Moussavi, who is of Iranian origin.

Keep ReadingShow less
Kanpur 1857 play

This summer, Niall Moorjani returns to the Edinburgh Festival Fringe with 'Kanpur: 1857'

Pleasance

Niall Moorjani brings colonial history to life with powerful new play 'Kanpur: 1857'

This summer, Niall Moorjani returns to the Edinburgh Festival Fringe with Kanpur: 1857, an explosive new play that fuses biting satire, history and heartfelt storytelling. Written, co-directed and performed by Moorjani, alongside fellow actor and collaborator Jonathan Oldfield, the show dives into the bloody uprising against British colonial rule in 1857 India, focusing on the brutal events in Kanpur.

At its centre is an Indian rebel, played by Moorjani, strapped to a cannon and forced to recount a version of events under the watchful eye of a British officer.

Keep ReadingShow less